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The Crab / Waterbaby
Songs like
The Crab / Waterbaby
by
Tiny Ruins
Based on a tempo of (+/- 10%) and a similar genre
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Jana Horn
Time Machine
97 bpm • D Maj • 02:53 • -15.09db
21% Popularity • 69% Danceability • 28% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
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Laura Marling
For You
97 bpm • C Maj • 03:57 • -16db
48% Popularity • 55% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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Sharon Van Etten
Keep
97 bpm • G Maj • 04:59 • -16.87db
15% Popularity • 24% Danceability • 7% Energy • 11% Liveness
30% Instrumentalness • 15% Positiveness
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Anna Mieke
Go Away from My Window
97 bpm • F# min • 04:21 • -15.96db
21% Popularity • 34% Danceability • 11% Energy • 12% Liveness
6% Instrumentalness • 13% Positiveness
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Itasca
No Consequence
97 bpm • E Maj • 02:52 • -11.2db
8% Popularity • 46% Danceability • 35% Energy • 10% Liveness
53% Instrumentalness • 24% Positiveness
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Mariee Sioux
Friendboats
97 bpm • D Maj • 03:39 • -11db
25% Popularity • 44% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
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Adrianne Lenker
Miss Misty
97 bpm • A# Maj • 02:47 • -13.58db
48% Popularity • 40% Danceability • 19% Energy • 13% Liveness
0% Instrumentalness • 22% Positiveness
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Laura Veirs
Sun Is King
97 bpm • G# Maj • 03:20 • -9.72db
16% Popularity • 51% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
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Tiny Ruins
Cold Enough to Climb (Solo)
97 bpm • A Maj • 02:58 • -17.64db
1% Popularity • 46% Danceability • 8% Energy • 9% Liveness
1% Instrumentalness • 16% Positiveness
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Julie Byrne
Morning Dove
98 bpm • C Maj • 02:59 • -13.32db
36% Popularity • 48% Danceability • 22% Energy • 11% Liveness
1% Instrumentalness • 11% Positiveness
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Feist
Cicadas And Gulls
96 bpm • C# Maj • 03:16 • -15.23db
35% Popularity • 58% Danceability • 9% Energy • 10% Liveness
4% Instrumentalness • 11% Positiveness
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Laura Marling
Hope We Meet Again
96 bpm • F min • 04:05 • -16.63db
35% Popularity • 53% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
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Indigo Sparke
Sad Is Love
96 bpm • E Maj • 03:54 • -8.52db
17% Popularity • 51% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
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Lia Ices
Family Album
98 bpm • D Maj • 05:07 • -6.61db
17% Popularity • 31% Danceability • 38% Energy • 12% Liveness
2% Instrumentalness • 16% Positiveness
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Anna Mieke
Mountain Song
96 bpm • G min • 04:19 • -11.17db
32% Popularity • 47% Danceability • 24% Energy • 16% Liveness
0% Instrumentalness • 29% Positiveness
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Itasca
Buddy
95 bpm • B Maj • 02:54 • -8.45db
25% Popularity • 46% Danceability • 56% Energy • 26% Liveness
0% Instrumentalness • 50% Positiveness
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Feist
Of Womankind
96 bpm • F# Maj • 03:52 • -10.56db
37% Popularity • 37% Danceability • 31% Energy • 18% Liveness
0% Instrumentalness • 11% Positiveness
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Adam Torres
Juniper Arms
98 bpm • F# Maj • 06:00 • -11.99db
31% Popularity • 40% Danceability • 21% Energy • 11% Liveness
32% Instrumentalness • 12% Positiveness
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Bonny Light Horseman
10,000 Miles
99 bpm • D Maj • 03:04 • -6.06db
30% Popularity • 39% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Du Blonde
Pelican Canyon
99 bpm • G Maj • 03:47 • -11.39db
41% Popularity • 38% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
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Angelo De Augustine
Old Hope
95 bpm • D# Maj • 01:58 • -15.92db
44% Popularity • 48% Danceability • 26% Energy • 10% Liveness
84% Instrumentalness • 39% Positiveness
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Rachael Dadd
Tap the Sap
99 bpm • D min • 03:25 • -13.18db
25% Popularity • 60% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 96% Positiveness
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Shana Cleveland
A New Song
99 bpm • D Maj • 04:20 • -15.25db
13% Popularity • 53% Danceability • 21% Energy • 11% Liveness
50% Instrumentalness • 4% Positiveness
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Villagers
Dawning On Me (Crouch Angeles Version) -...
