Songs like The Devil by Margot & The Nuclear So And So's
Based on a tempo of (+/- 10%) and a similar genre
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Rogue Wave
Eyes
130 bpm • C# Maj • 02:28 • -8.03db
60% Popularity • 64% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
60% Popularity • 64% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
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Hey Rosetta!
The Simplest Thing
130 bpm • C Maj • 06:16 • -10.26db
14% Popularity • 48% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 11% Positiveness
14% Popularity • 48% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 11% Positiveness
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Right Away, Great Captain!
Blame
130 bpm • G Maj • 03:46 • -17.39db
32% Popularity • 58% Danceability • 5% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
32% Popularity • 58% Danceability • 5% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Cloud Cult
No Hell
130 bpm • D Maj • 04:36 • -13.55db
30% Popularity • 55% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
30% Popularity • 55% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Bad Books
Texas
130 bpm • D Maj • 04:00 • -16.51db
17% Popularity • 58% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
17% Popularity • 58% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Wild Sweet Orange
Tilt
130 bpm • D# Maj • 04:19 • -7.73db
11% Popularity • 57% Danceability • 67% Energy • 13% Liveness
0% Instrumentalness • 30% Positiveness
11% Popularity • 57% Danceability • 67% Energy • 13% Liveness
0% Instrumentalness • 30% Positiveness
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Margot & The Nuclear So And So's
Vampires In Blue Dresses - Demo
131 bpm • G min • 02:34 • -12.2db
13% Popularity • 68% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
13% Popularity • 68% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
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Hey Rosetta!
The Simplest Thing
130 bpm • C Maj • 06:10 • -7.76db
9% Popularity • 46% Danceability • 39% Energy • 23% Liveness
0% Instrumentalness • 21% Positiveness
9% Popularity • 46% Danceability • 39% Energy • 23% Liveness
0% Instrumentalness • 21% Positiveness
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Right Away, Great Captain!
Barely Bit Me
129 bpm • E min • 03:00 • -13.31db
28% Popularity • 52% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
28% Popularity • 52% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
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Andrew Bird
Heretics
132 bpm • G# Maj • 03:33 • -8.4db
9% Popularity • 41% Danceability • 75% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
9% Popularity • 41% Danceability • 75% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
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Neva Dinova
Squirrels
128 bpm • E min • 02:49 • -11.42db
25% Popularity • 53% Danceability • 42% Energy • 13% Liveness
1% Instrumentalness • 38% Positiveness
25% Popularity • 53% Danceability • 42% Energy • 13% Liveness
1% Instrumentalness • 38% Positiveness
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Typhoon
Kitchen Tile
128 bpm • C Maj • 01:28 • -9.86db
19% Popularity • 52% Danceability • 42% Energy • 20% Liveness
0% Instrumentalness • 32% Positiveness
19% Popularity • 52% Danceability • 42% Energy • 20% Liveness
0% Instrumentalness • 32% Positiveness
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Margot & The Nuclear So And So's
Black Demon
129 bpm • D Maj • 03:58 • -9.85db
8% Popularity • 45% Danceability • 38% Energy • 18% Liveness
9% Instrumentalness • 4% Positiveness
8% Popularity • 45% Danceability • 38% Energy • 18% Liveness
9% Instrumentalness • 4% Positiveness
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The Long Winters
The Commander Thinks Aloud
132 bpm • C Maj • 05:26 • -5.44db
28% Popularity • 39% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
28% Popularity • 39% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
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Tim Kasher
Strays
128 bpm • G Maj • 04:52 • -16.51db
16% Popularity • 58% Danceability • 13% Energy • 8% Liveness
0% Instrumentalness • 20% Positiveness
16% Popularity • 58% Danceability • 13% Energy • 8% Liveness
0% Instrumentalness • 20% Positiveness
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Rocky Votolato
Portland Is Leaving
132 bpm • A Maj • 02:48 • -10.26db
20% Popularity • 51% Danceability • 38% Energy • 15% Liveness
0% Instrumentalness • 28% Positiveness
20% Popularity • 51% Danceability • 38% Energy • 15% Liveness
0% Instrumentalness • 28% Positiveness
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Frontier Ruckus
Nerves of the Nightmind
133 bpm • E min • 04:03 • -8.79db
19% Popularity • 36% Danceability • 58% Energy • 14% Liveness
0% Instrumentalness • 41% Positiveness
19% Popularity • 36% Danceability • 58% Energy • 14% Liveness
0% Instrumentalness • 41% Positiveness
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City and Colour
Waiting...
