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The False Knight on the Road
Songs like
The False Knight on the Road
by
Oysterband
Based on a tempo of (+/- 10%) and a similar genre
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Jim Moray
All You Pretty Girls
84 bpm • C Maj • 04:12 • -6.06db
9% Popularity • 63% Danceability • 62% Energy • 7% Liveness
0% Instrumentalness • 55% Positiveness
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Luka Bloom
City of Chicago
84 bpm • E min • 03:28 • -19db
31% Popularity • 52% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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Silly Wizard
The Valley Of Strathmore
84 bpm • D Maj • 07:16 • -10db
15% Popularity • 24% Danceability • 38% Energy • 70% Liveness
0% Instrumentalness • 32% Positiveness
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Dylan Laboureyas
Underwater
85 bpm • D Maj • 05:12 • -14.85db
20% Popularity • 53% Danceability • 43% Energy • 25% Liveness
0% Instrumentalness • 55% Positiveness
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Sean Tyrrell
One Starry Night
85 bpm • G Maj • 04:41 • -8.83db
23% Popularity • 37% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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Paul Brady
Mary and the Soldier
83 bpm • G# Maj • 04:06 • -14db
20% Popularity • 46% Danceability • 37% Energy • 70% Liveness
0% Instrumentalness • 58% Positiveness
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Danú
Ten Thousand Miles
86 bpm • C# Maj • 03:30 • -8.01db
30% Popularity • 32% Danceability • 25% Energy • 8% Liveness
0% Instrumentalness • 45% Positiveness
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Andy Irvine
Never Tire of the Road
86 bpm • E Maj • 03:53 • -11.28db
8% Popularity • 47% Danceability • 57% Energy • 20% Liveness
0% Instrumentalness • 83% Positiveness
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Black 47
Bobby Sands MP
85 bpm • G Maj • 06:01 • -10.95db
4% Popularity • 42% Danceability • 71% Energy • 21% Liveness
0% Instrumentalness • 72% Positiveness
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Sharon Shannon
Shifting Summer Sands
86 bpm • G# Maj • 03:18 • -7.09db
12% Popularity • 46% Danceability • 50% Energy • 16% Liveness
0% Instrumentalness • 46% Positiveness
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Emily Smith
Gypsy Davy
82 bpm • E Maj • 04:08 • -7.93db
11% Popularity • 78% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 76% Positiveness
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Louisa Renner
The Glitter On Bread
82 bpm • C Maj • 03:21 • -5.74db
29% Popularity • 48% Danceability • 85% Energy • 12% Liveness
0% Instrumentalness • 76% Positiveness
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John Spillane
There Was A Man
81 bpm • G min • 02:42 • -10.33db
14% Popularity • 57% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
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Oysterband
The Wilderness
86 bpm • E min • 03:34 • -6.9db
9% Popularity • 45% Danceability • 66% Energy • 20% Liveness
0% Instrumentalness • 46% Positiveness
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Breabach
Lochaber No More
87 bpm • C Maj • 04:21 • -11.8db
27% Popularity • 46% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Stockton's Wing
Walk Away
87 bpm • C Maj • 03:36 • -9db
30% Popularity • 74% Danceability • 65% Energy • 19% Liveness
0% Instrumentalness • 66% Positiveness
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Martin Simpson
Dark Swift and Bright Swallow
88 bpm • D Maj • 03:51 • -14.48db
24% Popularity • 31% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Solas
Ghost of Tom Joad
88 bpm • B min • 04:57 • -7.75db
15% Popularity • 52% Danceability • 63% Energy • 14% Liveness
0% Instrumentalness • 40% Positiveness
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John Spillane
The Dance Of The Cherry Tree
81 bpm • F Maj • 03:15 • -9.53db
33% Popularity • 53% Danceability • 46% Energy • 28% Liveness
0% Instrumentalness • 56% Positiveness
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Jez Lowe
Back in Durham Gaol
80 bpm • F Maj • 04:26 • -10.57db
7% Popularity • 34% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
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Scocha
Scotland's Calling
