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The First Nowell
Songs like
The First Nowell
by
Anonymous
Based on a tempo of (+/- 10%) and a similar genre
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Worcester Cathedral Choir
Rocking
87 bpm • C Maj • 01:36 • -38.97db
29% Popularity • 23% Danceability • 3% Energy • 15% Liveness
10% Instrumentalness • 11% Positiveness
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Este's Psalter, 1592
While Shepherds Watched Their Flocks (De...
87 bpm • F Maj • 02:44 • -18.25db
26% Popularity • 13% Danceability • 18% Energy • 18% Liveness
81% Instrumentalness • 17% Positiveness
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The Oxford Trinity Choir
Pie Jesu
87 bpm • G# Maj • 02:31 • -16.85db
11% Popularity • 16% Danceability • 28% Energy • 10% Liveness
8% Instrumentalness • 4% Positiveness
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Anonymous
The Holly & The Ivy
87 bpm • C min • 03:58 • -17db
20% Popularity • 16% Danceability • 25% Energy • 15% Liveness
0% Instrumentalness • 19% Positiveness
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The City of Prague Philharmonic Orchestra
Silent Night
87 bpm • A# Maj • 03:12 • -18.38db
14% Popularity • 17% Danceability • 22% Energy • 10% Liveness
79% Instrumentalness • 6% Positiveness
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Adolphe Adam
O Holy Night
87 bpm • D# Maj • 06:39 • -9db
10% Popularity • 18% Danceability • 31% Energy • 10% Liveness
5% Instrumentalness • 6% Positiveness
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Ola Gjeilo
Serenity (O magnum mysterium)
87 bpm • G Maj • 06:04 • -20.63db
11% Popularity • 10% Danceability • 12% Energy • 7% Liveness
25% Instrumentalness • 3% Positiveness
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Bob Chilcott
A Shepherd's Carol
87 bpm • D Maj • 03:09 • -28.08db
24% Popularity • 10% Danceability • 3% Energy • 9% Liveness
57% Instrumentalness • 4% Positiveness
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Traditional
Traditional / Arr. Rutter: Joy to the Wo...
86 bpm • D Maj • 01:51 • -19.1db
15% Popularity • 23% Danceability • 12% Energy • 9% Liveness
95% Instrumentalness • 17% Positiveness
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Anonymous
The First Nowell
87 bpm • F# min • 04:35 • -18.01db
29% Popularity • 22% Danceability • 18% Energy • 12% Liveness
1% Instrumentalness • 6% Positiveness
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The Cathedral Singers
Lo How a Rose E'er Blooming
88 bpm • G# Maj • 02:56 • -17.11db
23% Popularity • 16% Danceability • 15% Energy • 12% Liveness
7% Instrumentalness • 13% Positiveness
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Thomanerchor Leipzig
Ich steh' an deiner Krippen hier
86 bpm • G Maj • 02:13 • -21.86db
19% Popularity • 22% Danceability • 14% Energy • 12% Liveness
11% Instrumentalness • 8% Positiveness
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John Rutter
Shepherd's Pipe Carol
86 bpm • F Maj • 02:59 • -25.99db
11% Popularity • 23% Danceability • 11% Energy • 34% Liveness
0% Instrumentalness • 57% Positiveness
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Bob Chilcott
The Advent Candle
88 bpm • D Maj • 02:54 • -31.41db
19% Popularity • 17% Danceability • 6% Energy • 7% Liveness
31% Instrumentalness • 14% Positiveness
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Max Reger
Mariä Wiegenlied, Op. 76/52
86 bpm • G# Maj • 02:20 • -19.08db
13% Popularity • 23% Danceability • 9% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
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Anonymous
Song of the Birds (Arr. Casals)
87 bpm • A min • 02:47 • -24.67db
38% Popularity • 13% Danceability • 6% Energy • 42% Liveness
26% Instrumentalness • 4% Positiveness
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Anúna
Noel Nouvelet
86 bpm • A# min • 03:24 • -19.88db
15% Popularity • 16% Danceability • 9% Energy • 16% Liveness
1% Instrumentalness • 21% Positiveness
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Ralph Vaughan Williams
The Truth From Above (arr. R.V. Williams...