133 bpm • A Maj • 04:53 • -6.27db
19% Popularity • 58% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
19% Popularity • 58% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
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Margot & The Nuclear So And So's
Vampires In Blue Dresses
131 bpm • F# min • 03:19 • -3.56db
7% Popularity • 55% Danceability • 65% Energy • 14% Liveness
0% Instrumentalness • 51% Positiveness
7% Popularity • 55% Danceability • 65% Energy • 14% Liveness
0% Instrumentalness • 51% Positiveness
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Damien Jurado
Coats Of Ice
127 bpm • B Maj • 03:02 • -9.06db
20% Popularity • 58% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
20% Popularity • 58% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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The Milk Carton Kids
No Hammer to Hold
133 bpm • A# Maj • 03:13 • -15.2db
26% Popularity • 63% Danceability • 18% Energy • 22% Liveness
0% Instrumentalness • 35% Positiveness
26% Popularity • 63% Danceability • 18% Energy • 22% Liveness
0% Instrumentalness • 35% Positiveness
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Rocky Votolato
She Was Only in It for the Rain
133 bpm • A# min • 03:11 • -9.77db
22% Popularity • 44% Danceability • 35% Energy • 12% Liveness
32% Instrumentalness • 38% Positiveness
22% Popularity • 44% Danceability • 35% Energy • 12% Liveness
32% Instrumentalness • 38% Positiveness
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The Weakerthans
One Great City!
127 bpm • B Maj • 02:54 • -13db
40% Popularity • 64% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
40% Popularity • 64% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
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Cloud Cult
Running With the Wolves
133 bpm • G Maj • 03:29 • -7db
31% Popularity • 36% Danceability • 81% Energy • 19% Liveness
0% Instrumentalness • 48% Positiveness
31% Popularity • 36% Danceability • 81% Energy • 19% Liveness
0% Instrumentalness • 48% Positiveness
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Margot & The Nuclear So And So's
Talking In Code
128 bpm • C Maj • 03:44 • -5.96db
20% Popularity • 33% Danceability • 58% Energy • 7% Liveness
0% Instrumentalness • 21% Positiveness
20% Popularity • 33% Danceability • 58% Energy • 7% Liveness
0% Instrumentalness • 21% Positiveness
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Band of Horses
Detlef Schrempf
127 bpm • B Maj • 04:28 • -8db
52% Popularity • 43% Danceability • 49% Energy • 17% Liveness
0% Instrumentalness • 7% Positiveness
52% Popularity • 43% Danceability • 49% Energy • 17% Liveness
0% Instrumentalness • 7% Positiveness
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Owen
O, Evelyn...
