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The Comeback
Songs like
The Comeback
by
Zac Brown Band
Based on a tempo of (+/- 10%) and a similar genre
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Zac Brown Band
The Comeback
113 bpm • F# Maj • 03:19 • -3db
42% Popularity • 66% Danceability • 83% Energy • 23% Liveness
0% Instrumentalness • 55% Positiveness
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Eric Church
Drink In My Hand
113 bpm • C Maj • 03:11 • -4.45db
73% Popularity • 63% Danceability • 91% Energy • 29% Liveness
0% Instrumentalness • 95% Positiveness
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Riley Green
Put ‘Em On Mine
114 bpm • D# Maj • 03:00 • -5.79db
50% Popularity • 61% Danceability • 82% Energy • 14% Liveness
0% Instrumentalness • 57% Positiveness
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Miranda Lambert
Strange
112 bpm • F# Maj • 03:31 • -6.98db
48% Popularity • 72% Danceability • 63% Energy • 7% Liveness
0% Instrumentalness • 50% Positiveness
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Uncle Kracker
Good to Be Me
114 bpm • G# Maj • 04:12 • -3.76db
38% Popularity • 83% Danceability • 87% Energy • 36% Liveness
0% Instrumentalness • 96% Positiveness
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Blake Shelton
Monday Mornin' Missin' You
114 bpm • D# Maj • 03:40 • -4.8db
29% Popularity • 66% Danceability • 84% Energy • 31% Liveness
3% Instrumentalness • 61% Positiveness
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Toby Keith
Happy Birthday America
112 bpm • D# Maj • 04:18 • -5.16db
35% Popularity • 73% Danceability • 61% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
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Eric Church
Russian Roulette
112 bpm • C# Maj • 03:57 • -7.54db
44% Popularity • 71% Danceability • 66% Energy • 14% Liveness
0% Instrumentalness • 61% Positiveness
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Dustin Lynch
Party Mode
114 bpm • A# min • 03:31 • -2.75db
55% Popularity • 62% Danceability • 92% Energy • 25% Liveness
0% Instrumentalness • 78% Positiveness
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Jameson Rodgers
Girls That Smoke
112 bpm • D Maj • 03:36 • -4.68db
42% Popularity • 68% Danceability • 85% Energy • 18% Liveness
0% Instrumentalness • 66% Positiveness
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Eli Young Band
Saltwater Gospel - Fins Up Version
114 bpm • B Maj • 03:10 • -7db
42% Popularity • 72% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
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Blake Shelton
Whatcha Doin' Tomorrow
112 bpm • C# Maj • 02:41 • -5.68db
27% Popularity • 76% Danceability • 70% Energy • 24% Liveness
0% Instrumentalness • 74% Positiveness
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A Thousand Horses
A Song to Remember
115 bpm • C# min • 03:11 • -6.37db
39% Popularity • 55% Danceability • 84% Energy • 13% Liveness
0% Instrumentalness • 52% Positiveness
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Thomas Rhett
Things Dads Do
112 bpm • E Maj • 04:09 • -7.31db
37% Popularity • 42% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Hailey Whitters
How Far Can It Go?
