Songs like The Forty-Ninth Parallel by Kacy & Clayton
Based on a tempo of (+/- 10%) and a similar genre
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Kacy & Clayton
The Forty-Ninth Parallel
122 bpm • D# Maj • 02:26 • -5.27db
37% Popularity • 57% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
37% Popularity • 57% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
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Tré Burt
Caught It from the Rye
122 bpm • G Maj • 03:04 • -7.05db
20% Popularity • 54% Danceability • 39% Energy • 20% Liveness
0% Instrumentalness • 42% Positiveness
20% Popularity • 54% Danceability • 39% Energy • 20% Liveness
0% Instrumentalness • 42% Positiveness
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Tobacco City
I Need a Truck
122 bpm • E Maj • 01:13 • -13.08db
30% Popularity • 36% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
30% Popularity • 36% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
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The Deslondes
(This Ain't A) Sad Song
122 bpm • E min • 03:21 • -5.53db
28% Popularity • 47% Danceability • 76% Energy • 5% Liveness
0% Instrumentalness • 85% Positiveness
28% Popularity • 47% Danceability • 76% Energy • 5% Liveness
0% Instrumentalness • 85% Positiveness
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Cut Worms
Castle In The Clouds
122 bpm • E Maj • 04:22 • -9.58db
32% Popularity • 49% Danceability • 51% Energy • 14% Liveness
0% Instrumentalness • 54% Positiveness
32% Popularity • 49% Danceability • 51% Energy • 14% Liveness
0% Instrumentalness • 54% Positiveness
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Joan Shelley
Ice
122 bpm • C Maj • 02:43 • -10.77db
27% Popularity • 69% Danceability • 48% Energy • 10% Liveness
8% Instrumentalness • 33% Positiveness
27% Popularity • 69% Danceability • 48% Energy • 10% Liveness
8% Instrumentalness • 33% Positiveness
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Sabine McCalla
Stole My Heart
121 bpm • G# Maj • 01:54 • -18.65db
32% Popularity • 88% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
32% Popularity • 88% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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Tré Burt
Real You
123 bpm • D# Maj • 02:49 • -4db
32% Popularity • 50% Danceability • 81% Energy • 13% Liveness
0% Instrumentalness • 82% Positiveness
32% Popularity • 50% Danceability • 81% Energy • 13% Liveness
0% Instrumentalness • 82% Positiveness
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Kacy & Clayton
Light of Love
121 bpm • G Maj • 02:21 • -8.52db
23% Popularity • 57% Danceability • 59% Energy • 10% Liveness
1% Instrumentalness • 69% Positiveness
23% Popularity • 57% Danceability • 59% Energy • 10% Liveness
1% Instrumentalness • 69% Positiveness
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Chris Acker
Good Kid
121 bpm • B Maj • 02:41 • -6.81db
20% Popularity • 61% Danceability • 66% Energy • 18% Liveness
0% Instrumentalness • 76% Positiveness
20% Popularity • 61% Danceability • 66% Energy • 18% Liveness
0% Instrumentalness • 76% Positiveness
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Logan Ledger
I Don't Dream Anymore
121 bpm • B min • 03:58 • -6.7db
16% Popularity • 41% Danceability • 78% Energy • 8% Liveness
26% Instrumentalness • 48% Positiveness
16% Popularity • 41% Danceability • 78% Energy • 8% Liveness
26% Instrumentalness • 48% Positiveness
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The Deslondes
Wild Eden
123 bpm • E Maj • 03:33 • -6.35db
30% Popularity • 73% Danceability • 76% Energy • 23% Liveness
0% Instrumentalness • 88% Positiveness
30% Popularity • 73% Danceability • 76% Energy • 23% Liveness
0% Instrumentalness • 88% Positiveness
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Sierra Ferrell
Silver Dollar - Alternative Version
123 bpm • C Maj • 02:02 • -9.46db
37% Popularity • 59% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 87% Positiveness
37% Popularity • 59% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 87% Positiveness
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Bella White
Just Like Leaving
121 bpm • C Maj • 03:26 • -11.57db
53% Popularity • 59% Danceability • 27% Energy • 34% Liveness
0% Instrumentalness • 38% Positiveness
53% Popularity • 59% Danceability • 27% Energy • 34% Liveness
0% Instrumentalness • 38% Positiveness
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Kacy & Clayton
Intervention
121 bpm • C# min • 02:37 • -5.39db
