Songs like The First Time Ever I Saw Your Face by James Blake
Based on a tempo of (+/- 10%) and a similar genre
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James Blake
Coming Back
86 bpm • A# min • 03:15 • -7.26db
61% Popularity • 65% Danceability • 50% Energy • 15% Liveness
27% Instrumentalness • 10% Positiveness
61% Popularity • 65% Danceability • 50% Energy • 15% Liveness
27% Instrumentalness • 10% Positiveness
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Ainslie Wills
Detour
86 bpm • F Maj • 03:33 • -10.99db
47% Popularity • 79% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 47% Positiveness
47% Popularity • 79% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 47% Positiveness
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Mustafa
Stay Alive
86 bpm • F Maj • 03:01 • -15.41db
43% Popularity • 56% Danceability • 18% Energy • 50% Liveness
0% Instrumentalness • 45% Positiveness
43% Popularity • 56% Danceability • 18% Energy • 50% Liveness
0% Instrumentalness • 45% Positiveness
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Kelsey Lu
I'm Not In Love
86 bpm • E Maj • 06:54 • -13.19db
53% Popularity • 19% Danceability • 44% Energy • 11% Liveness
10% Instrumentalness • 4% Positiveness
53% Popularity • 19% Danceability • 44% Energy • 11% Liveness
10% Instrumentalness • 4% Positiveness
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Tei Shi
Bassically - Acoustic
86 bpm • A# min • 04:02 • -10db
26% Popularity • 41% Danceability • 23% Energy • 12% Liveness
3% Instrumentalness • 28% Positiveness
26% Popularity • 41% Danceability • 23% Energy • 12% Liveness
3% Instrumentalness • 28% Positiveness
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Angelo De Augustine
Tomb
86 bpm • A# Maj • 04:18 • -14.95db
43% Popularity • 64% Danceability • 24% Energy • 10% Liveness
2% Instrumentalness • 64% Positiveness
43% Popularity • 64% Danceability • 24% Energy • 10% Liveness
2% Instrumentalness • 64% Positiveness
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James Blake
The First Time Ever I Saw Your Face
86 bpm • D min • 04:01 • -17.75db
40% Popularity • 31% Danceability • 5% Energy • 9% Liveness
1% Instrumentalness • 8% Positiveness
40% Popularity • 31% Danceability • 5% Energy • 9% Liveness
1% Instrumentalness • 8% Positiveness
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Jono McCleery
Wild Is The Wind
86 bpm • A min • 03:56 • -14.99db
9% Popularity • 23% Danceability • 11% Energy • 11% Liveness
8% Instrumentalness • 19% Positiveness
9% Popularity • 23% Danceability • 11% Energy • 11% Liveness
8% Instrumentalness • 19% Positiveness
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Alicia Keys
Perfect Way To Die
85 bpm • F Maj • 03:31 • -5.59db
34% Popularity • 44% Danceability • 41% Energy • 21% Liveness
0% Instrumentalness • 25% Positiveness
34% Popularity • 44% Danceability • 41% Energy • 21% Liveness
0% Instrumentalness • 25% Positiveness
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Bryce Dessner
Another World (String Arrangement)
87 bpm • A Maj • 04:05 • -15.36db
12% Popularity • 22% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
12% Popularity • 22% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Lana Del Rey
hope is a dangerous thing for a woman li...
