Songs like The Cowboy Rides Away by George Strait
Based on a tempo of (+/- 10%) and a similar genre
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Josh Turner
Lay Low
109 bpm • B Maj • 04:20 • -5.92db
49% Popularity • 63% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
49% Popularity • 63% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
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George Strait
The Cowboy Rides Away
109 bpm • G Maj • 03:21 • -17.05db
54% Popularity • 69% Danceability • 34% Energy • 57% Liveness
0% Instrumentalness • 67% Positiveness
54% Popularity • 69% Danceability • 34% Energy • 57% Liveness
0% Instrumentalness • 67% Positiveness
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Gary Allan
Nothing On But The Radio
109 bpm • A Maj • 03:32 • -5.95db
62% Popularity • 68% Danceability • 74% Energy • 14% Liveness
0% Instrumentalness • 66% Positiveness
62% Popularity • 68% Danceability • 74% Energy • 14% Liveness
0% Instrumentalness • 66% Positiveness
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Alabama
Mountain Music
110 bpm • A Maj • 03:37 • -9.52db
61% Popularity • 47% Danceability • 55% Energy • 15% Liveness
0% Instrumentalness • 75% Positiveness
61% Popularity • 47% Danceability • 55% Energy • 15% Liveness
0% Instrumentalness • 75% Positiveness
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Randy Rogers Band
Kiss Me In The Dark
108 bpm • A# Maj • 03:48 • -6db
55% Popularity • 55% Danceability • 78% Energy • 39% Liveness
0% Instrumentalness • 70% Positiveness
55% Popularity • 55% Danceability • 78% Energy • 39% Liveness
0% Instrumentalness • 70% Positiveness
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Luke Bryan
Rain Is A Good Thing
108 bpm • B min • 02:56 • -4.66db
69% Popularity • 62% Danceability • 93% Energy • 33% Liveness
0% Instrumentalness • 52% Positiveness
69% Popularity • 62% Danceability • 93% Energy • 33% Liveness
0% Instrumentalness • 52% Positiveness
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Ronnie Dunn
She's Actin' Single (I'm Drinkin' Double...
108 bpm • F Maj • 03:28 • -6db
46% Popularity • 69% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 60% Positiveness
46% Popularity • 69% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 60% Positiveness
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George Strait
I Can Still Make Cheyenne
110 bpm • D# Maj • 04:16 • -10.23db
61% Popularity • 58% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
61% Popularity • 58% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
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Dierks Bentley
Sideways
108 bpm • F min • 03:04 • -3db
59% Popularity • 62% Danceability • 92% Energy • 39% Liveness
0% Instrumentalness • 82% Positiveness
59% Popularity • 62% Danceability • 92% Energy • 39% Liveness
0% Instrumentalness • 82% Positiveness
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Alabama
If You're Gonna Play in Texas (You Gotta...
110 bpm • A Maj • 03:32 • -15.2db
58% Popularity • 45% Danceability • 64% Energy • 90% Liveness
0% Instrumentalness • 78% Positiveness
58% Popularity • 45% Danceability • 64% Energy • 90% Liveness
0% Instrumentalness • 78% Positiveness
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Easton Corbin
Lovin' You Is Fun
110 bpm • G# Maj • 03:19 • -3.03db
56% Popularity • 70% Danceability • 83% Energy • 36% Liveness
0% Instrumentalness • 60% Positiveness
56% Popularity • 70% Danceability • 83% Energy • 36% Liveness
0% Instrumentalness • 60% Positiveness
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Midland
Cheatin’ Songs
110 bpm • E Maj • 03:35 • -6db
58% Popularity • 72% Danceability • 72% Energy • 33% Liveness
0% Instrumentalness • 69% Positiveness
58% Popularity • 72% Danceability • 72% Energy • 33% Liveness
0% Instrumentalness • 69% Positiveness
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Jon Pardi
Head Over Boots
108 bpm • G Maj • 03:22 • -4.47db
75% Popularity • 56% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
75% Popularity • 56% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
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Cody Johnson
Me and My Kind
110 bpm • D Maj • 02:36 • -3.43db
76% Popularity • 59% Danceability • 81% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
76% Popularity • 59% Danceability • 81% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
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Aaron Tippin
My Blue Angel
110 bpm • F Maj • 03:23 • -11.95db
45% Popularity • 65% Danceability • 49% Energy • 14% Liveness
0% Instrumentalness • 50% Positiveness
