Songs like The Coming of the Dawn by Frankenstein World Premiere Cast
Based on a tempo of (+/- 10%) and a similar genre
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Krystina Alabado
Freedom
144 bpm • E Maj • 06:39 • -7.03db
27% Popularity • 48% Danceability • 38% Energy • 16% Liveness
0% Instrumentalness • 48% Positiveness
27% Popularity • 48% Danceability • 38% Energy • 16% Liveness
0% Instrumentalness • 48% Positiveness
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Alex Brightman
Why Must We Tell Them Why?
144 bpm • A min • 03:55 • -7.16db
31% Popularity • 60% Danceability • 78% Energy • 12% Liveness
0% Instrumentalness • 75% Positiveness
31% Popularity • 60% Danceability • 78% Energy • 12% Liveness
0% Instrumentalness • 75% Positiveness
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Frankenstein World Premiere Cast
The Coming of the Dawn
144 bpm • A# Maj • 03:37 • -7.86db
20% Popularity • 34% Danceability • 37% Energy • 15% Liveness
0% Instrumentalness • 22% Positiveness
20% Popularity • 34% Danceability • 37% Energy • 15% Liveness
0% Instrumentalness • 22% Positiveness
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Andrew Lloyd Webber
Skimbleshanks: The Railway Cat
144 bpm • E Maj • 04:51 • -8.07db
31% Popularity • 57% Danceability • 70% Energy • 62% Liveness
0% Instrumentalness • 68% Positiveness
31% Popularity • 57% Danceability • 70% Energy • 62% Liveness
0% Instrumentalness • 68% Positiveness
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Original StarKid Cast of Nightmare Time
The Hatchetfield Ape-Man
145 bpm • F# min • 02:05 • -8.13db
22% Popularity • 51% Danceability • 63% Energy • 37% Liveness
0% Instrumentalness • 69% Positiveness
22% Popularity • 51% Danceability • 63% Energy • 37% Liveness
0% Instrumentalness • 69% Positiveness
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Roger Bart
Together Again
145 bpm • G Maj • 03:50 • -8.55db
29% Popularity • 65% Danceability • 54% Energy • 4% Liveness
0% Instrumentalness • 64% Positiveness
29% Popularity • 65% Danceability • 54% Energy • 4% Liveness
0% Instrumentalness • 64% Positiveness
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Joseph Walker
The Torture Tango
143 bpm • F# min • 03:48 • -13db
37% Popularity • 54% Danceability • 33% Energy • 24% Liveness
0% Instrumentalness • 38% Positiveness
37% Popularity • 54% Danceability • 33% Energy • 24% Liveness
0% Instrumentalness • 38% Positiveness
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Alex Brightman
Fright of Their Lives
144 bpm • A Maj • 03:44 • -5.49db
50% Popularity • 66% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 71% Positiveness
50% Popularity • 66% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 71% Positiveness
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Matt Dahan
A New Horizon
145 bpm • B Maj • 04:38 • -9db
25% Popularity • 44% Danceability • 37% Energy • 7% Liveness
0% Instrumentalness • 28% Positiveness
25% Popularity • 44% Danceability • 37% Energy • 7% Liveness
0% Instrumentalness • 28% Positiveness
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Kate Wetherhead
Rooftop Duet / Falling
145 bpm • D Maj • 07:23 • -12.13db
22% Popularity • 52% Danceability • 22% Energy • 13% Liveness
0% Instrumentalness • 33% Positiveness
22% Popularity • 52% Danceability • 22% Energy • 13% Liveness
0% Instrumentalness • 33% Positiveness
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The Guy Who Didn't Like Musicals Cast
You Tied up My Heart
145 bpm • A# Maj • 03:35 • -8.57db
35% Popularity • 40% Danceability • 43% Energy • 20% Liveness
0% Instrumentalness • 43% Positiveness
35% Popularity • 40% Danceability • 43% Energy • 20% Liveness
0% Instrumentalness • 43% Positiveness
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Matthew James Thomas
Extraordinary
146 bpm • D min • 02:38 • -7.39db
35% Popularity • 53% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 83% Positiveness
35% Popularity • 53% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 83% Positiveness
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Krystina Alabado
Drive
143 bpm • F# Maj • 04:45 • -8.54db
19% Popularity • 49% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
19% Popularity • 49% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
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Sophia Anne Caruso
Home
146 bpm • D Maj • 03:47 • -6.51db
51% Popularity • 41% Danceability • 62% Energy • 28% Liveness
0% Instrumentalness • 19% Positiveness
51% Popularity • 41% Danceability • 62% Energy • 28% Liveness
0% Instrumentalness • 19% Positiveness
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Ensemble
Murder, Murder
142 bpm • A min • 05:28 • -10db
30% Popularity • 60% Danceability • 47% Energy • 7% Liveness
0% Instrumentalness • 51% Positiveness
30% Popularity • 60% Danceability • 47% Energy • 7% Liveness
0% Instrumentalness • 51% Positiveness
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Original StarKid Cast of Twisted
Dream a Little Harder
142 bpm • D Maj • 05:34 • -8.09db
35% Popularity • 52% Danceability • 48% Energy • 28% Liveness
0% Instrumentalness • 55% Positiveness
35% Popularity • 52% Danceability • 48% Energy • 28% Liveness
0% Instrumentalness • 55% Positiveness
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The Guy Who Didn't Like Musicals Cast
What Do You Want, Paul?
