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The Day The Earth Stood Still
Songs like
The Day The Earth Stood Still
by
Willie Nile
Based on a tempo of (+/- 10%) and a similar genre
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The Jayhawks
This Forgotten Town
80 bpm • G Maj • 03:46 • -6.38db
26% Popularity • 42% Danceability • 61% Energy • 10% Liveness
5% Instrumentalness • 50% Positiveness
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Willie Nile
The Day The Earth Stood Still
80 bpm • G# Maj • 03:58 • -4.36db
19% Popularity • 48% Danceability • 95% Energy • 14% Liveness
0% Instrumentalness • 83% Positiveness
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Chuck Prophet
Get Off the Stage
80 bpm • E Maj • 03:50 • -7db
10% Popularity • 60% Danceability • 48% Energy • 13% Liveness
0% Instrumentalness • 53% Positiveness
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Jesse Dayton
Bankrobber
80 bpm • B Maj • 02:32 • -6.26db
8% Popularity • 49% Danceability • 83% Energy • 9% Liveness
0% Instrumentalness • 93% Positiveness
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John Doe
Never Coming Back
79 bpm • E min • 03:25 • -10.25db
11% Popularity • 47% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 73% Positiveness
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Alejandro Escovedo
Evening Gown
79 bpm • G Maj • 03:28 • -6.68db
32% Popularity • 56% Danceability • 47% Energy • 7% Liveness
0% Instrumentalness • 51% Positiveness
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Low Cut Connie
Nobody Else Will Believe You
79 bpm • C Maj • 01:39 • -3.37db
13% Popularity • 53% Danceability • 93% Energy • 83% Liveness
0% Instrumentalness • 96% Positiveness
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Willie Nile
Lonesome Dark-Eyed Beauty
81 bpm • C# Maj • 05:47 • -7.58db
7% Popularity • 53% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
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William The Conqueror
Alive at Last
79 bpm • C# Maj • 04:00 • -6.78db
13% Popularity • 67% Danceability • 49% Energy • 11% Liveness
16% Instrumentalness • 60% Positiveness
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The Jayhawks
Illuminate
83 bpm • D Maj • 04:34 • -8.48db
9% Popularity • 41% Danceability • 53% Energy • 8% Liveness
0% Instrumentalness • 46% Positiveness
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Slobberbone
To Love Somebody
76 bpm • G Maj • 03:35 • -5.83db
28% Popularity • 41% Danceability • 69% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
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The Sheepdogs
Talk It Over
78 bpm • C Maj • 03:17 • -5.44db
15% Popularity • 64% Danceability • 53% Energy • 5% Liveness
0% Instrumentalness • 90% Positiveness
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Mike Campbell & The Dirty Knobs
Anna Lee
85 bpm • G Maj • 03:43 • -10.97db
15% Popularity • 57% Danceability • 33% Energy • 14% Liveness
0% Instrumentalness • 39% Positiveness
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Willie Nile
New York Is Rockin'
79 bpm • A Maj • 03:39 • -3.86db
11% Popularity • 57% Danceability • 94% Energy • 25% Liveness
0% Instrumentalness • 49% Positiveness
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Elliott Murphy
Theme for a Broken Poet
85 bpm • C Maj • 03:50 • -7.5db
22% Popularity • 63% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
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The Beat Farmers
Make It Last
87 bpm • G Maj • 04:04 • -12.26db
12% Popularity • 49% Danceability • 66% Energy • 6% Liveness
0% Instrumentalness • 87% Positiveness
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Ike Reilly
Racquel Blue
75 bpm • A Maj • 07:17 • -10.82db
6% Popularity • 53% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
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Warren Zevon
Things to Do in Denver When You're Dead ...