45% Popularity • 65% Danceability • 49% Energy • 14% Liveness
0% Instrumentalness • 50% Positiveness
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Brooks Jefferson
Friends in Low Places
108 bpm • A Maj • 04:18 • -5.84db
62% Popularity • 55% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 62% Positiveness
62% Popularity • 55% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 62% Positiveness
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Aaron Watson
That Look
108 bpm • B min • 04:29 • -6db
49% Popularity • 80% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
49% Popularity • 80% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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George Strait
Marina Del Rey
110 bpm • D Maj • 03:03 • -15.2db
51% Popularity • 61% Danceability • 27% Energy • 28% Liveness
0% Instrumentalness • 32% Positiveness
51% Popularity • 61% Danceability • 27% Energy • 28% Liveness
0% Instrumentalness • 32% Positiveness
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Jon Pardi
Cowboy Hat
108 bpm • C# Maj • 03:17 • -2.52db
59% Popularity • 68% Danceability • 92% Energy • 11% Liveness
0% Instrumentalness • 90% Positiveness
59% Popularity • 68% Danceability • 92% Energy • 11% Liveness
0% Instrumentalness • 90% Positiveness
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BlackHawk
I'm Not Strong Enough to Say No
111 bpm • C# Maj • 04:14 • -8.81db
48% Popularity • 75% Danceability • 51% Energy • 5% Liveness
0% Instrumentalness • 50% Positiveness
48% Popularity • 75% Danceability • 51% Energy • 5% Liveness
0% Instrumentalness • 50% Positiveness
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Alabama
Old Flame
111 bpm • F Maj • 03:11 • -8.29db
45% Popularity • 70% Danceability • 44% Energy • 7% Liveness
0% Instrumentalness • 61% Positiveness
45% Popularity • 70% Danceability • 44% Energy • 7% Liveness
0% Instrumentalness • 61% Positiveness
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Don Williams
Good Ole Boys Like Me
107 bpm • A Maj • 04:15 • -17.56db
53% Popularity • 66% Danceability • 32% Energy • 16% Liveness
0% Instrumentalness • 48% Positiveness
53% Popularity • 66% Danceability • 32% Energy • 16% Liveness
0% Instrumentalness • 48% Positiveness
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Brooks Jefferson
Callin' Baton Rouge
107 bpm • D Maj • 02:37 • -1.99db
59% Popularity • 46% Danceability • 94% Energy • 23% Liveness
0% Instrumentalness • 67% Positiveness
59% Popularity • 46% Danceability • 94% Energy • 23% Liveness
0% Instrumentalness • 67% Positiveness
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Vince Gill
Go Rest High On That Mountain
111 bpm • D Maj • 05:15 • -12.22db
59% Popularity • 32% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
59% Popularity • 32% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Randy Houser
Goodnight Kiss
111 bpm • C# Maj • 03:26 • -4.29db
52% Popularity • 73% Danceability • 71% Energy • 12% Liveness
0% Instrumentalness • 63% Positiveness
52% Popularity • 73% Danceability • 71% Energy • 12% Liveness
0% Instrumentalness • 63% Positiveness
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Chris Young
Gettin' You Home
107 bpm • G Maj • 03:32 • -5.02db
67% Popularity • 64% Danceability • 68% Energy • 22% Liveness
0% Instrumentalness • 53% Positiveness
67% Popularity • 64% Danceability • 68% Energy • 22% Liveness
0% Instrumentalness • 53% Positiveness
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Gary Allan
Every Storm (Runs Out Of Rain)
107 bpm • C Maj • 03:45 • -6.97db
60% Popularity • 52% Danceability • 69% Energy • 25% Liveness
0% Instrumentalness • 36% Positiveness
60% Popularity • 52% Danceability • 69% Energy • 25% Liveness
0% Instrumentalness • 36% Positiveness
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Billy Currington
Pretty Good At Drinkin' Beer
107 bpm • F Maj • 02:59 • -4db
64% Popularity • 77% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
64% Popularity • 77% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
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Dwight Yoakam
Ain't That Lonely Yet
107 bpm • F Maj • 03:20 • -5db
54% Popularity • 60% Danceability • 74% Energy • 27% Liveness
0% Instrumentalness • 49% Positiveness
54% Popularity • 60% Danceability • 74% Energy • 27% Liveness
0% Instrumentalness • 49% Positiveness
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Mel McDaniel
Baby's Got Her Blue Jeans On
107 bpm • A# Maj • 02:59 • -6db
63% Popularity • 87% Danceability • 71% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
63% Popularity • 87% Danceability • 71% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