95 bpm • E min • 04:00 • -13.14db
17% Popularity • 63% Danceability • 51% Energy • 9% Liveness
72% Instrumentalness • 19% Positiveness
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Nathan Salsburg
Here Song
99 bpm • D min • 02:21 • -16.42db
28% Popularity • 60% Danceability • 14% Energy • 11% Liveness
1% Instrumentalness • 10% Positiveness
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River Whyless
All of My Friends
99 bpm • D Maj • 02:48 • -12db
47% Popularity • 65% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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Angelo De Augustine
The Painter
95 bpm • D Maj • 03:11 • -11.27db
23% Popularity • 46% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
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Tiny Ruins
Old as the Hills
95 bpm • D# Maj • 04:57 • -14.39db
22% Popularity • 49% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Anna Mieke
Mannequin - Radio Edit
99 bpm • E Maj • 05:27 • -13.22db
21% Popularity • 39% Danceability • 28% Energy • 8% Liveness
26% Instrumentalness • 19% Positiveness
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Diane Cluck
Heartloose
99 bpm • F Maj • 02:18 • -14db
32% Popularity • 60% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Twain
Love, Go Lightly
99 bpm • C Maj • 04:25 • -17.33db
27% Popularity • 47% Danceability • 16% Energy • 12% Liveness
1% Instrumentalness • 19% Positiveness
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Haley Heynderickx
Little Wind
99 bpm • D Maj • 02:02 • -12.34db
40% Popularity • 57% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
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Marika Hackman
Cigarette - 7 Layers Sessions
95 bpm • A min • 01:56 • -18.96db
41% Popularity • 57% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
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Josephine Foster
Little Life
94 bpm • G Maj • 03:44 • -14db
23% Popularity • 65% Danceability • 9% Energy • 8% Liveness
5% Instrumentalness • 8% Positiveness
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Laura Veirs
I Was A Fool
95 bpm • D# Maj • 02:44 • -15.57db
23% Popularity • 59% Danceability • 8% Energy • 35% Liveness
68% Instrumentalness • 31% Positiveness
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Joan Shelley
The Sway
100 bpm • D Maj • 03:22 • -10.74db
23% Popularity • 56% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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Lichen
End Is Near
94 bpm • D Maj • 03:11 • -16.23db
25% Popularity • 28% Danceability • 23% Energy • 14% Liveness
58% Instrumentalness • 26% Positiveness
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Fionn Regan
The Ocean Wave
100 bpm • B min • 04:21 • -18.96db
12% Popularity • 51% Danceability • 31% Energy • 13% Liveness
44% Instrumentalness • 25% Positiveness
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Rachel Sermanni
Gently I
100 bpm • E Maj • 09:44 • -21.35db
10% Popularity • 48% Danceability • 3% Energy • 13% Liveness
0% Instrumentalness • 15% Positiveness
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Heather Woods Broderick
Nightcrawler
94 bpm • F Maj • 04:54 • -9.4db
9% Popularity • 51% Danceability • 44% Energy • 19% Liveness
21% Instrumentalness • 29% Positiveness
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Maple Glider
Be Mean, It's Kinder Than Crying
100 bpm • E Maj • 02:15 • -8.82db
25% Popularity • 81% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
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Bill Callahan
Riding For The Feeling
101 bpm • C Maj • 06:05 • -15db
40% Popularity • 44% Danceability • 21% Energy • 25% Liveness
1% Instrumentalness • 28% Positiveness
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Juni Habel