17% Popularity • 43% Danceability • 61% Energy • 20% Liveness
0% Instrumentalness • 42% Positiveness
17% Popularity • 43% Danceability • 61% Energy • 20% Liveness
0% Instrumentalness • 42% Positiveness
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Tim Hill
The Clock's Never Wrong
121 bpm • G Maj • 02:11 • -9.04db
19% Popularity • 57% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
19% Popularity • 57% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
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Mapache
Like a Stone
121 bpm • G Maj • 02:59 • -10db
35% Popularity • 67% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 39% Positiveness
35% Popularity • 67% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 39% Positiveness
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Izaak Opatz
Got to Me Since
121 bpm • E Maj • 03:43 • -10db
20% Popularity • 68% Danceability • 54% Energy • 23% Liveness
0% Instrumentalness • 74% Positiveness
20% Popularity • 68% Danceability • 54% Energy • 23% Liveness
0% Instrumentalness • 74% Positiveness
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Nikki Lane
Faded
120 bpm • C# Maj • 02:49 • -7.63db
35% Popularity • 28% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
35% Popularity • 28% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
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S.G. Goodman
When You Say It
120 bpm • G Maj • 04:16 • -10.93db
26% Popularity • 71% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
26% Popularity • 71% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Kacy & Clayton
How To Fight Loneliness
121 bpm • B min • 04:00 • -12.22db
17% Popularity • 55% Danceability • 48% Energy • 6% Liveness
0% Instrumentalness • 20% Positiveness
17% Popularity • 55% Danceability • 48% Energy • 6% Liveness
0% Instrumentalness • 20% Positiveness
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H.C. McEntire
Hands for the Harvest
120 bpm • E Maj • 04:17 • -12.45db
24% Popularity • 50% Danceability • 22% Energy • 11% Liveness
8% Instrumentalness • 9% Positiveness
24% Popularity • 50% Danceability • 22% Energy • 11% Liveness
8% Instrumentalness • 9% Positiveness
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Tim Hill
L.A. 's on the Run
120 bpm • A Maj • 03:01 • -11.02db
19% Popularity • 78% Danceability • 28% Energy • 25% Liveness
1% Instrumentalness • 42% Positiveness
19% Popularity • 78% Danceability • 28% Energy • 25% Liveness
1% Instrumentalness • 42% Positiveness
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Dick Stusso
Addendum
120 bpm • A Maj • 01:07 • -13.55db
38% Popularity • 90% Danceability • 31% Energy • 10% Liveness
7% Instrumentalness • 75% Positiveness
38% Popularity • 90% Danceability • 31% Energy • 10% Liveness
7% Instrumentalness • 75% Positiveness
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Cut Worms
Don't Want to Say Good-bye
120 bpm • C Maj • 02:51 • -3db
38% Popularity • 76% Danceability • 84% Energy • 13% Liveness
0% Instrumentalness • 78% Positiveness
38% Popularity • 76% Danceability • 84% Energy • 13% Liveness
0% Instrumentalness • 78% Positiveness
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Tobacco City
Never on My Mind
124 bpm • A Maj • 03:45 • -12.21db
35% Popularity • 42% Danceability • 34% Energy • 9% Liveness
56% Instrumentalness • 26% Positiveness
35% Popularity • 42% Danceability • 34% Energy • 9% Liveness
56% Instrumentalness • 26% Positiveness
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Kacy & Clayton
If You Ask How I’m Keeping
123 bpm • G# min • 04:13 • -12.19db
22% Popularity • 53% Danceability • 24% Energy • 10% Liveness
2% Instrumentalness • 30% Positiveness
22% Popularity • 53% Danceability • 24% Energy • 10% Liveness
2% Instrumentalness • 30% Positiveness
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Sierra Ferrell
Hey Me, Hey Mama
124 bpm • C Maj • 03:30 • -8.16db
45% Popularity • 56% Danceability • 19% Energy • 9% Liveness
0% Instrumentalness • 61% Positiveness
45% Popularity • 56% Danceability • 19% Energy • 9% Liveness
0% Instrumentalness • 61% Positiveness
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Kassi Valazza
Sad Songs
124 bpm • A Maj • 04:06 • -10.98db
21% Popularity • 68% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 60% Positiveness
21% Popularity • 68% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 60% Positiveness
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Duff Thompson and the Full Grown Men
Crab Walk!
