Songs like The Frontier (High Desert Synthapella) by Avalon Emerson
Based on a tempo of (+/- 10%) and a similar genre
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Silvestre
Medroho
75 bpm • C Maj • 02:20 • -9.23db
20% Popularity • 72% Danceability • 72% Energy • 12% Liveness
84% Instrumentalness • 70% Positiveness
20% Popularity • 72% Danceability • 72% Energy • 12% Liveness
84% Instrumentalness • 70% Positiveness
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Jessy Lanza
Big Pink Rose
77 bpm • E Maj • 03:28 • -6.42db
15% Popularity • 65% Danceability • 77% Energy • 9% Liveness
61% Instrumentalness • 89% Positiveness
15% Popularity • 65% Danceability • 77% Energy • 9% Liveness
61% Instrumentalness • 89% Positiveness
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James Holden
You Are In A Clearing
76 bpm • C Maj • 02:50 • -9.45db
28% Popularity • 15% Danceability • 86% Energy • 63% Liveness
80% Instrumentalness • 16% Positiveness
28% Popularity • 15% Danceability • 86% Energy • 63% Liveness
80% Instrumentalness • 16% Positiveness
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Caterina Barbieri
Swirls of You
78 bpm • A# min • 05:34 • -14.31db
23% Popularity • 7% Danceability • 15% Energy • 10% Liveness
48% Instrumentalness • 7% Positiveness
23% Popularity • 7% Danceability • 15% Energy • 10% Liveness
48% Instrumentalness • 7% Positiveness
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ML Buch
O
67 bpm • F# Maj • 01:13 • -10.8db
45% Popularity • 52% Danceability • 39% Energy • 10% Liveness
73% Instrumentalness • 92% Positiveness
45% Popularity • 52% Danceability • 39% Energy • 10% Liveness
73% Instrumentalness • 92% Positiveness
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Pearson Sound
Red Sky
86 bpm • C Maj • 07:51 • -9.62db
20% Popularity • 45% Danceability • 69% Energy • 30% Liveness
88% Instrumentalness • 14% Positiveness
20% Popularity • 45% Danceability • 69% Energy • 30% Liveness
88% Instrumentalness • 14% Positiveness
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Andrea
Jaim
88 bpm • F min • 05:30 • -13.12db
13% Popularity • 22% Danceability • 68% Energy • 9% Liveness
92% Instrumentalness • 18% Positiveness
13% Popularity • 22% Danceability • 68% Energy • 9% Liveness
92% Instrumentalness • 18% Positiveness
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Khotin
Lovely
88 bpm • G min • 04:43 • -10.96db
19% Popularity • 67% Danceability • 58% Energy • 47% Liveness
58% Instrumentalness • 88% Positiveness
19% Popularity • 67% Danceability • 58% Energy • 47% Liveness
58% Instrumentalness • 88% Positiveness
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James Holden
The Answer Is Yes
69 bpm • C min • 06:31 • -12.4db
21% Popularity • 30% Danceability • 39% Energy • 22% Liveness
98% Instrumentalness • 27% Positiveness
21% Popularity • 30% Danceability • 39% Energy • 22% Liveness
98% Instrumentalness • 27% Positiveness
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Natural Wonder Beauty Concept
Clear
90 bpm • E min • 03:04 • -7.99db
22% Popularity • 78% Danceability • 72% Energy • 13% Liveness
93% Instrumentalness • 55% Positiveness
22% Popularity • 78% Danceability • 72% Energy • 13% Liveness
93% Instrumentalness • 55% Positiveness
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Bullion
Thirty Two
91 bpm • C Maj • 02:30 • -12.84db
31% Popularity • 59% Danceability • 58% Energy • 6% Liveness
87% Instrumentalness • 80% Positiveness
31% Popularity • 59% Danceability • 58% Energy • 6% Liveness
87% Instrumentalness • 80% Positiveness
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Objekt
Bad Apples
92 bpm • C# Maj • 06:32 • -7.51db
21% Popularity • 67% Danceability • 71% Energy • 6% Liveness
87% Instrumentalness • 12% Positiveness
21% Popularity • 67% Danceability • 71% Energy • 6% Liveness
87% Instrumentalness • 12% Positiveness
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Clark
Clutch Pearlers
92 bpm • B min • 04:47 • -6.51db
27% Popularity • 74% Danceability • 91% Energy • 23% Liveness
61% Instrumentalness • 32% Positiveness
27% Popularity • 74% Danceability • 91% Energy • 23% Liveness
61% Instrumentalness • 32% Positiveness