87 bpm • E min • 05:24 • -13.21db
65% Popularity • 49% Danceability • 10% Energy • 16% Liveness
0% Instrumentalness • 28% Positiveness
65% Popularity • 49% Danceability • 10% Energy • 16% Liveness
0% Instrumentalness • 28% Positiveness
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The Cinematic Orchestra
To Believe
87 bpm • E min • 05:27 • -11.4db
47% Popularity • 18% Danceability • 10% Energy • 23% Liveness
24% Instrumentalness • 5% Positiveness
47% Popularity • 18% Danceability • 10% Energy • 23% Liveness
24% Instrumentalness • 5% Positiveness
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Joesef
Comedown - A COLORS SHOW
87 bpm • A Maj • 04:22 • -9.53db
32% Popularity • 34% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
32% Popularity • 34% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Keaton Henson
Career Day
85 bpm • E Maj • 04:45 • -13.62db
23% Popularity • 40% Danceability • 12% Energy • 10% Liveness
1% Instrumentalness • 30% Positiveness
23% Popularity • 40% Danceability • 12% Energy • 10% Liveness
1% Instrumentalness • 30% Positiveness
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Widowspeak
Romeo and Juliet
87 bpm • C Maj • 05:32 • -13.72db
34% Popularity • 36% Danceability • 47% Energy • 11% Liveness
1% Instrumentalness • 27% Positiveness
34% Popularity • 36% Danceability • 47% Energy • 11% Liveness
1% Instrumentalness • 27% Positiveness
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Jamila Woods
SULA (Paperback)
85 bpm • G# min • 04:15 • -10.77db
41% Popularity • 28% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
41% Popularity • 28% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
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Nina June
The Change in Me
87 bpm • D# Maj • 03:16 • -12.9db
26% Popularity • 43% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
26% Popularity • 43% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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Bruno Major
Places We Won't Walk
88 bpm • D# Maj • 02:49 • -16db
61% Popularity • 39% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
61% Popularity • 39% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Blanco White
I Belong to You
84 bpm • C# min • 03:55 • -14.19db
37% Popularity • 34% Danceability • 24% Energy • 8% Liveness
21% Instrumentalness • 7% Positiveness
37% Popularity • 34% Danceability • 24% Energy • 8% Liveness
21% Instrumentalness • 7% Positiveness
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Keaton Henson
Before Growing Old
84 bpm • G Maj • 04:49 • -14.07db
16% Popularity • 36% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
16% Popularity • 36% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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Oh Wonder
Lonely Star
84 bpm • C# min • 03:57 • -15.57db
43% Popularity • 49% Danceability • 28% Energy • 9% Liveness
1% Instrumentalness • 21% Positiveness
43% Popularity • 49% Danceability • 28% Energy • 9% Liveness
1% Instrumentalness • 21% Positiveness
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Kelsey Lu
Shades of Blue
84 bpm • A min • 03:54 • -7.15db
34% Popularity • 26% Danceability • 35% Energy • 8% Liveness
0% Instrumentalness • 33% Positiveness
34% Popularity • 26% Danceability • 35% Energy • 8% Liveness
0% Instrumentalness • 33% Positiveness
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Lydia Luce
Maybe in Time
84 bpm • C Maj • 03:45 • -16.42db
10% Popularity • 35% Danceability • 25% Energy • 10% Liveness
37% Instrumentalness • 11% Positiveness
10% Popularity • 35% Danceability • 25% Energy • 10% Liveness
37% Instrumentalness • 11% Positiveness
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Celeste
Beloved
84 bpm • C Maj • 03:57 • -7db
37% Popularity • 45% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
37% Popularity • 45% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
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Angelo De Augustine
You Needed Love, I Needed You
89 bpm • D Maj • 03:25 • -14db
51% Popularity • 52% Danceability • 18% Energy • 11% Liveness
1% Instrumentalness • 54% Positiveness
51% Popularity • 52% Danceability • 18% Energy • 11% Liveness
1% Instrumentalness • 54% Positiveness
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Phosphorescent
Song For Zula (BBC Radio Performance 201...
