Songs like The Crucifixion: Recitative: And they came to a place named Gethsemane (Tenor) by John Stainer
Based on a tempo of (+/- 10%) and a similar genre
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John Stainer
The Crucifixion: Recitative: And they ca...
187 bpm • C# Maj • 01:30 • -32.56db
18% Popularity • 9% Danceability • 1% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
18% Popularity • 9% Danceability • 1% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
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Imogen Holst
A Hymne to Christ
190 bpm • A min • 02:29 • -29.64db
9% Popularity • 11% Danceability • 6% Energy • 8% Liveness
0% Instrumentalness • 7% Positiveness
9% Popularity • 11% Danceability • 6% Energy • 8% Liveness
0% Instrumentalness • 7% Positiveness
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Martin Luther
Ein' feste Burg ist unser Gott
182 bpm • C# Maj • 00:50 • -20.07db
7% Popularity • 22% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
7% Popularity • 22% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
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Heinrich Schütz
Johannes-Passion, SWV 481: III. Jesus vo...
191 bpm • C# Maj • 06:29 • -23.69db
10% Popularity • 29% Danceability • 5% Energy • 60% Liveness
0% Instrumentalness • 15% Positiveness
10% Popularity • 29% Danceability • 5% Energy • 60% Liveness
0% Instrumentalness • 15% Positiveness
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Marc-Antoine Charpentier
Te Deum, H. 146: IV. "Per te orbem terra...
180 bpm • C# Maj • 03:22 • -30.43db
16% Popularity • 15% Danceability • 3% Energy • 16% Liveness
0% Instrumentalness • 10% Positiveness
16% Popularity • 15% Danceability • 3% Energy • 16% Liveness
0% Instrumentalness • 10% Positiveness
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Edward Elgar
Ave Verum Corpus, II
179 bpm • G Maj • 02:51 • -30.5db
5% Popularity • 9% Danceability • 3% Energy • 9% Liveness
52% Instrumentalness • 4% Positiveness
5% Popularity • 9% Danceability • 3% Energy • 9% Liveness
52% Instrumentalness • 4% Positiveness
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John Stainer
And They Came To A Place Named Gethseman...
182 bpm • C# Maj • 01:24 • -31.5db
16% Popularity • 14% Danceability • 1% Energy • 24% Liveness
2% Instrumentalness • 6% Positiveness
16% Popularity • 14% Danceability • 1% Energy • 24% Liveness
2% Instrumentalness • 6% Positiveness
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AntonÃn Dvořák
Mass in D Major, Op. 86: V. Benedictus
178 bpm • G Maj • 06:01 • -23.42db
8% Popularity • 8% Danceability • 3% Energy • 11% Liveness
91% Instrumentalness • 3% Positiveness
8% Popularity • 8% Danceability • 3% Energy • 11% Liveness
91% Instrumentalness • 3% Positiveness
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William Croft
Burial Sentences: VII. I Heard A Voice F...
177 bpm • D# Maj • 01:56 • -21.12db
12% Popularity • 12% Danceability • 9% Energy • 13% Liveness
36% Instrumentalness • 4% Positiveness
12% Popularity • 12% Danceability • 9% Energy • 13% Liveness
36% Instrumentalness • 4% Positiveness
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Sigurður Sævarsson
Requiem: V. Agnus Dei
177 bpm • C Maj • 04:08 • -22.92db
4% Popularity • 9% Danceability • 8% Energy • 8% Liveness
2% Instrumentalness • 3% Positiveness
4% Popularity • 9% Danceability • 8% Energy • 8% Liveness
2% Instrumentalness • 3% Positiveness
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George Frideric Handel
Lord, I Trust Thee
177 bpm • G Maj • 02:20 • -31db
4% Popularity • 8% Danceability • 3% Energy • 9% Liveness
0% Instrumentalness • 7% Positiveness
4% Popularity • 8% Danceability • 3% Energy • 9% Liveness
0% Instrumentalness • 7% Positiveness
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Thomas Weelkes
When David Heard
176 bpm • B min • 04:27 • -24db
6% Popularity • 12% Danceability • 9% Energy • 7% Liveness
95% Instrumentalness • 3% Positiveness
6% Popularity • 12% Danceability • 9% Energy • 7% Liveness
95% Instrumentalness • 3% Positiveness
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Sergei Rachmaninoff
Cherubic Hymn
175 bpm • G Maj • 04:28 • -26.52db
12% Popularity • 8% Danceability • 2% Energy • 7% Liveness
70% Instrumentalness • 7% Positiveness
12% Popularity • 8% Danceability • 2% Energy • 7% Liveness
70% Instrumentalness • 7% Positiveness
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Francis Poulenc
Stabat Mater, FP 148: IV. Quae moerebat
175 bpm • G# Maj • 01:31 • -23.78db
11% Popularity • 12% Danceability • 8% Energy • 11% Liveness
23% Instrumentalness • 11% Positiveness
11% Popularity • 12% Danceability • 8% Energy • 11% Liveness
23% Instrumentalness • 11% Positiveness
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John Stainer
The Crucifixion: The Majesty of the Divi...
