Songs like The Fury of Dawn (Main Theme) by Inon Zur
Based on a tempo of (+/- 10%) and a similar genre
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Chance Thomas
Orc Hunt
100 bpm • C# Maj • 04:24 • -12.91db
16% Popularity • 28% Danceability • 48% Energy • 16% Liveness
87% Instrumentalness • 9% Positiveness
16% Popularity • 28% Danceability • 48% Energy • 16% Liveness
87% Instrumentalness • 9% Positiveness
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ASKII
Kulkijan Laulu - Instrumental
100 bpm • G# min • 04:49 • -12.77db
18% Popularity • 33% Danceability • 30% Energy • 10% Liveness
74% Instrumentalness • 6% Positiveness
18% Popularity • 33% Danceability • 30% Energy • 10% Liveness
74% Instrumentalness • 6% Positiveness
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Inon Zur
In The Dungeon
100 bpm • D Maj • 01:31 • -9.04db
15% Popularity • 58% Danceability • 65% Energy • 12% Liveness
68% Instrumentalness • 49% Positiveness
15% Popularity • 58% Danceability • 65% Energy • 12% Liveness
68% Instrumentalness • 49% Positiveness
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Brad Derrick
A Land of War and Poetry
100 bpm • A min • 04:01 • -12db
41% Popularity • 39% Danceability • 53% Energy • 11% Liveness
83% Instrumentalness • 9% Positiveness
41% Popularity • 39% Danceability • 53% Energy • 11% Liveness
83% Instrumentalness • 9% Positiveness
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Adam Skorupa
Howl Of The White Wolf
100 bpm • F min • 01:54 • -11.16db
32% Popularity • 50% Danceability • 91% Energy • 33% Liveness
81% Instrumentalness • 55% Positiveness
32% Popularity • 50% Danceability • 91% Energy • 33% Liveness
81% Instrumentalness • 55% Positiveness
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Marcin Przybyłowicz
The Possesion Of Jarl Udalryk
100 bpm • A# Maj • 03:22 • -12.86db
36% Popularity • 29% Danceability • 51% Energy • 10% Liveness
92% Instrumentalness • 5% Positiveness
36% Popularity • 29% Danceability • 51% Energy • 10% Liveness
92% Instrumentalness • 5% Positiveness
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Doyle W. Donehoo
Treacherous Tracker
100 bpm • C min • 03:24 • -13.84db
11% Popularity • 48% Danceability • 39% Energy • 12% Liveness
95% Instrumentalness • 19% Positiveness
11% Popularity • 48% Danceability • 39% Energy • 12% Liveness
95% Instrumentalness • 19% Positiveness
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Sam Cardon
A Loa's Bargain
100 bpm • C Maj • 03:12 • -15.21db
23% Popularity • 22% Danceability • 38% Energy • 7% Liveness
95% Instrumentalness • 12% Positiveness
23% Popularity • 22% Danceability • 38% Energy • 7% Liveness
95% Instrumentalness • 12% Positiveness
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Inon Zur
Laduguer's Anvil
100 bpm • C min • 03:24 • -13.62db
17% Popularity • 37% Danceability • 40% Energy • 11% Liveness
97% Instrumentalness • 27% Positiveness
17% Popularity • 37% Danceability • 40% Energy • 11% Liveness
97% Instrumentalness • 27% Positiveness
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Greg Edmonson
Among Thieves
100 bpm • F min • 01:39 • -14.29db
23% Popularity • 32% Danceability • 46% Energy • 45% Liveness
88% Instrumentalness • 39% Positiveness
23% Popularity • 32% Danceability • 46% Energy • 45% Liveness
88% Instrumentalness • 39% Positiveness
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Krzysztof Wierzynkiewicz
Through The Underworld
100 bpm • C min • 03:46 • -20.15db
23% Popularity • 48% Danceability • 20% Energy • 25% Liveness
86% Instrumentalness • 4% Positiveness
23% Popularity • 48% Danceability • 20% Energy • 25% Liveness
86% Instrumentalness • 4% Positiveness
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Mikolai Stroinski
Aen Seidhe
100 bpm • D Maj • 02:36 • -12.19db
46% Popularity • 49% Danceability • 42% Energy • 12% Liveness
48% Instrumentalness • 20% Positiveness
