Songs like The Flower of Cities: VII. The Cries of London by Stephen Goss
Based on a tempo of (+/- 10%) and a similar genre
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Jenevora Williams
Under Milk Wood Songs: 4. Oh, whatll the...
113 bpm • F min • 01:11 • -22.28db
0% Popularity • 59% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
0% Popularity • 59% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
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Carlos Santana
Santana: Europa "Earth's Cry, Heaven's S...
113 bpm • E min • 02:13 • -20.04db
8% Popularity • 35% Danceability • 15% Energy • 9% Liveness
89% Instrumentalness • 68% Positiveness
8% Popularity • 35% Danceability • 15% Energy • 9% Liveness
89% Instrumentalness • 68% Positiveness
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August Eberhard Müller, Stephen Kenyon
Allegretto
113 bpm • A min • 00:42 • -28.35db
1% Popularity • 71% Danceability • 4% Energy • 10% Liveness
89% Instrumentalness • 34% Positiveness
1% Popularity • 71% Danceability • 4% Energy • 10% Liveness
89% Instrumentalness • 34% Positiveness
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Anonymous
The Coventry Carol - Arr. by Stanley Yat...
113 bpm • D Maj • 01:01 • -23.64db
0% Popularity • 64% Danceability • 2% Energy • 11% Liveness
75% Instrumentalness • 43% Positiveness
0% Popularity • 64% Danceability • 2% Energy • 11% Liveness
75% Instrumentalness • 43% Positiveness
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Enea Leone
C'era una volta il west: II. C'era una v...
113 bpm • G Maj • 02:48 • -28.15db
11% Popularity • 47% Danceability • 2% Energy • 12% Liveness
94% Instrumentalness • 29% Positiveness
11% Popularity • 47% Danceability • 2% Energy • 12% Liveness
94% Instrumentalness • 29% Positiveness
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Walter Feybli
Goldberg Variations, BWV 988 (Arr. for G...
113 bpm • G Maj • 02:26 • -23.5db
15% Popularity • 46% Danceability • 12% Energy • 10% Liveness
93% Instrumentalness • 61% Positiveness
15% Popularity • 46% Danceability • 12% Energy • 10% Liveness
93% Instrumentalness • 61% Positiveness
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August Eberhard Müller
Allegretto Duo
113 bpm • A min • 00:43 • -29.1db
0% Popularity • 73% Danceability • 4% Energy • 10% Liveness
94% Instrumentalness • 40% Positiveness
0% Popularity • 73% Danceability • 4% Energy • 10% Liveness
94% Instrumentalness • 40% Positiveness
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Vincent Lindsey-Clark
Simply Swing
113 bpm • D Maj • 01:44 • -27.75db
0% Popularity • 52% Danceability • 2% Energy • 10% Liveness
91% Instrumentalness • 21% Positiveness
0% Popularity • 52% Danceability • 2% Energy • 10% Liveness
91% Instrumentalness • 21% Positiveness
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Marcelo Coronel
Imaginario popular argentino (Popular Ar...
113 bpm • A Maj • 02:10 • -28db
11% Popularity • 44% Danceability • 9% Energy • 9% Liveness
91% Instrumentalness • 30% Positiveness
11% Popularity • 44% Danceability • 9% Energy • 9% Liveness
91% Instrumentalness • 30% Positiveness
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Anonymous
Minuet - Accompaniment Arr. by Richard W...
113 bpm • F Maj • 00:54 • -28.68db
0% Popularity • 62% Danceability • 4% Energy • 12% Liveness
81% Instrumentalness • 42% Positiveness
0% Popularity • 62% Danceability • 4% Energy • 12% Liveness
81% Instrumentalness • 42% Positiveness
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Fernando Sor
24 Exercices très faciles
113 bpm • C Maj • 00:47 • -27.11db
0% Popularity • 60% Danceability • 3% Energy • 9% Liveness
94% Instrumentalness • 76% Positiveness
0% Popularity • 60% Danceability • 3% Energy • 9% Liveness
94% Instrumentalness • 76% Positiveness
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Janco de Leeuw
Tango pizzicato
114 bpm • G Maj • 02:16 • -17.8db
9% Popularity • 52% Danceability • 18% Energy • 11% Liveness
96% Instrumentalness • 58% Positiveness
9% Popularity • 52% Danceability • 18% Energy • 11% Liveness
96% Instrumentalness • 58% Positiveness
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George Frideric Handel
Atalanta - Arr. for Guitar by Peter Batc...