88 bpm • A Maj • 02:52 • -9.15db
29% Popularity • 60% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 73% Positiveness
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The Hanging Stars
Heavy Blue
88 bpm • A Maj • 03:03 • -7.09db
11% Popularity • 47% Danceability • 74% Energy • 8% Liveness
0% Instrumentalness • 53% Positiveness
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Joan Osborne
Shake Your Hips - WXPK 2012
89 bpm • G Maj • 04:05 • -6.76db
7% Popularity • 39% Danceability • 86% Energy • 78% Liveness
28% Instrumentalness • 33% Positiveness
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Rodney Crowell
One Little Bird
88 bpm • G Maj • 04:19 • -8.35db
10% Popularity • 59% Danceability • 66% Energy • 23% Liveness
2% Instrumentalness • 60% Positiveness
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Beachwood Sparks
You Don't See Me Crying
89 bpm • C Maj • 04:00 • -5.74db
9% Popularity • 45% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 41% Positiveness
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Alejandro Escovedo
Something Blue
90 bpm • G Maj • 04:11 • -5.16db
10% Popularity • 52% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 22% Positiveness
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Drive-By Truckers
The Distance
90 bpm • C min • 04:05 • -7.98db
4% Popularity • 56% Danceability • 63% Energy • 35% Liveness
0% Instrumentalness • 66% Positiveness
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The Del Fuegos
Fade to Blue
90 bpm • A Maj • 03:52 • -13.62db
6% Popularity • 62% Danceability • 38% Energy • 32% Liveness
0% Instrumentalness • 74% Positiveness
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Mike Campbell & The Dirty Knobs
Irish Girl
91 bpm • A Maj • 04:25 • -8.52db
30% Popularity • 62% Danceability • 53% Energy • 26% Liveness
0% Instrumentalness • 49% Positiveness
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Willie Nile
I Will Stand
91 bpm • E Maj • 03:49 • -6.29db
14% Popularity • 60% Danceability • 67% Energy • 14% Liveness
0% Instrumentalness • 45% Positiveness
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Warren Zevon
Boom Boom Mancini
92 bpm • A# Maj • 04:54 • -10.36db
30% Popularity • 59% Danceability • 82% Energy • 14% Liveness
0% Instrumentalness • 91% Positiveness
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The Flatlanders
Moanin' of the Midnight Train
70 bpm • D Maj • 04:18 • -5.66db
12% Popularity • 41% Danceability • 58% Energy • 22% Liveness
0% Instrumentalness • 42% Positiveness
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Green On Red
A Guy Like Me
92 bpm • G Maj • 02:54 • -12.1db
12% Popularity • 67% Danceability • 42% Energy • 40% Liveness
0% Instrumentalness • 81% Positiveness
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Richard Thompson
Turning Of The Tide
92 bpm • F Maj • 02:57 • -15.15db
28% Popularity • 53% Danceability • 50% Energy • 13% Liveness
0% Instrumentalness • 96% Positiveness
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Robert Plant
Searching for My Love
94 bpm • A# Maj • 04:03 • -8db
32% Popularity • 63% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 91% Positiveness
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Willie Nile
Abandoned Love
92 bpm • D Maj • 04:13 • -7.69db
8% Popularity • 60% Danceability • 76% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
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Los Lobos
For What It’s Worth
95 bpm • G Maj • 03:28 • -13.46db
26% Popularity • 67% Danceability • 41% Energy • 10% Liveness
3% Instrumentalness • 38% Positiveness
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Graham Parker
Sugaree
96 bpm • C Maj • 03:43 • -7.02db
23% Popularity • 52% Danceability • 68% Energy • 17% Liveness
0% Instrumentalness • 71% Positiveness
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Aaron Lee Tasjan
Traveling After Dark
97 bpm • E Maj • 03:49 • -7.21db
14% Popularity • 51% Danceability • 65% Energy • 30% Liveness
0% Instrumentalness • 56% Positiveness
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Little Steven & The Disciples Of Soul
Until The Good is Gone
97 bpm • C Maj • 04:34 • -9.18db
9% Popularity • 43% Danceability • 67% Energy • 19% Liveness
0% Instrumentalness • 38% Positiveness
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Peter Wolf
Peace Of Mind
98 bpm • G# Maj • 03:48 • -11.61db
28% Popularity • 72% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
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Willie Nile
Back Home
95 bpm • G Maj • 06:23 • -7.04db
11% Popularity • 62% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 87% Positiveness
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Los Lobos
Never No More
97 bpm • A# min • 02:36 • -6.87db
9% Popularity • 50% Danceability • 84% Energy • 13% Liveness
0% Instrumentalness • 84% Positiveness
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Jesse Malin
Crawling Back to You
99 bpm • C# min • 03:24 • -11.08db
11% Popularity • 66% Danceability • 29% Energy • 17% Liveness
0% Instrumentalness • 35% Positiveness
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The Hanging Stars
Radio On
98 bpm • C Maj • 03:40 • -7.81db
17% Popularity • 51% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
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Michael McDermott
A Wall I Must Climb
100 bpm • D Maj • 03:45 • -9db
14% Popularity • 66% Danceability • 76% Energy • 34% Liveness
0% Instrumentalness • 82% Positiveness
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Hindu Love Gods
Vigilante Man
99 bpm • A# Maj • 02:55 • -9.19db
12% Popularity • 50% Danceability • 67% Energy • 38% Liveness
0% Instrumentalness • 84% Positiveness
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Willie Nile
Every Grain Of Sand
96 bpm • B Maj • 03:55 • -8.79db
8% Popularity • 60% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
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Peter Case
Long Time Gone
100 bpm • C min • 04:29 • -8.96db
12% Popularity • 50% Danceability • 54% Energy • 10% Liveness
2% Instrumentalness • 58% Positiveness
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Chuck Prophet
Love Doesn't Come From the Barrel of a G...