Little Twirl
93 bpm • F# Maj • 02:22 • -8.61db
19% Popularity • 43% Danceability • 36% Energy • 12% Liveness
1% Instrumentalness • 41% Positiveness
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Fionn Regan
Cormorant Bird
100 bpm • F# min • 03:27 • -18.42db
33% Popularity • 28% Danceability • 22% Energy • 11% Liveness
92% Instrumentalness • 10% Positiveness
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Iona Zajac
Red Corn Poppies
93 bpm • C# Maj • 02:42 • -9.49db
26% Popularity • 54% Danceability • 22% Energy • 15% Liveness
0% Instrumentalness • 11% Positiveness
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Bonny Light Horseman
Magpie's Nest
93 bpm • A Maj • 04:58 • -8.25db
30% Popularity • 48% Danceability • 34% Energy • 12% Liveness
12% Instrumentalness • 34% Positiveness
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Fenne Lily
Pick
101 bpm • A# Maj • 02:45 • -10.6db
34% Popularity • 76% Danceability • 44% Energy • 10% Liveness
59% Instrumentalness • 67% Positiveness
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Tomberlin
Wasted
93 bpm • E Maj • 02:29 • -10db
55% Popularity • 77% Danceability • 57% Energy • 14% Liveness
14% Instrumentalness • 72% Positiveness
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Sam Amidon
Relief
93 bpm • D Maj • 05:21 • -12db
31% Popularity • 56% Danceability • 28% Energy • 13% Liveness
65% Instrumentalness • 46% Positiveness
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Fionn Regan
Collar of Fur
93 bpm • E Maj • 02:28 • -15db
36% Popularity • 32% Danceability • 35% Energy • 8% Liveness
19% Instrumentalness • 47% Positiveness
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Nadia Reid
Holy Low
93 bpm • A min • 03:39 • -12.49db
31% Popularity • 38% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
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Luke De-Sciscio
R.O.B.Y.N.
101 bpm • G# Maj • 03:19 • -12.76db
36% Popularity • 58% Danceability • 26% Energy • 10% Liveness
26% Instrumentalness • 11% Positiveness
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A Singer Of Songs
Road to Nowhere
93 bpm • C# min • 03:04 • -13.05db
2% Popularity • 66% Danceability • 19% Energy • 17% Liveness
0% Instrumentalness • 36% Positiveness
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Macie Stewart
Tone Pome
92 bpm • E Maj • 01:55 • -14.37db
21% Popularity • 57% Danceability • 22% Energy • 28% Liveness
0% Instrumentalness • 11% Positiveness
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Rachel Sermanni
True Love Lets Go
102 bpm • D Maj • 03:15 • -19.61db
19% Popularity • 48% Danceability • 4% Energy • 14% Liveness
0% Instrumentalness • 26% Positiveness
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Fionn Regan
Riverside Heights
102 bpm • B Maj • 02:34 • -15.59db
30% Popularity • 62% Danceability • 15% Energy • 12% Liveness
26% Instrumentalness • 41% Positiveness
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Lael Neale
Blue Vein
102 bpm • D# Maj • 04:22 • -4db
34% Popularity • 41% Danceability • 42% Energy • 17% Liveness
0% Instrumentalness • 9% Positiveness
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Ora Cogan
End of Nowhere
92 bpm • D Maj • 02:53 • -11.44db
16% Popularity • 53% Danceability • 32% Energy • 14% Liveness
5% Instrumentalness • 28% Positiveness
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Anna Mieke
Coralline
103 bpm • D Maj • 07:57 • -14.52db
17% Popularity • 53% Danceability • 31% Energy • 13% Liveness
31% Instrumentalness • 10% Positiveness
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Samantha Crain
An Echo
103 bpm • C# Maj • 03:48 • -9.19db
23% Popularity • 56% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Shana Cleveland
Ten Hour Drive Through West Coast Disast...