134 bpm • C# Maj • 02:56 • -10.7db
20% Popularity • 48% Danceability • 35% Energy • 11% Liveness
1% Instrumentalness • 19% Positiveness
20% Popularity • 48% Danceability • 35% Energy • 11% Liveness
1% Instrumentalness • 19% Positiveness
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Blind Pilot
Poor Boy
126 bpm • C# Maj • 04:06 • -14.27db
38% Popularity • 47% Danceability • 27% Energy • 11% Liveness
1% Instrumentalness • 11% Positiveness
38% Popularity • 47% Danceability • 27% Energy • 11% Liveness
1% Instrumentalness • 11% Positiveness
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Said The Whale
Holly, Ontario
126 bpm • C# Maj • 03:11 • -17.18db
12% Popularity • 48% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
12% Popularity • 48% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Danny Malone
Baby Bleu
134 bpm • F Maj • 05:35 • -10.14db
13% Popularity • 61% Danceability • 24% Energy • 13% Liveness
0% Instrumentalness • 34% Positiveness
13% Popularity • 61% Danceability • 24% Energy • 13% Liveness
0% Instrumentalness • 34% Positiveness
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Margot & The Nuclear So And So's
Lunatic, Lunatic, Lunatic
132 bpm • D Maj • 03:43 • -10.28db
20% Popularity • 35% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
20% Popularity • 35% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Cloud Cult
Transistor Radio
134 bpm • B Maj • 04:08 • -14.19db
23% Popularity • 66% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
23% Popularity • 66% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
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Richard Edwards
Broadripple Is Burning
126 bpm • A Maj • 04:36 • -9.3db
23% Popularity • 51% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
23% Popularity • 51% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Blind Pilot
Go on, Say It
134 bpm • C Maj • 03:21 • -9db
40% Popularity • 58% Danceability • 59% Energy • 7% Liveness
0% Instrumentalness • 78% Positiveness
40% Popularity • 58% Danceability • 59% Energy • 7% Liveness
0% Instrumentalness • 78% Positiveness
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Bad Books
Lost Creek
126 bpm • F# Maj • 04:43 • -9.97db
21% Popularity • 61% Danceability • 33% Energy • 13% Liveness
0% Instrumentalness • 13% Positiveness
21% Popularity • 61% Danceability • 33% Energy • 13% Liveness
0% Instrumentalness • 13% Positiveness
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Laura Stevenson
The Move
126 bpm • A Maj • 02:46 • -11.19db
30% Popularity • 46% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
30% Popularity • 46% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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Margot & The Nuclear So And So's
When You're Gone
126 bpm • D Maj • 03:51 • -8.34db
8% Popularity • 56% Danceability • 47% Energy • 39% Liveness
3% Instrumentalness • 38% Positiveness
8% Popularity • 56% Danceability • 47% Energy • 39% Liveness
3% Instrumentalness • 38% Positiveness
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Typhoon
The Honest Truth
126 bpm • D Maj • 03:39 • -7.24db
13% Popularity • 41% Danceability • 53% Energy • 37% Liveness
0% Instrumentalness • 66% Positiveness
13% Popularity • 41% Danceability • 53% Energy • 37% Liveness
0% Instrumentalness • 66% Positiveness
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Andrew Kenny
Secrets of the Heart
134 bpm • E min • 02:15 • -15.55db
26% Popularity • 66% Danceability • 24% Energy • 12% Liveness
47% Instrumentalness • 35% Positiveness
26% Popularity • 66% Danceability • 24% Energy • 12% Liveness
47% Instrumentalness • 35% Positiveness
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Rocky Votolato
The Night's Disguise
135 bpm • G# min • 03:19 • -7.42db
13% Popularity • 43% Danceability • 50% Energy • 17% Liveness
0% Instrumentalness • 39% Positiveness
13% Popularity • 43% Danceability • 50% Energy • 17% Liveness
0% Instrumentalness • 39% Positiveness
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Blind Pilot
Paint or Pollen
134 bpm • A Maj • 03:37 • -9db
40% Popularity • 69% Danceability • 38% Energy • 9% Liveness
1% Instrumentalness • 33% Positiveness
40% Popularity • 69% Danceability • 38% Energy • 9% Liveness
1% Instrumentalness • 33% Positiveness
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Horse Feathers
Falling Through the Roof
126 bpm • F# min • 02:51 • -9.14db
15% Popularity • 54% Danceability • 34% Energy • 5% Liveness
0% Instrumentalness • 35% Positiveness
15% Popularity • 54% Danceability • 34% Energy • 5% Liveness
0% Instrumentalness • 35% Positiveness
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City and Colour
Confessions
135 bpm • G Maj • 03:46 • -9.68db