46% Popularity • 49% Danceability • 42% Energy • 12% Liveness
48% Instrumentalness • 20% Positiveness
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Nir Shor
Stonewall District
100 bpm • A# Maj • 04:06 • -23db
23% Popularity • 32% Danceability • 9% Energy • 11% Liveness
82% Instrumentalness • 10% Positiveness
23% Popularity • 32% Danceability • 9% Energy • 11% Liveness
82% Instrumentalness • 10% Positiveness
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Russell Brower
Howling Fjord
100 bpm • G Maj • 02:59 • -12.05db
37% Popularity • 14% Danceability • 45% Energy • 61% Liveness
34% Instrumentalness • 12% Positiveness
37% Popularity • 14% Danceability • 45% Energy • 61% Liveness
34% Instrumentalness • 12% Positiveness
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Inon Zur
The Wild Sky
100 bpm • B min • 03:06 • -12.05db
15% Popularity • 25% Danceability • 47% Energy • 8% Liveness
89% Instrumentalness • 4% Positiveness
15% Popularity • 25% Danceability • 47% Energy • 8% Liveness
89% Instrumentalness • 4% Positiveness
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Sam Hulick
The Fleets Arrive
101 bpm • C Maj • 01:43 • -10db
32% Popularity • 42% Danceability • 44% Energy • 12% Liveness
93% Instrumentalness • 12% Positiveness
32% Popularity • 42% Danceability • 44% Energy • 12% Liveness
93% Instrumentalness • 12% Positiveness
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Borislav Slavov
Mead, Gold and Blood - Ifan's Theme
101 bpm • C Maj • 02:40 • -14db
42% Popularity • 60% Danceability • 38% Energy • 13% Liveness
91% Instrumentalness • 15% Positiveness
42% Popularity • 60% Danceability • 38% Energy • 13% Liveness
91% Instrumentalness • 15% Positiveness
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Brad Derrick
The Three Banners: Fanfare
99 bpm • A min • 01:39 • -14.88db
45% Popularity • 13% Danceability • 32% Energy • 11% Liveness
88% Instrumentalness • 6% Positiveness
45% Popularity • 13% Danceability • 32% Energy • 11% Liveness
88% Instrumentalness • 6% Positiveness
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Krzysztof Wierzynkiewicz
Easier Said Than Killed
102 bpm • D min • 01:09 • -13.22db
27% Popularity • 50% Danceability • 90% Energy • 12% Liveness
65% Instrumentalness • 19% Positiveness
27% Popularity • 50% Danceability • 90% Energy • 12% Liveness
65% Instrumentalness • 19% Positiveness
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Sam Cardon
Might of Zandalar
102 bpm • G min • 06:05 • -14.02db
28% Popularity • 28% Danceability • 32% Energy • 9% Liveness
89% Instrumentalness • 8% Positiveness
28% Popularity • 28% Danceability • 32% Energy • 9% Liveness
89% Instrumentalness • 8% Positiveness
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Inon Zur
The Fury of Dawn (Main Theme)
100 bpm • A min • 03:02 • -15.38db
25% Popularity • 24% Danceability • 46% Energy • 12% Liveness
96% Instrumentalness • 6% Positiveness
25% Popularity • 24% Danceability • 46% Energy • 12% Liveness
96% Instrumentalness • 6% Positiveness
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Marcin Przybyłowicz
The Hunt Is Coming
97 bpm • G Maj • 02:05 • -6.89db
43% Popularity • 43% Danceability • 72% Energy • 7% Liveness
16% Instrumentalness • 17% Positiveness
43% Popularity • 43% Danceability • 72% Energy • 7% Liveness
16% Instrumentalness • 17% Positiveness
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Maclaine Diemer
Heart of Thorns Theme
97 bpm • A# Maj • 02:51 • -13.17db
32% Popularity • 25% Danceability • 45% Energy • 13% Liveness
83% Instrumentalness • 21% Positiveness
32% Popularity • 25% Danceability • 45% Energy • 13% Liveness
83% Instrumentalness • 21% Positiveness
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Jeremy Soule
Dusk at the Market
103 bpm • B min • 02:10 • -22.69db
50% Popularity • 14% Danceability • 11% Energy • 9% Liveness
93% Instrumentalness • 3% Positiveness