80 bpm • D# Maj • 04:06 • -6.68db
17% Popularity • 47% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
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Eliza Carthy
Rolling Sea
80 bpm • A min • 04:50 • -9.56db
14% Popularity • 60% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
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Bob Fox
Shoals of Herring
79 bpm • A Maj • 04:31 • -9.45db
14% Popularity • 35% Danceability • 38% Energy • 16% Liveness
5% Instrumentalness • 24% Positiveness
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Capercaillie
Waiting For The Wheel To Turn
89 bpm • A# min • 04:37 • -12.72db
11% Popularity • 68% Danceability • 56% Energy • 6% Liveness
1% Instrumentalness • 75% Positiveness
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Dolores Keane
New Deal
79 bpm • G# Maj • 02:56 • -11.3db
13% Popularity • 61% Danceability • 35% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
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Jez Lowe
The Pitmen Poets
80 bpm • C min • 04:12 • -17.28db
15% Popularity • 55% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Bella Hardy
The Herring Girl
79 bpm • D min • 04:14 • -9.27db
15% Popularity • 57% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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Steve Knightley
Romeo and Juliet
79 bpm • D Maj • 06:11 • -11.77db
9% Popularity • 45% Danceability • 47% Energy • 78% Liveness
0% Instrumentalness • 30% Positiveness
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Old Blind Dogs
Bennachie
89 bpm • E Maj • 02:54 • -12.46db
26% Popularity • 66% Danceability • 56% Energy • 7% Liveness
0% Instrumentalness • 57% Positiveness
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Iain Morrison
A Lewis Summer
89 bpm • G# Maj • 03:26 • -10.45db
10% Popularity • 48% Danceability • 63% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
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Martin Simpson
Never Any Good
79 bpm • D Maj • 05:26 • -9.31db
19% Popularity • 45% Danceability • 34% Energy • 14% Liveness
0% Instrumentalness • 49% Positiveness
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Gilmore & Roberts
Doctor James
79 bpm • G# Maj • 04:27 • -6.91db
13% Popularity • 66% Danceability • 59% Energy • 26% Liveness
0% Instrumentalness • 68% Positiveness
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Sam Kelly
Jolly Waggoners
89 bpm • E Maj • 03:19 • -5.54db
15% Popularity • 44% Danceability • 55% Energy • 63% Liveness
0% Instrumentalness • 87% Positiveness
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Andy Irvine
Never Tire of the Road
79 bpm • E Maj • 03:59 • -15db
24% Popularity • 68% Danceability • 40% Energy • 8% Liveness
0% Instrumentalness • 74% Positiveness
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The Albion Band
Ragged Heroes - 2003 Remaster
79 bpm • C Maj • 03:20 • -6.7db
13% Popularity • 46% Danceability • 89% Energy • 23% Liveness
0% Instrumentalness • 52% Positiveness
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Maddy Prior
Swimming Song
90 bpm • D Maj • 02:47 • -16.33db
14% Popularity • 58% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
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Sean Tyrrell
Mattie
90 bpm • A Maj • 03:26 • -7db
16% Popularity • 53% Danceability • 71% Energy • 32% Liveness
0% Instrumentalness • 81% Positiveness
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Battlefield Band
Shepherd Lad
90 bpm • D# Maj • 03:53 • -13.54db
29% Popularity • 36% Danceability • 26% Energy • 22% Liveness
0% Instrumentalness • 54% Positiveness
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Seth Lakeman
Solomon Browne
78 bpm • F Maj • 02:53 • -7.05db
27% Popularity • 42% Danceability • 71% Energy • 17% Liveness
0% Instrumentalness • 92% Positiveness
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Ewan McLennan
Tramps and Hawkers
90 bpm • E Maj • 03:56 • -9db
19% Popularity • 42% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 61% Positiveness
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Oysterband
Everywhere I Go
78 bpm • D Maj • 03:48 • -9.43db
11% Popularity • 44% Danceability • 78% Energy • 16% Liveness
0% Instrumentalness • 84% Positiveness
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Ronnie Drew