115 bpm • C min • 02:55 • -5.23db
29% Popularity • 62% Danceability • 82% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
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Chris Janson
All In
115 bpm • G Maj • 03:00 • -4db
28% Popularity • 62% Danceability • 93% Energy • 15% Liveness
0% Instrumentalness • 74% Positiveness
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Zac Brown Band
Roots
115 bpm • B Maj • 03:51 • -7db
47% Popularity • 73% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
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Ryan Hurd
Tab with My Name on It
111 bpm • A Maj • 04:18 • -7db
25% Popularity • 55% Danceability • 77% Energy • 35% Liveness
0% Instrumentalness • 14% Positiveness
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Blake Shelton
Neon Time
111 bpm • A Maj • 03:45 • -4.59db
24% Popularity • 73% Danceability • 85% Energy • 12% Liveness
0% Instrumentalness • 92% Positiveness
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Everette
Gonna Be A Problem
111 bpm • D Maj • 03:02 • -6.08db
21% Popularity • 63% Danceability • 80% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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Catie Offerman
Happyland Trailer Park
116 bpm • G# Maj • 04:03 • -5db
26% Popularity • 53% Danceability • 91% Energy • 23% Liveness
0% Instrumentalness • 56% Positiveness
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Tebey
What Was I Drinking
116 bpm • E min • 02:57 • -3db
35% Popularity • 64% Danceability • 90% Energy • 24% Liveness
0% Instrumentalness • 55% Positiveness
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Zac Brown Band
Old Love Song
111 bpm • B Maj • 03:31 • -4.46db
46% Popularity • 75% Danceability • 81% Energy • 9% Liveness
0% Instrumentalness • 74% Positiveness
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Toby Keith
Peso In My Pocket
110 bpm • E Maj • 02:45 • -4.81db
32% Popularity • 70% Danceability • 92% Energy • 7% Liveness
0% Instrumentalness • 85% Positiveness
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Eric Church
Through My Ray-Bans
110 bpm • F Maj • 04:33 • -11.39db
44% Popularity • 74% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 53% Positiveness
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Jaden Hamilton
Heaven's Jukebox
116 bpm • F# Maj • 03:31 • -5.31db
32% Popularity • 56% Danceability • 78% Energy • 35% Liveness
0% Instrumentalness • 59% Positiveness
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Restless Road
Bar Friends
110 bpm • D Maj • 03:06 • -4.5db
39% Popularity • 54% Danceability • 83% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
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Dustin Lynch
Pasadena
110 bpm • D# Maj • 03:35 • -4.09db
32% Popularity • 63% Danceability • 83% Energy • 8% Liveness
0% Instrumentalness • 51% Positiveness
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Caroline Jones
Come in (But Don't Make Yourself Comfort...
110 bpm • F# Maj • 03:09 • -2.52db
32% Popularity • 74% Danceability • 80% Energy • 3% Liveness
0% Instrumentalness • 67% Positiveness
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Brian Kelley
Party On The Beach
110 bpm • G Maj • 02:38 • -5.47db
35% Popularity • 73% Danceability • 74% Energy • 20% Liveness
0% Instrumentalness • 79% Positiveness
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Eric Church
Look Good And You Know It
110 bpm • A Maj • 03:10 • -6.53db
39% Popularity • 72% Danceability • 63% Energy • 32% Liveness
0% Instrumentalness • 87% Positiveness
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Chris Lane
Stop Coming Over
110 bpm • B Maj • 02:18 • -5.81db
41% Popularity • 64% Danceability • 82% Energy • 10% Liveness
0% Instrumentalness • 83% Positiveness
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Chris Janson
We Did It Anyway
110 bpm • G Maj • 02:43 • -4.85db
26% Popularity • 53% Danceability • 95% Energy • 24% Liveness
0% Instrumentalness • 32% Positiveness
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Shy Carter
Beer With My Friends
110 bpm • A Maj • 02:57 • -2.6db
41% Popularity • 60% Danceability • 93% Energy • 4% Liveness
0% Instrumentalness • 82% Positiveness
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Nate Smith
Whiskey On You - Acoustic
110 bpm • G# Maj • 02:59 • -4.36db
47% Popularity • 64% Danceability • 60% Energy • 17% Liveness
0% Instrumentalness • 77% Positiveness
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Restless Road
Took One Look at Her Momma