125 bpm • C Maj • 02:07 • -5db
32% Popularity • 60% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
32% Popularity • 60% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
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Terry Allen
Rendezvous USA
125 bpm • A Maj • 02:45 • -7.78db
29% Popularity • 48% Danceability • 52% Energy • 27% Liveness
0% Instrumentalness • 63% Positiveness
29% Popularity • 48% Danceability • 52% Energy • 27% Liveness
0% Instrumentalness • 63% Positiveness
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The Deslondes
Those Were (Could've Been) the Days
125 bpm • C Maj • 02:29 • -6db
49% Popularity • 54% Danceability • 78% Energy • 25% Liveness
3% Instrumentalness • 88% Positiveness
49% Popularity • 54% Danceability • 78% Energy • 25% Liveness
3% Instrumentalness • 88% Positiveness
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Kacy & Clayton
Just Like A Summer Cloud
124 bpm • G Maj • 03:40 • -9db
42% Popularity • 52% Danceability • 64% Energy • 11% Liveness
1% Instrumentalness • 78% Positiveness
42% Popularity • 52% Danceability • 64% Energy • 11% Liveness
1% Instrumentalness • 78% Positiveness
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Mapache
Follow You Down
119 bpm • A# Maj • 02:53 • -10.16db
26% Popularity • 70% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 54% Positiveness
26% Popularity • 70% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 54% Positiveness
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Steph Green
When I Move to the Sky
119 bpm • C Maj • 03:49 • -14.4db
18% Popularity • 49% Danceability • 7% Energy • 10% Liveness
2% Instrumentalness • 25% Positiveness
18% Popularity • 49% Danceability • 7% Energy • 10% Liveness
2% Instrumentalness • 25% Positiveness
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Karl Blau
Homecoming
125 bpm • A Maj • 03:24 • -9.58db
13% Popularity • 62% Danceability • 61% Energy • 19% Liveness
10% Instrumentalness • 78% Positiveness
13% Popularity • 62% Danceability • 61% Energy • 19% Liveness
10% Instrumentalness • 78% Positiveness
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Cass McCombs
Sweet Lucy
125 bpm • D Maj • 04:10 • -14db
33% Popularity • 74% Danceability • 25% Energy • 13% Liveness
0% Instrumentalness • 64% Positiveness
33% Popularity • 74% Danceability • 25% Energy • 13% Liveness
0% Instrumentalness • 64% Positiveness
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The Deslondes
Nelly
125 bpm • E min • 02:48 • -5.53db
28% Popularity • 61% Danceability • 70% Energy • 9% Liveness
57% Instrumentalness • 92% Positiveness
28% Popularity • 61% Danceability • 70% Energy • 9% Liveness
57% Instrumentalness • 92% Positiveness
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Kacy & Clayton
The Light Of Day
124 bpm • E min • 02:52 • -7.13db
43% Popularity • 57% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 74% Positiveness
43% Popularity • 57% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 74% Positiveness
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Mapache
See Through
119 bpm • E Maj • 02:12 • -9.24db
36% Popularity • 70% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 78% Positiveness
36% Popularity • 70% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 78% Positiveness
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No-No Boy
The Best God Damn Band in Wyoming
125 bpm • B Maj • 03:54 • -7db
21% Popularity • 67% Danceability • 62% Energy • 19% Liveness
0% Instrumentalness • 81% Positiveness
21% Popularity • 67% Danceability • 62% Energy • 19% Liveness
0% Instrumentalness • 81% Positiveness
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Justin Townes Earle
Frightened By The Sound
119 bpm • B min • 03:45 • -12db
52% Popularity • 66% Danceability • 47% Energy • 12% Liveness
4% Instrumentalness • 63% Positiveness
52% Popularity • 66% Danceability • 47% Energy • 12% Liveness
4% Instrumentalness • 63% Positiveness
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Kassi Valazza
Little Flowers
118 bpm • G# Maj • 05:06 • -13.01db
17% Popularity • 60% Danceability • 34% Energy • 14% Liveness
