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The Field
Songs like
The Field
by
Jon Hopkins
Based on a tempo of (+/- 10%) and a similar genre
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Phil France
Transition
160 bpm • D# Maj • 05:49 • -19.34db
24% Popularity • 38% Danceability • 12% Energy • 10% Liveness
88% Instrumentalness • 16% Positiveness
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Jon Hopkins
Cold Out There
160 bpm • G# Maj • 03:54 • -22.33db
29% Popularity • 38% Danceability • 8% Energy • 8% Liveness
94% Instrumentalness • 3% Positiveness
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Caterina Barbieri
SOTRS
159 bpm • E Maj • 09:30 • -14db
39% Popularity • 34% Danceability • 31% Energy • 11% Liveness
82% Instrumentalness • 5% Positiveness
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Aphex Twin
Avril 14th
158 bpm • G# Maj • 02:05 • -30db
66% Popularity • 56% Danceability • 3% Energy • 10% Liveness
87% Instrumentalness • 37% Positiveness
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Rival Consoles
Recovery
155 bpm • D Maj • 04:50 • -11.34db
52% Popularity • 46% Danceability • 46% Energy • 10% Liveness
82% Instrumentalness • 12% Positiveness
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Plaid
Wen
155 bpm • E min • 02:41 • -15db
34% Popularity • 42% Danceability • 24% Energy • 9% Liveness
93% Instrumentalness • 16% Positiveness
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Phil France
The Breaks
158 bpm • F min • 03:42 • -19.4db
16% Popularity • 20% Danceability • 20% Energy • 9% Liveness
93% Instrumentalness • 5% Positiveness
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Jon Hopkins
Form By Firelight - Asleep Version
154 bpm • E min • 04:14 • -18.78db
26% Popularity • 36% Danceability • 41% Energy • 13% Liveness
96% Instrumentalness • 11% Positiveness
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The Cinematic Orchestra
The Workers of Art - Kelly Moran Remix
153 bpm • D# min • 04:44 • -14.22db
34% Popularity • 39% Danceability • 49% Energy • 10% Liveness
97% Instrumentalness • 11% Positiveness
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Alex Smalley
Reconstructing Nature
153 bpm • B min • 04:59 • -17.56db
11% Popularity • 26% Danceability • 37% Energy • 17% Liveness
88% Instrumentalness • 11% Positiveness
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Rival Consoles
Be Kind
154 bpm • A# min • 04:07 • -20.09db
34% Popularity • 51% Danceability • 34% Energy • 10% Liveness
93% Instrumentalness • 45% Positiveness
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Boards of Canada
Dayvan Cowboy
168 bpm • B Maj • 05:00 • -10.77db
51% Popularity • 32% Danceability • 62% Energy • 7% Liveness
81% Instrumentalness • 4% Positiveness
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Tom Adams
Particle V - Sebastian Plano Rework
170 bpm • A Maj • 02:43 • -18.43db
15% Popularity • 9% Danceability • 19% Energy • 9% Liveness
86% Instrumentalness • 3% Positiveness
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Jon Hopkins
The Field
160 bpm • F Maj • 01:47 • -21.55db
28% Popularity • 61% Danceability • 16% Energy • 10% Liveness
89% Instrumentalness • 29% Positiveness
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Akira Kosemura
DNA
152 bpm • D Maj • 05:16 • -17.31db
39% Popularity • 52% Danceability • 27% Energy • 9% Liveness
89% Instrumentalness • 72% Positiveness
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Olan Mill
Spare Smoke Template
170 bpm • D Maj • 02:58 • -24db
27% Popularity • 8% Danceability • 18% Energy • 10% Liveness
97% Instrumentalness • 4% Positiveness
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Rival Consoles
Winter's Lament
168 bpm • E min • 02:50 • -23.83db
38% Popularity • 21% Danceability • 12% Energy • 11% Liveness
90% Instrumentalness • 29% Positiveness
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Minor Victories
Give Up the Ghost: Orchestral Variation
170 bpm • C# Maj • 07:13 • -11.8db
14% Popularity • 34% Danceability • 49% Energy • 12% Liveness
92% Instrumentalness • 20% Positiveness
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Justin Walter
Unseen Forces
172 bpm • C Maj • 07:14 • -20.24db
22% Popularity • 10% Danceability • 7% Energy • 6% Liveness
