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The Creator Has A Master Plan
Songs like
The Creator Has A Master Plan
by
Pharoah Sanders
Based on a tempo of (+/- 10%) and a similar genre
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Jon Hassell
Chemistry
108 bpm • E min • 06:54 • -29db
21% Popularity • 62% Danceability • 18% Energy • 13% Liveness
88% Instrumentalness • 29% Positiveness
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Pharoah Sanders
Africa
108 bpm • D# Maj • 08:25 • -16.87db
15% Popularity • 46% Danceability • 31% Energy • 10% Liveness
5% Instrumentalness • 60% Positiveness
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Jaco Pastorius
Okonkole y Trompa
108 bpm • E min • 04:25 • -23.9db
31% Popularity • 61% Danceability • 42% Energy • 11% Liveness
95% Instrumentalness • 98% Positiveness
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Franklin Kiermyer
Esra Alawi
108 bpm • D min • 06:47 • -8.21db
1% Popularity • 24% Danceability • 70% Energy • 32% Liveness
14% Instrumentalness • 26% Positiveness
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Alice Coltrane
Sita Ram
108 bpm • F Maj • 04:45 • -12.72db
16% Popularity • 21% Danceability • 36% Energy • 23% Liveness
71% Instrumentalness • 4% Positiveness
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Albert Ayler
The Wizard
108 bpm • D min • 07:22 • -14.06db
20% Popularity • 33% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 64% Positiveness
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Eberhard Weber
Fluid Rustle
109 bpm • F Maj • 07:30 • -21.34db
9% Popularity • 29% Danceability • 4% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
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Pharoah Sanders
Red, Black & Green
108 bpm • D# min • 08:56 • -10.45db
19% Popularity • 20% Danceability • 87% Energy • 44% Liveness
88% Instrumentalness • 31% Positiveness
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David Murray
O' léonso
107 bpm • F min • 07:57 • -5.17db
1% Popularity • 54% Danceability • 89% Energy • 17% Liveness
9% Instrumentalness • 35% Positiveness
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Byard Lancaster
It's Not up to Us
107 bpm • D min • 04:53 • -13.45db
14% Popularity • 38% Danceability • 36% Energy • 30% Liveness
38% Instrumentalness • 58% Positiveness
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Sun Ra & His Arkestra
Sleeping Beauty - a.k.a. Black Beauty
107 bpm • C# Maj • 11:49 • -10.32db
22% Popularity • 40% Danceability • 50% Energy • 7% Liveness
14% Instrumentalness • 31% Positiveness
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Matana Roberts
Amma Jerusalem School
109 bpm • A# Maj • 04:10 • -12.05db
12% Popularity • 45% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
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Karin Krog
Meaning of Love
109 bpm • F Maj • 05:06 • -15db
30% Popularity • 48% Danceability • 58% Energy • 10% Liveness
6% Instrumentalness • 81% Positiveness
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Pharoah Sanders
The Creator Has A Master Plan
108 bpm • D# Maj • 32:47 • -9.03db
32% Popularity • 28% Danceability • 78% Energy • 25% Liveness
0% Instrumentalness • 66% Positiveness
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Bill Laswell
Improvised Music #2
109 bpm • G# min • 05:04 • -17.7db
8% Popularity • 40% Danceability • 42% Energy • 15% Liveness
72% Instrumentalness • 23% Positiveness
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Annette Peacock
Blood
109 bpm • C Maj • 02:01 • -12.93db
14% Popularity • 57% Danceability • 11% Energy • 12% Liveness
44% Instrumentalness • 26% Positiveness
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Joe Henderson
Fire
107 bpm • B min • 11:07 • -8.96db
29% Popularity • 44% Danceability • 72% Energy • 14% Liveness
1% Instrumentalness • 58% Positiveness
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Oliver Nelson
Baja Bossa
107 bpm • D min • 07:22 • -11db
22% Popularity • 39% Danceability • 59% Energy • 12% Liveness
72% Instrumentalness • 55% Positiveness
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Steve Reich
Different Trains: America, Before the Wa...
107 bpm • C# Maj • 08:58 • -14.07db
29% Popularity • 40% Danceability • 37% Energy • 12% Liveness
19% Instrumentalness • 61% Positiveness
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Pharoah Sanders
Myth
109 bpm • G Maj • 01:43 • -27.96db
12% Popularity • 17% Danceability • 4% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
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Chico Hamilton
Thoughts
107 bpm • B min • 09:20 • -14.5db
9% Popularity • 37% Danceability • 25% Energy • 10% Liveness
33% Instrumentalness • 7% Positiveness
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The Awakening
Mode for D.D.