84 bpm • E Maj • 05:30 • -10.22db
30% Popularity • 48% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
30% Popularity • 48% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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Vagabon
Home Soon
89 bpm • D Maj • 04:50 • -13.02db
26% Popularity • 11% Danceability • 34% Energy • 6% Liveness
66% Instrumentalness • 6% Positiveness
26% Popularity • 11% Danceability • 34% Energy • 6% Liveness
66% Instrumentalness • 6% Positiveness
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Jorja Smith
Blue Lights - Machiavelli Sessions
89 bpm • B min • 03:36 • -10.23db
26% Popularity • 40% Danceability • 32% Energy • 14% Liveness
0% Instrumentalness • 30% Positiveness
26% Popularity • 40% Danceability • 32% Energy • 14% Liveness
0% Instrumentalness • 30% Positiveness
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Katie Melua
Joy
89 bpm • D Maj • 03:35 • -15.39db
39% Popularity • 64% Danceability • 16% Energy • 11% Liveness
1% Instrumentalness • 32% Positiveness
39% Popularity • 64% Danceability • 16% Energy • 11% Liveness
1% Instrumentalness • 32% Positiveness
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Matt Berninger
One More Second
83 bpm • G# min • 05:22 • -10db
45% Popularity • 61% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
45% Popularity • 61% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
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Gem Club
Marathon (In Roses)
83 bpm • D# Maj • 04:41 • -13.62db
33% Popularity • 40% Danceability • 17% Energy • 10% Liveness
3% Instrumentalness • 14% Positiveness
33% Popularity • 40% Danceability • 17% Energy • 10% Liveness
3% Instrumentalness • 14% Positiveness
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Joesef
Comedown
90 bpm • A Maj • 04:20 • -9.83db
51% Popularity • 45% Danceability • 27% Energy • 8% Liveness
0% Instrumentalness • 21% Positiveness
51% Popularity • 45% Danceability • 27% Energy • 8% Liveness
0% Instrumentalness • 21% Positiveness
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Okay Kaya
Believe
90 bpm • C Maj • 03:22 • -14.36db
48% Popularity • 45% Danceability • 18% Energy • 12% Liveness
14% Instrumentalness • 26% Positiveness
48% Popularity • 45% Danceability • 18% Energy • 12% Liveness
14% Instrumentalness • 26% Positiveness
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Douglas Dare
I Am Free
90 bpm • E Maj • 05:42 • -18.03db
13% Popularity • 42% Danceability • 24% Energy • 13% Liveness
0% Instrumentalness • 12% Positiveness
13% Popularity • 42% Danceability • 24% Energy • 13% Liveness
0% Instrumentalness • 12% Positiveness
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Katie Melua
Joy (Edit)
89 bpm • D Maj • 03:36 • -12.01db
19% Popularity • 63% Danceability • 28% Energy • 11% Liveness
3% Instrumentalness • 28% Positiveness
19% Popularity • 63% Danceability • 28% Energy • 11% Liveness
3% Instrumentalness • 28% Positiveness
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Angel Olsen
Mr. Lonely
82 bpm • F Maj • 02:53 • -19.79db
29% Popularity • 19% Danceability • 4% Energy • 10% Liveness
12% Instrumentalness • 9% Positiveness
29% Popularity • 19% Danceability • 4% Energy • 10% Liveness
12% Instrumentalness • 9% Positiveness
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Bon Iver
AUATC
82 bpm • G Maj • 02:22 • -10.24db
50% Popularity • 60% Danceability • 42% Energy • 16% Liveness
0% Instrumentalness • 60% Positiveness
50% Popularity • 60% Danceability • 42% Energy • 16% Liveness
0% Instrumentalness • 60% Positiveness
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LÉON
Come Home to Me
82 bpm • B Maj • 03:45 • -8.9db
52% Popularity • 66% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
52% Popularity • 66% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Yebba
October Sky
82 bpm • D min • 03:14 • -6db
48% Popularity • 52% Danceability • 49% Energy • 30% Liveness
0% Instrumentalness • 41% Positiveness
48% Popularity • 52% Danceability • 49% Energy • 30% Liveness
0% Instrumentalness • 41% Positiveness
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LOVE SUPREME
Knowledge Don't Know - Acoustic
82 bpm • G# Maj • 03:35 • -17.05db
16% Popularity • 41% Danceability • 13% Energy • 11% Liveness
10% Instrumentalness • 6% Positiveness
16% Popularity • 41% Danceability • 13% Energy • 11% Liveness
10% Instrumentalness • 6% Positiveness
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Katie Melua
A Love Like That
83 bpm • E min • 03:07 • -16.4db
38% Popularity • 55% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
38% Popularity • 55% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
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ANOHNI
I Will Survive
82 bpm • C# min • 04:49 • -8.39db
26% Popularity • 31% Danceability • 35% Energy • 7% Liveness
0% Instrumentalness • 14% Positiveness
26% Popularity • 31% Danceability • 35% Energy • 7% Liveness
0% Instrumentalness • 14% Positiveness
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Anna Ternheim
Terrified - Acoustic Version - Bonus Tra...