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George Strait
Check Yes Or No
111 bpm • F Maj • 03:20 • -12.64db
75% Popularity • 71% Danceability • 52% Energy • 4% Liveness
0% Instrumentalness • 69% Positiveness
75% Popularity • 71% Danceability • 52% Energy • 4% Liveness
0% Instrumentalness • 69% Positiveness
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Doug Stone
A Jukebox with a Country Song
112 bpm • D Maj • 03:27 • -6.25db
41% Popularity • 68% Danceability • 71% Energy • 25% Liveness
0% Instrumentalness • 81% Positiveness
41% Popularity • 68% Danceability • 71% Energy • 25% Liveness
0% Instrumentalness • 81% Positiveness
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Gary Allan
Man To Man - Album Version/Remix
112 bpm • A# Maj • 03:43 • -6.4db
47% Popularity • 59% Danceability • 87% Energy • 23% Liveness
0% Instrumentalness • 60% Positiveness
47% Popularity • 59% Danceability • 87% Energy • 23% Liveness
0% Instrumentalness • 60% Positiveness
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Luke Bryan
I Don't Want This Night To End
112 bpm • A min • 03:39 • -4.02db
73% Popularity • 62% Danceability • 73% Energy • 23% Liveness
0% Instrumentalness • 38% Positiveness
73% Popularity • 62% Danceability • 73% Energy • 23% Liveness
0% Instrumentalness • 38% Positiveness
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Dwight Yoakam
Streets of Bakersfield
107 bpm • A Maj • 02:48 • -12db
57% Popularity • 74% Danceability • 70% Energy • 4% Liveness
0% Instrumentalness • 82% Positiveness
57% Popularity • 74% Danceability • 70% Energy • 4% Liveness
0% Instrumentalness • 82% Positiveness
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Randy Houser
Boots On
112 bpm • G# Maj • 02:50 • -5db
61% Popularity • 71% Danceability • 89% Energy • 27% Liveness
0% Instrumentalness • 88% Positiveness
61% Popularity • 71% Danceability • 89% Energy • 27% Liveness
0% Instrumentalness • 88% Positiveness
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George Strait
Easy Come, Easy Go
107 bpm • D Maj • 03:04 • -14.99db
54% Popularity • 81% Danceability • 37% Energy • 6% Liveness
0% Instrumentalness • 74% Positiveness
54% Popularity • 81% Danceability • 37% Energy • 6% Liveness
0% Instrumentalness • 74% Positiveness
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Keith Whitley
I'm Over You
106 bpm • E Maj • 03:03 • -15.64db
60% Popularity • 77% Danceability • 34% Energy • 25% Liveness
0% Instrumentalness • 49% Positiveness
60% Popularity • 77% Danceability • 34% Energy • 25% Liveness
0% Instrumentalness • 49% Positiveness
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Neal McCoy
Billy's Got His Beer Goggles On
106 bpm • C Maj • 03:38 • -5.04db
41% Popularity • 72% Danceability • 82% Energy • 28% Liveness
0% Instrumentalness • 82% Positiveness
41% Popularity • 72% Danceability • 82% Energy • 28% Liveness
0% Instrumentalness • 82% Positiveness
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Billy Currington
I Got A Feelin'
112 bpm • D Maj • 03:13 • -5.4db
59% Popularity • 65% Danceability • 72% Energy • 13% Liveness
0% Instrumentalness • 67% Positiveness
59% Popularity • 65% Danceability • 72% Energy • 13% Liveness
0% Instrumentalness • 67% Positiveness
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Justin Moore
With A Woman You Love
106 bpm • G Maj • 02:47 • -4.65db
62% Popularity • 62% Danceability • 74% Energy • 38% Liveness
0% Instrumentalness • 62% Positiveness
62% Popularity • 62% Danceability • 74% Energy • 38% Liveness
0% Instrumentalness • 62% Positiveness
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Chris Young
Lonely Eyes
106 bpm • C# Maj • 03:37 • -5.27db
58% Popularity • 66% Danceability • 67% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
58% Popularity • 66% Danceability • 67% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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George Strait
Does Fort Worth Ever Cross Your Mind
112 bpm • C Maj • 03:15 • -17.7db
50% Popularity • 74% Danceability • 32% Energy • 34% Liveness
18% Instrumentalness • 44% Positiveness
50% Popularity • 74% Danceability • 32% Energy • 34% Liveness
18% Instrumentalness • 44% Positiveness
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Dan Seals
Everything That Glitters (Is Not Gold)
112 bpm • E Maj • 04:52 • -16.73db
52% Popularity • 65% Danceability • 26% Energy • 5% Liveness
0% Instrumentalness • 47% Positiveness
52% Popularity • 65% Danceability • 26% Energy • 5% Liveness
0% Instrumentalness • 47% Positiveness
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Travis Tritt
Here's a Quarter (Call Someone Who Cares...