146 bpm • C# Maj • 03:11 • -9.35db
38% Popularity • 63% Danceability • 47% Energy • 26% Liveness
0% Instrumentalness • 47% Positiveness
38% Popularity • 63% Danceability • 47% Energy • 26% Liveness
0% Instrumentalness • 47% Positiveness
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Karen Mason
Hail the Queen
146 bpm • C Maj • 01:58 • -12.07db
22% Popularity • 59% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 73% Positiveness
22% Popularity • 59% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 73% Positiveness
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Sydney Shepherd
Living Dead
142 bpm • E Maj • 04:38 • -5.24db
17% Popularity • 61% Danceability • 81% Energy • 46% Liveness
0% Instrumentalness • 65% Positiveness
17% Popularity • 61% Danceability • 81% Energy • 46% Liveness
0% Instrumentalness • 65% Positiveness
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Rob McClure
Ready Set, Not Yet
146 bpm • G Maj • 03:42 • -7.05db
51% Popularity • 66% Danceability • 65% Energy • 18% Liveness
0% Instrumentalness • 69% Positiveness
51% Popularity • 66% Danceability • 65% Energy • 18% Liveness
0% Instrumentalness • 69% Positiveness
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Street People
Facade
142 bpm • D min • 03:58 • -6.39db
34% Popularity • 56% Danceability • 59% Energy • 15% Liveness
0% Instrumentalness • 28% Positiveness
34% Popularity • 56% Danceability • 59% Energy • 15% Liveness
0% Instrumentalness • 28% Positiveness
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Bryce Pinkham
It's Not Like In The Movies
147 bpm • A Maj • 04:44 • -6.67db
18% Popularity • 57% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
18% Popularity • 57% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
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Jeanine Tesori
Flying Away (Finale)
141 bpm • A Maj • 03:34 • -10.9db
29% Popularity • 39% Danceability • 21% Energy • 14% Liveness
0% Instrumentalness • 15% Positiveness
29% Popularity • 39% Danceability • 21% Energy • 14% Liveness
0% Instrumentalness • 15% Positiveness
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Tessa Netting
Pay Attention!
147 bpm • F# Maj • 03:35 • -14.62db
28% Popularity • 75% Danceability • 37% Energy • 34% Liveness
0% Instrumentalness • 40% Positiveness
28% Popularity • 75% Danceability • 37% Energy • 34% Liveness
0% Instrumentalness • 40% Positiveness
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StarKid Productions
If I Fail You
141 bpm • A Maj • 05:21 • -14db
32% Popularity • 35% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
32% Popularity • 35% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
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Lauren Marcus
Do You Wanna Ride?