91 bpm • A min • 03:33 • -9.67db
22% Popularity • 49% Danceability • 33% Energy • 36% Liveness
0% Instrumentalness • 19% Positiveness
22% Popularity • 49% Danceability • 33% Energy • 36% Liveness
0% Instrumentalness • 19% Positiveness
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Tertia May
Where We Belong
82 bpm • D Maj • 04:16 • -12.75db
20% Popularity • 53% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
20% Popularity • 53% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
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Benjamin Gustafsson
Heaven Knows, Right?
82 bpm • G# Maj • 04:20 • -20.23db
36% Popularity • 50% Danceability • 3% Energy • 15% Liveness
0% Instrumentalness • 30% Positiveness
36% Popularity • 50% Danceability • 3% Energy • 15% Liveness
0% Instrumentalness • 30% Positiveness
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Mustafa
Ali
91 bpm • A Maj • 03:12 • -15db
37% Popularity • 64% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
37% Popularity • 64% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
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Douglas Dare
Wherever You Are
81 bpm • F# Maj • 03:54 • -12.96db
14% Popularity • 42% Danceability • 17% Energy • 13% Liveness
1% Instrumentalness • 25% Positiveness
14% Popularity • 42% Danceability • 17% Energy • 13% Liveness
1% Instrumentalness • 25% Positiveness
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Kindness
The Warning
91 bpm • F# min • 03:14 • -8.96db
38% Popularity • 66% Danceability • 70% Energy • 15% Liveness
0% Instrumentalness • 11% Positiveness
38% Popularity • 66% Danceability • 70% Energy • 15% Liveness
0% Instrumentalness • 11% Positiveness
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Eve Owen
She Says
81 bpm • G Maj • 04:10 • -11.39db
21% Popularity • 39% Danceability • 23% Energy • 63% Liveness
9% Instrumentalness • 14% Positiveness
21% Popularity • 39% Danceability • 23% Energy • 63% Liveness
9% Instrumentalness • 14% Positiveness
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Ethan Gruska
Dialing Drunk
81 bpm • C# Maj • 03:15 • -17.92db
31% Popularity • 37% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
31% Popularity • 37% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Gabriel Kahane
Little Love
81 bpm • G Maj • 03:12 • -17.16db
38% Popularity • 40% Danceability • 5% Energy • 9% Liveness
1% Instrumentalness • 27% Positiveness
38% Popularity • 40% Danceability • 5% Energy • 9% Liveness
1% Instrumentalness • 27% Positiveness
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Angelo De Augustine
Santa Barbara
81 bpm • G min • 03:14 • -17.2db
45% Popularity • 53% Danceability • 16% Energy • 11% Liveness
3% Instrumentalness • 50% Positiveness
45% Popularity • 53% Danceability • 16% Energy • 11% Liveness
3% Instrumentalness • 50% Positiveness
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The Sei
Metroma
92 bpm • G min • 03:43 • -15db
41% Popularity • 52% Danceability • 20% Energy • 13% Liveness
44% Instrumentalness • 5% Positiveness
41% Popularity • 52% Danceability • 20% Energy • 13% Liveness
44% Instrumentalness • 5% Positiveness
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Little Dragon
Another Lover
81 bpm • F min • 04:26 • -10.3db
49% Popularity • 64% Danceability • 55% Energy • 17% Liveness
2% Instrumentalness • 32% Positiveness
49% Popularity • 64% Danceability • 55% Energy • 17% Liveness
2% Instrumentalness • 32% Positiveness
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Katie Melua
Heading Home (Acoustic)
92 bpm • D Maj • 03:54 • -18.32db
29% Popularity • 48% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
29% Popularity • 48% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
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Orlando Weeks
Seasonal Hero - Edit
80 bpm • E Maj • 02:52 • -19.5db
15% Popularity • 29% Danceability • 12% Energy • 10% Liveness
44% Instrumentalness • 27% Positiveness
15% Popularity • 29% Danceability • 12% Energy • 10% Liveness
44% Instrumentalness • 27% Positiveness
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Active Child
Brighter Day
80 bpm • C Maj • 06:16 • -10.39db
13% Popularity • 25% Danceability • 40% Energy • 8% Liveness