112 bpm • G Maj • 02:32 • -7db
63% Popularity • 65% Danceability • 57% Energy • 13% Liveness
0% Instrumentalness • 60% Positiveness
63% Popularity • 65% Danceability • 57% Energy • 13% Liveness
0% Instrumentalness • 60% Positiveness
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Keith Whitley
Brotherly Love
113 bpm • E Maj • 03:19 • -11db
44% Popularity • 68% Danceability • 44% Energy • 32% Liveness
1% Instrumentalness • 45% Positiveness
44% Popularity • 68% Danceability • 44% Energy • 32% Liveness
1% Instrumentalness • 45% Positiveness
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Justin Moore
You Look Like I Need A Drink
106 bpm • B Maj • 03:07 • -3.63db
56% Popularity • 61% Danceability • 84% Energy • 8% Liveness
0% Instrumentalness • 92% Positiveness
56% Popularity • 61% Danceability • 84% Energy • 8% Liveness
0% Instrumentalness • 92% Positiveness
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Hank Williams, Jr.
Kaw-Liga
105 bpm • B min • 04:24 • -10.71db
50% Popularity • 74% Danceability • 76% Energy • 7% Liveness
2% Instrumentalness • 72% Positiveness
50% Popularity • 74% Danceability • 76% Energy • 7% Liveness
2% Instrumentalness • 72% Positiveness
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George Strait
Baby Your Baby - Pure Country/Soundtrack...
106 bpm • F# Maj • 02:44 • -11.93db
52% Popularity • 79% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 94% Positiveness
52% Popularity • 79% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 94% Positiveness
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David Allan Coe
You Never Even Called Me by My Name
105 bpm • G Maj • 05:16 • -8db
61% Popularity • 63% Danceability • 62% Energy • 18% Liveness
0% Instrumentalness • 53% Positiveness
61% Popularity • 63% Danceability • 62% Energy • 18% Liveness
0% Instrumentalness • 53% Positiveness
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Eric Church
Drink In My Hand
113 bpm • C Maj • 03:11 • -4.45db
73% Popularity • 63% Danceability • 91% Energy • 29% Liveness
0% Instrumentalness • 95% Positiveness
73% Popularity • 63% Danceability • 91% Energy • 29% Liveness
0% Instrumentalness • 95% Positiveness
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Luke Combs
Does To Me
113 bpm • C Maj • 03:43 • -4.9db
68% Popularity • 62% Danceability • 85% Energy • 31% Liveness
0% Instrumentalness • 64% Positiveness
68% Popularity • 62% Danceability • 85% Energy • 31% Liveness
0% Instrumentalness • 64% Positiveness
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Zac Brown Band
Homegrown
105 bpm • F# Maj • 03:25 • -4db
70% Popularity • 71% Danceability • 81% Energy • 9% Liveness
0% Instrumentalness • 94% Positiveness
70% Popularity • 71% Danceability • 81% Energy • 9% Liveness
0% Instrumentalness • 94% Positiveness
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Hank Williams, Jr.