100 bpm • D Maj • 03:15 • -8.03db
14% Popularity • 78% Danceability • 41% Energy • 9% Liveness
1% Instrumentalness • 89% Positiveness
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Mudcrutch
Lover of the Bayou
103 bpm • A min • 04:32 • -7db
33% Popularity • 50% Danceability • 75% Energy • 26% Liveness
1% Instrumentalness • 34% Positiveness
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The Boxmasters
Sylvia's Mother
103 bpm • G Maj • 03:16 • -7.19db
9% Popularity • 54% Danceability • 79% Energy • 15% Liveness
0% Instrumentalness • 88% Positiveness
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Peter Wolf
Long Way Back Again
103 bpm • G Maj • 03:43 • -11.59db
17% Popularity • 79% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
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Willie Nile
Doors Of Paradise
100 bpm • G Maj • 04:06 • -8.86db
9% Popularity • 72% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
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The Connells
Steadman's Wake
104 bpm • B min • 04:27 • -4.61db
14% Popularity • 58% Danceability • 81% Energy • 30% Liveness
49% Instrumentalness • 57% Positiveness
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Little Feat
When All Boats Rise
107 bpm • A# Maj • 05:39 • -6.03db
13% Popularity • 58% Danceability • 72% Energy • 24% Liveness
0% Instrumentalness • 47% Positiveness
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Mudcrutch
Scare Easy
105 bpm • G Maj • 04:34 • -6.63db
37% Popularity • 50% Danceability • 61% Energy • 19% Liveness
0% Instrumentalness • 47% Positiveness
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Freedy Johnston
Darlin'
106 bpm • A Maj • 03:02 • -7.68db
17% Popularity • 66% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
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John Hiatt & The Goners
Fly Back Home
107 bpm • E Maj • 04:44 • -6.98db
19% Popularity • 50% Danceability • 92% Energy • 9% Liveness
6% Instrumentalness • 60% Positiveness
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Willie Nile
Streets of New York
101 bpm • G Maj • 05:20 • -7.41db
8% Popularity • 38% Danceability • 40% Energy • 24% Liveness
0% Instrumentalness • 29% Positiveness
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Cordovas
Destiny
107 bpm • C Maj • 02:50 • -5.48db
12% Popularity • 66% Danceability • 88% Energy • 10% Liveness
5% Instrumentalness • 83% Positiveness
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Dan Baird and Homemade Sin
Two for Tuesday
107 bpm • E Maj • 05:53 • -6.37db
12% Popularity • 47% Danceability • 83% Energy • 9% Liveness
1% Instrumentalness • 56% Positiveness
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Gary U.S. Bonds
Love's On The Line
107 bpm • D Maj • 03:45 • -10.73db
10% Popularity • 54% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
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Rodney Crowell
Something Has To Change
108 bpm • E Maj • 04:01 • -7.07db
30% Popularity • 80% Danceability • 62% Energy • 12% Liveness
17% Instrumentalness • 86% Positiveness
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Son Volt
Diamonds and Cigarettes
108 bpm • D Maj • 03:54 • -12.03db
10% Popularity • 30% Danceability • 41% Energy • 14% Liveness
47% Instrumentalness • 24% Positiveness
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The Yayhoos
Dancing Queen
108 bpm • E Maj • 04:22 • -5.9db
14% Popularity • 49% Danceability • 90% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Jesse Malin
Revelations
109 bpm • A Maj • 02:44 • -9.44db
11% Popularity • 59% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
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Mudcrutch
Bootleg Flyer
109 bpm • G Maj • 03:46 • -6.29db
20% Popularity • 48% Danceability • 84% Energy • 42% Liveness
4% Instrumentalness • 38% Positiveness
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Sarah Borges