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Khotin
Computer Break - Late Mix
92 bpm • A Maj • 04:42 • -15.47db
17% Popularity • 54% Danceability • 64% Energy • 11% Liveness
89% Instrumentalness • 54% Positiveness
17% Popularity • 54% Danceability • 64% Energy • 11% Liveness
89% Instrumentalness • 54% Positiveness
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Early Music
It’s Bound To Pay Off
93 bpm • B min • 06:42 • -12.42db
10% Popularity • 26% Danceability • 67% Energy • 10% Liveness
88% Instrumentalness • 14% Positiveness
10% Popularity • 26% Danceability • 67% Energy • 10% Liveness
88% Instrumentalness • 14% Positiveness
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James Holden
The Missing Key
90 bpm • A# Maj • 03:35 • -17.09db
24% Popularity • 20% Danceability • 38% Energy • 13% Liveness
83% Instrumentalness • 44% Positiveness
24% Popularity • 20% Danceability • 38% Energy • 13% Liveness
83% Instrumentalness • 44% Positiveness
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Blawan
Toast
93 bpm • G Maj • 02:41 • -6.6db
28% Popularity • 73% Danceability • 62% Energy • 11% Liveness
79% Instrumentalness • 36% Positiveness
28% Popularity • 73% Danceability • 62% Energy • 11% Liveness
79% Instrumentalness • 36% Positiveness
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Avalon Emerson
Astrology Poisoning
93 bpm • F Maj • 03:39 • -7db
38% Popularity • 66% Danceability • 75% Energy • 5% Liveness
6% Instrumentalness • 78% Positiveness
38% Popularity • 66% Danceability • 75% Energy • 5% Liveness
6% Instrumentalness • 78% Positiveness
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Clark
Town Crank
93 bpm • E min • 03:39 • -8.14db
29% Popularity • 61% Danceability • 84% Energy • 10% Liveness
37% Instrumentalness • 14% Positiveness
29% Popularity • 61% Danceability • 84% Energy • 10% Liveness
37% Instrumentalness • 14% Positiveness
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Kieran Hebden
Darkness, Darkness
95 bpm • F min • 10:07 • -8.29db
37% Popularity • 57% Danceability • 77% Energy • 22% Liveness
82% Instrumentalness • 40% Positiveness
37% Popularity • 57% Danceability • 77% Energy • 22% Liveness
82% Instrumentalness • 40% Positiveness
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a.s.o.
Go On
95 bpm • F min • 02:54 • -12.29db
40% Popularity • 23% Danceability • 55% Energy • 10% Liveness
79% Instrumentalness • 26% Positiveness
40% Popularity • 23% Danceability • 55% Energy • 10% Liveness
79% Instrumentalness • 26% Positiveness
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Anthony Naples
Orb Two
94 bpm • A# min • 03:04 • -18.69db
29% Popularity • 43% Danceability • 26% Energy • 15% Liveness
36% Instrumentalness • 64% Positiveness
29% Popularity • 43% Danceability • 26% Energy • 15% Liveness
36% Instrumentalness • 64% Positiveness
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Wata Igarashi
Searching
95 bpm • A Maj • 05:30 • -10.86db
21% Popularity • 74% Danceability • 65% Energy • 11% Liveness
87% Instrumentalness • 18% Positiveness
21% Popularity • 74% Danceability • 65% Energy • 11% Liveness
87% Instrumentalness • 18% Positiveness
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DJ Python
Club Sentimiental, Vol. 3
96 bpm • C min • 03:51 • -10.03db
28% Popularity • 68% Danceability • 59% Energy • 8% Liveness
85% Instrumentalness • 60% Positiveness
28% Popularity • 68% Danceability • 59% Energy • 8% Liveness
85% Instrumentalness • 60% Positiveness
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rRoxymore
Drunken Clouds
97 bpm • C Maj • 04:13 • -9.76db
28% Popularity • 57% Danceability • 67% Energy • 15% Liveness
83% Instrumentalness • 10% Positiveness
28% Popularity • 57% Danceability • 67% Energy • 15% Liveness
83% Instrumentalness • 10% Positiveness
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Nabihah Iqbal
A Tender Victory
98 bpm • D Maj • 03:43 • -6.86db
35% Popularity • 41% Danceability • 80% Energy • 7% Liveness
94% Instrumentalness • 19% Positiveness
35% Popularity • 41% Danceability • 80% Energy • 7% Liveness
94% Instrumentalness • 19% Positiveness
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Joy Orbison