Whiskey Bent And Hell Bound
105 bpm • G Maj • 03:08 • -7.73db
64% Popularity • 73% Danceability • 71% Energy • 33% Liveness
0% Instrumentalness • 71% Positiveness
64% Popularity • 73% Danceability • 71% Energy • 33% Liveness
0% Instrumentalness • 71% Positiveness
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George Strait
One Night At A Time
113 bpm • E Maj • 03:50 • -11.81db
46% Popularity • 70% Danceability • 48% Energy • 7% Liveness
0% Instrumentalness • 51% Positiveness
46% Popularity • 70% Danceability • 48% Energy • 7% Liveness
0% Instrumentalness • 51% Positiveness
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Jon Pardi
Tequila Little Time
105 bpm • D Maj • 03:27 • -5.08db
62% Popularity • 76% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 86% Positiveness
62% Popularity • 76% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 86% Positiveness
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Randy Houser
How Country Feels
105 bpm • G Maj • 03:05 • -3.62db
69% Popularity • 68% Danceability • 84% Energy • 7% Liveness
0% Instrumentalness • 77% Positiveness
69% Popularity • 68% Danceability • 84% Energy • 7% Liveness
0% Instrumentalness • 77% Positiveness
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Kenny Chesney
When the Sun Goes Down
105 bpm • A Maj • 04:50 • -6.8db
66% Popularity • 80% Danceability • 74% Energy • 25% Liveness
0% Instrumentalness • 71% Positiveness
66% Popularity • 80% Danceability • 74% Energy • 25% Liveness
0% Instrumentalness • 71% Positiveness
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Vince Gill
Don't Let Our Love Start Slippin' Away
113 bpm • D# Maj • 03:44 • -9.31db
59% Popularity • 74% Danceability • 72% Energy • 35% Liveness
0% Instrumentalness • 66% Positiveness
59% Popularity • 74% Danceability • 72% Energy • 35% Liveness
0% Instrumentalness • 66% Positiveness
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Hank Williams, Jr.
Dixie On My Mind
105 bpm • D Maj • 02:36 • -5.67db
51% Popularity • 62% Danceability • 75% Energy • 20% Liveness
0% Instrumentalness • 81% Positiveness
51% Popularity • 62% Danceability • 75% Energy • 20% Liveness
0% Instrumentalness • 81% Positiveness
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Clint Black
Nobody's Home
105 bpm • C# Maj • 03:29 • -10db
48% Popularity • 68% Danceability • 47% Energy • 25% Liveness
0% Instrumentalness • 32% Positiveness
48% Popularity • 68% Danceability • 47% Energy • 25% Liveness
0% Instrumentalness • 32% Positiveness
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Brooks Jefferson
That Summer
114 bpm • A Maj • 04:45 • -7db
49% Popularity • 58% Danceability • 63% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
49% Popularity • 58% Danceability • 63% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
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Don Williams
Tulsa Time
104 bpm • E Maj • 03:15 • -13.01db
65% Popularity • 92% Danceability • 57% Energy • 6% Liveness
0% Instrumentalness • 96% Positiveness
65% Popularity • 92% Danceability • 57% Energy • 6% Liveness
0% Instrumentalness • 96% Positiveness
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Alabama
Love in the First Degree
104 bpm • G# Maj • 03:18 • -11.88db
45% Popularity • 59% Danceability • 43% Energy • 6% Liveness
0% Instrumentalness • 56% Positiveness
45% Popularity • 59% Danceability • 43% Energy • 6% Liveness
0% Instrumentalness • 56% Positiveness
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Restless Heart
The Bluest Eyes In Texas
114 bpm • A# Maj • 04:47 • -11db
46% Popularity • 64% Danceability • 52% Energy • 14% Liveness
0% Instrumentalness • 55% Positiveness
46% Popularity • 64% Danceability • 52% Energy • 14% Liveness
0% Instrumentalness • 55% Positiveness
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George Strait
She Let Herself Go
114 bpm • F# min • 03:18 • -7.82db
50% Popularity • 66% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 39% Positiveness
50% Popularity • 66% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 39% Positiveness
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Ronnie Milsap
I Wouldn't Have Missed It For The World
114 bpm • G Maj • 03:37 • -10.84db
58% Popularity • 66% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
58% Popularity • 66% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
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Cody Johnson
Dance Her Home
114 bpm • C Maj • 02:54 • -3.77db
72% Popularity • 67% Danceability • 89% Energy • 69% Liveness