109 bpm • D# min • 04:52 • -13.48db
10% Popularity • 50% Danceability • 60% Energy • 6% Liveness
70% Instrumentalness • 96% Positiveness
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Robert Wyatt
Sea Song
110 bpm • F# min • 06:31 • -14.62db
29% Popularity • 35% Danceability • 27% Energy • 21% Liveness
2% Instrumentalness • 6% Positiveness
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Alice Coltrane
Turiya & Ramakrishna
110 bpm • F# Maj • 08:18 • -14.67db
54% Popularity • 42% Danceability • 30% Energy • 25% Liveness
90% Instrumentalness • 13% Positiveness
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Ralph Towner
Piscean Dance
106 bpm • A# min • 04:11 • -15db
14% Popularity • 49% Danceability • 50% Energy • 6% Liveness
84% Instrumentalness • 96% Positiveness
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Pat Metheny
Midwestern Nights Dream
106 bpm • D Maj • 06:06 • -23db
35% Popularity • 41% Danceability • 10% Energy • 15% Liveness
83% Instrumentalness • 11% Positiveness
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Duke Ellington
Money Jungle - Remastered
106 bpm • F Maj • 05:29 • -9.02db
26% Popularity • 52% Danceability • 70% Energy • 11% Liveness
2% Instrumentalness • 63% Positiveness
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Ornette Coleman
Beauty Is a Rare Thing
110 bpm • F min • 07:14 • -24.8db
12% Popularity • 46% Danceability • 3% Energy • 13% Liveness
36% Instrumentalness • 14% Positiveness
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Noël McGhie & Space Spies
Trapeze
111 bpm • F# min • 07:40 • -13.04db
13% Popularity • 47% Danceability • 43% Energy • 12% Liveness
94% Instrumentalness • 40% Positiveness
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Pharoah Sanders
Village Of The Pharoahs, Part One
111 bpm • G min • 07:13 • -13db
12% Popularity • 30% Danceability • 62% Energy • 45% Liveness
1% Instrumentalness • 50% Positiveness
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Art Ensemble Of Chicago
Prayer For Jimbo Kwesi
105 bpm • D Maj • 09:47 • -21.07db
8% Popularity • 22% Danceability • 12% Energy • 12% Liveness
72% Instrumentalness • 5% Positiveness
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The Lounge Lizards
One Big Yes
111 bpm • C min • 06:23 • -12.49db
18% Popularity • 43% Danceability • 58% Energy • 10% Liveness
6% Instrumentalness • 84% Positiveness
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Thelonious Monk
Brilliant Corners
105 bpm • F# Maj • 07:47 • -13.97db
20% Popularity • 57% Danceability • 29% Energy • 5% Liveness
4% Instrumentalness • 40% Positiveness
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Kenny Garrett
Intro To Africa
111 bpm • G# Maj • 09:21 • -9db
5% Popularity • 47% Danceability • 49% Energy • 54% Liveness
61% Instrumentalness • 25% Positiveness
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Michael White
John Coltrane Was Here
112 bpm • E min • 06:04 • -14.89db
9% Popularity • 47% Danceability • 49% Energy • 11% Liveness
85% Instrumentalness • 47% Positiveness
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Joe Henderson
Afro-Centric
112 bpm • F min • 07:04 • -12.51db
26% Popularity • 51% Danceability • 58% Energy • 10% Liveness
27% Instrumentalness • 62% Positiveness
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Dorothy Ashby
Myself When Young
112 bpm • D min • 05:20 • -15.92db
26% Popularity • 56% Danceability • 37% Energy • 20% Liveness
1% Instrumentalness • 48% Positiveness
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The Lounge Lizards
The First and Royal Queen
111 bpm • C# Maj • 04:00 • -15db
28% Popularity • 75% Danceability • 35% Energy • 5% Liveness
21% Instrumentalness • 70% Positiveness
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Rufus Harley
Crack
112 bpm • F min • 09:56 • -7.76db
7% Popularity • 28% Danceability • 82% Energy • 77% Liveness
3% Instrumentalness • 44% Positiveness
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Pharoah Sanders
Origin
112 bpm • G# min • 06:54 • -14db
16% Popularity • 57% Danceability • 40% Energy • 10% Liveness
48% Instrumentalness • 56% Positiveness
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Bennie Maupin
Song For Tracie Dixon Summers
112 bpm • D Maj • 05:19 • -14.54db
10% Popularity • 31% Danceability • 10% Energy • 10% Liveness