117 bpm • G# Maj • 03:12 • -3.41db
35% Popularity • 60% Danceability • 90% Energy • 17% Liveness
0% Instrumentalness • 83% Positiveness
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Keith Urban
Wild Hearts
117 bpm • E Maj • 03:02 • -4.14db
56% Popularity • 60% Danceability • 79% Energy • 35% Liveness
0% Instrumentalness • 51% Positiveness
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Lady A
What A Song Can Do
117 bpm • D# Maj • 03:41 • -5.41db
47% Popularity • 57% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Zac Brown Band
Paradise Lost on Me
117 bpm • F# Maj • 02:24 • -4.54db
45% Popularity • 74% Danceability • 83% Energy • 10% Liveness
0% Instrumentalness • 82% Positiveness
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Kenny Chesney
Everyone She Knows
109 bpm • F Maj • 03:24 • -5.05db
51% Popularity • 66% Danceability • 68% Energy • 16% Liveness
0% Instrumentalness • 66% Positiveness
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Ashland Craft
Highway Like Me
118 bpm • E Maj • 04:30 • -5.7db
26% Popularity • 28% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Brian Kelley
Beach Cowboy
118 bpm • A min • 02:18 • -5.89db
47% Popularity • 75% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
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Conner Smith
Summer On Your Lips
118 bpm • F Maj • 03:30 • -4.31db
46% Popularity • 53% Danceability • 87% Energy • 8% Liveness
0% Instrumentalness • 69% Positiveness
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Laine Hardy
Here's to Anyone
109 bpm • D Maj • 03:01 • -4.51db
32% Popularity • 69% Danceability • 76% Energy • 21% Liveness
0% Instrumentalness • 70% Positiveness
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Caroline Jones
Million Little Bandaids
118 bpm • E Maj • 03:14 • -6.22db
53% Popularity • 60% Danceability • 69% Energy • 18% Liveness
0% Instrumentalness • 44% Positiveness
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Kenny Chesney
Happy Does
109 bpm • F# Maj • 02:48 • -5.49db
54% Popularity • 72% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
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Jon Langston
When You're Lonely
118 bpm • F# Maj • 03:14 • -4.77db
40% Popularity • 56% Danceability • 90% Energy • 37% Liveness
0% Instrumentalness • 48% Positiveness
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Thomas Rhett
More Time Fishin’
108 bpm • G Maj • 03:05 • -6.26db
43% Popularity • 65% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 71% Positiveness
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Conner Smith
Why I Can't Leave
108 bpm • E Maj • 03:25 • -4db
43% Popularity • 59% Danceability • 84% Energy • 8% Liveness
0% Instrumentalness • 48% Positiveness
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Eli Young Band
Love Talking
108 bpm • D# Maj • 02:53 • -5db
41% Popularity • 56% Danceability • 82% Energy • 28% Liveness
0% Instrumentalness • 44% Positiveness
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Hailey Whitters
The Neon
108 bpm • G# min • 03:34 • -5.87db
36% Popularity • 55% Danceability • 82% Energy • 15% Liveness
0% Instrumentalness • 45% Positiveness
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Josh Turner
Country State Of Mind
119 bpm • C# Maj • 04:02 • -5.56db
38% Popularity • 59% Danceability • 83% Energy • 32% Liveness
0% Instrumentalness • 59% Positiveness
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Kip Moore
Crazy One More Time - Revisited
119 bpm • F Maj • 03:51 • -7.41db
40% Popularity • 67% Danceability • 76% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
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Randy Houser
No Stone Unturned
107 bpm • B Maj • 04:21 • -6.01db
37% Popularity • 68% Danceability • 78% Energy • 12% Liveness
10% Instrumentalness • 37% Positiveness
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Brian Kelley
Whatever Floats Your Boat
107 bpm • G# min • 02:35 • -4.93db
40% Popularity • 68% Danceability • 81% Energy • 17% Liveness
0% Instrumentalness • 89% Positiveness
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Blake Shelton
Austin - Acoustic
120 bpm • G Maj • 03:46 • -7.96db
33% Popularity • 68% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
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Eli Young Band
Break Up In A Bar
120 bpm • E Maj • 03:36 • -4.89db
26% Popularity • 60% Danceability • 83% Energy • 18% Liveness
0% Instrumentalness • 72% Positiveness
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Eric Church