141 bpm • A# Maj • 01:33 • -10.15db
31% Popularity • 60% Danceability • 30% Energy • 14% Liveness
0% Instrumentalness • 13% Positiveness
31% Popularity • 60% Danceability • 30% Energy • 14% Liveness
0% Instrumentalness • 13% Positiveness
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'Something Rotten' Ensemble
The Black Death
140 bpm • E Maj • 01:15 • -8.96db
39% Popularity • 72% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
39% Popularity • 72% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
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Alex Brightman
Watch Your Step
148 bpm • F min • 02:31 • -12.19db
33% Popularity • 70% Danceability • 37% Energy • 25% Liveness
0% Instrumentalness • 60% Positiveness
33% Popularity • 70% Danceability • 37% Energy • 25% Liveness
0% Instrumentalness • 60% Positiveness
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Hannah Waddingham
Fear & Whispers
140 bpm • D# min • 03:23 • -10.44db
16% Popularity • 38% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
16% Popularity • 38% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
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Mary Kate Wiles
Spies Are Forever
148 bpm • B min • 03:20 • -10.75db
37% Popularity • 61% Danceability • 55% Energy • 23% Liveness
0% Instrumentalness • 45% Positiveness
37% Popularity • 61% Danceability • 55% Energy • 23% Liveness
0% Instrumentalness • 45% Positiveness
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H.M.B. Cast
Rogues Are We (Reprise)
140 bpm • A# Maj • 02:11 • -14.03db
25% Popularity • 73% Danceability • 50% Energy • 16% Liveness
0% Instrumentalness • 63% Positiveness
25% Popularity • 73% Danceability • 50% Energy • 16% Liveness
0% Instrumentalness • 63% Positiveness
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Katlyn Carlson
Do You Wanna Hang?
140 bpm • C# Maj • 01:11 • -8.95db
26% Popularity • 56% Danceability • 30% Energy • 20% Liveness
0% Instrumentalness • 37% Positiveness
26% Popularity • 56% Danceability • 30% Energy • 20% Liveness
0% Instrumentalness • 37% Positiveness
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Terrence Mann
Let's Not Talk About Anything Else But L...
149 bpm • F Maj • 03:19 • -10.74db
36% Popularity • 60% Danceability • 38% Energy • 27% Liveness
0% Instrumentalness • 69% Positiveness
36% Popularity • 60% Danceability • 38% Energy • 27% Liveness
0% Instrumentalness • 69% Positiveness
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Santino Fontana
Opening Number
140 bpm • D Maj • 05:56 • -9.88db
18% Popularity • 62% Danceability • 42% Energy • 19% Liveness
0% Instrumentalness • 71% Positiveness
18% Popularity • 62% Danceability • 42% Energy • 19% Liveness
0% Instrumentalness • 71% Positiveness
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Alex Wyse
Right Here
140 bpm • A Maj • 04:32 • -11.19db
9% Popularity • 42% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
9% Popularity • 42% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Curt Mega
Spy Again
149 bpm • G# Maj • 04:31 • -14.04db
31% Popularity • 51% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
31% Popularity • 51% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
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George Salazar
Kaboom
149 bpm • F Maj • 04:39 • -12.19db
19% Popularity • 50% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
19% Popularity • 50% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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Frankenstein World Premiere Cast
The Modern Prometheus
139 bpm • D min • 03:11 • -6db
27% Popularity • 38% Danceability • 72% Energy • 39% Liveness
0% Instrumentalness • 56% Positiveness
27% Popularity • 38% Danceability • 72% Energy • 39% Liveness
0% Instrumentalness • 56% Positiveness
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Rob Rokicki
Say Goodbye
139 bpm • A Maj • 04:12 • -8.36db
11% Popularity • 31% Danceability • 32% Energy • 16% Liveness
0% Instrumentalness • 12% Positiveness
11% Popularity • 31% Danceability • 32% Energy • 16% Liveness
0% Instrumentalness • 12% Positiveness
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Kerry Butler
Barbara 2.0
149 bpm • G# Maj • 03:25 • -5.54db
48% Popularity • 56% Danceability • 65% Energy • 6% Liveness
0% Instrumentalness • 68% Positiveness
48% Popularity • 56% Danceability • 65% Energy • 6% Liveness
0% Instrumentalness • 68% Positiveness
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Sarah Beth Pfeifer
Put You in Your Place
150 bpm • E Maj • 03:03 • -4.63db
44% Popularity • 60% Danceability • 72% Energy • 39% Liveness
0% Instrumentalness • 69% Positiveness
44% Popularity • 60% Danceability • 72% Energy • 39% Liveness
0% Instrumentalness • 69% Positiveness
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Andi Alhadeff
Lifesong
138 bpm • B min • 02:28 • -5.83db