50% Popularity • 14% Danceability • 11% Energy • 9% Liveness
93% Instrumentalness • 3% Positiveness
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Chance Thomas
Learning to Ride
97 bpm • G# Maj • 03:03 • -18.02db
32% Popularity • 54% Danceability • 44% Energy • 9% Liveness
95% Instrumentalness • 48% Positiveness
32% Popularity • 54% Danceability • 44% Energy • 9% Liveness
95% Instrumentalness • 48% Positiveness
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Borislav Slavov
Crazy Troubled Senses
104 bpm • D Maj • 02:44 • -24.75db
32% Popularity • 38% Danceability • 12% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
32% Popularity • 38% Danceability • 12% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
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Inon Zur
The Elder Scrolls Blades Main Theme
101 bpm • F# min • 02:02 • -14.09db
24% Popularity • 32% Danceability • 34% Energy • 11% Liveness
88% Instrumentalness • 34% Positiveness
24% Popularity • 32% Danceability • 34% Energy • 11% Liveness
88% Instrumentalness • 34% Positiveness
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Drakensang
Overtüre
104 bpm • D min • 02:12 • -19.31db
10% Popularity • 25% Danceability • 24% Energy • 12% Liveness
97% Instrumentalness • 4% Positiveness
10% Popularity • 25% Danceability • 24% Energy • 12% Liveness
97% Instrumentalness • 4% Positiveness
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Maclaine Diemer
Welcome to the Desert
97 bpm • A Maj • 01:13 • -17.83db
24% Popularity • 30% Danceability • 38% Energy • 10% Liveness
90% Instrumentalness • 7% Positiveness
24% Popularity • 30% Danceability • 38% Energy • 10% Liveness
90% Instrumentalness • 7% Positiveness
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Doyle W. Donehoo
Fight Without Hope
96 bpm • A min • 03:06 • -11.32db
27% Popularity • 46% Danceability • 44% Energy • 20% Liveness
98% Instrumentalness • 8% Positiveness
27% Popularity • 46% Danceability • 44% Energy • 20% Liveness
98% Instrumentalness • 8% Positiveness
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Aakaash Rao
Proving Grounds
96 bpm • C min • 02:53 • -10.11db
28% Popularity • 53% Danceability • 68% Energy • 17% Liveness
92% Instrumentalness • 28% Positiveness
28% Popularity • 53% Danceability • 68% Energy • 17% Liveness
92% Instrumentalness • 28% Positiveness
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ASKII
Æfintyr
96 bpm • D min • 06:03 • -11.32db
17% Popularity • 38% Danceability • 45% Energy • 9% Liveness
82% Instrumentalness • 5% Positiveness
17% Popularity • 38% Danceability • 45% Energy • 9% Liveness
82% Instrumentalness • 5% Positiveness
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Inon Zur
City of Sails
101 bpm • D min • 03:13 • -16db
36% Popularity • 17% Danceability • 21% Energy • 26% Liveness
86% Instrumentalness • 5% Positiveness
36% Popularity • 17% Danceability • 21% Energy • 26% Liveness
86% Instrumentalness • 5% Positiveness
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Christopher Lennertz
A Future For The Krogan
96 bpm • B min • 03:29 • -15.86db
34% Popularity • 18% Danceability • 39% Energy • 9% Liveness
86% Instrumentalness • 6% Positiveness
34% Popularity • 18% Danceability • 39% Energy • 9% Liveness
86% Instrumentalness • 6% Positiveness
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Maclaine Diemer
Glint's Legacy
96 bpm • A Maj • 03:02 • -21.26db
26% Popularity • 13% Danceability • 11% Energy • 10% Liveness
96% Instrumentalness • 4% Positiveness
26% Popularity • 13% Danceability • 11% Energy • 10% Liveness
96% Instrumentalness • 4% Positiveness
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Bill Brown
Knighting Ceremony
95 bpm • D min • 02:08 • -11.62db
39% Popularity • 14% Danceability • 38% Energy • 12% Liveness
96% Instrumentalness • 4% Positiveness
39% Popularity • 14% Danceability • 38% Energy • 12% Liveness
96% Instrumentalness • 4% Positiveness