Heart On Fire
120 bpm • G# Maj • 04:18 • -5db
58% Popularity • 65% Danceability • 93% Energy • 10% Liveness
0% Instrumentalness • 89% Positiveness
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Kip Moore
Fire On Wheels
120 bpm • G Maj • 02:36 • -4.59db
51% Popularity • 71% Danceability • 86% Energy • 21% Liveness
0% Instrumentalness • 82% Positiveness
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Jameson Rodgers
Porch with a View
120 bpm • F# min • 02:43 • -6db
35% Popularity • 60% Danceability • 69% Energy • 32% Liveness
0% Instrumentalness • 61% Positiveness
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LOCASH
Sippin Sunsets
120 bpm • G# Maj • 03:07 • -4.55db
29% Popularity • 67% Danceability • 73% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
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Elvie Shane
Keep On Strummin’
120 bpm • C Maj • 03:13 • -3.68db
24% Popularity • 63% Danceability • 91% Energy • 17% Liveness
0% Instrumentalness • 73% Positiveness
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Thomas Rhett
Anything Cold
120 bpm • G Maj • 02:46 • -5.52db
37% Popularity • 67% Danceability • 85% Energy • 10% Liveness
0% Instrumentalness • 77% Positiveness
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Zac Brown Band
Slow Burn
120 bpm • C# Maj • 03:31 • -2.89db
39% Popularity • 57% Danceability • 92% Energy • 9% Liveness
0% Instrumentalness • 69% Positiveness
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Ian Munsick
Humble
120 bpm • E Maj • 03:40 • -4.68db
47% Popularity • 76% Danceability • 81% Energy • 25% Liveness
0% Instrumentalness • 91% Positiveness
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Scotty McCreery
Small Town Girl
106 bpm • G# Maj • 03:04 • -6.11db
39% Popularity • 68% Danceability • 64% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
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Josh Melton
I Get That With You
106 bpm • A Maj • 03:09 • -7db
41% Popularity • 62% Danceability • 80% Energy • 21% Liveness
0% Instrumentalness • 42% Positiveness
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Ray Fulcher
Girl In It
106 bpm • A# min • 03:02 • -6db
23% Popularity • 63% Danceability • 82% Energy • 29% Liveness
0% Instrumentalness • 52% Positiveness
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Thomas Rhett
Where We Grew Up
106 bpm • A Maj • 02:45 • -5.45db
37% Popularity • 62% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
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Zac Brown Band
Wild Palomino
120 bpm • C# Maj • 03:18 • -9db
53% Popularity • 63% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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Ian Munsick
Solo
106 bpm • F# Maj • 02:48 • -4.77db
50% Popularity • 62% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
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Kenny Chesney
All the Pretty Girls
121 bpm • F# Maj • 03:32 • -3.74db
64% Popularity • 61% Danceability • 85% Energy • 37% Liveness
0% Instrumentalness • 72% Positiveness
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Chris Janson
Too Far Gone
105 bpm • A# Maj • 03:10 • -2.97db
18% Popularity • 58% Danceability • 91% Energy • 21% Liveness
0% Instrumentalness • 66% Positiveness
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Tim Montana
Bar Band
105 bpm • G Maj • 03:25 • -4.99db
24% Popularity • 67% Danceability • 78% Energy • 13% Liveness
0% Instrumentalness • 63% Positiveness
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The Washboard Union
Never Run Outta Road
105 bpm • A# Maj • 03:28 • -3.66db
28% Popularity • 50% Danceability • 86% Energy • 21% Liveness
0% Instrumentalness • 32% Positiveness
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Zac Brown Band
Homegrown
105 bpm • F# Maj • 03:25 • -4db
70% Popularity • 71% Danceability • 81% Energy • 9% Liveness
0% Instrumentalness • 94% Positiveness
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Trey Lewis
Shut the Door
105 bpm • A Maj • 02:53 • -6db
38% Popularity • 52% Danceability • 84% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
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Thomas Rhett
Growing Up
105 bpm • D Maj • 03:01 • -6.47db
47% Popularity • 63% Danceability • 79% Energy • 14% Liveness
0% Instrumentalness • 56% Positiveness
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Jon Pardi
Tequila Little Time
105 bpm • D Maj • 03:27 • -5.08db