8% Popularity • 44% Danceability • 74% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
8% Popularity • 44% Danceability • 74% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
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Alan Zachary
First Impressions
150 bpm • C Maj • 03:35 • -5.62db
32% Popularity • 74% Danceability • 71% Energy • 12% Liveness
0% Instrumentalness • 84% Positiveness
32% Popularity • 74% Danceability • 71% Energy • 12% Liveness
0% Instrumentalness • 84% Positiveness
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Ryah Nixon
If You Knew
138 bpm • G Maj • 03:06 • -9db
19% Popularity • 56% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
19% Popularity • 56% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
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Lizard Boy Original Cast
Lizard Boy
151 bpm • E min • 04:55 • -5.7db
14% Popularity • 48% Danceability • 41% Energy • 28% Liveness
0% Instrumentalness • 41% Positiveness
14% Popularity • 48% Danceability • 41% Energy • 28% Liveness
0% Instrumentalness • 41% Positiveness
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Lucas Steele
The Duel
151 bpm • F# Maj • 07:31 • -9.19db
36% Popularity • 48% Danceability • 51% Energy • 8% Liveness
0% Instrumentalness • 21% Positiveness
36% Popularity • 48% Danceability • 51% Energy • 8% Liveness
0% Instrumentalness • 21% Positiveness
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Chris McCarrell
Good Kid
138 bpm • G# Maj • 03:24 • -6.81db
48% Popularity • 61% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
48% Popularity • 61% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
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Thomas Borchert
I Know Those Eyes / This Man Is Dead
137 bpm • D min • 03:12 • -10.45db
42% Popularity • 29% Danceability • 46% Energy • 13% Liveness
0% Instrumentalness • 13% Positiveness
42% Popularity • 29% Danceability • 46% Energy • 13% Liveness
0% Instrumentalness • 13% Positiveness
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Dave Clemons
Murder, Murder!
138 bpm • A min • 06:05 • -9.38db
31% Popularity • 59% Danceability • 45% Energy • 7% Liveness
0% Instrumentalness • 35% Positiveness
31% Popularity • 59% Danceability • 45% Energy • 7% Liveness
0% Instrumentalness • 35% Positiveness
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StarKid Productions
Made in America
151 bpm • B Maj • 04:06 • -9.02db
35% Popularity • 56% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
35% Popularity • 56% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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Alan Zachary
In Love With You
137 bpm • C Maj • 03:53 • -6db
29% Popularity • 55% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
29% Popularity • 55% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
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Douglas Sills
The Scarlet Pimpernel
151 bpm • D Maj • 02:44 • -11.8db
22% Popularity • 71% Danceability • 46% Energy • 18% Liveness
0% Instrumentalness • 87% Positiveness
22% Popularity • 71% Danceability • 46% Energy • 18% Liveness
0% Instrumentalness • 87% Positiveness
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Matt Doyle
The Killing
152 bpm • C Maj • 04:03 • -4.64db
11% Popularity • 47% Danceability • 76% Energy • 62% Liveness
0% Instrumentalness • 50% Positiveness
11% Popularity • 47% Danceability • 76% Energy • 62% Liveness
0% Instrumentalness • 50% Positiveness
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Stephanie Styles
Understudy Buddy
152 bpm • C Maj • 03:37 • -7.18db
24% Popularity • 80% Danceability • 65% Energy • 6% Liveness
0% Instrumentalness • 78% Positiveness
24% Popularity • 80% Danceability • 65% Energy • 6% Liveness
0% Instrumentalness • 78% Positiveness
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Hunter Parrish
All for the Best
136 bpm • G Maj • 03:16 • -10.76db
39% Popularity • 61% Danceability • 42% Energy • 19% Liveness
0% Instrumentalness • 72% Positiveness
39% Popularity • 61% Danceability • 42% Energy • 19% Liveness
0% Instrumentalness • 72% Positiveness
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Working: A Musical (Original London Cast)
Something to Point To
136 bpm • A Maj • 03:42 • -13db
11% Popularity • 47% Danceability • 32% Energy • 6% Liveness
0% Instrumentalness • 36% Positiveness
11% Popularity • 47% Danceability • 32% Energy • 6% Liveness
0% Instrumentalness • 36% Positiveness
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Anna DeNoia
The Devil I Don't
152 bpm • G# Maj • 03:55 • -9.21db
12% Popularity • 37% Danceability • 50% Energy • 14% Liveness
0% Instrumentalness • 37% Positiveness
12% Popularity • 37% Danceability • 50% Energy • 14% Liveness
0% Instrumentalness • 37% Positiveness
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Original StarKid Cast of The Trail To Oregon!