113 bpm • G Maj • 00:45 • -31.4db
0% Popularity • 77% Danceability • 1% Energy • 35% Liveness
92% Instrumentalness • 30% Positiveness
0% Popularity • 77% Danceability • 1% Energy • 35% Liveness
92% Instrumentalness • 30% Positiveness
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Stephen Goss
Cinema Paradiso - Tarantino
112 bpm • E min • 01:57 • -13.38db
0% Popularity • 39% Danceability • 33% Energy • 5% Liveness
88% Instrumentalness • 29% Positiveness
0% Popularity • 39% Danceability • 33% Energy • 5% Liveness
88% Instrumentalness • 29% Positiveness
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Manuel de Falla
7 Canciones Populares Españolas (Arr. R...
112 bpm • D Maj • 01:14 • -16.65db
10% Popularity • 50% Danceability • 16% Energy • 13% Liveness
82% Instrumentalness • 50% Positiveness
10% Popularity • 50% Danceability • 16% Energy • 13% Liveness
82% Instrumentalness • 50% Positiveness
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David Tanenbaum
Suite No. 16 in A : Paysanne
114 bpm • A Maj • 02:31 • -20.2db
9% Popularity • 49% Danceability • 19% Energy • 10% Liveness
80% Instrumentalness • 92% Positiveness
9% Popularity • 49% Danceability • 19% Energy • 10% Liveness
80% Instrumentalness • 92% Positiveness
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Anonymous
Minuet - Arr. by Richard Wright
112 bpm • F Maj • 00:46 • -20.97db
0% Popularity • 68% Danceability • 10% Energy • 10% Liveness
86% Instrumentalness • 11% Positiveness
0% Popularity • 68% Danceability • 10% Energy • 10% Liveness
86% Instrumentalness • 11% Positiveness
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Walter Feybli
Goldberg Variations, BWV 988 (Arr. for G...
112 bpm • G Maj • 01:50 • -22.87db
22% Popularity • 46% Danceability • 15% Energy • 11% Liveness
92% Instrumentalness • 97% Positiveness
22% Popularity • 46% Danceability • 15% Energy • 11% Liveness
92% Instrumentalness • 97% Positiveness
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Bret Williams
Time with People
112 bpm • D Maj • 03:54 • -27db
20% Popularity • 40% Danceability • 3% Energy • 10% Liveness
95% Instrumentalness • 48% Positiveness
20% Popularity • 40% Danceability • 3% Energy • 10% Liveness
95% Instrumentalness • 48% Positiveness
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Johann Kaspar Mertz
Bardenklänge, Op. 13: Unruhe (Restlessn...
112 bpm • C min • 02:45 • -23db
13% Popularity • 45% Danceability • 13% Energy • 7% Liveness
87% Instrumentalness • 22% Positiveness
13% Popularity • 45% Danceability • 13% Energy • 7% Liveness
87% Instrumentalness • 22% Positiveness
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Gaspar Sanz
Preludio o Capricho Arpeado
114 bpm • E min • 01:08 • -34db
31% Popularity • 27% Danceability • 9% Energy • 8% Liveness
91% Instrumentalness • 20% Positiveness
31% Popularity • 27% Danceability • 9% Energy • 8% Liveness
91% Instrumentalness • 20% Positiveness
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Mauro Giuliani
Grande Ouverture, op.61:Allegro maestoso
112 bpm • A Maj • 07:31 • -27.77db
7% Popularity • 38% Danceability • 5% Energy • 10% Liveness
89% Instrumentalness • 24% Positiveness
7% Popularity • 38% Danceability • 5% Energy • 10% Liveness
89% Instrumentalness • 24% Positiveness
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Anonymous
Renaissance Dances
114 bpm • A min • 00:51 • -28.11db
0% Popularity • 54% Danceability • 4% Energy • 13% Liveness
92% Instrumentalness • 39% Positiveness
0% Popularity • 54% Danceability • 4% Energy • 13% Liveness
92% Instrumentalness • 39% Positiveness
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Carl Reinecke
Sonatina - Arr. by Richard Wright
112 bpm • E min • 01:17 • -25.66db
0% Popularity • 79% Danceability • 5% Energy • 10% Liveness
84% Instrumentalness • 27% Positiveness
0% Popularity • 79% Danceability • 5% Energy • 10% Liveness
84% Instrumentalness • 27% Positiveness
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Leo Brouwer
Estudios Sencillos: V. Allegretto (Montu...