95% Instrumentalness • 3% Positiveness
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Jon Hopkins
The Low Places
152 bpm • A Maj • 06:34 • -13.84db
28% Popularity • 72% Danceability • 39% Energy • 18% Liveness
92% Instrumentalness • 24% Positiveness
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Boards of Canada
Peacock Tail
171 bpm • D Maj • 05:24 • -13db
49% Popularity • 64% Danceability • 48% Energy • 8% Liveness
92% Instrumentalness • 46% Positiveness
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Danny Mulhern
Arrival
173 bpm • A# min • 02:17 • -14db
28% Popularity • 43% Danceability • 29% Energy • 10% Liveness
91% Instrumentalness • 29% Positiveness
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Tom Ashbrook
Klass
173 bpm • F# Maj • 06:32 • -19.87db
40% Popularity • 30% Danceability • 19% Energy • 14% Liveness
95% Instrumentalness • 9% Positiveness
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Rival Consoles
Haunt
147 bpm • F min • 04:54 • -10db
35% Popularity • 70% Danceability • 71% Energy • 40% Liveness
86% Instrumentalness • 28% Positiveness
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Aphex Twin
#3
147 bpm • F# min • 07:44 • -27.11db
63% Popularity • 16% Danceability • 7% Energy • 11% Liveness
86% Instrumentalness • 6% Positiveness
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Jon Hopkins
Lost In Thought
150 bpm • C# Maj • 06:16 • -16db
40% Popularity • 62% Danceability • 32% Energy • 12% Liveness
88% Instrumentalness • 20% Positiveness
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Luke Howard
Intermittent Reinforcement
147 bpm • A Maj • 05:17 • -25.68db
8% Popularity • 22% Danceability • 14% Energy • 8% Liveness
87% Instrumentalness • 2% Positiveness
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Jogging House
Fingers
174 bpm • D min • 04:32 • -18.17db
21% Popularity • 13% Danceability • 21% Energy • 7% Liveness
79% Instrumentalness • 9% Positiveness
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Tycho
Melanine
146 bpm • G# min • 02:53 • -8.88db
50% Popularity • 44% Danceability • 47% Energy • 9% Liveness
93% Instrumentalness • 9% Positiveness
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Rival Consoles
Them Is Us
176 bpm • C# min • 05:46 • -11.95db
34% Popularity • 49% Danceability • 55% Energy • 14% Liveness
83% Instrumentalness • 8% Positiveness
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Daniel Selke
Hiddensee
177 bpm • D Maj • 03:20 • -24db
47% Popularity • 49% Danceability • 8% Energy • 11% Liveness
95% Instrumentalness • 56% Positiveness
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Jon Hopkins
Inner Peace
150 bpm • E Maj • 04:53 • -14.87db
33% Popularity • 71% Danceability • 37% Energy • 8% Liveness
95% Instrumentalness • 56% Positiveness
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Domenique Dumont
People On Sunday
144 bpm • F# min • 03:45 • -12.93db
49% Popularity • 66% Danceability • 40% Energy • 14% Liveness
95% Instrumentalness • 28% Positiveness
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Bersarin Quartett
Sanft verblassen die Geschichten
143 bpm • F min • 03:08 • -17.17db
31% Popularity • 14% Danceability • 27% Energy • 10% Liveness
94% Instrumentalness • 6% Positiveness
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Max Richter
Shadow Journal
143 bpm • G min • 08:22 • -25db
37% Popularity • 26% Danceability • 10% Energy • 66% Liveness
74% Instrumentalness • 4% Positiveness
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Brian Eno
Emerald and Stone
179 bpm • B Maj • 02:12 • -25.06db
54% Popularity • 22% Danceability • 4% Energy • 8% Liveness
93% Instrumentalness • 4% Positiveness
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Stars Of The Lid
The Evil That Never Arrived
143 bpm • D Maj • 05:04 • -21db
35% Popularity • 14% Danceability • 8% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
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Mark Pritchard
Give It Your Choir - Instrumental
143 bpm • D min • 04:30 • -19db
20% Popularity • 51% Danceability • 41% Energy • 10% Liveness
95% Instrumentalness • 29% Positiveness
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Floating Points
Falaise
143 bpm • B min • 03:54 • -14.48db
