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The Continental
Songs like
The Continental
by
Fred Astaire
Based on a tempo of (+/- 10%) and a similar genre
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Chris Connor
All About Ronnie
144 bpm • G min • 03:00 • -12.4db
39% Popularity • 49% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
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Members Of The Glenn Miller Orchestra
Chattanooga Choo Choo
144 bpm • C# Maj • 03:03 • -17db
20% Popularity • 47% Danceability • 28% Energy • 14% Liveness
0% Instrumentalness • 69% Positiveness
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Bob Hope
Buttons and Bows
144 bpm • C min • 03:00 • -12db
23% Popularity • 63% Danceability • 23% Energy • 7% Liveness
0% Instrumentalness • 38% Positiveness
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Fred Astaire
The Continental
144 bpm • C Maj • 03:32 • -18.42db
18% Popularity • 63% Danceability • 11% Energy • 11% Liveness
2% Instrumentalness • 35% Positiveness
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James P. Johnson
Charleston
145 bpm • F# min • 01:47 • -9db
26% Popularity • 52% Danceability • 48% Energy • 18% Liveness
93% Instrumentalness • 73% Positiveness
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Annie Ross
Gipsy in My Soul
143 bpm • G# Maj • 02:38 • -12db
14% Popularity • 56% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
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The Boswell Sisters
Everybody Loves My Baby
143 bpm • G min • 02:24 • -11db
27% Popularity • 69% Danceability • 28% Energy • 6% Liveness
0% Instrumentalness • 54% Positiveness
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Morgana King
Body And Soul
142 bpm • F min • 04:05 • -18.75db
33% Popularity • 43% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Ginger Rogers
I Used to Be Color Blind
146 bpm • C min • 03:27 • -12.32db
10% Popularity • 48% Danceability • 16% Energy • 31% Liveness
22% Instrumentalness • 57% Positiveness
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Perry Como
In the Still of the Night
142 bpm • E Maj • 02:45 • -15.83db
21% Popularity • 25% Danceability • 15% Energy • 22% Liveness
0% Instrumentalness • 12% Positiveness
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Lorez Alexandria
Get Me To The Church On Time
146 bpm • D# Maj • 04:00 • -11.64db
23% Popularity • 56% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
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Fats Waller
All That Meat And No Potatoes
142 bpm • C Maj • 02:45 • -18.82db
24% Popularity • 85% Danceability • 11% Energy • 15% Liveness
0% Instrumentalness • 69% Positiveness
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Ethel Waters
I Got Rhythm
142 bpm • F Maj • 03:06 • -11.1db
33% Popularity • 68% Danceability • 27% Energy • 23% Liveness
2% Instrumentalness • 67% Positiveness
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Fred Astaire
Something's Gotta Give
141 bpm • D min • 03:00 • -10.69db
16% Popularity • 54% Danceability • 30% Energy • 7% Liveness
0% Instrumentalness • 56% Positiveness
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Frank Sinatra Jr.
Cry Me a River
147 bpm • F Maj • 05:43 • -12.16db
21% Popularity • 33% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
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Fred Astaire (performer)
All of You
141 bpm • C# Maj • 06:06 • -17.06db
8% Popularity • 23% Danceability • 14% Energy • 10% Liveness
2% Instrumentalness • 11% Positiveness
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June Christy
It's A Most Unusual Day
142 bpm • G Maj • 02:23 • -13.56db
37% Popularity • 59% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
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Shirley Bassey
If I Were a Bell
141 bpm • G# Maj • 02:54 • -10db
35% Popularity • 54% Danceability • 32% Energy • 32% Liveness
0% Instrumentalness • 54% Positiveness
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The Merry Macs
Mairzy Doats
141 bpm • C# Maj • 02:44 • -11.69db
33% Popularity • 79% Danceability • 19% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
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Benny Goodman Quartet
Runnin' Wild
140 bpm • C min • 02:38 • -13.27db
23% Popularity • 71% Danceability • 67% Energy • 38% Liveness
91% Instrumentalness • 96% Positiveness
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Frank Sinatra Jr.