1% Instrumentalness • 23% Positiveness
17% Popularity • 60% Danceability • 34% Energy • 14% Liveness
1% Instrumentalness • 23% Positiveness
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Nikki Lane
Send The Sun
126 bpm • G# Maj • 02:57 • -6.12db
53% Popularity • 58% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
53% Popularity • 58% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
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Kacy & Clayton
High Holiday
124 bpm • G min • 04:17 • -9db
20% Popularity • 71% Danceability • 46% Energy • 11% Liveness
27% Instrumentalness • 40% Positiveness
20% Popularity • 71% Danceability • 46% Energy • 11% Liveness
27% Instrumentalness • 40% Positiveness
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Mapache
Read Between the Lines
126 bpm • A Maj • 02:34 • -7.98db
31% Popularity • 59% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
31% Popularity • 59% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
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Joan Shelley
The Push and Pull
126 bpm • F# Maj • 02:33 • -13db
39% Popularity • 67% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
39% Popularity • 67% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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Michael Nau
Rides Through The Morning
118 bpm • F# Maj • 04:14 • -9db
45% Popularity • 45% Danceability • 58% Energy • 13% Liveness
7% Instrumentalness • 51% Positiveness
45% Popularity • 45% Danceability • 58% Energy • 13% Liveness
7% Instrumentalness • 51% Positiveness
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Kassi Valazza
Chino
126 bpm • G Maj • 06:08 • -9.45db
25% Popularity • 46% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
25% Popularity • 46% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
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Bella White
Not To Blame
126 bpm • D Maj • 02:55 • -9.56db
47% Popularity • 60% Danceability • 34% Energy • 14% Liveness
0% Instrumentalness • 75% Positiveness
47% Popularity • 60% Danceability • 34% Energy • 14% Liveness
0% Instrumentalness • 75% Positiveness
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Kacy & Clayton
The Rio Grande
119 bpm • A# Maj • 02:51 • -8.84db
34% Popularity • 60% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 54% Positiveness
34% Popularity • 60% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 54% Positiveness
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Tim Hill
Calico
118 bpm • G Maj • 04:35 • -10.81db
17% Popularity • 68% Danceability • 40% Energy • 22% Liveness
4% Instrumentalness • 24% Positiveness
17% Popularity • 68% Danceability • 40% Energy • 22% Liveness
4% Instrumentalness • 24% Positiveness
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Sam Burton
Why Should You Take Me There
126 bpm • E Maj • 03:39 • -9.38db
21% Popularity • 55% Danceability • 51% Energy • 8% Liveness
1% Instrumentalness • 49% Positiveness
21% Popularity • 55% Danceability • 51% Energy • 8% Liveness
1% Instrumentalness • 49% Positiveness
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Waxahatchee
Light of a Clear Blue Morning
118 bpm • G Maj • 04:38 • -10db
41% Popularity • 66% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
41% Popularity • 66% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
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Kassi Valazza
Early Morning Rising
118 bpm • A# Maj • 04:49 • -8.52db
27% Popularity • 64% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
27% Popularity • 64% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Tristen
A Case of You
118 bpm • C# Maj • 04:20 • -10db
30% Popularity • 82% Danceability • 58% Energy • 12% Liveness
4% Instrumentalness • 75% Positiveness
30% Popularity • 82% Danceability • 58% Energy • 12% Liveness
4% Instrumentalness • 75% Positiveness
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Kacy & Clayton
Go And Leave Me
126 bpm • C Maj • 03:34 • -10.7db
17% Popularity • 48% Danceability • 16% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