112 bpm • F Maj • 01:09 • -21.4db
14% Popularity • 49% Danceability • 16% Energy • 12% Liveness
97% Instrumentalness • 70% Positiveness
14% Popularity • 49% Danceability • 16% Energy • 12% Liveness
97% Instrumentalness • 70% Positiveness
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August Eberhard Müller
Allegretto Duo - Guitar Solo Version
111 bpm • C Maj • 00:52 • -36.96db
0% Popularity • 44% Danceability • 1% Energy • 7% Liveness
85% Instrumentalness • 26% Positiveness
0% Popularity • 44% Danceability • 1% Energy • 7% Liveness
85% Instrumentalness • 26% Positiveness
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Stephen Goss
Winterbourne Preludes: V. Serenity
115 bpm • A min • 03:12 • -40.57db
0% Popularity • 39% Danceability • 1% Energy • 9% Liveness
96% Instrumentalness • 35% Positiveness
0% Popularity • 39% Danceability • 1% Energy • 9% Liveness
96% Instrumentalness • 35% Positiveness
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Dilermando Reis
Uma Valsa e Dois Amores
114 bpm • E Maj • 03:44 • -22.79db
13% Popularity • 37% Danceability • 9% Energy • 10% Liveness
93% Instrumentalness • 33% Positiveness
13% Popularity • 37% Danceability • 9% Energy • 10% Liveness
93% Instrumentalness • 33% Positiveness
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Dyson Peter
The Coventry Carol - Arr. for Guitar by ...
115 bpm • D Maj • 01:02 • -24.3db
0% Popularity • 66% Danceability • 2% Energy • 12% Liveness
83% Instrumentalness • 47% Positiveness
0% Popularity • 66% Danceability • 2% Energy • 12% Liveness
83% Instrumentalness • 47% Positiveness
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Maurice Ravel
Miroirs: IV. Alborada del gracioso (arr....
115 bpm • D Maj • 07:38 • -30.08db
1% Popularity • 44% Danceability • 3% Energy • 11% Liveness
89% Instrumentalness • 4% Positiveness
1% Popularity • 44% Danceability • 3% Energy • 11% Liveness
89% Instrumentalness • 4% Positiveness
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Maurizio Baudino
Omaggio a Bogdanovic
111 bpm • G Maj • 01:00 • -18.78db
15% Popularity • 43% Danceability • 23% Energy • 9% Liveness
85% Instrumentalness • 83% Positiveness
15% Popularity • 43% Danceability • 23% Energy • 9% Liveness
85% Instrumentalness • 83% Positiveness
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Marek Pasieczny
Little Sonata, Pt. IV. Allegro Vigoroso
111 bpm • D Maj • 01:15 • -15.31db
25% Popularity • 46% Danceability • 20% Energy • 10% Liveness
85% Instrumentalness • 45% Positiveness
25% Popularity • 46% Danceability • 20% Energy • 10% Liveness
85% Instrumentalness • 45% Positiveness
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Napoléon Coste
25 Etudes for Guitar, Op. 38: Etude No. ...
115 bpm • D min • 01:20 • -19.2db
18% Popularity • 37% Danceability • 20% Energy • 12% Liveness
96% Instrumentalness • 14% Positiveness
18% Popularity • 37% Danceability • 20% Energy • 12% Liveness
96% Instrumentalness • 14% Positiveness
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Carl Reinecke
Sonatina - Accompaniment Arr. by Richard...
111 bpm • E min • 01:24 • -29.49db
0% Popularity • 72% Danceability • 0% Energy • 36% Liveness
87% Instrumentalness • 23% Positiveness
0% Popularity • 72% Danceability • 0% Energy • 36% Liveness
87% Instrumentalness • 23% Positiveness
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Antonio Vivaldi
Cello Sonata in B-Flat Major, RV 46: II....
111 bpm • F# min • 02:32 • -20.85db
8% Popularity • 43% Danceability • 25% Energy • 14% Liveness
88% Instrumentalness • 69% Positiveness
8% Popularity • 43% Danceability • 25% Energy • 14% Liveness
88% Instrumentalness • 69% Positiveness
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Stephen Goss
Cinema Paradiso - Paris, Texas
116 bpm • D Maj • 03:34 • -38.72db
0% Popularity • 43% Danceability • 0% Energy • 8% Liveness
88% Instrumentalness • 18% Positiveness
0% Popularity • 43% Danceability • 0% Energy • 8% Liveness
88% Instrumentalness • 18% Positiveness
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Nicholas Goluses
Sonata No. 1 in G Minor, BWV 1001 (arr. ...
116 bpm • C min • 03:42 • -24.73db
8% Popularity • 41% Danceability • 6% Energy • 9% Liveness
95% Instrumentalness • 35% Positiveness
8% Popularity • 41% Danceability • 6% Energy • 9% Liveness
95% Instrumentalness • 35% Positiveness
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Domenico Scarlatti
Keyboard Sonata in D Major, Kk. 178 (Arr...