Independence!
153 bpm • C Maj • 04:57 • -6.87db
33% Popularity • 54% Danceability • 73% Energy • 32% Liveness
0% Instrumentalness • 64% Positiveness
33% Popularity • 54% Danceability • 73% Energy • 32% Liveness
0% Instrumentalness • 64% Positiveness
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Lucy, Jekyll
Dangerous Game
136 bpm • E min • 03:34 • -11.02db
32% Popularity • 34% Danceability • 43% Energy • 20% Liveness
0% Instrumentalness • 16% Positiveness
32% Popularity • 34% Danceability • 43% Energy • 20% Liveness
0% Instrumentalness • 16% Positiveness
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Barrett Wilbert Weed
Seventeen (Reprise)
153 bpm • G# Maj • 02:44 • -8.09db
53% Popularity • 33% Danceability • 45% Energy • 5% Liveness
0% Instrumentalness • 56% Positiveness
53% Popularity • 33% Danceability • 45% Energy • 5% Liveness
0% Instrumentalness • 56% Positiveness
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35MM: A Musical Exhibition Original Cast
Immaculate Deception
153 bpm • D# Maj • 03:12 • -9.24db
25% Popularity • 46% Danceability • 40% Energy • 26% Liveness
0% Instrumentalness • 53% Positiveness
25% Popularity • 46% Danceability • 40% Energy • 26% Liveness
0% Instrumentalness • 53% Positiveness
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Lizard Boy Original Cast
I Was Going to Call You
153 bpm • G# min • 02:53 • -7.28db
11% Popularity • 57% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
11% Popularity • 57% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Curt Mega
One More Shot
154 bpm • B min • 03:52 • -12.05db
29% Popularity • 64% Danceability • 51% Energy • 23% Liveness
0% Instrumentalness • 37% Positiveness
29% Popularity • 64% Danceability • 51% Energy • 23% Liveness
0% Instrumentalness • 37% Positiveness
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Brian D'Arcy James
God, I Hate Shakespeare
154 bpm • C# min • 02:44 • -7.14db
47% Popularity • 64% Danceability • 66% Energy • 15% Liveness
0% Instrumentalness • 70% Positiveness
47% Popularity • 64% Danceability • 66% Energy • 15% Liveness
0% Instrumentalness • 70% Positiveness
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Original StarKid Cast of The Trail To Oregon!
Dysentery World
135 bpm • C min • 02:10 • -6.77db
29% Popularity • 49% Danceability • 69% Energy • 22% Liveness
0% Instrumentalness • 66% Positiveness
29% Popularity • 49% Danceability • 69% Energy • 22% Liveness
0% Instrumentalness • 66% Positiveness
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Matt Dahan
Something After All
135 bpm • A# Maj • 02:12 • -12db
22% Popularity • 39% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
22% Popularity • 39% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
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'Be More Chill' Ensemble
The Play
154 bpm • A Maj • 06:19 • -6.55db
27% Popularity • 46% Danceability • 55% Energy • 18% Liveness
0% Instrumentalness • 38% Positiveness
27% Popularity • 46% Danceability • 55% Energy • 18% Liveness
0% Instrumentalness • 38% Positiveness
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Neil Bartram
Relativity
135 bpm • A min • 03:56 • -8db
23% Popularity • 50% Danceability • 30% Energy • 15% Liveness
0% Instrumentalness • 26% Positiveness
23% Popularity • 50% Danceability • 30% Energy • 15% Liveness
0% Instrumentalness • 26% Positiveness
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StarKid Productions
Wiggle
134 bpm • C min • 03:53 • -10.25db
32% Popularity • 50% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 47% Positiveness
32% Popularity • 50% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 47% Positiveness
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Roger Bart
Join The Family Business
134 bpm • D Maj • 04:17 • -6db
24% Popularity • 59% Danceability • 58% Energy • 7% Liveness
0% Instrumentalness • 66% Positiveness
24% Popularity • 59% Danceability • 58% Energy • 7% Liveness
0% Instrumentalness • 66% Positiveness
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Lauren Lopez
Eyes on the Prize I
155 bpm • D Maj • 01:56 • -13.74db
