Songs like The Few Things (With Charlotte Lawrence) by JP Saxe
Based on a tempo of (+/- 10%) and a similar genre
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The Head And The Heart
Honeybee
136 bpm • A Maj • 03:16 • -7.89db
64% Popularity • 64% Danceability • 52% Energy • 55% Liveness
0% Instrumentalness • 49% Positiveness
64% Popularity • 64% Danceability • 52% Energy • 55% Liveness
0% Instrumentalness • 49% Positiveness
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JP Saxe
Changed (Acoustic)
136 bpm • D Maj • 04:32 • -12db
23% Popularity • 44% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
23% Popularity • 44% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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Anson Seabra
Last Time
136 bpm • D# Maj • 03:46 • -14db
46% Popularity • 55% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
46% Popularity • 55% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
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Niykee Heaton
Starting Over
136 bpm • G Maj • 03:47 • -6.56db
48% Popularity • 75% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
48% Popularity • 75% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
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Andrew Belle
Dive Deep (Hushed)
136 bpm • A Maj • 03:38 • -9db
46% Popularity • 51% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
46% Popularity • 51% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
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Sam Smith
No Peace
136 bpm • E min • 04:43 • -8.11db
58% Popularity • 66% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
58% Popularity • 66% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
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EZI
anxious.
136 bpm • C# min • 04:21 • -6db
29% Popularity • 59% Danceability • 45% Energy • 17% Liveness
0% Instrumentalness • 17% Positiveness
29% Popularity • 59% Danceability • 45% Energy • 17% Liveness
0% Instrumentalness • 17% Positiveness
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JP Saxe
The Few Things (With Charlotte Lawrence)
136 bpm • G Maj • 03:31 • -10.45db
59% Popularity • 54% Danceability • 43% Energy • 15% Liveness
0% Instrumentalness • 38% Positiveness
59% Popularity • 54% Danceability • 43% Energy • 15% Liveness
0% Instrumentalness • 38% Positiveness
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James Arthur
Quite Miss Home
137 bpm • A# Maj • 04:03 • -6.4db
62% Popularity • 58% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
62% Popularity • 58% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
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Boy In Space
7UP
135 bpm • C Maj • 03:23 • -7db
50% Popularity • 62% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
50% Popularity • 62% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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LÉON
I Believe in Us
137 bpm • C Maj • 03:22 • -6.23db
49% Popularity • 56% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
49% Popularity • 56% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Anson Seabra
Hurricane
135 bpm • G Maj • 03:21 • -13.24db
45% Popularity • 69% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
45% Popularity • 69% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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Alec Bailey
Callin'
137 bpm • F# Maj • 03:08 • -8.43db
34% Popularity • 61% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
34% Popularity • 61% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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JP Saxe
The Few Things
136 bpm • G Maj • 04:04 • -12.83db
46% Popularity • 54% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
46% Popularity • 54% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Thomston
Acid Rain
135 bpm • G Maj • 03:09 • -12db
34% Popularity • 48% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
34% Popularity • 48% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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FINNEAS
Lost My Mind
135 bpm • G min • 02:49 • -11.04db
49% Popularity • 66% Danceability • 28% Energy • 23% Liveness
0% Instrumentalness • 7% Positiveness
49% Popularity • 66% Danceability • 28% Energy • 23% Liveness
0% Instrumentalness • 7% Positiveness
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Novo Amor
State Lines
137 bpm • A Maj • 03:28 • -10.62db
75% Popularity • 51% Danceability • 31% Energy • 10% Liveness
23% Instrumentalness • 15% Positiveness
75% Popularity • 51% Danceability • 31% Energy • 10% Liveness