If Ever You Go to Dublin Town
78 bpm • D Maj • 03:02 • -14.23db
23% Popularity • 69% Danceability • 46% Energy • 26% Liveness
0% Instrumentalness • 58% Positiveness
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Paul Brady
Nothing but the Same Old Story
90 bpm • F# min • 06:03 • -10db
32% Popularity • 55% Danceability • 66% Energy • 72% Liveness
1% Instrumentalness • 18% Positiveness
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Sharon Shannon
Say You Love Me
91 bpm • G Maj • 04:28 • -6db
29% Popularity • 35% Danceability • 73% Energy • 18% Liveness
0% Instrumentalness • 80% Positiveness
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The Saw Doctors
Heading for the Sunshine
78 bpm • G Maj • 02:36 • -5.28db
21% Popularity • 51% Danceability • 77% Energy • 7% Liveness
0% Instrumentalness • 45% Positiveness
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Faustus
Slaves
78 bpm • D Maj • 02:57 • -5.41db
14% Popularity • 54% Danceability • 74% Energy • 16% Liveness
0% Instrumentalness • 91% Positiveness
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Oysterband
Elena's Shoes
91 bpm • A min • 04:58 • -14.63db
4% Popularity • 48% Danceability • 58% Energy • 15% Liveness
0% Instrumentalness • 53% Positiveness
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Merry Hell
Drunken Serenade Inc the Banshee Reel
91 bpm • G Maj • 02:47 • -7.94db
14% Popularity • 65% Danceability • 60% Energy • 18% Liveness
0% Instrumentalness • 67% Positiveness
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John McCusker
The Poorest Company
91 bpm • C Maj • 04:40 • -8.47db
18% Popularity • 24% Danceability • 26% Energy • 22% Liveness
0% Instrumentalness • 28% Positiveness
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The Men They Couldn't Hang
Three Ships Sailing
92 bpm • C# Maj • 03:11 • -15.38db
11% Popularity • 46% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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Old Blind Dogs
Copper Kettle
92 bpm • D Maj • 04:15 • -12.82db
7% Popularity • 52% Danceability • 37% Energy • 35% Liveness
0% Instrumentalness • 60% Positiveness
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Andy Irvine
Willy of Winsbury
92 bpm • A Maj • 06:24 • -10db
9% Popularity • 68% Danceability • 29% Energy • 16% Liveness
0% Instrumentalness • 34% Positiveness
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Capercaillie
Four Stone Walls
92 bpm • C Maj • 03:17 • -10db
22% Popularity • 57% Danceability • 73% Energy • 34% Liveness
0% Instrumentalness • 70% Positiveness
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June Tabor
The Hills of Shiloh
76 bpm • A Maj • 04:33 • -14.22db
4% Popularity • 43% Danceability • 5% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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The Saw Doctors
I Hope You Meet Again
76 bpm • G Maj • 03:56 • -4.39db
23% Popularity • 38% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
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Blair Douglas
'S Barail Leam!
93 bpm • G Maj • 03:45 • -7.58db
6% Popularity • 59% Danceability • 81% Energy • 34% Liveness
0% Instrumentalness • 84% Positiveness
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Clannad
Two Sisters
93 bpm • C Maj • 04:13 • -13.47db
28% Popularity • 70% Danceability • 33% Energy • 14% Liveness
0% Instrumentalness • 58% Positiveness
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Martin Carthy
The Bedmaking
93 bpm • D# min • 03:15 • -15.02db
11% Popularity • 85% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 89% Positiveness
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Solas
The Newry Highwayman
93 bpm • G Maj • 03:21 • -8.86db
27% Popularity • 64% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
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Silly Wizard
Golden, Golden
93 bpm • C# Maj • 03:55 • -17.87db
9% Popularity • 43% Danceability • 20% Energy • 7% Liveness
0% Instrumentalness • 39% Positiveness
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The Tannahill Weavers
A Night Visitor's Song
93 bpm • G Maj • 03:38 • -10.98db
10% Popularity • 41% Danceability • 39% Energy • 26% Liveness
0% Instrumentalness • 75% Positiveness
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Andy Irvine
My Heart's Tonight in Ireland/ West Clar...