Wouldn't Know You
109 bpm • E Maj • 03:14 • -5.4db
8% Popularity • 64% Danceability • 80% Energy • 7% Liveness
0% Instrumentalness • 56% Positiveness
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Peter Wolf
Never Like This Before
109 bpm • A# Maj • 03:21 • -4.17db
15% Popularity • 71% Danceability • 93% Energy • 32% Liveness
0% Instrumentalness • 74% Positiveness
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Mink DeVille
She's So Tough
109 bpm • E min • 02:46 • -14db
28% Popularity • 63% Danceability • 45% Energy • 46% Liveness
9% Instrumentalness • 81% Positiveness
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Mike Campbell & The Dirty Knobs
Pistol Packin’ Mama
110 bpm • G Maj • 04:10 • -4.67db
28% Popularity • 52% Danceability • 90% Energy • 20% Liveness
1% Instrumentalness • 78% Positiveness
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Willie Nile
Give Me Tomorrow
111 bpm • E Maj • 04:46 • -5.44db
10% Popularity • 57% Danceability • 81% Energy • 36% Liveness
0% Instrumentalness • 42% Positiveness
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Joe Grushecky and the Houserockers
Never Be Enough Time
111 bpm • G Maj • 05:33 • -5db
9% Popularity • 55% Danceability • 79% Energy • 20% Liveness
0% Instrumentalness • 67% Positiveness
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GospelbeacH
Dark Angel
111 bpm • E min • 03:01 • -5.45db
14% Popularity • 51% Danceability • 86% Energy • 33% Liveness
69% Instrumentalness • 75% Positiveness
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John Hiatt
All The Lilacs In Ohio
111 bpm • G Maj • 03:29 • -10db
47% Popularity • 50% Danceability • 50% Energy • 7% Liveness
0% Instrumentalness • 71% Positiveness
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Chuck Prophet
Jesus Was a Social Drinker
112 bpm • D Maj • 04:54 • -3.85db
28% Popularity • 56% Danceability • 71% Energy • 8% Liveness
19% Instrumentalness • 72% Positiveness
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Mike Campbell & The Dirty Knobs
Lightning Boogie
112 bpm • C Maj • 03:59 • -7.71db
14% Popularity • 45% Danceability • 83% Energy • 49% Liveness
6% Instrumentalness • 53% Positiveness
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Rodney Crowell
This Body Isn't All There is to Who I Am
112 bpm • G Maj • 05:00 • -6.98db
8% Popularity • 69% Danceability • 70% Energy • 10% Liveness
5% Instrumentalness • 91% Positiveness
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Peter Wolf
Some Other Time, Some Other Place
112 bpm • G Maj • 03:49 • -11.93db
21% Popularity • 59% Danceability • 50% Energy • 27% Liveness
0% Instrumentalness • 31% Positiveness
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Dan Baird
Younger Face
112 bpm • B Maj • 04:03 • -7.4db
10% Popularity • 43% Danceability • 90% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Mudcrutch
Shady Grove
112 bpm • F min • 03:58 • -9db
33% Popularity • 47% Danceability • 61% Energy • 50% Liveness
4% Instrumentalness • 72% Positiveness
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John Hiatt
Cry To Me
113 bpm • G Maj • 03:55 • -5db
48% Popularity • 65% Danceability • 74% Energy • 12% Liveness
0% Instrumentalness • 91% Positiveness
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Low Cut Connie
Now You Know
113 bpm • D Maj • 04:47 • -4.67db
14% Popularity • 56% Danceability • 86% Energy • 33% Liveness
0% Instrumentalness • 77% Positiveness
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Son Volt
Arkey Blue
113 bpm • D Maj • 04:18 • -10.14db
10% Popularity • 34% Danceability • 63% Energy • 26% Liveness
68% Instrumentalness • 44% Positiveness
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Jason & The Scorchers
Golden Ball And Chain - Remastered
113 bpm • F Maj • 03:58 • -4.26db
18% Popularity • 50% Danceability • 92% Energy • 12% Liveness
0% Instrumentalness • 74% Positiveness