51% Popularity • 36% Danceability • 40% Energy • 18% Liveness
79% Instrumentalness • 4% Positiveness
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Conor Walsh
Leitmotif
142 bpm • A min • 04:08 • -22.78db
14% Popularity • 19% Danceability • 22% Energy • 9% Liveness
81% Instrumentalness • 20% Positiveness
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Air
Alone in Kyoto
180 bpm • C Maj • 04:51 • -16.49db
57% Popularity • 52% Danceability • 37% Energy • 14% Liveness
75% Instrumentalness • 8% Positiveness
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Bing & Ruth
Dorsal
180 bpm • C# min • 07:10 • -19.24db
14% Popularity • 7% Danceability • 14% Energy • 9% Liveness
96% Instrumentalness • 3% Positiveness
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Loscil
Caisson
180 bpm • F# Maj • 07:49 • -40.67db
23% Popularity • 36% Danceability • 4% Energy • 7% Liveness
93% Instrumentalness • 32% Positiveness
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Lusine
Jetstream
180 bpm • F# Maj • 06:01 • -13.75db
24% Popularity • 27% Danceability • 47% Energy • 7% Liveness
96% Instrumentalness • 5% Positiveness
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Max Richter
Space 11 (Invisible Pages Over)
142 bpm • G min • 05:15 • -28.27db
29% Popularity • 14% Danceability • 9% Energy • 6% Liveness
86% Instrumentalness • 3% Positiveness
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Ryan Teague
Artifact 3
180 bpm • G Maj • 03:12 • -18.56db
29% Popularity • 26% Danceability • 19% Energy • 9% Liveness
91% Instrumentalness • 8% Positiveness
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Jon Hopkins
Opalescent
142 bpm • F# min • 02:11 • -27.23db
31% Popularity • 14% Danceability • 6% Energy • 14% Liveness
91% Instrumentalness • 4% Positiveness
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Isan
Every Since And Then
180 bpm • C Maj • 05:38 • -15.66db
24% Popularity • 57% Danceability • 16% Energy • 9% Liveness
93% Instrumentalness • 4% Positiveness
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Biosphere
Angel's Flight
142 bpm • C# Maj • 05:52 • -17db
39% Popularity • 52% Danceability • 28% Energy • 11% Liveness
94% Instrumentalness • 31% Positiveness
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Nosaj Thing
Us - Jon Hopkins Remix
180 bpm • G Maj • 05:33 • -7.25db
6% Popularity • 35% Danceability • 63% Energy • 10% Liveness
36% Instrumentalness • 14% Positiveness
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Hammock
Now and Not Yet
142 bpm • G Maj • 06:17 • -20db
35% Popularity • 14% Danceability • 18% Energy • 6% Liveness
96% Instrumentalness • 4% Positiveness
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Mark Pritchard
Light Bodied
141 bpm • D min • 03:01 • -24.61db
31% Popularity • 19% Danceability • 19% Energy • 9% Liveness
86% Instrumentalness • 7% Positiveness
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Rival Consoles
Pulses of Information
140 bpm • G Maj • 04:06 • -14.57db
41% Popularity • 40% Danceability • 80% Energy • 9% Liveness
80% Instrumentalness • 4% Positiveness
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Stars Of The Lid
Articulate Silences, Pt. 1
141 bpm • D Maj • 05:24 • -25db
39% Popularity • 15% Danceability • 9% Energy • 8% Liveness
91% Instrumentalness • 3% Positiveness
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JB Dunckel
Mirages
140 bpm • G min • 07:20 • -14.82db
26% Popularity • 58% Danceability • 35% Energy • 10% Liveness
89% Instrumentalness • 4% Positiveness
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Brian McBride
Overture (For Other Halfs)
140 bpm • G Maj • 06:38 • -28.01db
36% Popularity • 14% Danceability • 3% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
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Tycho
A Walk
140 bpm • A Maj • 05:16 • -8db
55% Popularity • 66% Danceability • 72% Energy • 13% Liveness
91% Instrumentalness • 38% Positiveness
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Jon Hopkins
Immunity - Remaster 2023
140 bpm • G Maj • 09:56 • -19.6db
48% Popularity • 45% Danceability • 30% Energy • 10% Liveness
92% Instrumentalness • 7% Positiveness
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Moderat
Invaluable Waste from the Outlying Distr...