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Daniel Licht
Battle 3-4 Medley
95 bpm • A# min • 02:06 • -15.46db
36% Popularity • 67% Danceability • 52% Energy • 17% Liveness
82% Instrumentalness • 24% Positiveness
36% Popularity • 67% Danceability • 52% Energy • 17% Liveness
82% Instrumentalness • 24% Positiveness
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Brad Derrick
Dawn Gleams on Cyrodiil
95 bpm • A min • 05:21 • -18.87db
36% Popularity • 12% Danceability • 14% Energy • 8% Liveness
94% Instrumentalness • 4% Positiveness
36% Popularity • 12% Danceability • 14% Energy • 8% Liveness
94% Instrumentalness • 4% Positiveness
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Inon Zur
Hearthfire
103 bpm • A min • 03:22 • -21.83db
30% Popularity • 23% Danceability • 8% Energy • 16% Liveness
90% Instrumentalness • 5% Positiveness
30% Popularity • 23% Danceability • 8% Energy • 16% Liveness
90% Instrumentalness • 5% Positiveness
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Jason Hayes
The Shaping of the World
95 bpm • D min • 02:25 • -11.99db
39% Popularity • 41% Danceability • 41% Energy • 10% Liveness
97% Instrumentalness • 18% Positiveness
39% Popularity • 41% Danceability • 41% Energy • 10% Liveness
97% Instrumentalness • 18% Positiveness
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Maclaine Diemer
Path of Fire
96 bpm • A Maj • 02:42 • -19.04db
23% Popularity • 34% Danceability • 19% Energy • 10% Liveness
95% Instrumentalness • 7% Positiveness
23% Popularity • 34% Danceability • 19% Energy • 10% Liveness
95% Instrumentalness • 7% Positiveness
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Bill Brown
Gathering Armies
105 bpm • F Maj • 02:09 • -15db
35% Popularity • 70% Danceability • 58% Energy • 11% Liveness
81% Instrumentalness • 27% Positiveness
35% Popularity • 70% Danceability • 58% Energy • 11% Liveness
81% Instrumentalness • 27% Positiveness
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Derek Duke
Reaper of Souls
105 bpm • A# min • 04:11 • -18db
24% Popularity • 20% Danceability • 21% Energy • 18% Liveness
91% Instrumentalness • 4% Positiveness
24% Popularity • 20% Danceability • 21% Energy • 18% Liveness
91% Instrumentalness • 4% Positiveness
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Brad Derrick
Ascadian Idyll
95 bpm • G min • 04:57 • -17.12db
40% Popularity • 12% Danceability • 17% Energy • 11% Liveness
95% Instrumentalness • 4% Positiveness
40% Popularity • 12% Danceability • 17% Energy • 11% Liveness
95% Instrumentalness • 4% Positiveness
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Piotr Musiał
The Banks Of The Sansretour
95 bpm • C Maj • 03:58 • -15.39db
46% Popularity • 12% Danceability • 26% Energy • 18% Liveness
17% Instrumentalness • 7% Positiveness
46% Popularity • 12% Danceability • 26% Energy • 18% Liveness
17% Instrumentalness • 7% Positiveness
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Inon Zur
The Elves of Old
104 bpm • C min • 02:07 • -32.63db
27% Popularity • 30% Danceability • 2% Energy • 10% Liveness
96% Instrumentalness • 4% Positiveness
27% Popularity • 30% Danceability • 2% Energy • 10% Liveness
96% Instrumentalness • 4% Positiveness
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Takeshi Furukawa
Forest
106 bpm • G# min • 02:06 • -22.52db
47% Popularity • 27% Danceability • 8% Energy • 8% Liveness
67% Instrumentalness • 13% Positiveness
47% Popularity • 27% Danceability • 8% Energy • 8% Liveness
67% Instrumentalness • 13% Positiveness
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Bill Brown
The Evil's Creatures
95 bpm • E min • 02:15 • -10db
35% Popularity • 52% Danceability • 90% Energy • 11% Liveness
92% Instrumentalness • 21% Positiveness
35% Popularity • 52% Danceability • 90% Energy • 11% Liveness
92% Instrumentalness • 21% Positiveness
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Sorastro
To Arms!