13% Popularity • 57% Danceability • 38% Energy • 8% Liveness
1% Instrumentalness • 31% Positiveness
13% Popularity • 57% Danceability • 38% Energy • 8% Liveness
1% Instrumentalness • 31% Positiveness
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John K. Samson
Alpha Adept
125 bpm • E Maj • 03:24 • -11.88db
18% Popularity • 73% Danceability • 28% Energy • 10% Liveness
5% Instrumentalness • 19% Positiveness
18% Popularity • 73% Danceability • 28% Energy • 10% Liveness
5% Instrumentalness • 19% Positiveness
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Kyle Morton
Survivalist Fantasy
135 bpm • F Maj • 04:57 • -11db
19% Popularity • 60% Danceability • 56% Energy • 46% Liveness
2% Instrumentalness • 34% Positiveness
19% Popularity • 60% Danceability • 56% Energy • 46% Liveness
2% Instrumentalness • 34% Positiveness
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Good Old War
Weak Man
135 bpm • E min • 04:06 • -6.63db
24% Popularity • 65% Danceability • 64% Energy • 20% Liveness
0% Instrumentalness • 52% Positiveness
24% Popularity • 65% Danceability • 64% Energy • 20% Liveness
0% Instrumentalness • 52% Positiveness
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David Bazan
Bearing Witness
125 bpm • G Maj • 03:13 • -7.1db
18% Popularity • 61% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 84% Positiveness
18% Popularity • 61% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 84% Positiveness
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Dry the River
Bible Belt
135 bpm • C# Maj • 04:44 • -6.6db
26% Popularity • 27% Danceability • 43% Energy • 8% Liveness
2% Instrumentalness • 14% Positiveness
26% Popularity • 27% Danceability • 43% Energy • 8% Liveness
2% Instrumentalness • 14% Positiveness
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Manchester Orchestra
The Neighborhood Is Bleeding
125 bpm • A Maj • 02:48 • -6.1db
33% Popularity • 62% Danceability • 73% Energy • 15% Liveness
0% Instrumentalness • 62% Positiveness
33% Popularity • 62% Danceability • 73% Energy • 15% Liveness
0% Instrumentalness • 62% Positiveness
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The Heligoats
Goodness Gracious
125 bpm • G Maj • 02:56 • -9.72db
19% Popularity • 73% Danceability • 31% Energy • 35% Liveness
0% Instrumentalness • 68% Positiveness
19% Popularity • 73% Danceability • 31% Energy • 35% Liveness
0% Instrumentalness • 68% Positiveness
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Margot & The Nuclear So And So's
Lazy
125 bpm • E Maj • 02:58 • -10.21db
10% Popularity • 35% Danceability • 37% Energy • 29% Liveness
9% Instrumentalness • 23% Positiveness
10% Popularity • 35% Danceability • 37% Energy • 29% Liveness
9% Instrumentalness • 23% Positiveness
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Richard Edwards
Moonwrapped
136 bpm • G Maj • 04:35 • -12db
10% Popularity • 24% Danceability • 35% Energy • 16% Liveness
1% Instrumentalness • 14% Positiveness
10% Popularity • 24% Danceability • 35% Energy • 16% Liveness
1% Instrumentalness • 14% Positiveness
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mewithoutYou
Chapelcross Towns
136 bpm • B min • 02:57 • -9.56db
17% Popularity • 25% Danceability • 49% Energy • 11% Liveness
2% Instrumentalness • 22% Positiveness
17% Popularity • 25% Danceability • 49% Energy • 11% Liveness
2% Instrumentalness • 22% Positiveness
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Blind Pilot
I Buried a Bone
125 bpm • F Maj • 02:39 • -12.04db
53% Popularity • 71% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
53% Popularity • 71% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
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Said The Whale
Dear Elkhorn
125 bpm • C# Maj • 01:28 • -13.35db
13% Popularity • 55% Danceability • 19% Energy • 9% Liveness
0% Instrumentalness • 11% Positiveness
13% Popularity • 55% Danceability • 19% Energy • 9% Liveness
0% Instrumentalness • 11% Positiveness
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The Shins
A Comet Appears
125 bpm • D Maj • 03:49 • -13db
44% Popularity • 46% Danceability • 21% Energy • 5% Liveness
0% Instrumentalness • 24% Positiveness
44% Popularity • 46% Danceability • 21% Energy • 5% Liveness
0% Instrumentalness • 24% Positiveness
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Death Cab for Cutie
A Lack of Color
136 bpm • D# Maj • 03:35 • -13db
55% Popularity • 64% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
55% Popularity • 64% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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The Good Life
You Don't Feel Like Home To Me
124 bpm • D Maj • 04:40 • -11.69db
16% Popularity • 58% Danceability • 36% Energy • 7% Liveness