28% Popularity • 47% Danceability • 37% Energy • 28% Liveness
0% Instrumentalness • 30% Positiveness
28% Popularity • 47% Danceability • 37% Energy • 28% Liveness
0% Instrumentalness • 30% Positiveness
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Isabelle McCalla
Alyssa Greene
133 bpm • G# Maj • 02:30 • -10.69db
38% Popularity • 59% Danceability • 25% Energy • 17% Liveness
0% Instrumentalness • 51% Positiveness
38% Popularity • 59% Danceability • 25% Energy • 17% Liveness
0% Instrumentalness • 51% Positiveness
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'Be More Chill' Ensemble
Halloween
156 bpm • A# Maj • 03:26 • -4.75db
29% Popularity • 39% Danceability • 76% Energy • 20% Liveness
0% Instrumentalness • 52% Positiveness
29% Popularity • 39% Danceability • 76% Energy • 20% Liveness
0% Instrumentalness • 52% Positiveness
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Neil Bartram
Person A
134 bpm • F Maj • 01:39 • -13.87db
20% Popularity • 76% Danceability • 34% Energy • 39% Liveness
0% Instrumentalness • 64% Positiveness
20% Popularity • 76% Danceability • 34% Energy • 39% Liveness
0% Instrumentalness • 64% Positiveness
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Sydney Parra
Shut up and Cheer
133 bpm • C Maj • 02:59 • -7db
21% Popularity • 68% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 42% Positiveness
21% Popularity • 68% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 42% Positiveness
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Krystina Alabado
Top Ten
133 bpm • D Maj • 02:19 • -8.99db
22% Popularity • 61% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 64% Positiveness
22% Popularity • 61% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 64% Positiveness
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Joey Richter
One Step Ahead
155 bpm • A# Maj • 03:25 • -12.82db
34% Popularity • 45% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
34% Popularity • 45% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
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Jay Armstrong Johnson
Caralee
133 bpm • B Maj • 02:28 • -7.68db
27% Popularity • 79% Danceability • 44% Energy • 8% Liveness
0% Instrumentalness • 88% Positiveness
27% Popularity • 79% Danceability • 44% Energy • 8% Liveness
0% Instrumentalness • 88% Positiveness
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Will Connolly
More Than Survive - Reprise
156 bpm • A Maj • 01:21 • -7.86db
29% Popularity • 67% Danceability • 57% Energy • 16% Liveness
0% Instrumentalness • 90% Positiveness
29% Popularity • 67% Danceability • 57% Energy • 16% Liveness
0% Instrumentalness • 90% Positiveness
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Christine Pedi
Bitch, Bitch, Bitch
156 bpm • F Maj • 01:44 • -9.88db
33% Popularity • 42% Danceability • 46% Energy • 64% Liveness
0% Instrumentalness • 51% Positiveness
33% Popularity • 42% Danceability • 46% Energy • 64% Liveness
0% Instrumentalness • 51% Positiveness
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Original StarKid Cast of The Trail To Oregon!
Lost Without You
132 bpm • G Maj • 03:40 • -6db
29% Popularity • 61% Danceability • 75% Energy • 20% Liveness
0% Instrumentalness • 54% Positiveness
29% Popularity • 61% Danceability • 75% Energy • 20% Liveness
0% Instrumentalness • 54% Positiveness
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Kyle Mcarthur
I'll Save The Girl
132 bpm • G Maj • 04:22 • -6.55db
14% Popularity • 51% Danceability • 52% Energy • 13% Liveness
0% Instrumentalness • 51% Positiveness
14% Popularity • 51% Danceability • 52% Energy • 13% Liveness
0% Instrumentalness • 51% Positiveness
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Spies Are Forever Original Cast
Spy Dance
155 bpm • D Maj • 01:25 • -10.25db
28% Popularity • 58% Danceability • 71% Energy • 15% Liveness
0% Instrumentalness • 69% Positiveness
28% Popularity • 58% Danceability • 71% Energy • 15% Liveness
0% Instrumentalness • 69% Positiveness
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Alice By Heart Original Cast Recording Company
Do You Think We Think You're Alice?