23% Instrumentalness • 4% Positiveness
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Robert Wyatt
The Whole Point Of No Return
112 bpm • A min • 01:25 • -18.49db
31% Popularity • 30% Danceability • 4% Energy • 12% Liveness
92% Instrumentalness • 4% Positiveness
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Alice Coltrane
A Love Supreme
104 bpm • B Maj • 10:04 • -16.28db
18% Popularity • 29% Danceability • 41% Energy • 13% Liveness
70% Instrumentalness • 22% Positiveness
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The Lounge Lizards
Queen Reprise
112 bpm • C# Maj • 03:47 • -14.66db
9% Popularity • 74% Danceability • 34% Energy • 8% Liveness
70% Instrumentalness • 80% Positiveness
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Thelonious Monk
Locomotive
112 bpm • G# Maj • 06:40 • -11db
31% Popularity • 67% Danceability • 44% Energy • 13% Liveness
14% Instrumentalness • 70% Positiveness
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Pete La Roca
The Dancing Girl
104 bpm • F min • 06:11 • -14.44db
10% Popularity • 34% Danceability • 55% Energy • 25% Liveness
32% Instrumentalness • 44% Positiveness
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Gary Burton Quartet
Olhos De Gato
104 bpm • D min • 05:42 • -16.45db
8% Popularity • 36% Danceability • 24% Energy • 9% Liveness
28% Instrumentalness • 5% Positiveness
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Ian Carr
Images
113 bpm • F Maj • 04:55 • -19db
27% Popularity • 58% Danceability • 19% Energy • 10% Liveness
24% Instrumentalness • 34% Positiveness
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Alice Coltrane
Blue Nile
112 bpm • B min • 07:01 • -13db
37% Popularity • 37% Danceability • 53% Energy • 10% Liveness
60% Instrumentalness • 25% Positiveness
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The Tony Williams Lifetime
There Comes A Time
112 bpm • A Maj • 06:01 • -9db
19% Popularity • 40% Danceability • 70% Energy • 34% Liveness
3% Instrumentalness • 47% Positiveness
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Pharoah Sanders
Village Of The Pharoahs, Part Two
113 bpm • D Maj • 04:59 • -14.23db
10% Popularity • 26% Danceability • 51% Energy • 34% Liveness
26% Instrumentalness • 50% Positiveness
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Jan Garbarek Quartet
Skarabée
113 bpm • F Maj • 06:16 • -21.17db
16% Popularity • 53% Danceability • 47% Energy • 10% Liveness
6% Instrumentalness • 29% Positiveness
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John Lurie
Men Working
103 bpm • G# min • 01:07 • -18.53db
34% Popularity • 56% Danceability • 7% Energy • 10% Liveness
94% Instrumentalness • 30% Positiveness
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Arthur Blythe
Down San Diego Way
113 bpm • D Maj • 07:51 • -11.85db
10% Popularity • 59% Danceability • 68% Energy • 11% Liveness
1% Instrumentalness • 92% Positiveness
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Alice Coltrane
My Favorite Things
104 bpm • A Maj • 06:23 • -16.67db
16% Popularity • 22% Danceability • 42% Energy • 21% Liveness
94% Instrumentalness • 37% Positiveness
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Sonny Sharrock
Peanut
103 bpm • G Maj • 09:14 • -10.83db
15% Popularity • 27% Danceability • 92% Energy • 14% Liveness
69% Instrumentalness • 24% Positiveness
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Pharoah Sanders
Duo
103 bpm • C# Maj • 04:32 • -15.9db
10% Popularity • 45% Danceability • 47% Energy • 22% Liveness
0% Instrumentalness • 68% Positiveness
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Bennie Maupin
The Jewel In The Lotus
103 bpm • D Maj • 10:02 • -14.09db
14% Popularity • 27% Danceability • 31% Energy • 21% Liveness
9% Instrumentalness • 4% Positiveness
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Patty Waters
You Thrill Me
103 bpm • D# min • 01:22 • -24.93db
21% Popularity • 43% Danceability • 1% Energy • 12% Liveness
0% Instrumentalness • 9% Positiveness
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Chick Corea
Imp's Welcome
103 bpm • E Maj • 02:55 • -17.74db
17% Popularity • 29% Danceability • 26% Energy • 55% Liveness
86% Instrumentalness • 5% Positiveness
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Albert Ayler
New Ghosts
113 bpm • A min • 04:12 • -9.89db