61% Popularity • 76% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 86% Positiveness
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Gary Allan
Waste Of A Whiskey Drink
105 bpm • A Maj • 03:24 • -6db
42% Popularity • 66% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
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The Washboard Union
Dock Rock
105 bpm • A Maj • 03:09 • -4db
38% Popularity • 71% Danceability • 88% Energy • 16% Liveness
0% Instrumentalness • 83% Positiveness
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Zac Brown Band
Don't Let Your Heart
122 bpm • B Maj • 03:18 • -3.51db
30% Popularity • 68% Danceability • 88% Energy • 6% Liveness
0% Instrumentalness • 92% Positiveness
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Elvie Shane
Love, Cold Beer, Cheap Smoke
122 bpm • A Maj • 03:19 • -3.75db
39% Popularity • 69% Danceability • 92% Energy • 14% Liveness
0% Instrumentalness • 76% Positiveness
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Chris Lane
Dancin' In The Moonlight
122 bpm • G# min • 03:19 • -4.86db
59% Popularity • 59% Danceability • 83% Energy • 13% Liveness
0% Instrumentalness • 56% Positiveness
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Kenny Chesney
We Do
122 bpm • C# Maj • 03:25 • -3.77db
42% Popularity • 58% Danceability • 93% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
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Austin Burke
Changed Everything
122 bpm • F# Maj • 03:46 • -6.51db
36% Popularity • 66% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 74% Positiveness
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Brett Eldredge
Hideaway - Studio Version
122 bpm • G# Maj • 02:56 • -6.58db
44% Popularity • 45% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
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Toby Keith
Oklahoma Breakdown
104 bpm • D Maj • 03:31 • -5db
46% Popularity • 65% Danceability • 88% Energy • 22% Liveness
0% Instrumentalness • 82% Positiveness
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BRELAND
Strawberry Wine - Spotify Singles
122 bpm • A Maj • 04:20 • -8.27db
40% Popularity • 60% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
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Chris Lane
Howdy
122 bpm • F# Maj • 03:39 • -5.89db
25% Popularity • 55% Danceability • 83% Energy • 9% Liveness
0% Instrumentalness • 65% Positiveness
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Ian Munsick
Mountain Time
104 bpm • A Maj • 03:20 • -3.53db
50% Popularity • 60% Danceability • 86% Energy • 28% Liveness
0% Instrumentalness • 66% Positiveness
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Eric Church
Springsteen
104 bpm • D Maj • 04:23 • -5.94db
77% Popularity • 69% Danceability • 81% Energy • 18% Liveness
0% Instrumentalness • 93% Positiveness
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Scotty McCreery
You Time
104 bpm • A Maj • 03:12 • -6db
50% Popularity • 55% Danceability • 77% Energy • 14% Liveness
0% Instrumentalness • 60% Positiveness
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Kenny Chesney
Wind On
123 bpm • C Maj • 04:20 • -3.04db
30% Popularity • 50% Danceability • 87% Energy • 35% Liveness
0% Instrumentalness • 34% Positiveness
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Chayce Beckham
Can't Do Without Me
123 bpm • C# Maj • 03:21 • -3.6db
48% Popularity • 60% Danceability • 93% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
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Adam Doleac
Whiskey's Fine
124 bpm • F Maj • 03:28 • -3.67db
37% Popularity • 52% Danceability • 76% Energy • 23% Liveness
0% Instrumentalness • 38% Positiveness
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Mike Ryan
Can Down
103 bpm • C Maj • 03:09 • -5db
44% Popularity • 60% Danceability • 72% Energy • 17% Liveness
0% Instrumentalness • 23% Positiveness
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Eric Church
Hell On The Heart
123 bpm • C Maj • 02:44 • -3.88db
57% Popularity • 64% Danceability • 89% Energy • 9% Liveness
0% Instrumentalness • 93% Positiveness
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Chad Brownlee
Money On You
124 bpm • G Maj • 03:17 • -5.34db
37% Popularity • 57% Danceability • 90% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
► Preview
Chase Rice
Bad Day To Be A Cold Beer
124 bpm • E Maj • 03:03 • -4.28db
44% Popularity • 66% Danceability • 92% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
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The Comeback