23% Instrumentalness • 15% Positiveness
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Nick Wilson
Not Like Falling Out Of Love
137 bpm • C# Maj • 03:48 • -11.05db
27% Popularity • 51% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
27% Popularity • 51% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
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Luca Fogale
I Don't Want to Lose You
137 bpm • B Maj • 02:51 • -10db
54% Popularity • 46% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
54% Popularity • 46% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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JP Saxe
Like That - Live in Studio
137 bpm • G Maj • 03:00 • -10.06db
19% Popularity • 46% Danceability • 27% Energy • 15% Liveness
0% Instrumentalness • 51% Positiveness
19% Popularity • 46% Danceability • 27% Energy • 15% Liveness
0% Instrumentalness • 51% Positiveness
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Boy In Space
Give Me
134 bpm • A Maj • 03:30 • -9.82db
36% Popularity • 51% Danceability • 39% Energy • 6% Liveness
0% Instrumentalness • 23% Positiveness
36% Popularity • 51% Danceability • 39% Energy • 6% Liveness
0% Instrumentalness • 23% Positiveness
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Wild Rivers
Thinking 'Bout Love - Acoustic
138 bpm • F Maj • 03:04 • -13.54db
53% Popularity • 68% Danceability • 17% Energy • 16% Liveness
0% Instrumentalness • 36% Positiveness
53% Popularity • 68% Danceability • 17% Energy • 16% Liveness
0% Instrumentalness • 36% Positiveness
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sød ven
carry me home
138 bpm • C Maj • 04:26 • -12.05db
39% Popularity • 54% Danceability • 33% Energy • 14% Liveness
1% Instrumentalness • 15% Positiveness
39% Popularity • 54% Danceability • 33% Energy • 14% Liveness
1% Instrumentalness • 15% Positiveness
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Dean Lewis
Need You Now - Acoustic
138 bpm • A# Maj • 03:23 • -8.95db
57% Popularity • 60% Danceability • 32% Energy • 18% Liveness
0% Instrumentalness • 38% Positiveness
57% Popularity • 60% Danceability • 32% Energy • 18% Liveness
0% Instrumentalness • 38% Positiveness
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Blakey
Prism of Love
138 bpm • D# Maj • 03:00 • -11db
43% Popularity • 63% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
43% Popularity • 63% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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JP Saxe
Same Room
134 bpm • G Maj • 03:53 • -10.88db
44% Popularity • 46% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
44% Popularity • 46% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
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Halsey
Finally // beautiful stranger
134 bpm • A min • 03:41 • -5.11db
52% Popularity • 63% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
52% Popularity • 63% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
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Hazlett
Fireworks
134 bpm • A Maj • 04:02 • -11.33db
47% Popularity • 69% Danceability • 39% Energy • 11% Liveness
1% Instrumentalness • 6% Positiveness
47% Popularity • 69% Danceability • 39% Energy • 11% Liveness
1% Instrumentalness • 6% Positiveness
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The Band CAMINO
The Black and White
134 bpm • E Maj • 04:39 • -7db
43% Popularity • 46% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 11% Positiveness
43% Popularity • 46% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 11% Positiveness
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Sleeping Lion
Stop It - Stripped
138 bpm • G# Maj • 03:30 • -11.06db
29% Popularity • 55% Danceability • 35% Energy • 7% Liveness
0% Instrumentalness • 38% Positiveness
29% Popularity • 55% Danceability • 35% Energy • 7% Liveness
0% Instrumentalness • 38% Positiveness
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Noah Kahan
Anyway
134 bpm • G Maj • 05:12 • -10.69db
63% Popularity • 65% Danceability • 16% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
63% Popularity • 65% Danceability • 16% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
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JP Saxe
Dangerous Levels of Introspection
138 bpm • C Maj • 03:54 • -9.08db
37% Popularity • 61% Danceability • 47% Energy • 13% Liveness
0% Instrumentalness • 27% Positiveness
37% Popularity • 61% Danceability • 47% Energy • 13% Liveness
0% Instrumentalness • 27% Positiveness
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Lewis Capaldi
Fade
138 bpm • G Maj • 04:06 • -8db