17% Popularity • 48% Danceability • 16% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
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Nora Brown
Jenny Put the Kettle On
126 bpm • C Maj • 02:00 • -20.6db
46% Popularity • 62% Danceability • 27% Energy • 11% Liveness
93% Instrumentalness • 38% Positiveness
46% Popularity • 62% Danceability • 27% Energy • 11% Liveness
93% Instrumentalness • 38% Positiveness
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Tim Hill
Loving Spoons
126 bpm • B min • 03:01 • -8.12db
33% Popularity • 63% Danceability • 34% Energy • 7% Liveness
80% Instrumentalness • 29% Positiveness
33% Popularity • 63% Danceability • 34% Energy • 7% Liveness
80% Instrumentalness • 29% Positiveness
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Tobacco City
Neon Lights
127 bpm • C# min • 03:20 • -12.32db
16% Popularity • 40% Danceability • 38% Energy • 43% Liveness
5% Instrumentalness • 59% Positiveness
16% Popularity • 40% Danceability • 38% Energy • 43% Liveness
5% Instrumentalness • 59% Positiveness
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Dean Johnson
Acting School
127 bpm • A# Maj • 03:25 • -7.12db
36% Popularity • 75% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
36% Popularity • 75% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
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Margo Cilker
That River
127 bpm • C Maj • 03:09 • -9db
13% Popularity • 65% Danceability • 41% Energy • 7% Liveness
0% Instrumentalness • 33% Positiveness
13% Popularity • 65% Danceability • 41% Energy • 7% Liveness
0% Instrumentalness • 33% Positiveness
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Kacy & Clayton
In A Time Of Doubt
126 bpm • D Maj • 02:50 • -4.48db
20% Popularity • 59% Danceability • 76% Energy • 6% Liveness
0% Instrumentalness • 58% Positiveness
20% Popularity • 59% Danceability • 76% Energy • 6% Liveness
0% Instrumentalness • 58% Positiveness
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Jonny Fritz
Forever Whatever
127 bpm • C Maj • 03:25 • -5.36db
18% Popularity • 66% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
18% Popularity • 66% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
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Chris Acker
Walking
127 bpm • D Maj • 04:48 • -16.18db
16% Popularity • 48% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
16% Popularity • 48% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Mapache
To Play for All of You
117 bpm • D Maj • 04:16 • -12.61db
19% Popularity • 55% Danceability • 24% Energy • 11% Liveness
20% Instrumentalness • 40% Positiveness
19% Popularity • 55% Danceability • 24% Energy • 11% Liveness
20% Instrumentalness • 40% Positiveness
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Kassi Valazza
Pastures
127 bpm • D# Maj • 04:31 • -9.21db
17% Popularity • 56% Danceability • 51% Energy • 10% Liveness
1% Instrumentalness • 37% Positiveness
17% Popularity • 56% Danceability • 51% Energy • 10% Liveness
1% Instrumentalness • 37% Positiveness
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Sabine McCalla
I Went to the Levee
117 bpm • G# min • 03:17 • -14db
29% Popularity • 56% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
29% Popularity • 56% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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Kacy & Clayton
Rocks and Gravel
117 bpm • D# Maj • 04:17 • -13.11db
15% Popularity • 47% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
15% Popularity • 47% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
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Duff Thompson and the Full Grown Men
I Don't Miss the Old Times
128 bpm • G Maj • 02:51 • -5.78db
25% Popularity • 56% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
25% Popularity • 56% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
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Duff Thompson
Feel What You Want
128 bpm • D Maj • 02:59 • -8.68db
30% Popularity • 80% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