93 bpm • G Maj • 04:34 • -12db
23% Popularity • 43% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 68% Positiveness
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Altan
Green Grow The Rushes
94 bpm • F Maj • 03:56 • -12.87db
16% Popularity • 48% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
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Spiers & Boden
Prickle-eye Bush
76 bpm • G Maj • 04:23 • -5.82db
10% Popularity • 36% Danceability • 55% Energy • 24% Liveness
0% Instrumentalness • 59% Positiveness
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Kris Drever
The Call and the Answer - 2014 Remaster
94 bpm • E Maj • 03:57 • -5.82db
27% Popularity • 53% Danceability • 47% Energy • 19% Liveness
0% Instrumentalness • 43% Positiveness
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Oysterband
Hal-an-Tow
94 bpm • E Maj • 04:24 • -8.1db
10% Popularity • 35% Danceability • 85% Energy • 19% Liveness
0% Instrumentalness • 54% Positiveness
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June Tabor
Lullaby of London
75 bpm • G Maj • 02:44 • -12.85db
10% Popularity • 61% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 90% Positiveness
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The Saw Doctors
Clare Island - Radio Edit
94 bpm • B Maj • 04:01 • -9.35db
38% Popularity • 58% Danceability • 68% Energy • 19% Liveness
0% Instrumentalness • 41% Positiveness
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Battlefield Band
Jenny O' The Braes
94 bpm • D Maj • 03:23 • -13.82db
11% Popularity • 62% Danceability • 19% Energy • 9% Liveness
0% Instrumentalness • 79% Positiveness
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Goats Don’t Shave
Rose Street
75 bpm • G Maj • 03:48 • -11.16db
10% Popularity • 23% Danceability • 50% Energy • 39% Liveness
0% Instrumentalness • 66% Positiveness
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Paul Brady
Dancer in the Fire
75 bpm • E min • 05:36 • -12.52db
14% Popularity • 46% Danceability • 41% Energy • 8% Liveness
0% Instrumentalness • 25% Positiveness
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Dolores Keane
The Wind That Shakes the Barley
95 bpm • F# min • 04:18 • -14.81db
21% Popularity • 46% Danceability • 10% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
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Ronnie Drew
Since Maggie Went Away
94 bpm • D Maj • 02:29 • -10.57db
22% Popularity • 41% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
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Laimonis Kronbergs
Overnight Drive
95 bpm • F Maj • 04:28 • -21.42db
17% Popularity • 28% Danceability • 8% Energy • 14% Liveness
1% Instrumentalness • 17% Positiveness
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Battlefield Band
The Yew Tree
95 bpm • E min • 04:04 • -11db
20% Popularity • 36% Danceability • 36% Energy • 14% Liveness
0% Instrumentalness • 39% Positiveness
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John Spillane
The Madwoman Of Cork
96 bpm • E min • 03:39 • -8.59db
9% Popularity • 58% Danceability • 37% Energy • 22% Liveness
0% Instrumentalness • 47% Positiveness
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Andy Irvine
O'Donoghue's
96 bpm • F Maj • 05:20 • -8.43db
16% Popularity • 61% Danceability • 48% Energy • 71% Liveness
0% Instrumentalness • 90% Positiveness
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Silly Wizard
The Loch Tay Boat Song
96 bpm • D Maj • 05:03 • -19.35db
9% Popularity • 31% Danceability • 18% Energy • 32% Liveness
0% Instrumentalness • 38% Positiveness
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The Full English
Stand by Your Guns
96 bpm • G# Maj • 03:32 • -13db
13% Popularity • 52% Danceability • 44% Energy • 11% Liveness
10% Instrumentalness • 56% Positiveness
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Old Blind Dogs
Bedlam Boys / The Rights Of Man
96 bpm • D Maj • 04:29 • -17db
18% Popularity • 71% Danceability • 46% Energy • 10% Liveness
59% Instrumentalness • 76% Positiveness
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Breabach
The Rolling Hills
96 bpm • G Maj • 04:21 • -10.58db