86 bpm • E min • 03:04 • -26.05db
23% Popularity • 20% Danceability • 5% Energy • 9% Liveness
2% Instrumentalness • 7% Positiveness
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George Frideric Handel
Messiah: Highlights: Hallelujah
86 bpm • D Maj • 04:49 • -15db
3% Popularity • 35% Danceability • 29% Energy • 13% Liveness
30% Instrumentalness • 27% Positiveness
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Philip Stopford
Lully, Lulla, Lullay
86 bpm • F min • 04:17 • -30.31db
31% Popularity • 19% Danceability • 5% Energy • 8% Liveness
90% Instrumentalness • 6% Positiveness
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The Sixteen
Jesus Christ the Apple Tree
86 bpm • C Maj • 03:17 • -27.8db
27% Popularity • 17% Danceability • 5% Energy • 8% Liveness
0% Instrumentalness • 5% Positiveness
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Anonymous
Wintertide
88 bpm • A min • 03:10 • -21.06db
19% Popularity • 19% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
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The King's Singers
Coventry Carol
85 bpm • A# min • 02:45 • -28.13db
23% Popularity • 14% Danceability • 1% Energy • 15% Liveness
0% Instrumentalness • 6% Positiveness
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Adolphe Adam
O Holy Night (Arr. John Rutter)
85 bpm • D# Maj • 05:38 • -18db
15% Popularity • 13% Danceability • 22% Energy • 11% Liveness
65% Instrumentalness • 4% Positiveness
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Ralph Vaughan Williams
O taste and see
85 bpm • F# Maj • 01:22 • -34db
28% Popularity • 22% Danceability • 1% Energy • 8% Liveness
0% Instrumentalness • 8% Positiveness
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John Ireland
The Holy Boy
85 bpm • F min • 03:10 • -32.3db
8% Popularity • 20% Danceability • 1% Energy • 9% Liveness
0% Instrumentalness • 6% Positiveness
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Sir David Willcocks
Deck The Hall
89 bpm • G Maj • 01:19 • -24.94db
13% Popularity • 40% Danceability • 19% Energy • 21% Liveness
0% Instrumentalness • 41% Positiveness
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Franz Xaver Gruber
Silent Night
89 bpm • B Maj • 03:59 • -26.6db
32% Popularity • 10% Danceability • 3% Energy • 11% Liveness
87% Instrumentalness • 3% Positiveness
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Tomás Luis de Victoria
O magnum mysterium
85 bpm • G# min • 04:01 • -29.37db
25% Popularity • 10% Danceability • 3% Energy • 9% Liveness
56% Instrumentalness • 4% Positiveness
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Jan Pieterszoon Sweelinck
Hodie Christus natus est
85 bpm • A# Maj • 02:56 • -19db
19% Popularity • 21% Danceability • 18% Energy • 27% Liveness
1% Instrumentalness • 38% Positiveness
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Franz Schubert
Heavenly Father (Ave Maria, Op. 52 No. 6...
85 bpm • A# Maj • 04:46 • -24.25db
5% Popularity • 8% Danceability • 14% Energy • 12% Liveness
32% Instrumentalness • 7% Positiveness
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The St Philips Boy's Choir
O for the Wings of a Dove
89 bpm • G Maj • 02:08 • -16.96db
11% Popularity • 13% Danceability • 16% Energy • 14% Liveness
92% Instrumentalness • 8% Positiveness
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Philip Stopford
Lully, Lulla Lullay
89 bpm • F min • 04:06 • -25.26db
32% Popularity • 18% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Franz Xaver Gruber
Silent Night (Arr. John Rutter)
89 bpm • B Maj • 04:02 • -24.84db
15% Popularity • 10% Danceability • 6% Energy • 18% Liveness
97% Instrumentalness • 4% Positiveness
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St. Paul's Cathedral Choir
It Came Upon a Midnight Clear
90 bpm • G Maj • 03:45 • -15.81db
26% Popularity • 28% Danceability • 33% Energy • 28% Liveness
50% Instrumentalness • 41% Positiveness
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XV Century, anonymous
Coventry Carol
84 bpm • G min • 02:49 • -34.27db
10% Popularity • 18% Danceability • 1% Energy • 8% Liveness
0% Instrumentalness • 8% Positiveness
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Felix Mendelssohn
Hark! the herald angels sing (Desc. Step...