I'm Afraid the Masquerade Is Over
141 bpm • C Maj • 03:44 • -10.61db
24% Popularity • 48% Danceability • 37% Energy • 6% Liveness
0% Instrumentalness • 52% Positiveness
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Lorez Alexandria
I've Never Been In Love Before
140 bpm • G# Maj • 02:18 • -16db
48% Popularity • 68% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 65% Positiveness
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Jimmie Lunceford
Ain't She Sweet
148 bpm • C# Maj • 02:26 • -15db
27% Popularity • 78% Danceability • 18% Energy • 24% Liveness
0% Instrumentalness • 69% Positiveness
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Jimmy Dorsey
Besame Mucho
140 bpm • G min • 03:02 • -11db
17% Popularity • 43% Danceability • 24% Energy • 23% Liveness
0% Instrumentalness • 32% Positiveness
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Annie Ross
'tain't What You Do
140 bpm • A# Maj • 02:46 • -13.49db
14% Popularity • 67% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
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Members Of The Glenn Miller Orchestra
String of Pearls
140 bpm • C Maj • 03:04 • -18.16db
44% Popularity • 55% Danceability • 14% Energy • 36% Liveness
54% Instrumentalness • 35% Positiveness
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Frank Sinatra Jr.
Walking Happy
140 bpm • C Maj • 02:42 • -10.92db
27% Popularity • 44% Danceability • 35% Energy • 29% Liveness
0% Instrumentalness • 48% Positiveness
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Les Brown & His Orchestra
I've Got The Sun In The Morning - R...
140 bpm • D Maj • 02:35 • -12.31db
25% Popularity • 50% Danceability • 26% Energy • 10% Liveness
1% Instrumentalness • 76% Positiveness
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Benny Goodman Trio
Puttin' On The Ritz
138 bpm • G min • 03:04 • -13.68db
35% Popularity • 64% Danceability • 40% Energy • 21% Liveness
1% Instrumentalness • 86% Positiveness
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June Christy
Give Me The Simple Life
139 bpm • F min • 02:17 • -12.51db
50% Popularity • 62% Danceability • 26% Energy • 7% Liveness
0% Instrumentalness • 84% Positiveness
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Rosemary Clooney
In the Cool, Cool, Cool of the Evening
138 bpm • D# Maj • 02:59 • -8.06db
42% Popularity • 66% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 85% Positiveness
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Helen O'Connell
I Remember You
138 bpm • D# Maj • 03:01 • -20db
13% Popularity • 42% Danceability • 2% Energy • 11% Liveness
1% Instrumentalness • 8% Positiveness
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Mabel Mercer
Ours
138 bpm • F Maj • 02:49 • -12db
18% Popularity • 48% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
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Susannah McCorkle
The Lady Is A Tramp
137 bpm • D Maj • 04:52 • -15.14db
34% Popularity • 56% Danceability • 27% Energy • 18% Liveness
0% Instrumentalness • 57% Positiveness
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Clifford Brown
Smoke Gets In Your Eyes
137 bpm • F Maj • 03:16 • -14db
41% Popularity • 38% Danceability • 12% Energy • 16% Liveness
86% Instrumentalness • 48% Positiveness
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Benny Goodman Trio
Rose Room - Instrumental
137 bpm • C# Maj • 03:54 • -12.27db
21% Popularity • 73% Danceability • 18% Energy • 6% Liveness
62% Instrumentalness • 71% Positiveness
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Jimmy Dorsey & His Orchestra
I Got Rhythm
151 bpm • D min • 03:05 • -9db
34% Popularity • 60% Danceability • 75% Energy • 10% Liveness
94% Instrumentalness • 88% Positiveness
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Ann Hampton Callaway
Let's Fall In Love
137 bpm • G# Maj • 02:46 • -13.81db
42% Popularity • 47% Danceability • 28% Energy • 14% Liveness
0% Instrumentalness • 65% Positiveness
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George Gershwin, Buddy Clark & Dinah Shore
Wonderful
136 bpm • A# Maj • 02:37 • -11db
18% Popularity • 43% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
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Gene Krupa
Let Me off Uptown
152 bpm • C# Maj • 03:06 • -8.66db
21% Popularity • 56% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 59% Positiveness
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Shirley Horn
My Funny Valentine
136 bpm • A# min • 05:34 • -21.51db
37% Popularity • 38% Danceability • 4% Energy • 8% Liveness
0% Instrumentalness • 6% Positiveness
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Martha Tilton
I’ll Get By
136 bpm • G Maj • 01:50 • -17db
26% Popularity • 55% Danceability • 5% Energy • 15% Liveness
0% Instrumentalness • 61% Positiveness
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Benny Goodman Trio
Someday, Sweetheart - 1996 Remastered
153 bpm • D min • 02:47 • -14.55db
32% Popularity • 67% Danceability • 19% Energy • 8% Liveness
84% Instrumentalness • 66% Positiveness
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The Pied Pipers
Mairzy doats
136 bpm • F min • 02:46 • -5.1db
10% Popularity • 68% Danceability • 44% Energy • 35% Liveness
0% Instrumentalness • 77% Positiveness
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Behia Jazz Band
Conversation Blues
135 bpm • C# Maj • 03:54 • -13.69db
19% Popularity • 60% Danceability • 26% Energy • 18% Liveness
0% Instrumentalness • 64% Positiveness
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Bob Hope
Road To Morocco: Ain't Got a Dime To My ...