0% Instrumentalness • 89% Positiveness
72% Popularity • 67% Danceability • 89% Energy • 69% Liveness
0% Instrumentalness • 89% Positiveness
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Chris Cagle
Chicks Dig It - Single Edit
104 bpm • G Maj • 03:30 • -5db
56% Popularity • 60% Danceability • 92% Energy • 30% Liveness
0% Instrumentalness • 70% Positiveness
56% Popularity • 60% Danceability • 92% Energy • 30% Liveness
0% Instrumentalness • 70% Positiveness
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Alabama
The Closer You Get
114 bpm • G Maj • 04:31 • -14.94db
50% Popularity • 76% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 83% Positiveness
50% Popularity • 76% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 83% Positiveness
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Eric Church
Springsteen
104 bpm • D Maj • 04:23 • -5.94db
77% Popularity • 69% Danceability • 81% Energy • 18% Liveness
0% Instrumentalness • 93% Positiveness
77% Popularity • 69% Danceability • 81% Energy • 18% Liveness
0% Instrumentalness • 93% Positiveness
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George Strait
I Just Want To Dance With You
114 bpm • C Maj • 03:30 • -9db
59% Popularity • 72% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
59% Popularity • 72% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
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Lorrie Morgan
'Til a Tear Becomes a Rose
104 bpm • F Maj • 03:32 • -12db
42% Popularity • 65% Danceability • 33% Energy • 24% Liveness
0% Instrumentalness • 55% Positiveness
42% Popularity • 65% Danceability • 33% Energy • 24% Liveness
0% Instrumentalness • 55% Positiveness
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Pat Green
Wave on Wave
104 bpm • D Maj • 04:04 • -5.27db
56% Popularity • 67% Danceability • 76% Energy • 7% Liveness
0% Instrumentalness • 36% Positiveness
56% Popularity • 67% Danceability • 76% Energy • 7% Liveness
0% Instrumentalness • 36% Positiveness
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Conway Twitty
That's My Job
104 bpm • A Maj • 04:51 • -6.96db
45% Popularity • 59% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
45% Popularity • 59% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Dwight Yoakam
I Sang Dixie
115 bpm • E Maj • 03:47 • -12.5db
48% Popularity • 70% Danceability • 40% Energy • 15% Liveness
0% Instrumentalness • 57% Positiveness
48% Popularity • 70% Danceability • 40% Energy • 15% Liveness
0% Instrumentalness • 57% Positiveness
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Gary Allan
Smoke Rings In The Dark
115 bpm • D Maj • 04:17 • -7.15db
54% Popularity • 53% Danceability • 60% Energy • 15% Liveness
0% Instrumentalness • 15% Positiveness
54% Popularity • 53% Danceability • 60% Energy • 15% Liveness
0% Instrumentalness • 15% Positiveness
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George Strait
Wrapped
114 bpm • B Maj • 04:07 • -4.06db
51% Popularity • 59% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
51% Popularity • 59% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
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Trace Adkins
Honky Tonk Badonkadonk
115 bpm • D Maj • 04:01 • -3.49db
64% Popularity • 64% Danceability • 92% Energy • 6% Liveness
0% Instrumentalness • 82% Positiveness
64% Popularity • 64% Danceability • 92% Energy • 6% Liveness
0% Instrumentalness • 82% Positiveness
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Josh Turner
Lord Have Mercy On A Country Boy
115 bpm • D Maj • 03:06 • -4.55db
47% Popularity • 67% Danceability • 72% Energy • 33% Liveness
2% Instrumentalness • 76% Positiveness
47% Popularity • 67% Danceability • 72% Energy • 33% Liveness
2% Instrumentalness • 76% Positiveness
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Brad Paisley
She's Everything
103 bpm • C Maj • 04:26 • -8.32db
65% Popularity • 36% Danceability • 48% Energy • 19% Liveness
0% Instrumentalness • 27% Positiveness
65% Popularity • 36% Danceability • 48% Energy • 19% Liveness
0% Instrumentalness • 27% Positiveness
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Cody Jinks
Hippies and Cowboys
115 bpm • F Maj • 05:00 • -5.07db
68% Popularity • 70% Danceability • 58% Energy • 30% Liveness
0% Instrumentalness • 62% Positiveness
68% Popularity • 70% Danceability • 58% Energy • 30% Liveness
0% Instrumentalness • 62% Positiveness
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John Michael Montgomery
Sold (The Grundy County Auction Incident...