84 bpm • G Maj • 03:24 • -13.4db
7% Popularity • 10% Danceability • 29% Energy • 12% Liveness
70% Instrumentalness • 15% Positiveness
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Worcester Cathedral Choir
In Dulci Jubilo, Op. 10 - Arr. R. L. Pea...
90 bpm • F Maj • 03:39 • -29.86db
20% Popularity • 18% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
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Benjamin Britten
A Ceremony of Carols, Op. 28: V. As Dew ...
84 bpm • G# Maj • 00:58 • -26.37db
12% Popularity • 26% Danceability • 3% Energy • 10% Liveness
27% Instrumentalness • 6% Positiveness
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Franz Xaver Gruber
Silent Night: Silent Night (Stille Nacht...
84 bpm • C# Maj • 03:09 • -25.66db
15% Popularity • 13% Danceability • 5% Energy • 10% Liveness
17% Instrumentalness • 4% Positiveness
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John Rutter
All Bells in Paradise
84 bpm • D Maj • 05:28 • -26db
12% Popularity • 10% Danceability • 5% Energy • 15% Liveness
4% Instrumentalness • 6% Positiveness
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London Philharmonic Orchestra
Comfort Ye My People-Ev'ry Valley
84 bpm • E Maj • 07:43 • -13.65db
17% Popularity • 21% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
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Morten Lauridsen
O Magnum Mysterium
84 bpm • D Maj • 05:50 • -23.88db
26% Popularity • 9% Danceability • 4% Energy • 8% Liveness
85% Instrumentalness • 4% Positiveness
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Choir of King's College, Cambridge
The First Nowell
90 bpm • D Maj • 04:48 • -23.64db
11% Popularity • 17% Danceability • 19% Energy • 13% Liveness
88% Instrumentalness • 16% Positiveness
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Ian Bostridge
Still, still, still
84 bpm • E Maj • 03:01 • -34.88db
9% Popularity • 10% Danceability • 2% Energy • 15% Liveness
6% Instrumentalness • 10% Positiveness
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The Tabernacle Choir at Temple Square
Maria Wiegenlied
90 bpm • F Maj • 03:19 • -20.57db
9% Popularity • 14% Danceability • 4% Energy • 9% Liveness
4% Instrumentalness • 5% Positiveness
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John Rutter
Nativity Carol
84 bpm • D Maj • 04:28 • -27.95db
21% Popularity • 12% Danceability • 4% Energy • 8% Liveness
80% Instrumentalness • 8% Positiveness
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George Frideric Handel
Messiah, HWV 56 / Pt. 1: For Unto Us A C...