135 bpm • C min • 02:14 • -12db
18% Popularity • 72% Danceability • 25% Energy • 10% Liveness
5% Instrumentalness • 64% Positiveness
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Frank Sinatra Jr.
Softly, as in a Morning Sunrise
135 bpm • C Maj • 03:36 • -9.41db
24% Popularity • 50% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
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Betty Hutton
Murder, He Says
135 bpm • A# Maj • 03:12 • -10.63db
22% Popularity • 60% Danceability • 32% Energy • 34% Liveness
0% Instrumentalness • 69% Positiveness
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Mark Murphy
Lullaby In Rhythm
135 bpm • F min • 02:55 • -18.25db
36% Popularity • 58% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 45% Positiveness
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Annie Ross
It Don't Mean A Thing (If It Ain't Got T...
134 bpm • G# Maj • 02:09 • -7.79db
28% Popularity • 77% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
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Fats Waller
Honeysuckle Rose
155 bpm • F Maj • 02:38 • -17db
36% Popularity • 73% Danceability • 18% Energy • 11% Liveness
1% Instrumentalness • 79% Positiveness
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Abbey Lincoln
This Can't Be Love
134 bpm • C min • 02:24 • -12.49db
37% Popularity • 56% Danceability • 14% Energy • 22% Liveness
0% Instrumentalness • 50% Positiveness
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Al Jolson
Toot, Toot, Tootsie! (Goo'bye)
134 bpm • G# Maj • 02:10 • -7.59db
20% Popularity • 60% Danceability • 60% Energy • 38% Liveness
14% Instrumentalness • 92% Positiveness
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Jimmy Dorsey & His Orchestra
Tangerine
155 bpm • B min • 03:12 • -11.09db
39% Popularity • 48% Danceability • 20% Energy • 26% Liveness
0% Instrumentalness • 40% Positiveness
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Woody Herman & His Orchestra
Caldonia
134 bpm • G# Maj • 03:01 • -11db
25% Popularity • 63% Danceability • 57% Energy • 17% Liveness
0% Instrumentalness • 79% Positiveness
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Ernestine Anderson
It Don't Mean A Thing (If It Ain't Got T...
134 bpm • F min • 02:18 • -16.38db
46% Popularity • 58% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 73% Positiveness
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Benny Goodman Quartet
My Melancholy Baby
134 bpm • C Maj • 03:23 • -13.35db
16% Popularity • 82% Danceability • 22% Energy • 29% Liveness
71% Instrumentalness • 70% Positiveness
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Dakota Staton
The Best Thing For You
133 bpm • G# Maj • 01:45 • -8.15db
20% Popularity • 61% Danceability • 46% Energy • 38% Liveness
0% Instrumentalness • 94% Positiveness
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Annie Ross
I Love Paris
133 bpm • G Maj • 02:19 • -14.22db
21% Popularity • 57% Danceability • 12% Energy • 12% Liveness
1% Instrumentalness • 34% Positiveness
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Fred Astaire
A Fine Romance
156 bpm • G# Maj • 02:54 • -13.66db
12% Popularity • 49% Danceability • 23% Energy • 24% Liveness
7% Instrumentalness • 50% Positiveness
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Al Jolson
Swanee
133 bpm • D Maj • 01:55 • -7.1db
17% Popularity • 50% Danceability • 74% Energy • 68% Liveness
0% Instrumentalness • 81% Positiveness
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Ernestine Anderson
They Didn't Believe Me
133 bpm • C# Maj • 02:24 • -14.3db
43% Popularity • 54% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 78% Positiveness
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Benny Goodman Quartet
My Melancholy Baby
133 bpm • C Maj • 03:27 • -18.01db
31% Popularity • 78% Danceability • 18% Energy • 32% Liveness
61% Instrumentalness • 73% Positiveness
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Perry Como
It's A Lovely Day Today
156 bpm • G Maj • 02:40 • -12.8db
54% Popularity • 72% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
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Dakota Staton
The Late, Late Show
132 bpm • G# Maj • 02:36 • -15.24db
34% Popularity • 74% Danceability • 19% Energy • 3% Liveness
0% Instrumentalness • 51% Positiveness
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Al Bowlly
Isle of Capri
132 bpm • F Maj • 03:20 • -15.17db
21% Popularity • 67% Danceability • 22% Energy • 12% Liveness
7% Instrumentalness • 78% Positiveness
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Benny Goodman Trio
When You're Smiling (The Whole World Smi...