103 bpm • C Maj • 01:24 • -16.78db
37% Popularity • 33% Danceability • 28% Energy • 8% Liveness
84% Instrumentalness • 53% Positiveness
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Fionn Regan
Volca
102 bpm • E Maj • 03:17 • -13.38db
17% Popularity • 36% Danceability • 25% Energy • 11% Liveness
10% Instrumentalness • 63% Positiveness
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Frazey Ford
September Fields - Acoustic Hidden Track
103 bpm • F Maj • 03:33 • -13db
46% Popularity • 75% Danceability • 10% Energy • 11% Liveness
1% Instrumentalness • 16% Positiveness
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Andy Shauf
Jesus, She's A Good Girl
103 bpm • A Maj • 03:19 • -16.11db
27% Popularity • 71% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
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Blake Mills
Cheers
103 bpm • C Maj • 03:32 • -13.72db
25% Popularity • 48% Danceability • 15% Energy • 10% Liveness
2% Instrumentalness • 30% Positiveness
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Ragnar Kjartansson
On Death
91 bpm • A Maj • 02:32 • -17.78db
21% Popularity • 37% Danceability • 14% Energy • 12% Liveness
12% Instrumentalness • 24% Positiveness
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Feist
Homage
104 bpm • A min • 04:09 • -10.08db
32% Popularity • 51% Danceability • 33% Energy • 31% Liveness
52% Instrumentalness • 33% Positiveness
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Laura Veirs
The Meadow
104 bpm • A min • 02:42 • -12.42db
8% Popularity • 39% Danceability • 20% Energy • 18% Liveness
1% Instrumentalness • 15% Positiveness
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Tiny Ruins
Tread Softly
90 bpm • A# Maj • 03:51 • -11.5db
10% Popularity • 62% Danceability • 32% Energy • 8% Liveness
2% Instrumentalness • 16% Positiveness
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Samantha Crain
Constructive Eviction
104 bpm • F Maj • 03:20 • -7.72db
18% Popularity • 53% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
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Jana Hunter
Palms
104 bpm • A Maj • 02:23 • -15.38db
30% Popularity • 69% Danceability • 23% Energy • 11% Liveness
86% Instrumentalness • 41% Positiveness
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Bill Ryder-Jones
Tell Me You Don't Love Me Watching
90 bpm • A# Maj • 02:26 • -11.09db
32% Popularity • 69% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
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Bill Callahan
Rococo Zephyr
90 bpm • G# Maj • 05:42 • -12.78db
37% Popularity • 67% Danceability • 22% Energy • 11% Liveness
44% Instrumentalness • 12% Positiveness
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Angelo De Augustine
Kaitlin
105 bpm • D Maj • 03:51 • -13.35db
25% Popularity • 66% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Fionn Regan
Head Swim
105 bpm • E Maj • 02:54 • -14.59db
23% Popularity • 61% Danceability • 25% Energy • 15% Liveness
1% Instrumentalness • 39% Positiveness
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Emily Fairlight
Drag the Night In
105 bpm • A# Maj • 03:12 • -7.27db
26% Popularity • 62% Danceability • 41% Energy • 13% Liveness
0% Instrumentalness • 29% Positiveness
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Rachael Dadd
Make a Sentence
90 bpm • F Maj • 03:57 • -12.08db
23% Popularity • 71% Danceability • 48% Energy • 9% Liveness
80% Instrumentalness • 73% Positiveness
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Jesca Hoop
Pegasi
89 bpm • D Maj • 03:33 • -8.9db
34% Popularity • 58% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
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The Innocence Mission
Look out from Your Window
89 bpm • F Maj • 03:21 • -10.71db
9% Popularity • 28% Danceability • 36% Energy • 15% Liveness
6% Instrumentalness • 25% Positiveness
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Reverend Baron
Waiting On You
105 bpm • C Maj • 04:38 • -17.11db
30% Popularity • 57% Danceability • 2% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Buck Meek
Two Moons
106 bpm • F Maj • 03:02 • -9.87db