11% Popularity • 42% Danceability • 63% Energy • 11% Liveness
53% Instrumentalness • 66% Positiveness
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Sonny Sharrock
Blind Willie
113 bpm • E Maj • 03:10 • -15db
27% Popularity • 60% Danceability • 53% Energy • 9% Liveness
80% Instrumentalness • 31% Positiveness
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Michael White
The Land Of Spirit And Light (Part 2)
103 bpm • A Maj • 03:21 • -13.27db
14% Popularity • 61% Danceability • 57% Energy • 16% Liveness
55% Instrumentalness • 70% Positiveness
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Robert Wyatt
At Last I Am Free
114 bpm • F min • 04:17 • -11db
33% Popularity • 45% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
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Pharoah Sanders
Wisdom Through Music
114 bpm • D Maj • 05:43 • -15db
26% Popularity • 36% Danceability • 53% Energy • 30% Liveness
52% Instrumentalness • 83% Positiveness
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Gil Evans
Proclamation
114 bpm • F# Maj • 03:55 • -27.61db
20% Popularity • 50% Danceability • 7% Energy • 10% Liveness
83% Instrumentalness • 4% Positiveness
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Alice Coltrane
Shiva-Loka
114 bpm • F Maj • 06:33 • -12.26db
35% Popularity • 21% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
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Tisziji Munoz
Purification By Fire
114 bpm • B min • 10:07 • -14.15db
0% Popularity • 40% Danceability • 58% Energy • 31% Liveness
79% Instrumentalness • 51% Positiveness
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Andrew Hill
Passing Ships
102 bpm • C Maj • 07:08 • -15db
9% Popularity • 48% Danceability • 26% Energy • 6% Liveness
4% Instrumentalness • 18% Positiveness
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The Gil Evans Orchestra
Sunken Treasure
102 bpm • C# Maj • 04:17 • -16.03db
15% Popularity • 46% Danceability • 15% Energy • 10% Liveness
85% Instrumentalness • 15% Positiveness
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Pharoah Sanders
Heart to Heart
102 bpm • D Maj • 07:22 • -15.9db
11% Popularity • 43% Danceability • 26% Energy • 17% Liveness
82% Instrumentalness • 26% Positiveness
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Albert Ayler
Angels
114 bpm • F Maj • 05:32 • -19.51db
10% Popularity • 30% Danceability • 14% Energy • 42% Liveness
12% Instrumentalness • 15% Positiveness
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Franklin Kiermyer
Three Jewels
102 bpm • D min • 13:50 • -8.12db
2% Popularity • 26% Danceability • 76% Energy • 10% Liveness
43% Instrumentalness • 30% Positiveness
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Jaco Pastorius
Continuum
114 bpm • E Maj • 04:33 • -21db
36% Popularity • 35% Danceability • 21% Energy • 10% Liveness
69% Instrumentalness • 51% Positiveness
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Donald Byrd
Flight-Time
114 bpm • F Maj • 08:31 • -9db
30% Popularity • 77% Danceability • 81% Energy • 42% Liveness
90% Instrumentalness • 97% Positiveness
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Tisziji Munoz
Final Words
114 bpm • A min • 11:41 • -14.4db
0% Popularity • 41% Danceability • 65% Energy • 9% Liveness
52% Instrumentalness • 50% Positiveness
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Eberhard Weber
An Evening With Vincent Van Ritz
114 bpm • F Maj • 05:50 • -13db
22% Popularity • 32% Danceability • 47% Energy • 11% Liveness
97% Instrumentalness • 18% Positiveness
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Sonny Sharrock
Black Woman
115 bpm • D Maj • 05:14 • -11db
20% Popularity • 17% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Ralph Towner
Sand
102 bpm • C Maj • 04:08 • -14.87db
11% Popularity • 41% Danceability • 40% Energy • 14% Liveness
35% Instrumentalness • 17% Positiveness
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Pharoah Sanders
Kazuko - Instrumental
115 bpm • C# Maj • 10:15 • -10.63db
26% Popularity • 18% Danceability • 21% Energy • 6% Liveness
83% Instrumentalness • 7% Positiveness
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Arthur Russell
Answers Me
101 bpm • A# min • 02:10 • -22db
33% Popularity • 69% Danceability • 16% Energy • 17% Liveness