157 bpm • D# Maj • 02:36 • -14.55db
42% Popularity • 65% Danceability • 27% Energy • 18% Liveness
88% Instrumentalness • 66% Positiveness
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Bix Beiderbecke
Singin' The Blues
132 bpm • C min • 03:00 • -12db
39% Popularity • 71% Danceability • 21% Energy • 8% Liveness
80% Instrumentalness • 82% Positiveness
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Lambert, Hendricks & Ross
Sermonette
132 bpm • A# Maj • 03:47 • -6.43db
8% Popularity • 54% Danceability • 47% Energy • 18% Liveness
0% Instrumentalness • 58% Positiveness
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James P. Johnson
Ain't Misbehavin'
132 bpm • C min • 02:57 • -17.13db
35% Popularity • 77% Danceability • 21% Energy • 10% Liveness
79% Instrumentalness • 72% Positiveness
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Dakota Staton
The Song Is You
132 bpm • D Maj • 02:12 • -8db
37% Popularity • 60% Danceability • 53% Energy • 17% Liveness
0% Instrumentalness • 75% Positiveness
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Benny Goodman Quartet
I Know That You Know (And You Know That ...
131 bpm • A min • 02:59 • -13.96db
15% Popularity • 73% Danceability • 42% Energy • 6% Liveness
23% Instrumentalness • 79% Positiveness
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Dorothy Dandridge
I've Got A Crush On You
131 bpm • G min • 02:32 • -16.66db
31% Popularity • 53% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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Bob Hope
Two Sleepy People - Remastered
131 bpm • A# Maj • 03:00 • -10.94db
12% Popularity • 56% Danceability • 25% Energy • 20% Liveness
0% Instrumentalness • 38% Positiveness
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June Christy
I Want To Be Happy
131 bpm • A min • 01:23 • -14db
43% Popularity • 56% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
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Al Bowlly
Did You Ever See a Dream Walking
159 bpm • G# Maj • 03:05 • -9.54db
22% Popularity • 61% Danceability • 30% Energy • 6% Liveness
62% Instrumentalness • 79% Positiveness
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Stan Kenton & His Orchestra
Tampico
159 bpm • G# Maj • 02:43 • -10.08db
34% Popularity • 66% Danceability • 43% Energy • 44% Liveness
0% Instrumentalness • 96% Positiveness
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Betty Hutton
Blue Skies
131 bpm • F min • 02:52 • -10.59db
32% Popularity • 52% Danceability • 14% Energy • 29% Liveness
0% Instrumentalness • 35% Positiveness
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Jimmy Dorsey & His Orchestra
Contrasts
130 bpm • G# Maj • 03:02 • -9db
22% Popularity • 45% Danceability • 39% Energy • 36% Liveness
71% Instrumentalness • 44% Positiveness
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Benny Goodman Quartet
Tea For Two
130 bpm • G# Maj • 03:06 • -15.36db
31% Popularity • 73% Danceability • 39% Energy • 7% Liveness
47% Instrumentalness • 85% Positiveness
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Eddie Cantor
Ma! (He's Making Eyes at Me)
130 bpm • F Maj • 02:18 • -10db
26% Popularity • 78% Danceability • 41% Energy • 5% Liveness
0% Instrumentalness • 76% Positiveness
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Ray Anthony & His Orchestra
Mr. Anthony's Boogie
160 bpm • C# Maj • 02:31 • -10db
17% Popularity • 40% Danceability • 52% Energy • 32% Liveness
10% Instrumentalness • 80% Positiveness
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Vera Lynn
That Lovely Week-End - 2016 Remaster
129 bpm • C# min • 02:52 • -13.82db
29% Popularity • 38% Danceability • 10% Energy • 23% Liveness
0% Instrumentalness • 13% Positiveness
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Charlie Parker
Easy To Love
129 bpm • A min • 03:29 • -8.87db