110 bpm • A Maj • 02:26 • -29.68db
23% Popularity • 38% Danceability • 5% Energy • 11% Liveness
91% Instrumentalness • 37% Positiveness
23% Popularity • 38% Danceability • 5% Energy • 11% Liveness
91% Instrumentalness • 37% Positiveness
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Henry Purcell
The Fairy Queen - Arr. for Guitar by Pet...
116 bpm • A min • 01:10 • -20.93db
0% Popularity • 70% Danceability • 18% Energy • 12% Liveness
92% Instrumentalness • 62% Positiveness
0% Popularity • 70% Danceability • 18% Energy • 12% Liveness
92% Instrumentalness • 62% Positiveness
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Gabriele Leone
Sonata
116 bpm • A Maj • 02:27 • -18.42db
10% Popularity • 57% Danceability • 19% Energy • 12% Liveness
89% Instrumentalness • 49% Positiveness
10% Popularity • 57% Danceability • 19% Energy • 12% Liveness
89% Instrumentalness • 49% Positiveness
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Matthew Cochran
Greensleeves (What Child Is This?)
110 bpm • E min • 03:18 • -28.32db
8% Popularity • 43% Danceability • 6% Energy • 9% Liveness
93% Instrumentalness • 40% Positiveness
8% Popularity • 43% Danceability • 6% Energy • 9% Liveness
93% Instrumentalness • 40% Positiveness
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Stephen Goss
Carmen Fantasy: III. Aragonaise
116 bpm • D min • 04:37 • -22.33db
0% Popularity • 46% Danceability • 11% Energy • 31% Liveness
93% Instrumentalness • 20% Positiveness
0% Popularity • 46% Danceability • 11% Energy • 31% Liveness
93% Instrumentalness • 20% Positiveness
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Tomaso Albinoni
Adagio in G Minor
110 bpm • D min • 01:45 • -21.85db
19% Popularity • 56% Danceability • 3% Energy • 11% Liveness
92% Instrumentalness • 29% Positiveness
19% Popularity • 56% Danceability • 3% Energy • 11% Liveness
92% Instrumentalness • 29% Positiveness
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Johann Sebastian Bach
Partita No. 2 in D Minor, BWV 1004: I. A...
116 bpm • D min • 05:14 • -18.76db
12% Popularity • 32% Danceability • 21% Energy • 11% Liveness
90% Instrumentalness • 40% Positiveness
12% Popularity • 32% Danceability • 21% Energy • 11% Liveness
90% Instrumentalness • 40% Positiveness
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Jose Mazzilli Ribon
Que sera...