132 bpm • G# Maj • 01:18 • -10.86db
33% Popularity • 72% Danceability • 48% Energy • 14% Liveness
0% Instrumentalness • 78% Positiveness
33% Popularity • 72% Danceability • 48% Energy • 14% Liveness
0% Instrumentalness • 78% Positiveness
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Paul Pinto
Balaga
157 bpm • A min • 02:39 • -6.47db
36% Popularity • 65% Danceability • 84% Energy • 55% Liveness
0% Instrumentalness • 49% Positiveness
36% Popularity • 65% Danceability • 84% Energy • 55% Liveness
0% Instrumentalness • 49% Positiveness
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Matt Smith
Oh Sri Lanka
132 bpm • C Maj • 02:18 • -6.86db
20% Popularity • 77% Danceability • 63% Energy • 16% Liveness
0% Instrumentalness • 79% Positiveness
20% Popularity • 77% Danceability • 63% Energy • 16% Liveness
0% Instrumentalness • 79% Positiveness
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Gregg Edelman
Funny
157 bpm • G# Maj • 02:09 • -11.12db
23% Popularity • 43% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
23% Popularity • 43% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
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Carrie Manolakos
This Is Not Love
132 bpm • D Maj • 03:19 • -8.84db
22% Popularity • 58% Danceability • 26% Energy • 14% Liveness
0% Instrumentalness • 8% Positiveness
22% Popularity • 58% Danceability • 26% Energy • 14% Liveness
0% Instrumentalness • 8% Positiveness
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Spies Are Forever Original Cast
Eyes on the Prize II
156 bpm • F min • 02:08 • -13.25db
27% Popularity • 51% Danceability • 41% Energy • 21% Liveness
0% Instrumentalness • 43% Positiveness
27% Popularity • 51% Danceability • 41% Energy • 21% Liveness
0% Instrumentalness • 43% Positiveness
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Andy Karl
Nobody Cares
132 bpm • G Maj • 05:13 • -5.32db
32% Popularity • 48% Danceability • 61% Energy • 13% Liveness
0% Instrumentalness • 62% Positiveness
32% Popularity • 48% Danceability • 61% Energy • 13% Liveness
0% Instrumentalness • 62% Positiveness
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Paul Pinto
Balaga
157 bpm • A min • 02:41 • -8.67db
17% Popularity • 59% Danceability • 91% Energy • 58% Liveness
0% Instrumentalness • 53% Positiveness
17% Popularity • 59% Danceability • 91% Energy • 58% Liveness
0% Instrumentalness • 53% Positiveness
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Thomas Borchert
The Man I Used to Be
132 bpm • C Maj • 03:09 • -10db
30% Popularity • 26% Danceability • 39% Energy • 15% Liveness
22% Instrumentalness • 5% Positiveness
30% Popularity • 26% Danceability • 39% Energy • 15% Liveness
22% Instrumentalness • 5% Positiveness
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Krystina Alabado
Goosebumps
132 bpm • G Maj • 03:55 • -9.41db
31% Popularity • 74% Danceability • 42% Energy • 4% Liveness
0% Instrumentalness • 36% Positiveness
31% Popularity • 74% Danceability • 42% Energy • 4% Liveness
0% Instrumentalness • 36% Positiveness
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Jeremy Jordan
The Legend Of Sleepy Hollow
131 bpm • F min • 03:38 • -7db
13% Popularity • 55% Danceability • 51% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
13% Popularity • 55% Danceability • 51% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
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Joey Richter
We Love the Prince!
132 bpm • G# min • 03:47 • -14db
29% Popularity • 76% Danceability • 39% Energy • 22% Liveness
0% Instrumentalness • 52% Positiveness
29% Popularity • 76% Danceability • 39% Energy • 22% Liveness
0% Instrumentalness • 52% Positiveness
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Andy Karl
Day Two
132 bpm • D Maj • 04:26 • -8.2db
29% Popularity • 50% Danceability • 53% Energy • 23% Liveness
0% Instrumentalness • 42% Positiveness
29% Popularity • 50% Danceability • 53% Energy • 23% Liveness
0% Instrumentalness • 42% Positiveness
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Michael James Scott
Welcome to the Renaissance
131 bpm • C Maj • 04:45 • -7.22db
43% Popularity • 54% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
43% Popularity • 54% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
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Nancy Opel
It's a Privilege to Pee
131 bpm • C min • 03:47 • -11db
33% Popularity • 64% Danceability • 26% Energy • 14% Liveness
0% Instrumentalness • 62% Positiveness
33% Popularity • 64% Danceability • 26% Energy • 14% Liveness
0% Instrumentalness • 62% Positiveness