174 bpm • D min • 04:13 • -16.77db
14% Popularity • 22% Danceability • 18% Energy • 36% Liveness
0% Instrumentalness • 5% Positiveness
14% Popularity • 22% Danceability • 18% Energy • 36% Liveness
0% Instrumentalness • 5% Positiveness
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Johann Sebastian Bach
Nun Lob, mein Seel, den Herren, BWV 389
174 bpm • A Maj • 01:39 • -24.9db
7% Popularity • 12% Danceability • 15% Energy • 10% Liveness
1% Instrumentalness • 18% Positiveness
7% Popularity • 12% Danceability • 15% Energy • 10% Liveness
1% Instrumentalness • 18% Positiveness
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Michael Haydn
Missa Sanctae Crucis, MH 56: Kyrie
174 bpm • G# min • 03:40 • -19.39db
15% Popularity • 13% Danceability • 20% Energy • 10% Liveness
2% Instrumentalness • 4% Positiveness
15% Popularity • 13% Danceability • 20% Energy • 10% Liveness
2% Instrumentalness • 4% Positiveness
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Thomas Weelkes
When David heard
175 bpm • B Maj • 04:40 • -27.21db
1% Popularity • 9% Danceability • 5% Energy • 7% Liveness
91% Instrumentalness • 3% Positiveness
1% Popularity • 9% Danceability • 5% Energy • 7% Liveness
91% Instrumentalness • 3% Positiveness
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Bob Chilcott
St. John Passion, Part I: The Garden
174 bpm • D# Maj • 05:24 • -20.87db
8% Popularity • 21% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
8% Popularity • 21% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
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Francis Poulenc
Stabat Mater, FP 148: VIII. Fac ut ardea...
175 bpm • C# min • 02:22 • -23.08db
9% Popularity • 16% Danceability • 10% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
9% Popularity • 16% Danceability • 10% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
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William Henry Harris
Bring Us, O Lord God
174 bpm • C# Maj • 04:01 • -28db
13% Popularity • 8% Danceability • 6% Energy • 13% Liveness
58% Instrumentalness • 3% Positiveness
13% Popularity • 8% Danceability • 6% Energy • 13% Liveness
58% Instrumentalness • 3% Positiveness
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Timothy Brown
When David Heard
173 bpm • B Maj • 04:16 • -29.64db
0% Popularity • 12% Danceability • 4% Energy • 7% Liveness
86% Instrumentalness • 4% Positiveness
0% Popularity • 12% Danceability • 4% Energy • 7% Liveness
86% Instrumentalness • 4% Positiveness
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AntonÃn Dvořák
Mass in D Major, Op. 86 / Gloria: IIc. Q...
173 bpm • E min • 01:58 • -22.4db
9% Popularity • 12% Danceability • 8% Energy • 10% Liveness
24% Instrumentalness • 3% Positiveness
9% Popularity • 12% Danceability • 8% Energy • 10% Liveness
24% Instrumentalness • 3% Positiveness
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Paul Hindemith
6 Chansons: No. 6. Verger
173 bpm • G Maj • 01:10 • -23db
26% Popularity • 19% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
26% Popularity • 19% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Sigurður Sævarsson
Requiem: VI. Lux æterna
173 bpm • D# Maj • 03:02 • -27.9db
4% Popularity • 9% Danceability • 1% Energy • 10% Liveness
12% Instrumentalness • 4% Positiveness
4% Popularity • 9% Danceability • 1% Energy • 10% Liveness
12% Instrumentalness • 4% Positiveness
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John Stainer
And As Moses Lifted Up The Serpent
171 bpm • D Maj • 01:16 • -22.77db
12% Popularity • 23% Danceability • 24% Energy • 24% Liveness
5% Instrumentalness • 16% Positiveness
12% Popularity • 23% Danceability • 24% Energy • 24% Liveness
5% Instrumentalness • 16% Positiveness
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Henry Purcell
Remember Not, Lord, Our Offences, Z. 50
171 bpm • G# min • 02:58 • -23db
22% Popularity • 8% Danceability • 6% Energy • 13% Liveness
82% Instrumentalness • 3% Positiveness
22% Popularity • 8% Danceability • 6% Energy • 13% Liveness
82% Instrumentalness • 3% Positiveness
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Heinrich Schütz
Selig sind die Toten, SWV 391
170 bpm • F Maj • 04:14 • -17db
21% Popularity • 9% Danceability • 17% Energy • 11% Liveness
60% Instrumentalness • 4% Positiveness
21% Popularity • 9% Danceability • 17% Energy • 11% Liveness
60% Instrumentalness • 4% Positiveness
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AntonÃn Dvořák
Mass in D Major, Op. 86 / Credo: IIIc. C...