140 bpm • A min • 02:55 • -19.05db
30% Popularity • 31% Danceability • 42% Energy • 13% Liveness
90% Instrumentalness • 9% Positiveness
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Christina Vantzou
Little Darlin Seize the Sun
140 bpm • A# Maj • 02:02 • -21db
34% Popularity • 26% Danceability • 28% Energy • 10% Liveness
96% Instrumentalness • 3% Positiveness
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Steve Hauschildt
Reverse Culture Music
183 bpm • F min • 06:09 • -19db
30% Popularity • 47% Danceability • 33% Energy • 13% Liveness
92% Instrumentalness • 72% Positiveness
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Deru
1979
139 bpm • F Maj • 04:51 • -17db
36% Popularity • 30% Danceability • 13% Energy • 12% Liveness
88% Instrumentalness • 4% Positiveness
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Susumu Yokota
Tobiume
139 bpm • F# Maj • 04:38 • -17.03db
42% Popularity • 24% Danceability • 25% Energy • 6% Liveness
88% Instrumentalness • 4% Positiveness
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Clark
Lambent Rag
184 bpm • C# Maj • 03:24 • -17.99db
42% Popularity • 57% Danceability • 30% Energy • 12% Liveness
94% Instrumentalness • 43% Positiveness
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Jon Hopkins
Welcome
139 bpm • A# Maj • 06:22 • -16.18db
42% Popularity • 14% Danceability • 23% Energy • 32% Liveness
96% Instrumentalness • 4% Positiveness
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Chihei Hatakeyama
door to the cosmos
139 bpm • F Maj • 06:14 • -28.89db
40% Popularity • 15% Danceability • 1% Energy • 8% Liveness
98% Instrumentalness • 3% Positiveness
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Nathan Fake
REMAIN - Olga Wojciechowska Rework
139 bpm • C# min • 04:43 • -14.75db
29% Popularity • 15% Danceability • 42% Energy • 10% Liveness
92% Instrumentalness • 3% Positiveness
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Blank Gloss
Of A Vessel
138 bpm • D Maj • 04:33 • -19.89db
25% Popularity • 25% Danceability • 8% Energy • 9% Liveness
87% Instrumentalness • 3% Positiveness
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Steve Hauschildt
Subtractive Skies
138 bpm • G min • 06:46 • -18.16db
32% Popularity • 26% Danceability • 50% Energy • 10% Liveness
96% Instrumentalness • 40% Positiveness
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Clark
Open Foe
138 bpm • A# min • 02:08 • -19.41db
25% Popularity • 40% Danceability • 34% Energy • 10% Liveness
91% Instrumentalness • 16% Positiveness
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Phil France
Prophet
137 bpm • F# min • 01:57 • -13.71db
17% Popularity • 32% Danceability • 37% Energy • 12% Liveness
84% Instrumentalness • 4% Positiveness
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Jon Hopkins
Heron
139 bpm • G# Maj • 04:05 • -25.93db
26% Popularity • 23% Danceability • 29% Energy • 16% Liveness
95% Instrumentalness • 34% Positiveness
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Hammock
Circular as Our Way
137 bpm • B Maj • 07:00 • -19db
34% Popularity • 15% Danceability • 14% Energy • 9% Liveness
90% Instrumentalness • 3% Positiveness
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Erland Cooper
Longhope - Edit
137 bpm • F# Maj • 03:31 • -13db
41% Popularity • 28% Danceability • 42% Energy • 13% Liveness
95% Instrumentalness • 10% Positiveness
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Ex Confusion
When I Think of You
136 bpm • B Maj • 05:24 • -27.16db
34% Popularity • 15% Danceability • 6% Energy • 8% Liveness
87% Instrumentalness • 3% Positiveness
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The Album Leaf
Complications
136 bpm • D Maj • 03:25 • -23.21db
36% Popularity • 19% Danceability • 16% Energy • 11% Liveness
91% Instrumentalness • 3% Positiveness
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Alex Somers
Between Us - Liminal Remix
136 bpm • D# Maj • 05:04 • -20.46db
13% Popularity • 22% Danceability • 10% Energy • 11% Liveness
96% Instrumentalness • 18% Positiveness
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Jon Hopkins
Tayos Caves, Ecuador ii
136 bpm • A Maj • 05:07 • -22.93db
42% Popularity • 15% Danceability • 24% Energy • 12% Liveness
82% Instrumentalness • 18% Positiveness
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Loscil
Vespera
136 bpm • D# min • 06:01 • -21.99db
34% Popularity • 42% Danceability • 20% Energy • 11% Liveness
98% Instrumentalness • 9% Positiveness
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Near The Parenthesis
A Brief Walk in the Sea
191 bpm • C min • 07:04 • -12.5db
34% Popularity • 16% Danceability • 58% Energy • 12% Liveness
92% Instrumentalness • 18% Positiveness
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Ryan Teague
Scale and Ratio
200 bpm • G min • 04:59 • -14.66db
28% Popularity • 48% Danceability • 57% Energy • 6% Liveness
96% Instrumentalness • 20% Positiveness
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Brambles
Pink And Golden Billows
210 bpm • G min • 02:58 • -23.84db
50% Popularity • 39% Danceability • 6% Energy • 6% Liveness
92% Instrumentalness • 28% Positiveness
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The Field