froth sipping
100 bpm • F Maj • 03:14 • -13db
30% Popularity • 77% Danceability • 52% Energy • 16% Liveness
4% Instrumentalness • 50% Positiveness
30% Popularity • 77% Danceability • 52% Energy • 16% Liveness
4% Instrumentalness • 50% Positiveness
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Isolée
Coco's Visa
100 bpm • A Maj • 03:15 • -10.89db
23% Popularity • 69% Danceability • 51% Energy • 11% Liveness
86% Instrumentalness • 56% Positiveness
23% Popularity • 69% Danceability • 51% Energy • 11% Liveness
86% Instrumentalness • 56% Positiveness
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Avalon Emerson
Sandrail Silhouette
100 bpm • C# Maj • 04:29 • -7.41db
36% Popularity • 61% Danceability • 64% Energy • 9% Liveness
5% Instrumentalness • 35% Positiveness
36% Popularity • 61% Danceability • 64% Energy • 9% Liveness
5% Instrumentalness • 35% Positiveness
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Earth Trax
Lullaby
100 bpm • F min • 04:59 • -9.02db
13% Popularity • 55% Danceability • 76% Energy • 24% Liveness
87% Instrumentalness • 4% Positiveness
13% Popularity • 55% Danceability • 76% Energy • 24% Liveness
87% Instrumentalness • 4% Positiveness
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rRoxymore
At Dawn
98 bpm • F# min • 05:15 • -12.15db
11% Popularity • 74% Danceability • 44% Energy • 11% Liveness
91% Instrumentalness • 39% Positiveness
11% Popularity • 74% Danceability • 44% Energy • 11% Liveness
91% Instrumentalness • 39% Positiveness
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Marie Davidson
La chambre intérieure
100 bpm • G# Maj • 03:08 • -19.62db
32% Popularity • 62% Danceability • 38% Energy • 13% Liveness
90% Instrumentalness • 71% Positiveness
32% Popularity • 62% Danceability • 38% Energy • 13% Liveness
90% Instrumentalness • 71% Positiveness
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Bastien Keb
Tikka
100 bpm • G Maj • 02:17 • -6.59db
22% Popularity • 63% Danceability • 81% Energy • 18% Liveness
87% Instrumentalness • 54% Positiveness
22% Popularity • 63% Danceability • 81% Energy • 18% Liveness
87% Instrumentalness • 54% Positiveness
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Minor Science
Dread the Evening
101 bpm • A min • 05:52 • -15.11db
13% Popularity • 20% Danceability • 20% Energy • 18% Liveness
85% Instrumentalness • 4% Positiveness
13% Popularity • 20% Danceability • 20% Energy • 18% Liveness
85% Instrumentalness • 4% Positiveness
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Four Tet
Teenage Birdsong - Avalon Emerson Scrub ...
101 bpm • G Maj • 05:13 • -7.91db
12% Popularity • 46% Danceability • 90% Energy • 11% Liveness
84% Instrumentalness • 53% Positiveness
12% Popularity • 46% Danceability • 90% Energy • 11% Liveness
84% Instrumentalness • 53% Positiveness
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BEA1991
Peachy Free
101 bpm • G Maj • 02:34 • -8.3db
32% Popularity • 71% Danceability • 70% Energy • 10% Liveness
74% Instrumentalness • 33% Positiveness
32% Popularity • 71% Danceability • 70% Energy • 10% Liveness
74% Instrumentalness • 33% Positiveness
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Ela Minus
Pájaros en Verano
101 bpm • A# Maj • 03:16 • -8.66db
31% Popularity • 77% Danceability • 65% Energy • 9% Liveness
47% Instrumentalness • 85% Positiveness
31% Popularity • 77% Danceability • 65% Energy • 9% Liveness
47% Instrumentalness • 85% Positiveness
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Helena Hauff
Dreams in Colour
101 bpm • D# Maj • 01:41 • -12.31db
32% Popularity • 36% Danceability • 43% Energy • 11% Liveness
86% Instrumentalness • 7% Positiveness
32% Popularity • 36% Danceability • 43% Energy • 11% Liveness
86% Instrumentalness • 7% Positiveness
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Pleasure Pool
Love Without Illusion
102 bpm • D Maj • 05:07 • -9.56db
11% Popularity • 65% Danceability • 69% Energy • 8% Liveness
57% Instrumentalness • 85% Positiveness
11% Popularity • 65% Danceability • 69% Energy • 8% Liveness
57% Instrumentalness • 85% Positiveness
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a.s.o.