110 bpm • E Maj • 01:17 • -24.44db
22% Popularity • 50% Danceability • 22% Energy • 12% Liveness
88% Instrumentalness • 91% Positiveness
22% Popularity • 50% Danceability • 22% Energy • 12% Liveness
88% Instrumentalness • 91% Positiveness
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Leo Brouwer
Estudios Sencillos, Vol. 1
117 bpm • D min • 01:07 • -27.92db
0% Popularity • 40% Danceability • 6% Energy • 11% Liveness
93% Instrumentalness • 35% Positiveness
0% Popularity • 40% Danceability • 6% Energy • 11% Liveness
93% Instrumentalness • 35% Positiveness
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Karl Kohaut
Lute Concerto in F Major: II. Adagio
109 bpm • D min • 02:24 • -18.68db
14% Popularity • 48% Danceability • 10% Energy • 17% Liveness
90% Instrumentalness • 22% Positiveness
14% Popularity • 48% Danceability • 10% Energy • 17% Liveness
90% Instrumentalness • 22% Positiveness
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Stephen Goss
Carmen Fantasy: I. Torero
116 bpm • B min • 02:45 • -19.12db
0% Popularity • 53% Danceability • 17% Energy • 10% Liveness
85% Instrumentalness • 46% Positiveness
0% Popularity • 53% Danceability • 17% Energy • 10% Liveness
85% Instrumentalness • 46% Positiveness
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Vincenzo Galilei
26 Ricercares: No. 4, Ricercare del quar...
109 bpm • A min • 01:29 • -24.89db
22% Popularity • 65% Danceability • 4% Energy • 10% Liveness
93% Instrumentalness • 40% Positiveness
22% Popularity • 65% Danceability • 4% Energy • 10% Liveness
93% Instrumentalness • 40% Positiveness
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Tim Brace
Prelude No. 4
117 bpm • E min • 01:42 • -20db
24% Popularity • 57% Danceability • 10% Energy • 10% Liveness
92% Instrumentalness • 21% Positiveness
24% Popularity • 57% Danceability • 10% Energy • 10% Liveness
92% Instrumentalness • 21% Positiveness
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Jose Luis Merlin
Suite Del Recuerdo/Evocacion
109 bpm • E min • 01:42 • -22.01db
15% Popularity • 46% Danceability • 11% Energy • 10% Liveness
88% Instrumentalness • 25% Positiveness
15% Popularity • 46% Danceability • 11% Energy • 10% Liveness
88% Instrumentalness • 25% Positiveness
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Leo Brouwer
Études simples
117 bpm • D min • 01:06 • -27.07db
0% Popularity • 41% Danceability • 7% Energy • 11% Liveness
90% Instrumentalness • 33% Positiveness
0% Popularity • 41% Danceability • 7% Energy • 11% Liveness
90% Instrumentalness • 33% Positiveness
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Vincent Lindsey-Clark
Simply Spanish
117 bpm • A min • 01:06 • -30.59db
0% Popularity • 59% Danceability • 3% Energy • 10% Liveness
89% Instrumentalness • 33% Positiveness
0% Popularity • 59% Danceability • 3% Energy • 10% Liveness
89% Instrumentalness • 33% Positiveness
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Anonymous
Renaissance Dances
109 bpm • D Maj • 00:48 • -25.47db
0% Popularity • 74% Danceability • 2% Energy • 9% Liveness
90% Instrumentalness • 75% Positiveness
0% Popularity • 74% Danceability • 2% Energy • 9% Liveness
90% Instrumentalness • 75% Positiveness
► Preview
Stephen Goss
Goss: Albéniz Concerto: IV. Cadenza
110 bpm • F Maj • 04:06 • -30.86db
0% Popularity • 28% Danceability • 7% Energy • 11% Liveness
91% Instrumentalness • 18% Positiveness
0% Popularity • 28% Danceability • 7% Energy • 11% Liveness
91% Instrumentalness • 18% Positiveness
► Preview
Isaac Albéniz
Suite Española No. 1, Op. 47 (Arr. Laur...
108 bpm • G Maj • 05:23 • -21.93db
7% Popularity • 37% Danceability • 19% Energy • 13% Liveness
91% Instrumentalness • 14% Positiveness
7% Popularity • 37% Danceability • 19% Energy • 13% Liveness
91% Instrumentalness • 14% Positiveness
► Preview
Napoléon Coste
Prelude No.3 in F Major
118 bpm • D min • 00:58 • -15.58db
26% Popularity • 37% Danceability • 31% Energy • 10% Liveness
95% Instrumentalness • 47% Positiveness
26% Popularity • 37% Danceability • 31% Energy • 10% Liveness
95% Instrumentalness • 47% Positiveness
► Preview
Mario Castelnuovo-Tedesco
Les guitares bien temperees (The Well-Te...
108 bpm • E Maj • 01:55 • -26db
23% Popularity • 43% Danceability • 13% Energy • 14% Liveness
90% Instrumentalness • 50% Positiveness
23% Popularity • 43% Danceability • 13% Energy • 14% Liveness
90% Instrumentalness • 50% Positiveness
► Preview
Johann Sebastian Bach
English Suite No. 3 - Arr. for Guitar by...
117 bpm • D Maj • 00:49 • -23.75db
0% Popularity • 49% Danceability • 11% Energy • 10% Liveness
79% Instrumentalness • 17% Positiveness
0% Popularity • 49% Danceability • 11% Energy • 10% Liveness
79% Instrumentalness • 17% Positiveness
► Preview
Giuseppe Antonio Brescianello
Partita No. 16
108 bpm • B min • 00:48 • -28.12db
0% Popularity • 41% Danceability • 6% Energy • 11% Liveness
88% Instrumentalness • 28% Positiveness
0% Popularity • 41% Danceability • 6% Energy • 11% Liveness
88% Instrumentalness • 28% Positiveness
► Preview
Ida Presti
Segovia
108 bpm • E min • 07:02 • -25.38db
13% Popularity • 34% Danceability • 4% Energy • 10% Liveness
92% Instrumentalness • 15% Positiveness
13% Popularity • 34% Danceability • 4% Energy • 10% Liveness
92% Instrumentalness • 15% Positiveness
► Preview
Stephen Goss
Sound of Iona
118 bpm • D min • 02:59 • -31.51db
0% Popularity • 48% Danceability • 1% Energy • 10% Liveness
92% Instrumentalness • 21% Positiveness
0% Popularity • 48% Danceability • 1% Energy • 10% Liveness
92% Instrumentalness • 21% Positiveness
► Preview
Anne Catherine Emmerich
6 Variations for Guitar
108 bpm • A Maj • 10:18 • -27.22db
13% Popularity • 34% Danceability • 6% Energy • 8% Liveness
90% Instrumentalness • 37% Positiveness
13% Popularity • 34% Danceability • 6% Energy • 8% Liveness
90% Instrumentalness • 37% Positiveness
► Preview
Mario Castelnuovo-Tedesco
Sonatina for Flute & Guitar, Op. 205: I....