25% Popularity • 37% Danceability • 41% Energy • 8% Liveness
13% Instrumentalness • 36% Positiveness
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Jimmy Dorsey & His Orchestra
Stompin' At The Savoy
160 bpm • C# Maj • 03:10 • -12db
29% Popularity • 67% Danceability • 45% Energy • 7% Liveness
86% Instrumentalness • 70% Positiveness
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Benny Goodman Quartet
Tea for Two - 1996 Remastered
129 bpm • G# Maj • 03:05 • -10db
35% Popularity • 77% Danceability • 49% Energy • 7% Liveness
23% Instrumentalness • 84% Positiveness
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Benny Goodman Trio
At Sundown
161 bpm • A# Maj • 02:27 • -13.63db
34% Popularity • 67% Danceability • 36% Energy • 9% Liveness
37% Instrumentalness • 84% Positiveness
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Annie Ross
Give Me The Simple Life
129 bpm • D min • 03:35 • -8.99db
15% Popularity • 57% Danceability • 36% Energy • 34% Liveness
0% Instrumentalness • 55% Positiveness
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Johnnie Ray
Walkin' My Baby Back Home
129 bpm • D Maj • 02:20 • -19db
37% Popularity • 72% Danceability • 6% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
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The Pied Pipers
In the middle of may
128 bpm • G min • 02:41 • -5.42db
5% Popularity • 74% Danceability • 28% Energy • 31% Liveness
0% Instrumentalness • 76% Positiveness
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Jimmy Dorsey & His Orchestra
Begin The Beguine
161 bpm • C Maj • 02:50 • -7.92db
19% Popularity • 51% Danceability • 40% Energy • 19% Liveness
88% Instrumentalness • 89% Positiveness
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Dakota Staton
You've Changed
129 bpm • F min • 02:51 • -20.63db
27% Popularity • 41% Danceability • 9% Energy • 16% Liveness
0% Instrumentalness • 33% Positiveness
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Jimmie Lunceford
Tain't What You Do (It's The Way That Yo...
161 bpm • G# Maj • 03:03 • -14.71db
38% Popularity • 65% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
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Charlie Barnet & His Orchestra
The Gal From Joe's
162 bpm • A# min • 03:22 • -12db
30% Popularity • 68% Danceability • 17% Energy • 8% Liveness
25% Instrumentalness • 84% Positiveness
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Lorez Alexandria
This Could Be The Start Of Something Big
128 bpm • A# min • 02:16 • -9.98db
37% Popularity • 59% Danceability • 47% Energy • 15% Liveness
0% Instrumentalness • 65% Positiveness
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Al Bowlly
Lying in the Hay (Foxtrott)
128 bpm • C Maj • 03:28 • -17db
10% Popularity • 64% Danceability • 30% Energy • 11% Liveness
10% Instrumentalness • 66% Positiveness
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Andrés Segovia
Sonatina Meridional: Fiesta - Allegro Co...
128 bpm • D Maj • 02:33 • -22.89db
17% Popularity • 51% Danceability • 11% Energy • 16% Liveness
67% Instrumentalness • 34% Positiveness
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Chris Connor
You Make Me Feel so Young
128 bpm • D# min • 02:51 • -10.39db
44% Popularity • 62% Danceability • 18% Energy • 21% Liveness
0% Instrumentalness • 35% Positiveness
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Jane Russell
Kisses and Tears
128 bpm • E Maj • 02:46 • -13.77db
29% Popularity • 59% Danceability • 17% Energy • 13% Liveness
22% Instrumentalness • 62% Positiveness
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Jimmy Dorsey
I'm Steppin' out with a Memory Tonight
127 bpm • F min • 02:46 • -9.34db
26% Popularity • 52% Danceability • 29% Energy • 22% Liveness
12% Instrumentalness • 68% Positiveness
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The Continental