30% Popularity • 80% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
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River Whyless
Falling Son
128 bpm • C Maj • 03:06 • -7db
43% Popularity • 65% Danceability • 67% Energy • 22% Liveness
1% Instrumentalness • 55% Positiveness
43% Popularity • 65% Danceability • 67% Energy • 22% Liveness
1% Instrumentalness • 55% Positiveness
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The Pink Stones
Miss Wind Turbine
128 bpm • G Maj • 03:41 • -8db
19% Popularity • 60% Danceability • 58% Energy • 17% Liveness
20% Instrumentalness • 49% Positiveness
19% Popularity • 60% Danceability • 58% Energy • 17% Liveness
20% Instrumentalness • 49% Positiveness
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S.G. Goodman
Old Time Feeling
128 bpm • B min • 03:51 • -6db
29% Popularity • 58% Danceability • 81% Energy • 37% Liveness
0% Instrumentalness • 58% Positiveness
29% Popularity • 58% Danceability • 81% Energy • 37% Liveness
0% Instrumentalness • 58% Positiveness
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Kacy & Clayton
Henry Martin
117 bpm • C Maj • 06:24 • -11.72db
9% Popularity • 50% Danceability • 20% Energy • 16% Liveness
0% Instrumentalness • 28% Positiveness
9% Popularity • 50% Danceability • 20% Energy • 16% Liveness
0% Instrumentalness • 28% Positiveness
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Kassi Valazza
Cayuse
128 bpm • G# Maj • 05:00 • -11.3db
23% Popularity • 43% Danceability • 28% Energy • 14% Liveness
0% Instrumentalness • 16% Positiveness
23% Popularity • 43% Danceability • 28% Energy • 14% Liveness
0% Instrumentalness • 16% Positiveness
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The Cactus Blossoms
Desperado
116 bpm • G Maj • 02:46 • -7db
40% Popularity • 58% Danceability • 60% Energy • 5% Liveness
0% Instrumentalness • 86% Positiveness
40% Popularity • 58% Danceability • 60% Energy • 5% Liveness
0% Instrumentalness • 86% Positiveness
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Duff Thompson
Sleight of Hand
116 bpm • C Maj • 02:10 • -5.04db
48% Popularity • 63% Danceability • 53% Energy • 7% Liveness
0% Instrumentalness • 68% Positiveness
48% Popularity • 63% Danceability • 53% Energy • 7% Liveness
0% Instrumentalness • 68% Positiveness
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Jonny Fritz
Cries After Making Love
116 bpm • A min • 03:04 • -11.32db
14% Popularity • 68% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
14% Popularity • 68% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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S.G. Goodman
If It Ain't Me Babe
116 bpm • E min • 05:08 • -9.66db
29% Popularity • 55% Danceability • 47% Energy • 11% Liveness
2% Instrumentalness • 22% Positiveness
29% Popularity • 55% Danceability • 47% Energy • 11% Liveness
2% Instrumentalness • 22% Positiveness
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Kacy & Clayton
Strange Country
128 bpm • G# Maj • 03:32 • -8db
37% Popularity • 61% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
37% Popularity • 61% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Sierra Ferrell
At The End Of The Rainbow
116 bpm • A Maj • 03:40 • -9db
44% Popularity • 63% Danceability • 36% Energy • 7% Liveness
0% Instrumentalness • 70% Positiveness
44% Popularity • 63% Danceability • 36% Energy • 7% Liveness
0% Instrumentalness • 70% Positiveness
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The Cactus Blossoms
Boomerang
128 bpm • D min • 04:54 • -9.31db
25% Popularity • 45% Danceability • 42% Energy • 14% Liveness
3% Instrumentalness • 34% Positiveness
25% Popularity • 45% Danceability • 42% Energy • 14% Liveness
3% Instrumentalness • 34% Positiveness
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The Deer
Winter to Pry
116 bpm • D Maj • 04:34 • -8.91db
25% Popularity • 46% Danceability • 37% Energy • 14% Liveness
0% Instrumentalness • 35% Positiveness
25% Popularity • 46% Danceability • 37% Energy • 14% Liveness
0% Instrumentalness • 35% Positiveness
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Anna St. Louis
Understand
116 bpm • G Maj • 04:32 • -9db