118 bpm • C Maj • 04:00 • -22.73db
9% Popularity • 40% Danceability • 6% Energy • 21% Liveness
93% Instrumentalness • 42% Positiveness
9% Popularity • 40% Danceability • 6% Energy • 21% Liveness
93% Instrumentalness • 42% Positiveness
► Preview
Juan Antonio Sánchez
Tangos de Hielo para Cuarteto de Guitarr...
119 bpm • A min • 05:40 • -20.95db
11% Popularity • 55% Danceability • 6% Energy • 9% Liveness
89% Instrumentalness • 14% Positiveness
11% Popularity • 55% Danceability • 6% Energy • 9% Liveness
89% Instrumentalness • 14% Positiveness
► Preview
Adrien Le Roy
Tabulature de guiterre
119 bpm • C Maj • 00:58 • -26.27db
0% Popularity • 53% Danceability • 9% Energy • 12% Liveness
92% Instrumentalness • 37% Positiveness
0% Popularity • 53% Danceability • 9% Energy • 12% Liveness
92% Instrumentalness • 37% Positiveness
► Preview
JoaquÃn Rodrigo
Zarabanda Lejana
119 bpm • D Maj • 04:46 • -21.37db
7% Popularity • 53% Danceability • 3% Energy • 10% Liveness
87% Instrumentalness • 9% Positiveness
7% Popularity • 53% Danceability • 3% Energy • 10% Liveness
87% Instrumentalness • 9% Positiveness
► Preview
Wolfgang Amadeus Mozart
Piano Sonata No. 16 in C Major, K. 545 "...
107 bpm • G Maj • 04:31 • -33.7db
18% Popularity • 32% Danceability • 4% Energy • 9% Liveness
89% Instrumentalness • 16% Positiveness
18% Popularity • 32% Danceability • 4% Energy • 9% Liveness
89% Instrumentalness • 16% Positiveness
► Preview
Giovanni Doria
Gags - Per quattro chitarre
119 bpm • E min • 02:44 • -19.26db
16% Popularity • 56% Danceability • 16% Energy • 10% Liveness
93% Instrumentalness • 38% Positiveness
16% Popularity • 56% Danceability • 16% Energy • 10% Liveness
93% Instrumentalness • 38% Positiveness
► Preview
Anonymous
Remote Duo - Arr. for Guitar by Leopold ...
119 bpm • E Maj • 01:06 • -35.42db
0% Popularity • 61% Danceability • 2% Energy • 7% Liveness
72% Instrumentalness • 83% Positiveness
0% Popularity • 61% Danceability • 2% Energy • 7% Liveness
72% Instrumentalness • 83% Positiveness
► Preview
Joaquim Homs
Piano Suite "Entre dues lÃnies" (Versio...
120 bpm • A min • 01:19 • -27db
24% Popularity • 63% Danceability • 12% Energy • 10% Liveness
92% Instrumentalness • 95% Positiveness
24% Popularity • 63% Danceability • 12% Energy • 10% Liveness
92% Instrumentalness • 95% Positiveness
► Preview
George Frideric Handel
Gavotte - Arr. for Guitar by Peter Batch...
119 bpm • E min • 00:57 • -27.17db
0% Popularity • 69% Danceability • 6% Energy • 11% Liveness
84% Instrumentalness • 89% Positiveness
0% Popularity • 69% Danceability • 6% Energy • 11% Liveness
84% Instrumentalness • 89% Positiveness
► Preview
Alexandre Tansman
Pièces brèves pour guitare: IV. Berceu...
120 bpm • A Maj • 02:08 • -36db
12% Popularity • 38% Danceability • 2% Energy • 12% Liveness
96% Instrumentalness • 35% Positiveness
12% Popularity • 38% Danceability • 2% Energy • 12% Liveness
96% Instrumentalness • 35% Positiveness
► Preview
Ross Edwards
Emily’s Song - Arr. for Guitar and Har...