171 bpm • F# min • 01:46 • -22.28db
9% Popularity • 11% Danceability • 1% Energy • 29% Liveness
0% Instrumentalness • 3% Positiveness
9% Popularity • 11% Danceability • 1% Energy • 29% Liveness
0% Instrumentalness • 3% Positiveness
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Robert White
The Lord Bless Us
170 bpm • A min • 04:23 • -24.67db
2% Popularity • 12% Danceability • 9% Energy • 8% Liveness
97% Instrumentalness • 4% Positiveness
2% Popularity • 12% Danceability • 9% Energy • 8% Liveness
97% Instrumentalness • 4% Positiveness
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Tryggvi M. Baldvinsson
Kvöldvers
171 bpm • D min • 01:50 • -23.43db
6% Popularity • 9% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
6% Popularity • 9% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
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Johann Ludwig Bach
Unsere Trübsalb
170 bpm • G min • 04:34 • -26.73db
7% Popularity • 19% Danceability • 4% Energy • 9% Liveness
0% Instrumentalness • 7% Positiveness
7% Popularity • 19% Danceability • 4% Energy • 9% Liveness
0% Instrumentalness • 7% Positiveness
► Preview
Henry Purcell
Dido & Aeneas: Dido & Aeneas: Act II, Ch...
170 bpm • E Maj • 01:34 • -21.59db
8% Popularity • 15% Danceability • 7% Energy • 33% Liveness
0% Instrumentalness • 12% Positiveness
8% Popularity • 15% Danceability • 7% Energy • 33% Liveness
0% Instrumentalness • 12% Positiveness
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Johann Christoph Bach
Es ist nun aus mit meinem Leben
170 bpm • C# Maj • 06:52 • -28.12db
13% Popularity • 17% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
13% Popularity • 17% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
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Jean-Baptiste Lully
De profundis, LWV 62: De profundis
169 bpm • F min • 08:31 • -13.7db
8% Popularity • 16% Danceability • 28% Energy • 12% Liveness
9% Instrumentalness • 10% Positiveness
8% Popularity • 16% Danceability • 28% Energy • 12% Liveness
9% Instrumentalness • 10% Positiveness
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Charles Villiers Stanford
For lo, I raise up, Op. 145
170 bpm • C# Maj • 07:53 • -21.66db
11% Popularity • 12% Danceability • 15% Energy • 12% Liveness
90% Instrumentalness • 3% Positiveness
11% Popularity • 12% Danceability • 15% Energy • 12% Liveness
90% Instrumentalness • 3% Positiveness
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Johann Sebastian Bach
Gott ist mein konig (Chorus)
168 bpm • C# Maj • 01:59 • -17.77db
10% Popularity • 24% Danceability • 14% Energy • 32% Liveness
3% Instrumentalness • 15% Positiveness
10% Popularity • 24% Danceability • 14% Energy • 32% Liveness
3% Instrumentalness • 15% Positiveness
► Preview
Antonio Caldara
Missa Dolorosa: IV. Sanctus
168 bpm • D# min • 01:06 • -18.49db
32% Popularity • 17% Danceability • 13% Energy • 13% Liveness
0% Instrumentalness • 11% Positiveness
32% Popularity • 17% Danceability • 13% Energy • 13% Liveness
0% Instrumentalness • 11% Positiveness
► Preview
Bob Chilcott
St. John Passion, Part I: Peter’s Deni...
167 bpm • C min • 05:48 • -22.73db
8% Popularity • 26% Danceability • 8% Energy • 19% Liveness
0% Instrumentalness • 7% Positiveness
8% Popularity • 26% Danceability • 8% Energy • 19% Liveness
0% Instrumentalness • 7% Positiveness