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The Mother Hips
Looking At Long Days
114 bpm • B Maj • 03:27 • -3.89db
8% Popularity • 55% Danceability • 81% Energy • 7% Liveness
0% Instrumentalness • 62% Positiveness
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Mike Campbell & The Dirty Knobs
Sugar
114 bpm • G Maj • 04:40 • -6.17db
17% Popularity • 64% Danceability • 62% Energy • 6% Liveness
0% Instrumentalness • 74% Positiveness
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Ben Reel
Tear It Down - Nashville Version
114 bpm • A min • 04:06 • -6.65db
12% Popularity • 67% Danceability • 86% Energy • 25% Liveness
0% Instrumentalness • 71% Positiveness
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John Hiatt & The Goners
Window on the World
114 bpm • E Maj • 03:36 • -6.9db
32% Popularity • 66% Danceability • 77% Energy • 19% Liveness
38% Instrumentalness • 92% Positiveness
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Son Volt
Living in the USA
114 bpm • A Maj • 04:54 • -9.56db
15% Popularity • 66% Danceability • 57% Energy • 13% Liveness
0% Instrumentalness • 77% Positiveness
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Frankie Miller
Ain't Got No Money - 2011 Remaster
114 bpm • B Maj • 02:52 • -14.4db
31% Popularity • 66% Danceability • 39% Energy • 4% Liveness
0% Instrumentalness • 75% Positiveness
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Jason & The Scorchers
Greetings From Nashville - Remastered
114 bpm • A Maj • 02:42 • -3.88db
12% Popularity • 45% Danceability • 93% Energy • 18% Liveness
0% Instrumentalness • 41% Positiveness
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The Hanging Stars
Black Light Night
115 bpm • G Maj • 03:22 • -7.56db
17% Popularity • 46% Danceability • 73% Energy • 48% Liveness
0% Instrumentalness • 70% Positiveness
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Mudcrutch
The Other Side of the Mountain
115 bpm • E min • 03:16 • -4.33db
21% Popularity • 58% Danceability • 91% Energy • 35% Liveness
0% Instrumentalness • 79% Positiveness
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Dave Edmunds
It'll Be Me
115 bpm • G Maj • 03:02 • -6db
10% Popularity • 62% Danceability • 80% Energy • 11% Liveness
0% Instrumentalness • 96% Positiveness
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Aaron Lee Tasjan
Don't Overthink It
115 bpm • E min • 04:09 • -9.52db
22% Popularity • 89% Danceability • 51% Energy • 9% Liveness
2% Instrumentalness • 80% Positiveness
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Chuck Prophet
Best Shirt On
115 bpm • C# Maj • 03:07 • -3.9db
15% Popularity • 66% Danceability • 81% Energy • 6% Liveness
0% Instrumentalness • 60% Positiveness
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John Hiatt
My Old Friend
115 bpm • G Maj • 03:50 • -7.54db
26% Popularity • 52% Danceability • 89% Energy • 33% Liveness
0% Instrumentalness • 85% Positiveness
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Jesse Malin
Meet Me at the End of the World Again
115 bpm • D# Maj • 04:04 • -5.61db
16% Popularity • 64% Danceability • 88% Energy • 33% Liveness
0% Instrumentalness • 72% Positiveness
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Garth Hudson
This Wheel's On Fire
115 bpm • A min • 03:31 • -5.84db
13% Popularity • 31% Danceability • 79% Energy • 15% Liveness
0% Instrumentalness • 55% Positiveness
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Marshall Crenshaw
Who Stole That Train
116 bpm • G Maj • 03:47 • -6.92db
7% Popularity • 48% Danceability • 91% Energy • 59% Liveness
0% Instrumentalness • 55% Positiveness
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Alejandro Escovedo
Rhapsody
115 bpm • D Maj • 04:04 • -5.37db
27% Popularity • 55% Danceability • 81% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
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The Day The Earth Stood Still