0% Instrumentalness • 30% Positiveness
16% Popularity • 58% Danceability • 36% Energy • 7% Liveness
0% Instrumentalness • 30% Positiveness
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Manchester Orchestra
I Can Feel a Hot One
124 bpm • G# Maj • 04:19 • -11.37db
45% Popularity • 55% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 6% Positiveness
45% Popularity • 55% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 6% Positiveness
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mewithoutYou
Messes Of Men
124 bpm • E min • 03:52 • -5.19db
38% Popularity • 45% Danceability • 72% Energy • 40% Liveness
0% Instrumentalness • 44% Positiveness
38% Popularity • 45% Danceability • 72% Energy • 40% Liveness
0% Instrumentalness • 44% Positiveness
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Said The Whale
Curse Of The Currents
124 bpm • D# Maj • 05:11 • -13.51db
23% Popularity • 72% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
23% Popularity • 72% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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Golden Shoulders
I Will Light You on Fire
124 bpm • A Maj • 03:10 • -3.48db
28% Popularity • 47% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
28% Popularity • 47% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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Rocky Votolato
Montana
124 bpm • C# Maj • 03:58 • -10.07db
14% Popularity • 45% Danceability • 23% Energy • 27% Liveness
0% Instrumentalness • 10% Positiveness
14% Popularity • 45% Danceability • 23% Energy • 27% Liveness
0% Instrumentalness • 10% Positiveness
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The Good Life
October Leaves
136 bpm • E Maj • 04:57 • -10.1db
15% Popularity • 38% Danceability • 40% Energy • 37% Liveness
1% Instrumentalness • 18% Positiveness
15% Popularity • 38% Danceability • 40% Energy • 37% Liveness
1% Instrumentalness • 18% Positiveness
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Communist Daughter
Speed of Sound
124 bpm • C# Maj • 03:15 • -13.75db
19% Popularity • 66% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
19% Popularity • 66% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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Owen
Too Many Moons
124 bpm • D Maj • 04:46 • -13.01db
18% Popularity • 64% Danceability • 33% Energy • 9% Liveness
2% Instrumentalness • 24% Positiveness
18% Popularity • 64% Danceability • 33% Energy • 9% Liveness
2% Instrumentalness • 24% Positiveness
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Sea Wolf
Young Bodies
137 bpm • F Maj • 03:29 • -16db
38% Popularity • 69% Danceability • 24% Energy • 11% Liveness
30% Instrumentalness • 33% Positiveness
38% Popularity • 69% Danceability • 24% Energy • 11% Liveness
30% Instrumentalness • 33% Positiveness
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Danny Malone
Sugarwater
137 bpm • C Maj • 03:55 • -8db
17% Popularity • 65% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
17% Popularity • 65% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
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Band of Horses
The Great Salt Lake
123 bpm • G# Maj • 04:45 • -6db
54% Popularity • 32% Danceability • 81% Energy • 5% Liveness
0% Instrumentalness • 38% Positiveness
54% Popularity • 32% Danceability • 81% Energy • 5% Liveness
0% Instrumentalness • 38% Positiveness
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The Antlers
Putting The Dog To Sleep
137 bpm • C Maj • 05:47 • -11db
41% Popularity • 48% Danceability • 40% Energy • 21% Liveness
5% Instrumentalness • 8% Positiveness
41% Popularity • 48% Danceability • 40% Energy • 21% Liveness
5% Instrumentalness • 8% Positiveness
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Manchester Orchestra
Choose You
123 bpm • F# Maj • 04:07 • -15.79db
28% Popularity • 50% Danceability • 18% Energy • 11% Liveness
1% Instrumentalness • 12% Positiveness
28% Popularity • 50% Danceability • 18% Energy • 11% Liveness
1% Instrumentalness • 12% Positiveness
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Bad Books
The After Party
137 bpm • A Maj • 03:33 • -6.93db
33% Popularity • 59% Danceability • 48% Energy • 23% Liveness
1% Instrumentalness • 13% Positiveness
33% Popularity • 59% Danceability • 48% Energy • 23% Liveness
1% Instrumentalness • 13% Positiveness
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The Good Life
Inmates
123 bpm • D Maj • 09:39 • -10.56db
23% Popularity • 53% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
23% Popularity • 53% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
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Right Away, Great Captain!