Falling Under
102 bpm • D Maj • 04:30 • -11.39db
28% Popularity • 62% Danceability • 60% Energy • 13% Liveness
15% Instrumentalness • 23% Positiveness
28% Popularity • 62% Danceability • 60% Energy • 13% Liveness
15% Instrumentalness • 23% Positiveness
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Bullion
Yawn
102 bpm • G Maj • 03:45 • -10.41db
36% Popularity • 64% Danceability • 66% Energy • 14% Liveness
88% Instrumentalness • 77% Positiveness
36% Popularity • 64% Danceability • 66% Energy • 14% Liveness
88% Instrumentalness • 77% Positiveness
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James Holden
Trust Your Feet
103 bpm • G min • 06:43 • -16db
35% Popularity • 60% Danceability • 56% Energy • 62% Liveness
90% Instrumentalness • 20% Positiveness
35% Popularity • 60% Danceability • 56% Energy • 62% Liveness
90% Instrumentalness • 20% Positiveness
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Lord Of The Isles
Return to Yourself
103 bpm • G# Maj • 05:41 • -9.08db
13% Popularity • 78% Danceability • 88% Energy • 13% Liveness
89% Instrumentalness • 66% Positiveness
13% Popularity • 78% Danceability • 88% Energy • 13% Liveness
89% Instrumentalness • 66% Positiveness
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Laura Agnusdei
Matilde's Lemon Dance
103 bpm • G Maj • 03:47 • -11.82db
13% Popularity • 51% Danceability • 65% Energy • 9% Liveness
96% Instrumentalness • 54% Positiveness
13% Popularity • 51% Danceability • 65% Energy • 9% Liveness
96% Instrumentalness • 54% Positiveness
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Jaakko Eino Kalevi
NAB
104 bpm • D# Maj • 04:44 • -12db
12% Popularity • 71% Danceability • 47% Energy • 12% Liveness
77% Instrumentalness • 21% Positiveness
12% Popularity • 71% Danceability • 47% Energy • 12% Liveness
77% Instrumentalness • 21% Positiveness
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Baba Stiltz
Discovery - New Dawn
104 bpm • F# Maj • 01:22 • -10.47db
25% Popularity • 75% Danceability • 37% Energy • 12% Liveness
87% Instrumentalness • 38% Positiveness
25% Popularity • 75% Danceability • 37% Energy • 12% Liveness
87% Instrumentalness • 38% Positiveness
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Discovery Zone
Blissful Morning Dream Interpretation Me...