33% Popularity • 56% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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John Spillane
Hey Dreamer
96 bpm • D Maj • 03:02 • -9.26db
30% Popularity • 50% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
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Seth Lakeman
The Colliers
96 bpm • G# Maj • 03:17 • -6.64db
18% Popularity • 82% Danceability • 62% Energy • 17% Liveness
0% Instrumentalness • 82% Positiveness
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Richard Thompson
Mingulay Boat Song
96 bpm • F Maj • 04:34 • -8.8db
8% Popularity • 39% Danceability • 49% Energy • 69% Liveness
1% Instrumentalness • 19% Positiveness
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John McCusker
Into the Blue
96 bpm • E Maj • 04:27 • -7db
16% Popularity • 57% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
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McDermott's 2 Hours
Besieged
96 bpm • A Maj • 04:26 • -5.22db
11% Popularity • 54% Danceability • 79% Energy • 34% Liveness
0% Instrumentalness • 61% Positiveness
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Old Blind Dogs
The Barnyards O' Delgaty
96 bpm • E Maj • 04:09 • -15db
12% Popularity • 65% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 82% Positiveness
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Alistair Hulett
Destitution Road
73 bpm • E Maj • 03:22 • -10.08db
8% Popularity • 68% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
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North Sea Gas
Dark Island
96 bpm • C Maj • 05:20 • -12.58db
20% Popularity • 61% Danceability • 28% Energy • 20% Liveness
0% Instrumentalness • 18% Positiveness
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The Saw Doctors
Away with the Fairies
97 bpm • F Maj • 03:23 • -9.08db
10% Popularity • 51% Danceability • 46% Energy • 35% Liveness
0% Instrumentalness • 48% Positiveness
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Goats Don’t Shave
John Cherokee
97 bpm • E min • 02:03 • -10.81db
20% Popularity • 77% Danceability • 57% Energy • 33% Liveness
0% Instrumentalness • 74% Positiveness
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Merry Hell
Stand Down
97 bpm • B min • 04:18 • -5.28db
12% Popularity • 55% Danceability • 88% Energy • 40% Liveness
0% Instrumentalness • 60% Positiveness
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Faustus
Broken Down Gentlemen
97 bpm • G Maj • 03:11 • -4.08db
8% Popularity • 72% Danceability • 49% Energy • 4% Liveness
0% Instrumentalness • 95% Positiveness
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Eliza Carthy
Bonaparte's Lament
98 bpm • E Maj • 03:21 • -5.01db
15% Popularity • 67% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 71% Positiveness
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June Tabor
(When I Was No but) Sweet Sixteen
98 bpm • G# Maj • 03:05 • -12.13db
13% Popularity • 48% Danceability • 12% Energy • 39% Liveness
0% Instrumentalness • 50% Positiveness
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The Saw Doctors
An CailÃn Sin
98 bpm • C# min • 03:22 • -7.13db
10% Popularity • 50% Danceability • 71% Energy • 31% Liveness
0% Instrumentalness • 63% Positiveness
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The Popes
Pump Action Paddy
98 bpm • E Maj • 03:27 • -8.19db
9% Popularity • 57% Danceability • 90% Energy • 13% Liveness
0% Instrumentalness • 52% Positiveness
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Merry Hell
Summer Is a - Comin'
98 bpm • D Maj • 03:27 • -9.09db
11% Popularity • 64% Danceability • 67% Energy • 24% Liveness
0% Instrumentalness • 34% Positiveness
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Wolfstone
Glass and the Can
71 bpm • E Maj • 04:37 • -10.38db
9% Popularity • 30% Danceability • 59% Energy • 7% Liveness
0% Instrumentalness • 57% Positiveness
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Robin Laing
Macallan
99 bpm • F# Maj • 03:47 • -10.38db
9% Popularity • 52% Danceability • 62% Energy • 21% Liveness
2% Instrumentalness • 60% Positiveness
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The False Knight on the Road