I Am Aware
137 bpm • C Maj • 03:10 • -18db
30% Popularity • 52% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
30% Popularity • 52% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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John K. Samson
Heart of the Continent
123 bpm • B Maj • 04:06 • -14.03db
17% Popularity • 66% Danceability • 37% Energy • 10% Liveness
2% Instrumentalness • 32% Positiveness
17% Popularity • 66% Danceability • 37% Energy • 10% Liveness
2% Instrumentalness • 32% Positiveness
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Desert Noises
Smoke Breathing Monsters
138 bpm • A# Maj • 03:08 • -10.51db
24% Popularity • 53% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
24% Popularity • 53% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Manchester Orchestra
Don't Let Them See You Cry
138 bpm • A min • 01:42 • -24db
41% Popularity • 60% Danceability • 7% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
41% Popularity • 60% Danceability • 7% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
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Sea Wolf
The Water's Wide
138 bpm • G Maj • 04:33 • -11.78db
20% Popularity • 57% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
20% Popularity • 57% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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The Antlers
I Don't Want Love
138 bpm • C Maj • 03:19 • -8.83db
34% Popularity • 53% Danceability • 56% Energy • 9% Liveness
20% Instrumentalness • 26% Positiveness
34% Popularity • 53% Danceability • 56% Energy • 9% Liveness
20% Instrumentalness • 26% Positiveness
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Bad Books
Pyotr
138 bpm • F# Maj • 03:42 • -10db
37% Popularity • 48% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
37% Popularity • 48% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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Big Tree
Whole Wide World
122 bpm • C Maj • 05:22 • -9.86db
17% Popularity • 39% Danceability • 37% Energy • 26% Liveness
0% Instrumentalness • 23% Positiveness
17% Popularity • 39% Danceability • 37% Energy • 26% Liveness
0% Instrumentalness • 23% Positiveness
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Rocky Votolato
Goldfield
122 bpm • D Maj • 03:33 • -10.87db
12% Popularity • 51% Danceability • 35% Energy • 30% Liveness
0% Instrumentalness • 25% Positiveness
12% Popularity • 51% Danceability • 35% Energy • 30% Liveness
0% Instrumentalness • 25% Positiveness
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The Milk Carton Kids
Michigan
122 bpm • A# Maj • 05:30 • -15db
55% Popularity • 54% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
55% Popularity • 54% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Paper Rival
Pacing the Cage - EP Version
122 bpm • E Maj • 05:06 • -11.87db
9% Popularity • 67% Danceability • 32% Energy • 10% Liveness
7% Instrumentalness • 6% Positiveness
9% Popularity • 67% Danceability • 32% Energy • 10% Liveness
7% Instrumentalness • 6% Positiveness
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John K. Samson
Letter in Icelandic from the Ninette San
122 bpm • D Maj • 03:59 • -14.53db
14% Popularity • 64% Danceability • 20% Energy • 16% Liveness
0% Instrumentalness • 27% Positiveness
14% Popularity • 64% Danceability • 20% Energy • 16% Liveness
0% Instrumentalness • 27% Positiveness
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The Format
On Your Porch
122 bpm • C Maj • 05:11 • -10.79db
37% Popularity • 61% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
37% Popularity • 61% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
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Danny Malone
Spiderlegs