95 bpm • C Maj • 03:03 • -8.18db
19% Popularity • 29% Danceability • 56% Energy • 14% Liveness
94% Instrumentalness • 19% Positiveness
19% Popularity • 29% Danceability • 56% Energy • 14% Liveness
94% Instrumentalness • 19% Positiveness
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Chance Thomas
Ages of the Golden Wood
94 bpm • C# Maj • 03:39 • -16.46db
29% Popularity • 12% Danceability • 25% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
29% Popularity • 12% Danceability • 25% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
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Brad Derrick
Weapons Drawn
94 bpm • F Maj • 01:47 • -13db
42% Popularity • 42% Danceability • 61% Energy • 11% Liveness
82% Instrumentalness • 10% Positiveness
42% Popularity • 42% Danceability • 61% Energy • 11% Liveness
82% Instrumentalness • 10% Positiveness
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Inon Zur
The Forest
104 bpm • F# min • 03:10 • -21.96db
16% Popularity • 16% Danceability • 7% Energy • 8% Liveness
57% Instrumentalness • 6% Positiveness
16% Popularity • 16% Danceability • 7% Energy • 8% Liveness
57% Instrumentalness • 6% Positiveness
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Jason Hayes
Ruins
107 bpm • B min • 01:17 • -17.2db
38% Popularity • 16% Danceability • 32% Energy • 11% Liveness
99% Instrumentalness • 4% Positiveness
38% Popularity • 16% Danceability • 32% Energy • 11% Liveness
99% Instrumentalness • 4% Positiveness
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Todd Masten
Campaign Intro
107 bpm • A min • 03:39 • -15.6db
30% Popularity • 37% Danceability • 32% Energy • 10% Liveness
82% Instrumentalness • 11% Positiveness
30% Popularity • 37% Danceability • 32% Energy • 10% Liveness
82% Instrumentalness • 11% Positiveness
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Jason Graves
The Enduring Pride
107 bpm • C min • 02:16 • -23db
27% Popularity • 17% Danceability • 3% Energy • 13% Liveness
79% Instrumentalness • 17% Positiveness
27% Popularity • 17% Danceability • 3% Energy • 13% Liveness
79% Instrumentalness • 17% Positiveness
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Danny Elfman & Russell Shaw
Greatwood
107 bpm • A# Maj • 03:15 • -19.82db
9% Popularity • 50% Danceability • 18% Energy • 16% Liveness
68% Instrumentalness • 12% Positiveness
9% Popularity • 50% Danceability • 18% Energy • 16% Liveness
68% Instrumentalness • 12% Positiveness
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Maclaine Diemer
Far from Home
107 bpm • C Maj • 03:25 • -19.44db
22% Popularity • 17% Danceability • 5% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
22% Popularity • 17% Danceability • 5% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
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Inon Zur
Turning the Tide
96 bpm • D min • 02:13 • -10.92db
19% Popularity • 40% Danceability • 55% Energy • 16% Liveness
82% Instrumentalness • 50% Positiveness
19% Popularity • 40% Danceability • 55% Energy • 16% Liveness
82% Instrumentalness • 50% Positiveness
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Chance Thomas
The Eored
108 bpm • F min • 01:06 • -10.82db
30% Popularity • 45% Danceability • 56% Energy • 14% Liveness
79% Instrumentalness • 29% Positiveness
30% Popularity • 45% Danceability • 56% Energy • 14% Liveness
79% Instrumentalness • 29% Positiveness