91 bpm • G Maj • 04:33 • -12.97db
15% Popularity • 40% Danceability • 28% Energy • 24% Liveness
0% Instrumentalness • 42% Positiveness
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Giovanni Pierluigi da Palestrina
O magnum mysterium (Motet)
84 bpm • C min • 05:20 • -23.42db
7% Popularity • 12% Danceability • 14% Energy • 9% Liveness
0% Instrumentalness • 7% Positiveness
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Choir of King's College, Cambridge
A Hymn to the Virgin
83 bpm • A min • 03:57 • -29.28db
15% Popularity • 14% Danceability • 3% Energy • 17% Liveness
14% Instrumentalness • 5% Positiveness
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Elizabeth Poston
Jesus Christ the Apple Tree
91 bpm • C Maj • 02:39 • -29.49db
4% Popularity • 18% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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Mykola Dmytrovych Leontovych
Carol of the Bells (arr. P.J. Wilhousky)
83 bpm • D# Maj • 01:33 • -31.28db
31% Popularity • 45% Danceability • 3% Energy • 5% Liveness
0% Instrumentalness • 8% Positiveness
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John Rutter
Candlelight Carol
83 bpm • F# Maj • 04:22 • -24.23db
19% Popularity • 15% Danceability • 9% Energy • 10% Liveness
26% Instrumentalness • 13% Positiveness
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Max Reger
Mariä Wiegenlied
83 bpm • F Maj • 01:59 • -35.43db
17% Popularity • 22% Danceability • 2% Energy • 18% Liveness
67% Instrumentalness • 4% Positiveness
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Jakub Jan Ryba
Czech Christmas Mass, "Hail, Master!": S...
91 bpm • G Maj • 02:01 • -17.78db
19% Popularity • 25% Danceability • 10% Energy • 12% Liveness
1% Instrumentalness • 20% Positiveness
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Worcester Cathedral Choir
O Come All Ye Faithful - Arr. David Will...
91 bpm • G Maj • 03:38 • -21.48db
20% Popularity • 23% Danceability • 13% Energy • 14% Liveness
4% Instrumentalness • 15% Positiveness
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New Apostolic Church of Cape Town
Oh Holy Night
83 bpm • D# Maj • 06:27 • -24.08db
16% Popularity • 18% Danceability • 9% Energy • 11% Liveness
34% Instrumentalness • 4% Positiveness
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Witold Lutosławski
20 Polish Christmas Carols: Angels to th...
83 bpm • F# Maj • 02:01 • -21db
9% Popularity • 28% Danceability • 12% Energy • 14% Liveness
95% Instrumentalness • 4% Positiveness
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Michel Corrette
Quand Dieu naquit à Noël
91 bpm • F# Maj • 04:03 • -21db
23% Popularity • 46% Danceability • 12% Energy • 14% Liveness
3% Instrumentalness • 28% Positiveness
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Academy of St Martin in the Fields Chorus
Sussex Carol (On Christmas Night)
91 bpm • G Maj • 01:30 • -17.75db
31% Popularity • 38% Danceability • 21% Energy • 22% Liveness
1% Instrumentalness • 77% Positiveness
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Henry VIII
Grene growith the holy
91 bpm • D min • 03:54 • -31.06db
8% Popularity • 20% Danceability • 1% Energy • 7% Liveness
0% Instrumentalness • 14% Positiveness
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Ola Gjeilo
Ecce Novum
91 bpm • F Maj • 04:13 • -19.43db
29% Popularity • 11% Danceability • 9% Energy • 10% Liveness
82% Instrumentalness • 4% Positiveness
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Anonymous
Corde Natus Ex Parentis
91 bpm • D min • 03:57 • -26.36db
16% Popularity • 17% Danceability • 5% Energy • 9% Liveness
97% Instrumentalness • 6% Positiveness
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Francis Poulenc
O Magnum Mysterium
83 bpm • A# min • 02:57 • -27.09db
14% Popularity • 18% Danceability • 3% Energy • 8% Liveness
6% Instrumentalness • 4% Positiveness
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John Rutter
When Icicles Hang: IV. Blow, blow, thou ...
91 bpm • F min • 03:50 • -26.69db
17% Popularity • 18% Danceability • 7% Energy • 21% Liveness
18% Instrumentalness • 6% Positiveness
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Wells Cathedral Choir
I Saw Three Ships
91 bpm • G Maj • 01:58 • -23.38db
16% Popularity • 32% Danceability • 11% Energy • 7% Liveness
20% Instrumentalness • 35% Positiveness
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George Frideric Handel
For Unto Us a Child is Born
92 bpm • G Maj • 04:26 • -23.26db
8% Popularity • 27% Danceability • 9% Energy • 16% Liveness
0% Instrumentalness • 16% Positiveness
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Elizabeth Poston
Poston: Jesus Christ the Apple Tree
83 bpm • C# Maj • 02:30 • -27.59db
8% Popularity • 19% Danceability • 5% Energy • 15% Liveness
41% Instrumentalness • 19% Positiveness
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Anonymous
Easter Sunday: Sequentia: Victimae pasch...