104 bpm • A min • 02:46 • -10.08db
36% Popularity • 58% Danceability • 73% Energy • 9% Liveness
87% Instrumentalness • 54% Positiveness
36% Popularity • 58% Danceability • 73% Energy • 9% Liveness
87% Instrumentalness • 54% Positiveness
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Talaboman
Melbourne Bolero
104 bpm • A# min • 11:12 • -11.87db
12% Popularity • 72% Danceability • 83% Energy • 16% Liveness
93% Instrumentalness • 79% Positiveness
12% Popularity • 72% Danceability • 83% Energy • 16% Liveness
93% Instrumentalness • 79% Positiveness
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Two Shell
mind_flip
104 bpm • A# min • 03:04 • -9.14db
17% Popularity • 61% Danceability • 49% Energy • 11% Liveness
1% Instrumentalness • 36% Positiveness
17% Popularity • 61% Danceability • 49% Energy • 11% Liveness
1% Instrumentalness • 36% Positiveness
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Patrick Holland
Shiny Tune
105 bpm • F# min • 02:49 • -12.12db
37% Popularity • 66% Danceability • 52% Energy • 12% Liveness
87% Instrumentalness • 17% Positiveness
37% Popularity • 66% Danceability • 52% Energy • 12% Liveness
87% Instrumentalness • 17% Positiveness
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James Holden
Four Ways Down The Valley
106 bpm • A min • 03:55 • -13.52db
23% Popularity • 58% Danceability • 69% Energy • 72% Liveness
31% Instrumentalness • 21% Positiveness
23% Popularity • 58% Danceability • 69% Energy • 72% Liveness
31% Instrumentalness • 21% Positiveness
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Speakers Corner Quartet
On Grounds
107 bpm • C Maj • 03:10 • -11.95db
21% Popularity • 61% Danceability • 47% Energy • 15% Liveness
4% Instrumentalness • 18% Positiveness
21% Popularity • 61% Danceability • 47% Energy • 15% Liveness
4% Instrumentalness • 18% Positiveness
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Discovery Zone
Remote Control
105 bpm • B min • 04:06 • -7.9db
30% Popularity • 77% Danceability • 52% Energy • 11% Liveness
77% Instrumentalness • 47% Positiveness
30% Popularity • 77% Danceability • 52% Energy • 11% Liveness
77% Instrumentalness • 47% Positiveness
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Call Super
Glossy Bingo Stain
108 bpm • D Maj • 06:02 • -13.61db
15% Popularity • 60% Danceability • 46% Energy • 18% Liveness
88% Instrumentalness • 35% Positiveness
15% Popularity • 60% Danceability • 46% Energy • 18% Liveness
88% Instrumentalness • 35% Positiveness
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Sofia Kourtesis
Moving Houses
107 bpm • A min • 04:54 • -17.39db
33% Popularity • 33% Danceability • 29% Energy • 12% Liveness
8% Instrumentalness • 52% Positiveness
33% Popularity • 33% Danceability • 29% Energy • 12% Liveness
8% Instrumentalness • 52% Positiveness
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Patrick Holland
Fall Aboard
105 bpm • F min • 04:32 • -9.29db
16% Popularity • 62% Danceability • 72% Energy • 12% Liveness
88% Instrumentalness • 47% Positiveness
16% Popularity • 62% Danceability • 72% Energy • 12% Liveness
88% Instrumentalness • 47% Positiveness
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Kornél Kovács
Atlas Dubb
108 bpm • G# min • 02:04 • -11.83db
23% Popularity • 79% Danceability • 68% Energy • 11% Liveness
94% Instrumentalness • 46% Positiveness
23% Popularity • 79% Danceability • 68% Energy • 11% Liveness
94% Instrumentalness • 46% Positiveness
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Anz
Decisions (AM Intro)
108 bpm • A# Maj • 01:40 • -7db
36% Popularity • 29% Danceability • 87% Energy • 11% Liveness
94% Instrumentalness • 5% Positiveness
36% Popularity • 29% Danceability • 87% Energy • 11% Liveness
94% Instrumentalness • 5% Positiveness
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System Olympia
Close To My Nebula
108 bpm • G Maj • 03:33 • -8.69db
29% Popularity • 70% Danceability • 60% Energy • 13% Liveness
95% Instrumentalness • 67% Positiveness
29% Popularity • 70% Danceability • 60% Energy • 13% Liveness
95% Instrumentalness • 67% Positiveness
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Gone to Color