2% Instrumentalness • 12% Positiveness
13% Popularity • 25% Danceability • 40% Energy • 8% Liveness
2% Instrumentalness • 12% Positiveness
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Benjamin Francis Leftwich
Seattle Waltz
80 bpm • D# Maj • 03:26 • -8.67db
14% Popularity • 52% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
14% Popularity • 52% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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Fink
Bloom Innocent
80 bpm • D Maj • 06:56 • -18.38db
23% Popularity • 52% Danceability • 24% Energy • 13% Liveness
13% Instrumentalness • 28% Positiveness
23% Popularity • 52% Danceability • 24% Energy • 13% Liveness
13% Instrumentalness • 28% Positiveness
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Lucy Rose
Conversation
92 bpm • D min • 03:49 • -16db
26% Popularity • 24% Danceability • 14% Energy • 17% Liveness
1% Instrumentalness • 6% Positiveness
26% Popularity • 24% Danceability • 14% Energy • 17% Liveness
1% Instrumentalness • 6% Positiveness
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Florence + The Machine
Light Of Love
80 bpm • B Maj • 04:00 • -9.76db
45% Popularity • 31% Danceability • 32% Energy • 15% Liveness
0% Instrumentalness • 41% Positiveness
45% Popularity • 31% Danceability • 32% Energy • 15% Liveness
0% Instrumentalness • 41% Positiveness
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James Blake
Power On
92 bpm • D Maj • 04:06 • -10.95db
34% Popularity • 65% Danceability • 47% Energy • 11% Liveness
1% Instrumentalness • 62% Positiveness
34% Popularity • 65% Danceability • 47% Energy • 11% Liveness
1% Instrumentalness • 62% Positiveness
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Laura Marling
Blow By Blow
80 bpm • C Maj • 02:55 • -16.37db
30% Popularity • 30% Danceability • 7% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
30% Popularity • 30% Danceability • 7% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
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Bibio
Sleep On The Wing
80 bpm • A Maj • 03:30 • -11.51db
38% Popularity • 47% Danceability • 33% Energy • 13% Liveness
89% Instrumentalness • 36% Positiveness
38% Popularity • 47% Danceability • 33% Energy • 13% Liveness
89% Instrumentalness • 36% Positiveness
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Damien Rice
Chandelier
93 bpm • A min • 05:13 • -19.04db
46% Popularity • 31% Danceability • 6% Energy • 6% Liveness
1% Instrumentalness • 11% Positiveness
46% Popularity • 31% Danceability • 6% Energy • 6% Liveness
1% Instrumentalness • 11% Positiveness
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Patrick Watson
Dream for Dreaming
79 bpm • F Maj • 03:39 • -11.67db
40% Popularity • 56% Danceability • 24% Energy • 26% Liveness
12% Instrumentalness • 43% Positiveness
40% Popularity • 56% Danceability • 24% Energy • 26% Liveness
12% Instrumentalness • 43% Positiveness
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Norah Jones
How I Weep
93 bpm • G min • 04:41 • -13.82db
26% Popularity • 48% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
26% Popularity • 48% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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James Blake
Say What You Will - Spotify Singles
79 bpm • C# Maj • 04:59 • -10.11db
25% Popularity • 43% Danceability • 36% Energy • 11% Liveness
15% Instrumentalness • 11% Positiveness
25% Popularity • 43% Danceability • 36% Energy • 11% Liveness
15% Instrumentalness • 11% Positiveness
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Laura Marling
Only The Strong
93 bpm • G min • 03:20 • -17db
39% Popularity • 66% Danceability • 20% Energy • 11% Liveness
1% Instrumentalness • 38% Positiveness
39% Popularity • 66% Danceability • 20% Energy • 11% Liveness
1% Instrumentalness • 38% Positiveness
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Fink
Out Loud (Acoustic) - Single Version
93 bpm • D Maj • 03:34 • -12.39db
17% Popularity • 55% Danceability • 62% Energy • 11% Liveness
25% Instrumentalness • 27% Positiveness
17% Popularity • 55% Danceability • 62% Energy • 11% Liveness
25% Instrumentalness • 27% Positiveness
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Novo Amor
Carry You