53% Popularity • 41% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
53% Popularity • 41% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
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Nachbi
I'll Be Better Soon
138 bpm • C# Maj • 01:52 • -14.23db
33% Popularity • 48% Danceability • 2% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
33% Popularity • 48% Danceability • 2% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Dylan Jordan
Talking Slow
139 bpm • D Maj • 04:19 • -10.11db
31% Popularity • 50% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
31% Popularity • 50% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Mokita
Take It Back
133 bpm • C# Maj • 02:41 • -8db
35% Popularity • 71% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 43% Positiveness
35% Popularity • 71% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 43% Positiveness
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Blake Rose
Gone
139 bpm • B min • 03:25 • -6db
58% Popularity • 32% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
58% Popularity • 32% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
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Noah Cyrus
I Got So High That I Saw Jesus
140 bpm • A Maj • 03:37 • -11.9db
47% Popularity • 58% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 10% Positiveness
47% Popularity • 58% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 10% Positiveness
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JP Saxe
If Love Ends
139 bpm • A# Maj • 03:07 • -13.15db
35% Popularity • 45% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
35% Popularity • 45% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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Harrison Storm
Sense of Home
140 bpm • D# Maj • 04:25 • -11db
57% Popularity • 56% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 9% Positiveness
57% Popularity • 56% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 9% Positiveness
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James Bay
Wild Love - Acoustic
140 bpm • B min • 03:09 • -7.68db
59% Popularity • 52% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
59% Popularity • 52% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
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Kina
Wish I Was Better
140 bpm • C min • 02:20 • -13.09db
57% Popularity • 73% Danceability • 30% Energy • 14% Liveness
0% Instrumentalness • 18% Positiveness
57% Popularity • 73% Danceability • 30% Energy • 14% Liveness
0% Instrumentalness • 18% Positiveness
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Blake Rose
Best of Me
140 bpm • G Maj • 03:33 • -7db
42% Popularity • 48% Danceability • 78% Energy • 46% Liveness
0% Instrumentalness • 25% Positiveness
42% Popularity • 48% Danceability • 78% Energy • 46% Liveness
0% Instrumentalness • 25% Positiveness
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bülow
You & Jennifer
132 bpm • B Maj • 02:39 • -6.53db
55% Popularity • 75% Danceability • 70% Energy • 21% Liveness
0% Instrumentalness • 35% Positiveness
55% Popularity • 75% Danceability • 70% Energy • 21% Liveness
0% Instrumentalness • 35% Positiveness
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Avery Lynch
Out Of Love with You
140 bpm • G# Maj • 03:40 • -9.93db
39% Popularity • 64% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
39% Popularity • 64% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
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Patrick Droney
High Hope
132 bpm • C Maj • 04:11 • -9.71db
48% Popularity • 68% Danceability • 45% Energy • 16% Liveness
0% Instrumentalness • 43% Positiveness
48% Popularity • 68% Danceability • 45% Energy • 16% Liveness
0% Instrumentalness • 43% Positiveness
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James Bay
Bad
140 bpm • E Maj • 03:45 • -5.59db
53% Popularity • 55% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
53% Popularity • 55% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
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Nick Wilson
Say It Now
132 bpm • D Maj • 03:23 • -10.85db
24% Popularity • 63% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
24% Popularity • 63% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
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JP Cooper
Too Close
140 bpm • B Maj • 03:04 • -5db
46% Popularity • 64% Danceability • 73% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
46% Popularity • 64% Danceability • 73% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Mokita
Inside Out
132 bpm • C# Maj • 02:56 • -11.64db