The 606 - The Field Extended Remix
109 bpm • E Maj • 10:01 • -12.08db
8% Popularity • 49% Danceability • 62% Energy • 11% Liveness
92% Instrumentalness • 24% Positiveness
8% Popularity • 49% Danceability • 62% Energy • 11% Liveness
92% Instrumentalness • 24% Positiveness
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Ela Minus
Kiss U
109 bpm • B Maj • 05:35 • -12.7db
22% Popularity • 77% Danceability • 54% Energy • 10% Liveness
85% Instrumentalness • 56% Positiveness
22% Popularity • 77% Danceability • 54% Energy • 10% Liveness
85% Instrumentalness • 56% Positiveness
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Patrick Holland
Channel 83
107 bpm • D Maj • 03:12 • -21.02db
39% Popularity • 76% Danceability • 10% Energy • 10% Liveness
90% Instrumentalness • 26% Positiveness
39% Popularity • 76% Danceability • 10% Energy • 10% Liveness
90% Instrumentalness • 26% Positiveness
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Lord Of The Isles
For a Burning World
110 bpm • C# Maj • 05:57 • -10.74db
30% Popularity • 73% Danceability • 45% Energy • 12% Liveness
28% Instrumentalness • 48% Positiveness
30% Popularity • 73% Danceability • 45% Energy • 12% Liveness
28% Instrumentalness • 48% Positiveness
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SSIEGE
Il Re Delle Mandorle
110 bpm • G Maj • 04:55 • -13.15db
30% Popularity • 71% Danceability • 56% Energy • 11% Liveness
93% Instrumentalness • 6% Positiveness
30% Popularity • 71% Danceability • 56% Energy • 11% Liveness
93% Instrumentalness • 6% Positiveness
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Axel Boman
Nowhere Good
110 bpm • A Maj • 05:22 • -10.85db
18% Popularity • 46% Danceability • 59% Energy • 8% Liveness
62% Instrumentalness • 37% Positiveness
18% Popularity • 46% Danceability • 59% Energy • 8% Liveness
62% Instrumentalness • 37% Positiveness
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HIGH SEASON
Way Far
110 bpm • A# min • 06:21 • -16.55db
10% Popularity • 67% Danceability • 50% Energy • 10% Liveness
90% Instrumentalness • 28% Positiveness
10% Popularity • 67% Danceability • 50% Energy • 10% Liveness
90% Instrumentalness • 28% Positiveness
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Kelly Lee Owens
Throwing Lines
110 bpm • G Maj • 03:07 • -12db
40% Popularity • 64% Danceability • 56% Energy • 11% Liveness
95% Instrumentalness • 46% Positiveness
40% Popularity • 64% Danceability • 56% Energy • 11% Liveness
95% Instrumentalness • 46% Positiveness
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Ben Shemie
Hseas
110 bpm • E min • 04:55 • -14.3db
16% Popularity • 67% Danceability • 42% Energy • 9% Liveness
91% Instrumentalness • 39% Positiveness
16% Popularity • 67% Danceability • 42% Energy • 9% Liveness
91% Instrumentalness • 39% Positiveness
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System Olympia
Mystified
110 bpm • D Maj • 04:39 • -6.55db
29% Popularity • 69% Danceability • 72% Energy • 9% Liveness
44% Instrumentalness • 62% Positiveness
29% Popularity • 69% Danceability • 72% Energy • 9% Liveness
44% Instrumentalness • 62% Positiveness
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Manuel Göttsching
E2-E4 Ruhige Nervosität 2 - Mixed
110 bpm • C# Maj • 05:13 • -15.33db
25% Popularity • 66% Danceability • 92% Energy • 7% Liveness
82% Instrumentalness • 96% Positiveness
25% Popularity • 66% Danceability • 92% Energy • 7% Liveness
82% Instrumentalness • 96% Positiveness
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Andrea
Audieze
112 bpm • D min • 04:58 • -9db
13% Popularity • 34% Danceability • 80% Energy • 32% Liveness
84% Instrumentalness • 20% Positiveness
13% Popularity • 34% Danceability • 80% Energy • 32% Liveness
84% Instrumentalness • 20% Positiveness
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Natural Wonder Beauty Concept
III
110 bpm • G Maj • 03:43 • -8.95db
19% Popularity • 40% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
19% Popularity • 40% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
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Jessy Lanza