116 bpm • D Maj • 02:32 • -7.37db
71% Popularity • 77% Danceability • 85% Energy • 35% Liveness
0% Instrumentalness • 80% Positiveness
71% Popularity • 77% Danceability • 85% Energy • 35% Liveness
0% Instrumentalness • 80% Positiveness
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George Strait
You Look So Good In Love
115 bpm • A Maj • 03:13 • -17.12db
54% Popularity • 65% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
54% Popularity • 65% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Craig Campbell
Outskirts of Heaven
116 bpm • C Maj • 04:04 • -5.73db
56% Popularity • 50% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
56% Popularity • 50% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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David Allan Coe
Jack Daniel's, If You Please
103 bpm • D Maj • 03:17 • -9.55db
51% Popularity • 68% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
51% Popularity • 68% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
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Brad Paisley
Old Alabama
116 bpm • G Maj • 05:01 • -5db
52% Popularity • 38% Danceability • 90% Energy • 13% Liveness
0% Instrumentalness • 46% Positiveness
52% Popularity • 38% Danceability • 90% Energy • 13% Liveness
0% Instrumentalness • 46% Positiveness
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Rodney Atkins
If You're Going Through Hell (Before The...
116 bpm • A Maj • 03:36 • -3.66db
62% Popularity • 57% Danceability • 90% Energy • 13% Liveness
0% Instrumentalness • 79% Positiveness
62% Popularity • 57% Danceability • 90% Energy • 13% Liveness
0% Instrumentalness • 79% Positiveness
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Blake Shelton
Sangria
116 bpm • A Maj • 03:53 • -6.96db
63% Popularity • 65% Danceability • 72% Energy • 15% Liveness
0% Instrumentalness • 54% Positiveness
63% Popularity • 65% Danceability • 72% Energy • 15% Liveness
0% Instrumentalness • 54% Positiveness
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George Strait
If You're Thinking You Want A Stranger (...
115 bpm • G# Maj • 02:57 • -15.31db
48% Popularity • 71% Danceability • 42% Energy • 23% Liveness
0% Instrumentalness • 69% Positiveness
48% Popularity • 71% Danceability • 42% Energy • 23% Liveness
0% Instrumentalness • 69% Positiveness
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Jon Pardi
Heartache On The Dance Floor
116 bpm • A Maj • 03:25 • -4.31db
75% Popularity • 60% Danceability • 83% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
75% Popularity • 60% Danceability • 83% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
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Sawyer Brown
Thank God For You
116 bpm • F Maj • 03:18 • -6.46db
49% Popularity • 80% Danceability • 78% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
49% Popularity • 80% Danceability • 78% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
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Aaron Tippin
Kiss This
116 bpm • F# min • 02:53 • -5.48db
55% Popularity • 76% Danceability • 71% Energy • 36% Liveness
0% Instrumentalness • 67% Positiveness
55% Popularity • 76% Danceability • 71% Energy • 36% Liveness
0% Instrumentalness • 67% Positiveness
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Trace Adkins
(This Ain't) No Thinkin' Thing
116 bpm • A min • 04:02 • -6.3db
53% Popularity • 64% Danceability • 75% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
53% Popularity • 64% Danceability • 75% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
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Blake Shelton
Some Beach
116 bpm • C Maj • 03:24 • -6.33db
62% Popularity • 79% Danceability • 76% Energy • 32% Liveness
0% Instrumentalness • 96% Positiveness
62% Popularity • 79% Danceability • 76% Energy • 32% Liveness
0% Instrumentalness • 96% Positiveness
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Conway Twitty
Tight Fittin' Jeans
102 bpm • F Maj • 02:51 • -13.95db
64% Popularity • 73% Danceability • 49% Energy • 8% Liveness
0% Instrumentalness • 89% Positiveness
64% Popularity • 73% Danceability • 49% Energy • 8% Liveness
0% Instrumentalness • 89% Positiveness
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Hank Williams, Jr.
The American Way
116 bpm • D Maj • 03:07 • -12.47db
56% Popularity • 62% Danceability • 58% Energy • 3% Liveness
0% Instrumentalness • 73% Positiveness
56% Popularity • 62% Danceability • 58% Energy • 3% Liveness
0% Instrumentalness • 73% Positiveness
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Lonestar
No News
116 bpm • F min • 02:53 • -6db
54% Popularity • 74% Danceability • 68% Energy • 6% Liveness
0% Instrumentalness • 86% Positiveness
54% Popularity • 74% Danceability • 68% Energy • 6% Liveness
0% Instrumentalness • 86% Positiveness