120 bpm • E Maj • 02:11 • -30.52db
16% Popularity • 51% Danceability • 4% Energy • 10% Liveness
94% Instrumentalness • 23% Positiveness
16% Popularity • 51% Danceability • 4% Energy • 10% Liveness
94% Instrumentalness • 23% Positiveness
► Preview
Wolfgang Amadeus Mozart
O, vad världen nu är skön
106 bpm • G Maj • 05:14 • -23.97db
13% Popularity • 39% Danceability • 5% Energy • 11% Liveness
93% Instrumentalness • 18% Positiveness
13% Popularity • 39% Danceability • 5% Energy • 11% Liveness
93% Instrumentalness • 18% Positiveness
► Preview
Anonymous
Remote Duo - Arr. by Leopold Mozart
120 bpm • A Maj • 00:56 • -27.06db
0% Popularity • 63% Danceability • 3% Energy • 11% Liveness
90% Instrumentalness • 38% Positiveness
0% Popularity • 63% Danceability • 3% Energy • 11% Liveness
90% Instrumentalness • 38% Positiveness
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Stephen Goss
Cantigas de Santiago: No. 6, Ay ondas qu...
120 bpm • G Maj • 02:06 • -35db
6% Popularity • 26% Danceability • 2% Energy • 9% Liveness
94% Instrumentalness • 53% Positiveness
6% Popularity • 26% Danceability • 2% Energy • 9% Liveness
94% Instrumentalness • 53% Positiveness
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Štěpán Rak
Jeux sur 6 cordes
106 bpm • G Maj • 01:38 • -27.02db
0% Popularity • 38% Danceability • 8% Energy • 11% Liveness
82% Instrumentalness • 26% Positiveness
0% Popularity • 38% Danceability • 8% Energy • 11% Liveness
82% Instrumentalness • 26% Positiveness
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Claude Debussy
Children's Corner: I. Doctor Gradus ad P...
106 bpm • F Maj • 03:08 • -30.32db
15% Popularity • 20% Danceability • 6% Energy • 10% Liveness
93% Instrumentalness • 10% Positiveness
15% Popularity • 20% Danceability • 6% Energy • 10% Liveness
93% Instrumentalness • 10% Positiveness
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Paolo Pegoraro
Barcarola 'Julia Florida'
121 bpm • D Maj • 05:10 • -31.5db
11% Popularity • 38% Danceability • 2% Energy • 8% Liveness
92% Instrumentalness • 24% Positiveness
11% Popularity • 38% Danceability • 2% Energy • 8% Liveness
92% Instrumentalness • 24% Positiveness
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Marek Pasieczny
Little Sonata, Pt. I. Moderto Galante
121 bpm • D Maj • 01:43 • -15.55db
12% Popularity • 62% Danceability • 17% Energy • 12% Liveness
91% Instrumentalness • 47% Positiveness
12% Popularity • 62% Danceability • 17% Energy • 12% Liveness
91% Instrumentalness • 47% Positiveness
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Anonymous
Balletto - Arr. by Karl Scheit
106 bpm • D Maj • 00:47 • -24.67db
0% Popularity • 74% Danceability • 2% Energy • 9% Liveness
57% Instrumentalness • 76% Positiveness
0% Popularity • 74% Danceability • 2% Energy • 9% Liveness
57% Instrumentalness • 76% Positiveness
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William Shakespeare
Songs of Ophelia: II, Tomorrow Is Saint ...
106 bpm • G Maj • 01:48 • -20.96db
0% Popularity • 53% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
0% Popularity • 53% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Peter Batchelar
Cat and Mouse
121 bpm • G min • 00:55 • -24.87db
0% Popularity • 51% Danceability • 2% Energy • 10% Liveness
87% Instrumentalness • 41% Positiveness
0% Popularity • 51% Danceability • 2% Energy • 10% Liveness
87% Instrumentalness • 41% Positiveness
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Stephen Goss
Cinema Paradiso - Modern Times
121 bpm • F# min • 02:19 • -15.34db
0% Popularity • 49% Danceability • 31% Energy • 10% Liveness
85% Instrumentalness • 19% Positiveness
0% Popularity • 49% Danceability • 31% Energy • 10% Liveness
85% Instrumentalness • 19% Positiveness
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Mauro Giuliani
Studio Op.48 N.22 - Allegro Maestoso
121 bpm • E Maj • 01:07 • -20.2db
25% Popularity • 41% Danceability • 26% Energy • 11% Liveness
88% Instrumentalness • 94% Positiveness
25% Popularity • 41% Danceability • 26% Energy • 11% Liveness
88% Instrumentalness • 94% Positiveness
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Andrew Keeping
Partita II, Op. 104 - Relazione: I. Prel...