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Austin Wintory
A Sunken City
92 bpm • F min • 01:42 • -15.78db
26% Popularity • 21% Danceability • 25% Energy • 11% Liveness
88% Instrumentalness • 7% Positiveness
26% Popularity • 21% Danceability • 25% Energy • 11% Liveness
88% Instrumentalness • 7% Positiveness
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Grant Kirkhope
Dalentarth
92 bpm • E min • 04:09 • -21db
29% Popularity • 18% Danceability • 10% Energy • 9% Liveness
80% Instrumentalness • 4% Positiveness
29% Popularity • 18% Danceability • 10% Energy • 9% Liveness
80% Instrumentalness • 4% Positiveness
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Sam Cardon
Passages
92 bpm • E min • 02:41 • -20.56db
32% Popularity • 21% Danceability • 15% Energy • 57% Liveness
87% Instrumentalness • 4% Positiveness
32% Popularity • 21% Danceability • 15% Energy • 57% Liveness
87% Instrumentalness • 4% Positiveness
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Arnaud Roy
Nomadic Cities (The Roving Clans Theme)
92 bpm • G# Maj • 04:02 • -19db
30% Popularity • 57% Danceability • 18% Energy • 18% Liveness
86% Instrumentalness • 16% Positiveness
30% Popularity • 57% Danceability • 18% Energy • 18% Liveness
86% Instrumentalness • 16% Positiveness
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Inon Zur
Viscount
105 bpm • G Maj • 01:30 • -23.46db
20% Popularity • 15% Danceability • 6% Energy • 11% Liveness
92% Instrumentalness • 7% Positiveness
20% Popularity • 15% Danceability • 6% Energy • 11% Liveness
92% Instrumentalness • 7% Positiveness
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Jeremy Soule
The Wisdom of Yu'Lon
109 bpm • D Maj • 05:38 • -16.77db
26% Popularity • 18% Danceability • 25% Energy • 34% Liveness
78% Instrumentalness • 4% Positiveness
26% Popularity • 18% Danceability • 25% Energy • 34% Liveness
78% Instrumentalness • 4% Positiveness
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Matt Uelmen
Origins
92 bpm • A min • 04:23 • -19.77db
34% Popularity • 14% Danceability • 22% Energy • 21% Liveness
95% Instrumentalness • 3% Positiveness
34% Popularity • 14% Danceability • 22% Energy • 21% Liveness
95% Instrumentalness • 3% Positiveness
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Midnight Syndicate
Beasts of the Borderlands
109 bpm • F min • 02:57 • -13.13db
33% Popularity • 47% Danceability • 41% Energy • 11% Liveness
72% Instrumentalness • 43% Positiveness
33% Popularity • 47% Danceability • 41% Energy • 11% Liveness
72% Instrumentalness • 43% Positiveness
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Drakensang
Nadoret
109 bpm • G# Maj • 02:07 • -23.3db
21% Popularity • 17% Danceability • 10% Energy • 12% Liveness
92% Instrumentalness • 4% Positiveness
21% Popularity • 17% Danceability • 10% Energy • 12% Liveness
92% Instrumentalness • 4% Positiveness
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Jason Hayes
Legacy
91 bpm • C Maj • 02:26 • -10db
37% Popularity • 12% Danceability • 40% Energy • 13% Liveness
88% Instrumentalness • 4% Positiveness
37% Popularity • 12% Danceability • 40% Energy • 13% Liveness
88% Instrumentalness • 4% Positiveness
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Inon Zur
Safe Haven
107 bpm • C min • 03:05 • -25.22db
26% Popularity • 16% Danceability • 5% Energy • 7% Liveness
69% Instrumentalness • 4% Positiveness
26% Popularity • 16% Danceability • 5% Energy • 7% Liveness