49% Popularity • 69% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
49% Popularity • 69% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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Chord Overstreet
What You Need
140 bpm • C Maj • 03:01 • -11.17db
48% Popularity • 52% Danceability • 26% Energy • 24% Liveness
0% Instrumentalness • 19% Positiveness
48% Popularity • 52% Danceability • 26% Energy • 24% Liveness
0% Instrumentalness • 19% Positiveness
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Harrison Storm
The Words You Say
132 bpm • B Maj • 03:30 • -11.99db
49% Popularity • 51% Danceability • 40% Energy • 12% Liveness
27% Instrumentalness • 10% Positiveness
49% Popularity • 51% Danceability • 40% Energy • 12% Liveness
27% Instrumentalness • 10% Positiveness
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Chance Peña
Up, Up & Away
132 bpm • A min • 02:00 • -12.33db
57% Popularity • 66% Danceability • 9% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
57% Popularity • 66% Danceability • 9% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
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JP Saxe
Caught Up On You
132 bpm • D# Maj • 03:26 • -12.56db
40% Popularity • 51% Danceability • 41% Energy • 20% Liveness
0% Instrumentalness • 40% Positiveness
40% Popularity • 51% Danceability • 41% Energy • 20% Liveness
0% Instrumentalness • 40% Positiveness
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Dylan Dunlap
Who Would Have Thought
141 bpm • B Maj • 04:04 • -7.45db
39% Popularity • 41% Danceability • 42% Energy • 26% Liveness
0% Instrumentalness • 34% Positiveness
39% Popularity • 41% Danceability • 42% Energy • 26% Liveness
0% Instrumentalness • 34% Positiveness
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IDER
You've Got Your Whole Life Ahead of You ...
142 bpm • E Maj • 03:44 • -6db
39% Popularity • 81% Danceability • 45% Energy • 22% Liveness
0% Instrumentalness • 45% Positiveness
39% Popularity • 81% Danceability • 45% Energy • 22% Liveness
0% Instrumentalness • 45% Positiveness
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shy martin
Slow
142 bpm • D Maj • 02:43 • -9.51db
55% Popularity • 64% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
55% Popularity • 64% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Wild Rivers
Thinking 'Bout Love
142 bpm • F Maj • 03:19 • -8.12db
72% Popularity • 73% Danceability • 32% Energy • 7% Liveness
0% Instrumentalness • 39% Positiveness
72% Popularity • 73% Danceability • 32% Energy • 7% Liveness
0% Instrumentalness • 39% Positiveness
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Noah Cyrus
Young & Sad
142 bpm • G min • 03:10 • -8.5db
54% Popularity • 62% Danceability • 43% Energy • 19% Liveness
0% Instrumentalness • 36% Positiveness
54% Popularity • 62% Danceability • 43% Energy • 19% Liveness
0% Instrumentalness • 36% Positiveness
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JP Saxe
The Good Parts
130 bpm • F# Maj • 03:17 • -12.36db
42% Popularity • 53% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
42% Popularity • 53% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
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FINNEAS
Angel
130 bpm • F Maj • 05:11 • -12.53db
54% Popularity • 54% Danceability • 24% Energy • 30% Liveness
0% Instrumentalness • 23% Positiveness
54% Popularity • 54% Danceability • 24% Energy • 30% Liveness
0% Instrumentalness • 23% Positiveness
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Matt Walden
Milestone
130 bpm • E Maj • 04:23 • -14.98db
41% Popularity • 63% Danceability • 34% Energy • 36% Liveness
0% Instrumentalness • 15% Positiveness
41% Popularity • 63% Danceability • 34% Energy • 36% Liveness
0% Instrumentalness • 15% Positiveness
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Harrison Storm
Falling Down
130 bpm • B min • 03:45 • -7.43db
44% Popularity • 38% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
44% Popularity • 38% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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YUNGBLUD
Falling Skies
130 bpm • A min • 03:22 • -5.61db
44% Popularity • 67% Danceability • 73% Energy • 33% Liveness
0% Instrumentalness • 29% Positiveness
44% Popularity • 67% Danceability • 73% Energy • 33% Liveness
0% Instrumentalness • 29% Positiveness
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Mokita
More Than Friends
130 bpm • A# Maj • 02:39 • -9db
52% Popularity • 78% Danceability • 42% Energy • 31% Liveness
0% Instrumentalness • 61% Positiveness
52% Popularity • 78% Danceability • 42% Energy • 31% Liveness