93 bpm • G Maj • 04:33 • -7.99db
67% Popularity • 33% Danceability • 40% Energy • 13% Liveness
8% Instrumentalness • 4% Positiveness
67% Popularity • 33% Danceability • 40% Energy • 13% Liveness
8% Instrumentalness • 4% Positiveness
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Patrick Watson
A Mermaid in Lisbon
79 bpm • F# min • 03:28 • -11db
50% Popularity • 43% Danceability • 45% Energy • 20% Liveness
0% Instrumentalness • 53% Positiveness
50% Popularity • 43% Danceability • 45% Energy • 20% Liveness
0% Instrumentalness • 53% Positiveness
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Bill Ryder-Jones
Don't Be Scared, I Love You - Yawny Yawn
79 bpm • A# Maj • 04:56 • -18.1db
30% Popularity • 30% Danceability • 11% Energy • 11% Liveness
14% Instrumentalness • 15% Positiveness
30% Popularity • 30% Danceability • 11% Energy • 11% Liveness
14% Instrumentalness • 15% Positiveness
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Westerman
Your Hero Is Not Dead - Unaccompanied
94 bpm • G Maj • 04:29 • -16.44db
9% Popularity • 58% Danceability • 6% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
9% Popularity • 58% Danceability • 6% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
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Lorde
Stoned at the Nail Salon
94 bpm • D Maj • 04:26 • -12.3db
59% Popularity • 47% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 9% Positiveness
59% Popularity • 47% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 9% Positiveness
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George Ogilvie
IIWII
94 bpm • C# Maj • 04:48 • -15.84db
27% Popularity • 42% Danceability • 23% Energy • 36% Liveness
84% Instrumentalness • 14% Positiveness
27% Popularity • 42% Danceability • 23% Energy • 36% Liveness
84% Instrumentalness • 14% Positiveness
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Kae Tempest
People's Faces
94 bpm • G Maj • 05:17 • -8db
35% Popularity • 61% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
35% Popularity • 61% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
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Luke Sital-Singh
Both Sides Now
78 bpm • E Maj • 04:17 • -10.92db
34% Popularity • 37% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
34% Popularity • 37% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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The Clementines
Calm Down
94 bpm • C Maj • 03:12 • -12.67db
27% Popularity • 47% Danceability • 7% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
27% Popularity • 47% Danceability • 7% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
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Nina Simone
New World Coming - darkDARK Remix
78 bpm • C# Maj • 02:55 • -8.22db
28% Popularity • 28% Danceability • 49% Energy • 11% Liveness
26% Instrumentalness • 7% Positiveness
28% Popularity • 28% Danceability • 49% Energy • 11% Liveness
26% Instrumentalness • 7% Positiveness
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James Blake
(Pick Me Up) Euphoria
78 bpm • G Maj • 03:15 • -12.96db
49% Popularity • 41% Danceability • 25% Energy • 14% Liveness
3% Instrumentalness • 12% Positiveness
49% Popularity • 41% Danceability • 25% Energy • 14% Liveness
3% Instrumentalness • 12% Positiveness
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Sarah Klang
Agony
95 bpm • C Maj • 03:58 • -13.08db
31% Popularity • 33% Danceability • 19% Energy • 20% Liveness
3% Instrumentalness • 10% Positiveness
31% Popularity • 33% Danceability • 19% Energy • 20% Liveness
3% Instrumentalness • 10% Positiveness
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Patrick Watson
Strange Rain
95 bpm • A# min • 02:58 • -19.8db
35% Popularity • 50% Danceability • 11% Energy • 12% Liveness
5% Instrumentalness • 11% Positiveness
35% Popularity • 50% Danceability • 11% Energy • 12% Liveness
5% Instrumentalness • 11% Positiveness
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Villagers
Dawning On Me
95 bpm • G Maj • 03:19 • -14.32db
52% Popularity • 48% Danceability • 30% Energy • 9% Liveness
84% Instrumentalness • 46% Positiveness
52% Popularity • 48% Danceability • 30% Energy • 9% Liveness
84% Instrumentalness • 46% Positiveness