24% Popularity • 62% Danceability • 43% Energy • 10% Liveness
1% Instrumentalness • 34% Positiveness
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Joan Shelley
The Fading
89 bpm • A Maj • 03:09 • -10db
40% Popularity • 37% Danceability • 25% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
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Nadia Reid
Richard
89 bpm • A# min • 03:39 • -8.22db
31% Popularity • 52% Danceability • 49% Energy • 10% Liveness
4% Instrumentalness • 47% Positiveness
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The Magnetic North
Betty Corrigall
106 bpm • G# Maj • 03:08 • -12.4db
34% Popularity • 58% Danceability • 34% Energy • 16% Liveness
70% Instrumentalness • 37% Positiveness
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The Innocence Mission
Mary Margaret in Mid-Air
106 bpm • A Maj • 03:01 • -10.74db
9% Popularity • 54% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
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Indigo Sparke
Real
89 bpm • G# min • 03:44 • -12.87db
14% Popularity • 45% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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Bill Callahan
Jim Cain
106 bpm • D Maj • 04:39 • -13.04db
49% Popularity • 70% Danceability • 30% Energy • 11% Liveness
78% Instrumentalness • 56% Positiveness
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Angelo De Augustine
The Beginning and the End
88 bpm • F Maj • 03:33 • -16.17db
18% Popularity • 48% Danceability • 11% Energy • 12% Liveness
17% Instrumentalness • 17% Positiveness
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King Creosote
Bats In The Attic
88 bpm • G# Maj • 03:43 • -15db
39% Popularity • 46% Danceability • 29% Energy • 10% Liveness
1% Instrumentalness • 10% Positiveness
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Nadia Reid
Some Are Lucky
107 bpm • F Maj • 05:31 • -15.49db
22% Popularity • 42% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 11% Positiveness
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The Innocence Mission
I Would Be There
88 bpm • D# Maj • 04:16 • -9.22db
9% Popularity • 33% Danceability • 38% Energy • 9% Liveness
1% Instrumentalness • 14% Positiveness
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The Dove & the Wolf
Free Around You
107 bpm • G Maj • 03:40 • -14.79db
26% Popularity • 33% Danceability • 21% Energy • 11% Liveness
60% Instrumentalness • 15% Positiveness
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Lia Ices
Earthy
88 bpm • B min • 03:14 • -5.61db
22% Popularity • 65% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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Julie Byrne
Follow My Voice
107 bpm • D Maj • 04:02 • -14.63db
50% Popularity • 40% Danceability • 8% Energy • 13% Liveness
0% Instrumentalness • 19% Positiveness
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Mary Elizabeth Remington
Dresser Hill
107 bpm • F# Maj • 03:29 • -9.83db
31% Popularity • 54% Danceability • 8% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
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Rachel Sermanni
Put Me in the River
88 bpm • A min • 06:03 • -12.54db
19% Popularity • 32% Danceability • 30% Energy • 15% Liveness
2% Instrumentalness • 17% Positiveness
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Molly Sarlé
Human
107 bpm • C Maj • 03:54 • -8.76db
38% Popularity • 56% Danceability • 42% Energy • 10% Liveness
37% Instrumentalness • 72% Positiveness
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Villagers
Death Trap Kid - Bonus Track
107 bpm • G Maj • 03:24 • -11.81db
18% Popularity • 43% Danceability • 33% Energy • 11% Liveness
84% Instrumentalness • 25% Positiveness
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Jesca Hoop
Murder Of Birds (Undressed)
88 bpm • D# min • 04:52 • -14db
25% Popularity • 40% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Nadia Reid
Reach My Destination
108 bpm • D# Maj • 03:04 • -15.17db
29% Popularity • 43% Danceability • 15% Energy • 15% Liveness
0% Instrumentalness • 24% Positiveness
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The Crab / Waterbaby