105 bpm • E min • 03:03 • -30.49db
9% Popularity • 33% Danceability • 2% Energy • 11% Liveness
90% Instrumentalness • 31% Positiveness
9% Popularity • 33% Danceability • 2% Energy • 11% Liveness
90% Instrumentalness • 31% Positiveness
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Hanns Jelinek
Bourrée - Arr. by Richard Wright
121 bpm • G Maj • 00:39 • -26.72db
0% Popularity • 63% Danceability • 7% Energy • 12% Liveness
90% Instrumentalness • 96% Positiveness
0% Popularity • 63% Danceability • 7% Energy • 12% Liveness
90% Instrumentalness • 96% Positiveness
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Isaac Albéniz
Suite Española No. 1, Op. 47 (Arr. Laur...
121 bpm • F# Maj • 03:50 • -19.46db
7% Popularity • 46% Danceability • 25% Energy • 9% Liveness
94% Instrumentalness • 35% Positiveness
7% Popularity • 46% Danceability • 25% Energy • 9% Liveness
94% Instrumentalness • 35% Positiveness
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Leo Brouwer
Preludios Epigramaticos: No. 3
105 bpm • B Maj • 02:36 • -31.33db
8% Popularity • 44% Danceability • 1% Energy • 10% Liveness
87% Instrumentalness • 8% Positiveness
8% Popularity • 44% Danceability • 1% Energy • 10% Liveness
87% Instrumentalness • 8% Positiveness
► Preview
Stephen Goss
The Flower of Cities: VI. Southwark Brid...
105 bpm • G Maj • 03:07 • -32.46db
0% Popularity • 16% Danceability • 0% Energy • 10% Liveness
9% Instrumentalness • 8% Positiveness
0% Popularity • 16% Danceability • 0% Energy • 10% Liveness
9% Instrumentalness • 8% Positiveness
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Oscar Ahnfelt
Blott en dag (arr. for Guitar by Mattias...
121 bpm • E Maj • 02:15 • -23.81db
9% Popularity • 65% Danceability • 3% Energy • 9% Liveness
84% Instrumentalness • 68% Positiveness
9% Popularity • 65% Danceability • 3% Energy • 9% Liveness
84% Instrumentalness • 68% Positiveness
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Antonio Vivaldi
Concerto pour deux violoncelles en sol m...
121 bpm • G min • 03:23 • -29.99db
8% Popularity • 38% Danceability • 10% Energy • 15% Liveness
91% Instrumentalness • 53% Positiveness
8% Popularity • 38% Danceability • 10% Energy • 15% Liveness
91% Instrumentalness • 53% Positiveness
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Joseph Haydn
12 Minuets - Arr. for Guitar by Peter Ba...
122 bpm • G Maj • 00:55 • -26.75db
0% Popularity • 64% Danceability • 3% Energy • 11% Liveness
89% Instrumentalness • 73% Positiveness
0% Popularity • 64% Danceability • 3% Energy • 11% Liveness
89% Instrumentalness • 73% Positiveness
► Preview
Vincent Lindsey-Clark
Simply Swing
105 bpm • E min • 01:16 • -26.66db
1% Popularity • 62% Danceability • 3% Energy • 11% Liveness
85% Instrumentalness • 61% Positiveness
1% Popularity • 62% Danceability • 3% Energy • 11% Liveness
85% Instrumentalness • 61% Positiveness
► Preview
Johann Anton Logy
Five Dances
122 bpm • C Maj • 01:04 • -32.73db
0% Popularity • 61% Danceability • 0% Energy • 10% Liveness
96% Instrumentalness • 49% Positiveness
0% Popularity • 61% Danceability • 0% Energy • 10% Liveness
96% Instrumentalness • 49% Positiveness
► Preview
Australian Guitar Duo
Emily's Song
122 bpm • E Maj • 02:03 • -32.4db
7% Popularity • 55% Danceability • 1% Energy • 8% Liveness
91% Instrumentalness • 42% Positiveness
7% Popularity • 55% Danceability • 1% Energy • 8% Liveness
91% Instrumentalness • 42% Positiveness
► Preview
Wolfgang Amadeus Mozart
Piano Sonata No. 16 in C Major, K. 545 "...
104 bpm • A min • 03:56 • -30.91db
22% Popularity • 29% Danceability • 5% Energy • 11% Liveness
90% Instrumentalness • 27% Positiveness
22% Popularity • 29% Danceability • 5% Energy • 11% Liveness
90% Instrumentalness • 27% Positiveness