21% Popularity • 44% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
21% Popularity • 44% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
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Jackie Cohen
Bold
116 bpm • F# min • 03:55 • -6db
38% Popularity • 64% Danceability • 50% Energy • 15% Liveness
3% Instrumentalness • 34% Positiveness
38% Popularity • 64% Danceability • 50% Energy • 15% Liveness
3% Instrumentalness • 34% Positiveness
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The Lostines
A Tear
116 bpm • G Maj • 03:02 • -9db
34% Popularity • 56% Danceability • 55% Energy • 13% Liveness
0% Instrumentalness • 48% Positiveness
34% Popularity • 56% Danceability • 55% Energy • 13% Liveness
0% Instrumentalness • 48% Positiveness
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Kacy & Clayton
Spare Me Over One More Year
129 bpm • F Maj • 03:04 • -6.13db
17% Popularity • 64% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
17% Popularity • 64% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
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Cassandra Lewis
Darlin’
116 bpm • E Maj • 05:20 • -9.64db
31% Popularity • 42% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 11% Positiveness
31% Popularity • 42% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 11% Positiveness
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Kashena Sampson
Wild Heart
129 bpm • C# Maj • 03:42 • -10.68db
27% Popularity • 49% Danceability • 31% Energy • 11% Liveness
44% Instrumentalness • 25% Positiveness
27% Popularity • 49% Danceability • 31% Energy • 11% Liveness
44% Instrumentalness • 25% Positiveness
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Justin Townes Earle
Mornings In Memphis
116 bpm • C Maj • 04:31 • -10.56db
46% Popularity • 64% Danceability • 34% Energy • 9% Liveness
8% Instrumentalness • 42% Positiveness
46% Popularity • 64% Danceability • 34% Energy • 9% Liveness
8% Instrumentalness • 42% Positiveness
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Sam Doores
Solid Road
129 bpm • G min • 03:33 • -10.84db
16% Popularity • 71% Danceability • 59% Energy • 12% Liveness
28% Instrumentalness • 68% Positiveness
16% Popularity • 71% Danceability • 59% Energy • 12% Liveness
28% Instrumentalness • 68% Positiveness
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Tobacco City
All the Tired Horses
115 bpm • G Maj • 03:14 • -10.92db
15% Popularity • 24% Danceability • 36% Energy • 12% Liveness
8% Instrumentalness • 14% Positiveness
15% Popularity • 24% Danceability • 36% Energy • 12% Liveness
8% Instrumentalness • 14% Positiveness
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Kacy & Clayton
Springtime Of The Year
116 bpm • B Maj • 02:58 • -9.52db
45% Popularity • 64% Danceability • 44% Energy • 15% Liveness
0% Instrumentalness • 72% Positiveness
45% Popularity • 64% Danceability • 44% Energy • 15% Liveness
0% Instrumentalness • 72% Positiveness
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Duff Thompson
Wild Eyes
115 bpm • G Maj • 03:45 • -7.46db
27% Popularity • 55% Danceability • 58% Energy • 7% Liveness
6% Instrumentalness • 83% Positiveness
27% Popularity • 55% Danceability • 58% Energy • 7% Liveness
6% Instrumentalness • 83% Positiveness
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Joan Shelley
Sweet Dark-Haired Man
129 bpm • F# Maj • 03:08 • -13.21db
41% Popularity • 74% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
41% Popularity • 74% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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S.G. Goodman
The Heart of It
115 bpm • A# Maj • 03:15 • -6.9db
24% Popularity • 62% Danceability • 75% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
24% Popularity • 62% Danceability • 75% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
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Bella White
Just Like Leaving - Acoustic
115 bpm • C Maj • 03:08 • -10.23db
37% Popularity • 74% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
37% Popularity • 74% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