83 bpm • D# Maj • 01:56 • -22.99db
25% Popularity • 25% Danceability • 4% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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Oliver Tarney
The Waiting Sky
83 bpm • A min • 02:51 • -35.48db
21% Popularity • 8% Danceability • 2% Energy • 9% Liveness
2% Instrumentalness • 3% Positiveness
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Royal Philharmonic Orchestra
Sussex Carol
83 bpm • G Maj • 01:36 • -17.96db
22% Popularity • 26% Danceability • 21% Energy • 39% Liveness
0% Instrumentalness • 49% Positiveness
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Worcester Cathedral Choir
Jesus, Jesus, Rest Your Head
83 bpm • F Maj • 03:22 • -36.15db
20% Popularity • 9% Danceability • 3% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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Mannheim Steamroller
Veni Veni
82 bpm • A min • 04:22 • -14.15db
23% Popularity • 9% Danceability • 21% Energy • 10% Liveness
55% Instrumentalness • 6% Positiveness
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Robert Shaw
Praetorius: Lo, How a Rose E'er Blooming...
83 bpm • F Maj • 01:16 • -36.55db
30% Popularity • 20% Danceability • 2% Energy • 8% Liveness
69% Instrumentalness • 11% Positiveness
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Giovanni Pierluigi da Palestrina
Missa Gabriel Archangelus: Et incarnatus...
82 bpm • B min • 01:04 • -26.48db
32% Popularity • 24% Danceability • 7% Energy • 8% Liveness
97% Instrumentalness • 3% Positiveness
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Morten Lauridsen
O magnum mysterium
82 bpm • D Maj • 06:43 • -24.77db
9% Popularity • 8% Danceability • 7% Energy • 9% Liveness
14% Instrumentalness • 3% Positiveness
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Edgar Pettman
I Saw A Maiden: I saw a maiden (arr. E. ...
82 bpm • F Maj • 02:57 • -32.82db
22% Popularity • 24% Danceability • 4% Energy • 10% Liveness
29% Instrumentalness • 25% Positiveness
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John Rutter
Tomorrow shall be my dancing day
92 bpm • G# Maj • 02:53 • -24.11db
18% Popularity • 34% Danceability • 6% Energy • 8% Liveness
23% Instrumentalness • 49% Positiveness
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Otto Goldschmidt
A tender shoot: A Tender Shoot
82 bpm • D Maj • 02:09 • -25.36db
22% Popularity • 12% Danceability • 12% Energy • 15% Liveness
3% Instrumentalness • 7% Positiveness
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Libera
Jubilate Deo
82 bpm • A# min • 04:26 • -16.04db
9% Popularity • 17% Danceability • 17% Energy • 7% Liveness
59% Instrumentalness • 4% Positiveness
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James MacMillan
O Radiant Dawn
82 bpm • C min • 04:09 • -22.29db
21% Popularity • 23% Danceability • 9% Energy • 10% Liveness
51% Instrumentalness • 3% Positiveness
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Traditional
Thou who wast rich beyond all splendour ...
82 bpm • E Maj • 03:33 • -25.29db
20% Popularity • 10% Danceability • 15% Energy • 9% Liveness
6% Instrumentalness • 5% Positiveness
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Michael Head
The Little Road To Bethlehem
82 bpm • G# Maj • 03:21 • -27.19db
17% Popularity • 24% Danceability • 6% Energy • 12% Liveness
93% Instrumentalness • 4% Positiveness
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Felix Mendelssohn
Frohlocket, ihr Völker auf Erden, Op.79...