67% Instrumentalness • 20% Positiveness
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Ornette Coleman
Chronology
115 bpm • C Maj • 06:03 • -11db
24% Popularity • 58% Danceability • 42% Energy • 26% Liveness
24% Instrumentalness • 57% Positiveness
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George Duke
Uncle Remus
116 bpm • D min • 05:10 • -20.03db
13% Popularity • 55% Danceability • 21% Energy • 8% Liveness
1% Instrumentalness • 20% Positiveness
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Sonny Sharrock
Princess Sonata:Flowers Laugh
116 bpm • E Maj • 02:12 • -17.17db
12% Popularity • 45% Danceability • 13% Energy • 11% Liveness
3% Instrumentalness • 34% Positiveness
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Sun Ra & His Arkestra
Door of the Cosmos
115 bpm • A# Maj • 09:00 • -9.25db
34% Popularity • 59% Danceability • 61% Energy • 11% Liveness
65% Instrumentalness • 61% Positiveness
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Hailu Mergia
Embuwa Bey Lamitu
116 bpm • G# Maj • 06:05 • -10.98db
37% Popularity • 41% Danceability • 50% Energy • 12% Liveness
3% Instrumentalness • 79% Positiveness
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Art Ensemble Of Chicago
Funky AECO
101 bpm • C# Maj • 07:39 • -15db
15% Popularity • 65% Danceability • 44% Energy • 7% Liveness
7% Instrumentalness • 66% Positiveness
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Bill Evans
My Funny Valentine
116 bpm • C min • 05:24 • -21.2db
39% Popularity • 53% Danceability • 13% Energy • 11% Liveness
92% Instrumentalness • 58% Positiveness
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Chick Corea
Return To Forever
116 bpm • A min • 12:04 • -17.22db
33% Popularity • 34% Danceability • 44% Energy • 11% Liveness
42% Instrumentalness • 17% Positiveness
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Ornette Coleman
Congeniality
116 bpm • C Maj • 06:47 • -15db
25% Popularity • 62% Danceability • 32% Energy • 2% Liveness
35% Instrumentalness • 49% Positiveness
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Alice Coltrane
Something About John Coltrane
117 bpm • G# min • 09:40 • -13db
34% Popularity • 30% Danceability • 56% Energy • 11% Liveness
3% Instrumentalness • 36% Positiveness
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Bobbi Humphrey
Harlem River Drive
100 bpm • F min • 07:50 • -11.43db
39% Popularity • 42% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 86% Positiveness
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Art Ensemble Of Chicago
Walking In The Moonlight
100 bpm • F Maj • 04:07 • -18.88db
10% Popularity • 51% Danceability • 6% Energy • 15% Liveness
27% Instrumentalness • 22% Positiveness
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Gary Burton Quintet
Unfinished Sympathy
100 bpm • D min • 03:04 • -15.66db
14% Popularity • 38% Danceability • 46% Energy • 13% Liveness
0% Instrumentalness • 66% Positiveness
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Eddie Gale
The Rain
100 bpm • D min • 06:30 • -10.23db
17% Popularity • 31% Danceability • 51% Energy • 7% Liveness
0% Instrumentalness • 30% Positiveness
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Joe Henderson
Earth
117 bpm • G# Maj • 13:13 • -9.77db
34% Popularity • 45% Danceability • 50% Energy • 9% Liveness
16% Instrumentalness • 26% Positiveness
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Paul Motian Trio
It Should've Happened A Long Time Ago
117 bpm • F# min • 06:06 • -16db
14% Popularity • 34% Danceability • 15% Energy • 38% Liveness
3% Instrumentalness • 28% Positiveness
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Talk Talk
New Grass
100 bpm • A Maj • 09:46 • -20.55db
36% Popularity • 46% Danceability • 39% Energy • 32% Liveness
27% Instrumentalness • 20% Positiveness
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Ornette Coleman
Ramblin'
99 bpm • D Maj • 06:36 • -16db
22% Popularity • 52% Danceability • 19% Energy • 26% Liveness
80% Instrumentalness • 26% Positiveness
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Joe Zawinul
Arrival in New York
118 bpm • F Maj • 01:57 • -20.55db
17% Popularity • 36% Danceability • 25% Energy • 11% Liveness
93% Instrumentalness • 6% Positiveness
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The Creator Has A Master Plan