0% Instrumentalness • 61% Positiveness
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Pink Sweat$
17
130 bpm • F Maj • 02:40 • -8.7db
55% Popularity • 65% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
55% Popularity • 65% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Patrick Droney
Glitter
130 bpm • G Maj • 03:35 • -9.84db
44% Popularity • 53% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
44% Popularity • 53% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
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Caroline Pennell
Patient
130 bpm • F Maj • 03:53 • -9.89db
18% Popularity • 50% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
18% Popularity • 50% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
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Katelyn Tarver
Sinking In
130 bpm • C Maj • 03:34 • -8.65db
31% Popularity • 66% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
31% Popularity • 66% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
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Shallou
Older
143 bpm • D Maj • 03:37 • -8.26db
46% Popularity • 55% Danceability • 48% Energy • 15% Liveness
0% Instrumentalness • 18% Positiveness
46% Popularity • 55% Danceability • 48% Energy • 15% Liveness
0% Instrumentalness • 18% Positiveness
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JP Saxe
Tension
130 bpm • C Maj • 04:09 • -6db
36% Popularity • 41% Danceability • 75% Energy • 28% Liveness
0% Instrumentalness • 19% Positiveness
36% Popularity • 41% Danceability • 75% Energy • 28% Liveness
0% Instrumentalness • 19% Positiveness
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LUME
Edge of My Seat
143 bpm • B Maj • 03:40 • -12db
31% Popularity • 65% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
31% Popularity • 65% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Matt Maeson
Tribulation - Stripped
143 bpm • G# min • 03:05 • -8.15db
40% Popularity • 48% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
40% Popularity • 48% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
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Anson Seabra
That's Us
129 bpm • A# Maj • 04:30 • -15.4db
58% Popularity • 62% Danceability • 11% Energy • 14% Liveness
0% Instrumentalness • 20% Positiveness
58% Popularity • 62% Danceability • 11% Energy • 14% Liveness
0% Instrumentalness • 20% Positiveness
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Cody Lovaas
Love No More
129 bpm • F# min • 03:12 • -7db
36% Popularity • 51% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
36% Popularity • 51% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
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Aaron Smith
Unspoken
143 bpm • D Maj • 03:30 • -13db
42% Popularity • 38% Danceability • 17% Energy • 35% Liveness
0% Instrumentalness • 35% Positiveness
42% Popularity • 38% Danceability • 17% Energy • 35% Liveness
0% Instrumentalness • 35% Positiveness
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Greyson Chance
Seasons
144 bpm • D Maj • 03:42 • -8db
36% Popularity • 42% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 10% Positiveness
36% Popularity • 42% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 10% Positiveness
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Novo Amor
Repeat Until Death
144 bpm • C# Maj • 03:54 • -11.74db
68% Popularity • 23% Danceability • 15% Energy • 15% Liveness
36% Instrumentalness • 9% Positiveness
68% Popularity • 23% Danceability • 15% Energy • 15% Liveness
36% Instrumentalness • 9% Positiveness
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Griff
Good Stuff
144 bpm • G Maj • 03:13 • -7.48db
59% Popularity • 64% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
59% Popularity • 64% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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FINNEAS
Break My Heart Again
144 bpm • E min • 03:57 • -14.23db
68% Popularity • 40% Danceability • 15% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
68% Popularity • 40% Danceability • 15% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
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Camila Cabello
Easy
128 bpm • E min • 03:14 • -5.73db
53% Popularity • 57% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
53% Popularity • 57% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Bazzi
I Don't Think I'm Okay
128 bpm • A Maj • 02:56 • -8.12db
50% Popularity • 44% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
50% Popularity • 44% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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Wild Rivers