Don’t Cry On My Pillow
112 bpm • C Maj • 03:23 • -6.99db
16% Popularity • 80% Danceability • 73% Energy • 7% Liveness
82% Instrumentalness • 97% Positiveness
16% Popularity • 80% Danceability • 73% Energy • 7% Liveness
82% Instrumentalness • 97% Positiveness
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Galcher Lustwerk
Fifty
112 bpm • D Maj • 03:19 • -13.7db
9% Popularity • 76% Danceability • 54% Energy • 12% Liveness
36% Instrumentalness • 45% Positiveness
9% Popularity • 76% Danceability • 54% Energy • 12% Liveness
36% Instrumentalness • 45% Positiveness
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Avalon Emerson
Entombed In Ice
112 bpm • D Maj • 03:12 • -10.86db
29% Popularity • 68% Danceability • 62% Energy • 10% Liveness
36% Instrumentalness • 55% Positiveness
29% Popularity • 68% Danceability • 62% Energy • 10% Liveness
36% Instrumentalness • 55% Positiveness
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James Holden
Worlds Collide Mountains Form
112 bpm • C Maj • 03:35 • -7.61db
23% Popularity • 41% Danceability • 66% Energy • 15% Liveness
88% Instrumentalness • 40% Positiveness
23% Popularity • 41% Danceability • 66% Energy • 15% Liveness
88% Instrumentalness • 40% Positiveness
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DJ Python
Angel
113 bpm • C Maj • 10:52 • -9db
23% Popularity • 76% Danceability • 90% Energy • 21% Liveness
81% Instrumentalness • 29% Positiveness
23% Popularity • 76% Danceability • 90% Energy • 21% Liveness
81% Instrumentalness • 29% Positiveness
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Freak Heat Waves
The Time Has Come
113 bpm • A min • 03:47 • -8.4db
30% Popularity • 81% Danceability • 59% Energy • 6% Liveness
80% Instrumentalness • 87% Positiveness
30% Popularity • 81% Danceability • 59% Energy • 6% Liveness
80% Instrumentalness • 87% Positiveness
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Purelink
Dozen Sunbeams - Nice Girl version
113 bpm • C# Maj • 05:27 • -11.39db
16% Popularity • 76% Danceability • 68% Energy • 10% Liveness
89% Instrumentalness • 40% Positiveness
16% Popularity • 76% Danceability • 68% Energy • 10% Liveness
89% Instrumentalness • 40% Positiveness
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Tom Trago
A Dark Oak
114 bpm • G Maj • 05:49 • -14.99db
20% Popularity • 62% Danceability • 51% Energy • 12% Liveness
90% Instrumentalness • 58% Positiveness
20% Popularity • 62% Danceability • 51% Energy • 12% Liveness
90% Instrumentalness • 58% Positiveness
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Avalon Emerson
Wastelands and Oases
113 bpm • G Maj • 04:19 • -12db
7% Popularity • 69% Danceability • 81% Energy • 10% Liveness
87% Instrumentalness • 47% Positiveness
7% Popularity • 69% Danceability • 81% Energy • 10% Liveness
87% Instrumentalness • 47% Positiveness
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James Holden
Contains Multitudes
114 bpm • D min • 09:14 • -8.4db
28% Popularity • 61% Danceability • 77% Energy • 47% Liveness
59% Instrumentalness • 36% Positiveness
28% Popularity • 61% Danceability • 77% Energy • 47% Liveness
59% Instrumentalness • 36% Positiveness
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DJ Python
TMMD (IMMMD)
114 bpm • B min • 04:13 • -11db
22% Popularity • 80% Danceability • 72% Energy • 12% Liveness
91% Instrumentalness • 43% Positiveness
22% Popularity • 80% Danceability • 72% Energy • 12% Liveness
91% Instrumentalness • 43% Positiveness
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Brandt Brauer Frick
In Your Head Now
114 bpm • E min • 05:19 • -11.64db
29% Popularity • 72% Danceability • 62% Energy • 11% Liveness
91% Instrumentalness • 38% Positiveness
29% Popularity • 72% Danceability • 62% Energy • 11% Liveness
91% Instrumentalness • 38% Positiveness
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Eyes of Others
Big Companies, Large Tentacles
114 bpm • G Maj • 04:37 • -8.69db
10% Popularity • 60% Danceability • 88% Energy • 12% Liveness
47% Instrumentalness • 21% Positiveness
10% Popularity • 60% Danceability • 88% Energy • 12% Liveness
47% Instrumentalness • 21% Positiveness