122 bpm • F# min • 05:11 • -10.15db
13% Popularity • 71% Danceability • 58% Energy • 9% Liveness
6% Instrumentalness • 72% Positiveness
13% Popularity • 71% Danceability • 58% Energy • 9% Liveness
6% Instrumentalness • 72% Positiveness
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Rocky Votolato
Postcard From Kentucky
122 bpm • F# Maj • 02:55 • -10.04db
22% Popularity • 64% Danceability • 41% Energy • 11% Liveness
3% Instrumentalness • 32% Positiveness
22% Popularity • 64% Danceability • 41% Energy • 11% Liveness
3% Instrumentalness • 32% Positiveness
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Frontier Ruckus
Orion Town 2
122 bpm • C# min • 02:50 • -5.91db
14% Popularity • 36% Danceability • 51% Energy • 33% Liveness
0% Instrumentalness • 49% Positiveness
14% Popularity • 36% Danceability • 51% Energy • 33% Liveness
0% Instrumentalness • 49% Positiveness
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Margot & The Nuclear So And So's
Broadripple Is Burning
122 bpm • B Maj • 04:21 • -8.62db
30% Popularity • 57% Danceability • 29% Energy • 13% Liveness
0% Instrumentalness • 21% Positiveness
30% Popularity • 57% Danceability • 29% Energy • 13% Liveness
0% Instrumentalness • 21% Positiveness
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Death Cab for Cutie
A Diamond and a Tether
139 bpm • G Maj • 03:58 • -8.27db
24% Popularity • 50% Danceability • 72% Energy • 10% Liveness
24% Instrumentalness • 55% Positiveness
24% Popularity • 50% Danceability • 72% Energy • 10% Liveness
24% Instrumentalness • 55% Positiveness
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Paper Rival
Cassandra
122 bpm • C# Maj • 03:44 • -6db
14% Popularity • 63% Danceability • 69% Energy • 12% Liveness
1% Instrumentalness • 83% Positiveness
14% Popularity • 63% Danceability • 69% Energy • 12% Liveness
1% Instrumentalness • 83% Positiveness
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City and Colour
Against The Grain
121 bpm • E Maj • 03:45 • -12.12db
11% Popularity • 50% Danceability • 17% Energy • 8% Liveness
0% Instrumentalness • 39% Positiveness
11% Popularity • 50% Danceability • 17% Energy • 8% Liveness
0% Instrumentalness • 39% Positiveness
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Sea Wolf
Bavarian Porcelain
139 bpm • D min • 03:51 • -14.55db
29% Popularity • 65% Danceability • 25% Energy • 11% Liveness
2% Instrumentalness • 57% Positiveness
29% Popularity • 65% Danceability • 25% Energy • 11% Liveness
2% Instrumentalness • 57% Positiveness
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From Indian Lakes
The Bells
121 bpm • D Maj • 04:44 • -15.65db
30% Popularity • 70% Danceability • 14% Energy • 14% Liveness
18% Instrumentalness • 47% Positiveness
30% Popularity • 70% Danceability • 14% Energy • 14% Liveness
18% Instrumentalness • 47% Positiveness
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Margot & The Nuclear So And So's
Will You Love Me Forever?
121 bpm • G Maj • 03:54 • -6.95db
19% Popularity • 46% Danceability • 55% Energy • 13% Liveness
1% Instrumentalness • 36% Positiveness
19% Popularity • 46% Danceability • 55% Energy • 13% Liveness
1% Instrumentalness • 36% Positiveness
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Keaton Henson
Sarah Minor
140 bpm • F Maj • 03:25 • -9.75db
30% Popularity • 51% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
30% Popularity • 51% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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mewithoutYou
In A Sweater Poorly Knit
121 bpm • A Maj • 05:26 • -6.68db
42% Popularity • 42% Danceability • 79% Energy • 6% Liveness
0% Instrumentalness • 30% Positiveness
42% Popularity • 42% Danceability • 79% Energy • 6% Liveness
0% Instrumentalness • 30% Positiveness