I Do - Bonus Track
128 bpm • B min • 03:04 • -8.87db
59% Popularity • 89% Danceability • 42% Energy • 26% Liveness
0% Instrumentalness • 56% Positiveness
59% Popularity • 89% Danceability • 42% Energy • 26% Liveness
0% Instrumentalness • 56% Positiveness
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Charlotte Lawrence
Slow Motion
128 bpm • C min • 03:03 • -7.66db
48% Popularity • 66% Danceability • 61% Energy • 13% Liveness
0% Instrumentalness • 47% Positiveness
48% Popularity • 66% Danceability • 61% Energy • 13% Liveness
0% Instrumentalness • 47% Positiveness
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AJ Mitchell
Slow Dance
128 bpm • C# Maj • 02:58 • -7.66db
53% Popularity • 67% Danceability • 40% Energy • 7% Liveness
0% Instrumentalness • 32% Positiveness
53% Popularity • 67% Danceability • 40% Energy • 7% Liveness
0% Instrumentalness • 32% Positiveness
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FINNEAS
Let's Fall in Love for the Night
128 bpm • F Maj • 03:10 • -7.94db
69% Popularity • 74% Danceability • 41% Energy • 17% Liveness
0% Instrumentalness • 37% Positiveness
69% Popularity • 74% Danceability • 41% Energy • 17% Liveness
0% Instrumentalness • 37% Positiveness
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Etham
Opposite Of Loving Me - Stripped
145 bpm • G min • 03:31 • -10.83db
44% Popularity • 62% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
44% Popularity • 62% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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Kevin Garrett
It's Gonna Be Me
146 bpm • G min • 02:54 • -7.12db
32% Popularity • 48% Danceability • 51% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
32% Popularity • 48% Danceability • 51% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
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James TW
You & Me
127 bpm • B Maj • 03:51 • -6.33db
64% Popularity • 71% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 83% Positiveness
64% Popularity • 71% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 83% Positiveness
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LÉON
Die For You
146 bpm • F# Maj • 03:37 • -5.87db
47% Popularity • 33% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
47% Popularity • 33% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
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Sara Kays
Home for the Summer
127 bpm • E Maj • 02:35 • -9.86db
53% Popularity • 68% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
53% Popularity • 68% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
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FINNEAS
What They'll Say About Us
145 bpm • G min • 03:01 • -13.04db
59% Popularity • 54% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 9% Positiveness
59% Popularity • 54% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 9% Positiveness
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Amber Run
5AM
146 bpm • C Maj • 04:17 • -11.52db
52% Popularity • 36% Danceability • 43% Energy • 8% Liveness
1% Instrumentalness • 9% Positiveness
52% Popularity • 36% Danceability • 43% Energy • 8% Liveness
1% Instrumentalness • 9% Positiveness
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JP Saxe
Like That
146 bpm • G Maj • 02:54 • -5.95db
39% Popularity • 47% Danceability • 69% Energy • 15% Liveness
0% Instrumentalness • 48% Positiveness
39% Popularity • 47% Danceability • 69% Energy • 15% Liveness
0% Instrumentalness • 48% Positiveness
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The Devil Music Co.
Sailboat Bed
146 bpm • B Maj • 04:00 • -8.19db
34% Popularity • 69% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
34% Popularity • 69% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
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John K
6 months
146 bpm • D# Maj • 03:37 • -6db
52% Popularity • 66% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
52% Popularity • 66% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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Dean Lewis
Be Alright
126 bpm • B Maj • 03:16 • -7.6db
77% Popularity • 55% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 49% Positiveness
77% Popularity • 55% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 49% Positiveness
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Mokita
colorblind
146 bpm • G# Maj • 03:13 • -5.05db
61% Popularity • 66% Danceability • 78% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
61% Popularity • 66% Danceability • 78% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