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Tom Rosenthal
Hugging You - Acoustic
78 bpm • G# Maj • 03:53 • -20.46db
55% Popularity • 40% Danceability • 4% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
55% Popularity • 40% Danceability • 4% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Douglas Dare
Silly Games
95 bpm • E min • 04:40 • -15.32db
13% Popularity • 31% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
13% Popularity • 31% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
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James Blake
Say What You Will
78 bpm • C# Maj • 04:40 • -11db
44% Popularity • 50% Danceability • 36% Energy • 18% Liveness
1% Instrumentalness • 25% Positiveness
44% Popularity • 50% Danceability • 36% Energy • 18% Liveness
1% Instrumentalness • 25% Positiveness
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Dave
Both Sides Of A Smile
95 bpm • C# Maj • 07:59 • -8.22db
60% Popularity • 56% Danceability • 50% Energy • 35% Liveness
0% Instrumentalness • 26% Positiveness
60% Popularity • 56% Danceability • 50% Energy • 35% Liveness
0% Instrumentalness • 26% Positiveness
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The Cinematic Orchestra
To Believe - Lucinda Chua Rework
95 bpm • B min • 04:14 • -12.48db
17% Popularity • 18% Danceability • 17% Energy • 11% Liveness
1% Instrumentalness • 5% Positiveness
17% Popularity • 18% Danceability • 17% Energy • 11% Liveness
1% Instrumentalness • 5% Positiveness
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Villagers
Did You Know?
95 bpm • D Maj • 03:30 • -11.94db
32% Popularity • 59% Danceability • 49% Energy • 9% Liveness
14% Instrumentalness • 23% Positiveness
32% Popularity • 59% Danceability • 49% Energy • 9% Liveness
14% Instrumentalness • 23% Positiveness
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Leslie Odom Jr.
Speak Now
77 bpm • C min • 03:37 • -10.6db
34% Popularity • 49% Danceability • 22% Energy • 9% Liveness
1% Instrumentalness • 23% Positiveness
34% Popularity • 49% Danceability • 22% Energy • 9% Liveness
1% Instrumentalness • 23% Positiveness
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Luke Sital-Singh
Skin of a Fool
77 bpm • F Maj • 04:16 • -12.22db
23% Popularity • 62% Danceability • 22% Energy • 11% Liveness
1% Instrumentalness • 20% Positiveness
23% Popularity • 62% Danceability • 22% Energy • 11% Liveness
1% Instrumentalness • 20% Positiveness
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James Blake
Retrograde
78 bpm • G min • 03:43 • -11.28db
63% Popularity • 53% Danceability • 25% Energy • 13% Liveness
10% Instrumentalness • 19% Positiveness
63% Popularity • 53% Danceability • 25% Energy • 13% Liveness
10% Instrumentalness • 19% Positiveness
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Fink
Rocking Chair (Acoustic) - Single Versio...
96 bpm • C# min • 03:20 • -12.04db
14% Popularity • 66% Danceability • 42% Energy • 30% Liveness
6% Instrumentalness • 48% Positiveness
14% Popularity • 66% Danceability • 42% Energy • 30% Liveness
6% Instrumentalness • 48% Positiveness
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Bibio
Petals
77 bpm • A min • 02:36 • -8db
53% Popularity • 31% Danceability • 34% Energy • 11% Liveness
1% Instrumentalness • 19% Positiveness
53% Popularity • 31% Danceability • 34% Energy • 11% Liveness
1% Instrumentalness • 19% Positiveness
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Villagers
Sunday Walker
77 bpm • E Maj • 05:43 • -13.87db
19% Popularity • 12% Danceability • 22% Energy • 11% Liveness
28% Instrumentalness • 23% Positiveness
19% Popularity • 12% Danceability • 22% Energy • 11% Liveness
28% Instrumentalness • 23% Positiveness
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Strick
KISSES MAKE SURE
77 bpm • E min • 03:27 • -7.2db
55% Popularity • 43% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
55% Popularity • 43% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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Celeste
To Love A Man
76 bpm • G# Maj • 02:41 • -14.5db
44% Popularity • 59% Danceability • 6% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
44% Popularity • 59% Danceability • 6% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