92 bpm • G Maj • 01:32 • -22db
15% Popularity • 22% Danceability • 25% Energy • 24% Liveness
1% Instrumentalness • 14% Positiveness
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Benjamin Britten
Ceremony of Carols, Op. 28: Balulalow
82 bpm • F# min • 01:18 • -30.28db
24% Popularity • 25% Danceability • 1% Energy • 9% Liveness
24% Instrumentalness • 4% Positiveness
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The Oxford Trinity Choir
O Come, O Come Emmanuel
82 bpm • C Maj • 02:45 • -21.05db
12% Popularity • 39% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Anonymous
Suo Gân
82 bpm • F# Maj • 03:38 • -28.36db
3% Popularity • 15% Danceability • 4% Energy • 12% Liveness
0% Instrumentalness • 9% Positiveness
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Elizabeth Poston
Jesus Christ the Apple Tree
82 bpm • C Maj • 03:24 • -28.26db
18% Popularity • 14% Danceability • 5% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
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Noel Edison
Festgesang, MWV D4, "Gutenberg-Kantate":...
82 bpm • G Maj • 03:15 • -15.05db
11% Popularity • 14% Danceability • 22% Energy • 12% Liveness
95% Instrumentalness • 10% Positiveness
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Choir of King's College, Cambridge
The Holly And The Ivy
93 bpm • G Maj • 03:22 • -25.26db
8% Popularity • 20% Danceability • 11% Energy • 8% Liveness
1% Instrumentalness • 20% Positiveness
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Oxford St. Peter's Choir
Silent Night
93 bpm • C Maj • 03:17 • -20.52db
11% Popularity • 13% Danceability • 13% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
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Harold Darke
Holst: "In the bleak midwinter", H.73 No...
82 bpm • G Maj • 04:23 • -30.27db
7% Popularity • 10% Danceability • 9% Energy • 9% Liveness
6% Instrumentalness • 4% Positiveness
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Anonymous
Es ist ein' Ros' entsprungen - Arr. M. P...
82 bpm • F Maj • 03:55 • -31.05db
12% Popularity • 10% Danceability • 3% Energy • 6% Liveness
39% Instrumentalness • 4% Positiveness
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Edmund Rubbra
Dormi Jesu, Op. 3, No. 1, "The Virgin's ...
81 bpm • E min • 01:35 • -35.01db
19% Popularity • 8% Danceability • 1% Energy • 9% Liveness
97% Instrumentalness • 4% Positiveness
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A. Warrell
A merry Christmas
81 bpm • A# Maj • 01:30 • -19.5db
17% Popularity • 62% Danceability • 24% Energy • 15% Liveness
1% Instrumentalness • 44% Positiveness
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Benjamin Britten
A Ceremony of Carols, Op. 28: VI. This L...
81 bpm • A# min • 01:25 • -23.94db
13% Popularity • 38% Danceability • 8% Energy • 8% Liveness
0% Instrumentalness • 21% Positiveness
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Henry Thomas Smart
Angels from the Realm of Glory (Arr. L. ...
93 bpm • G Maj • 02:01 • -14.55db
10% Popularity • 14% Danceability • 22% Energy • 21% Liveness
82% Instrumentalness • 16% Positiveness
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Choir of King's College, Cambridge
O Little Town Of Bethlehem
81 bpm • F# Maj • 03:01 • -22.95db
24% Popularity • 23% Danceability • 19% Energy • 13% Liveness
43% Instrumentalness • 22% Positiveness
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Anonymous
Traditional / Arr. Shaw & Parker: Away i...
81 bpm • F Maj • 01:37 • -22.24db
7% Popularity • 23% Danceability • 9% Energy • 8% Liveness
0% Instrumentalness • 21% Positiveness
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John Henry Hopkins
We Three Kings of Orient Are (arr. J. Ru...
81 bpm • G Maj • 05:02 • -25.37db
16% Popularity • 19% Danceability • 6% Energy • 9% Liveness
2% Instrumentalness • 7% Positiveness
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The First Nowell