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Session Victim
Gheister
114 bpm • G Maj • 02:08 • -15db
41% Popularity • 76% Danceability • 49% Energy • 13% Liveness
84% Instrumentalness • 33% Positiveness
41% Popularity • 76% Danceability • 49% Energy • 13% Liveness
84% Instrumentalness • 33% Positiveness
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Avalon Emerson
One Long Day Till I See You Again
114 bpm • C Maj • 04:17 • -14.59db
11% Popularity • 68% Danceability • 30% Energy • 7% Liveness
94% Instrumentalness • 80% Positiveness
11% Popularity • 68% Danceability • 30% Energy • 7% Liveness
94% Instrumentalness • 80% Positiveness
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Brijean
Angelo
114 bpm • D# Maj • 03:11 • -8.14db
21% Popularity • 80% Danceability • 86% Energy • 19% Liveness
5% Instrumentalness • 56% Positiveness
21% Popularity • 80% Danceability • 86% Energy • 19% Liveness
5% Instrumentalness • 56% Positiveness
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Wata Igarashi
Ceremony of the Dead
114 bpm • G Maj • 07:07 • -12.21db
15% Popularity • 62% Danceability • 64% Energy • 10% Liveness
26% Instrumentalness • 68% Positiveness
15% Popularity • 62% Danceability • 64% Energy • 10% Liveness
26% Instrumentalness • 68% Positiveness
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Talaboman
Bosca Bosca (Bag Of Bones)
115 bpm • D Maj • 09:18 • -9.06db
18% Popularity • 72% Danceability • 88% Energy • 16% Liveness
86% Instrumentalness • 80% Positiveness
18% Popularity • 72% Danceability • 88% Energy • 16% Liveness
86% Instrumentalness • 80% Positiveness
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Anthony Naples
Strobe
115 bpm • C Maj • 04:19 • -15.37db
24% Popularity • 76% Danceability • 43% Energy • 47% Liveness
89% Instrumentalness • 65% Positiveness
24% Popularity • 76% Danceability • 43% Energy • 47% Liveness
89% Instrumentalness • 65% Positiveness
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Weval
Unstoppable
115 bpm • C min • 04:22 • -9.71db
11% Popularity • 73% Danceability • 79% Energy • 10% Liveness
90% Instrumentalness • 31% Positiveness
11% Popularity • 73% Danceability • 79% Energy • 10% Liveness
90% Instrumentalness • 31% Positiveness
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Avalon Emerson
Long-Forgotten Fairytale - Mixed
114 bpm • C# Maj • 04:38 • -11.43db
25% Popularity • 68% Danceability • 54% Energy • 24% Liveness
26% Instrumentalness • 59% Positiveness
25% Popularity • 68% Danceability • 54% Energy • 24% Liveness
26% Instrumentalness • 59% Positiveness
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Ultraflex
Get Fit
115 bpm • G Maj • 03:22 • -11.54db
22% Popularity • 61% Danceability • 63% Energy • 8% Liveness
90% Instrumentalness • 34% Positiveness
22% Popularity • 61% Danceability • 63% Energy • 8% Liveness
90% Instrumentalness • 34% Positiveness
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Lord Of The Isles
Open Mode
115 bpm • G Maj • 05:43 • -11.18db
17% Popularity • 80% Danceability • 76% Energy • 8% Liveness
87% Instrumentalness • 37% Positiveness
17% Popularity • 80% Danceability • 76% Energy • 8% Liveness
87% Instrumentalness • 37% Positiveness
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Talaboman
Bosco Bosco (Drums For Life)
115 bpm • B min • 08:06 • -9.22db
18% Popularity • 80% Danceability • 83% Energy • 28% Liveness
84% Instrumentalness • 20% Positiveness
18% Popularity • 80% Danceability • 83% Energy • 28% Liveness
84% Instrumentalness • 20% Positiveness
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I:Cube
0/0/01/48
115 bpm • G# Maj • 05:12 • -9.3db
9% Popularity • 52% Danceability • 83% Energy • 9% Liveness
90% Instrumentalness • 4% Positiveness
9% Popularity • 52% Danceability • 83% Energy • 9% Liveness
90% Instrumentalness • 4% Positiveness
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uh
humanus
116 bpm • C Maj • 05:03 • -10.34db
9% Popularity • 54% Danceability • 73% Energy • 7% Liveness
14% Instrumentalness • 33% Positiveness
9% Popularity • 54% Danceability • 73% Energy • 7% Liveness
14% Instrumentalness • 33% Positiveness