69% Instrumentalness • 4% Positiveness
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Russell Shaw
Live In Legend
109 bpm • D# min • 02:07 • -23db
26% Popularity • 29% Danceability • 5% Energy • 9% Liveness
79% Instrumentalness • 12% Positiveness
26% Popularity • 29% Danceability • 5% Energy • 9% Liveness
79% Instrumentalness • 12% Positiveness
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Geoff Knorr
Scythia (The Atomic Era)
91 bpm • C Maj • 04:10 • -13.25db
24% Popularity • 11% Danceability • 37% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
24% Popularity • 11% Danceability • 37% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
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Marcin Przybyłowicz
Drive Them Back
109 bpm • D Maj • 02:57 • -19.63db
27% Popularity • 50% Danceability • 46% Energy • 51% Liveness
98% Instrumentalness • 39% Positiveness
27% Popularity • 50% Danceability • 46% Energy • 51% Liveness
98% Instrumentalness • 39% Positiveness
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Jeremy Soule
The City Gates
91 bpm • G min • 03:46 • -18db
56% Popularity • 11% Danceability • 21% Energy • 28% Liveness
82% Instrumentalness • 4% Positiveness
56% Popularity • 11% Danceability • 21% Energy • 28% Liveness
82% Instrumentalness • 4% Positiveness
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Bill Brown
Lovers Reunited
91 bpm • A min • 02:19 • -13.18db
40% Popularity • 11% Danceability • 28% Energy • 12% Liveness
93% Instrumentalness • 4% Positiveness
40% Popularity • 11% Danceability • 28% Energy • 12% Liveness
93% Instrumentalness • 4% Positiveness
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Derek Duke
Angrathar's Shadow
91 bpm • D Maj • 02:55 • -16db
28% Popularity • 15% Danceability • 31% Energy • 12% Liveness
91% Instrumentalness • 4% Positiveness
28% Popularity • 15% Danceability • 31% Energy • 12% Liveness
91% Instrumentalness • 4% Positiveness
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Hristo Hristov
Morning Village
110 bpm • D min • 02:25 • -19.25db
18% Popularity • 29% Danceability • 9% Energy • 11% Liveness
95% Instrumentalness • 10% Positiveness
18% Popularity • 29% Danceability • 9% Energy • 11% Liveness
95% Instrumentalness • 10% Positiveness
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Raison Varner
The Unassuming Happy Docks - Tiny Tina's...
110 bpm • E min • 02:18 • -16db
35% Popularity • 70% Danceability • 11% Energy • 10% Liveness
96% Instrumentalness • 68% Positiveness
35% Popularity • 70% Danceability • 11% Energy • 10% Liveness
96% Instrumentalness • 68% Positiveness
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Borislav Slavov
A Single Drop of Magic
110 bpm • A min • 03:27 • -20.93db
39% Popularity • 69% Danceability • 14% Energy • 11% Liveness
91% Instrumentalness • 8% Positiveness
39% Popularity • 69% Danceability • 14% Energy • 11% Liveness
91% Instrumentalness • 8% Positiveness
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Daniel Pemberton
Together We Fight
110 bpm • D min • 04:48 • -15.14db
22% Popularity • 35% Danceability • 49% Energy • 14% Liveness
92% Instrumentalness • 6% Positiveness
22% Popularity • 35% Danceability • 49% Energy • 14% Liveness
92% Instrumentalness • 6% Positiveness
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Jamie Christopherson
Southern Vineyard
110 bpm • D Maj • 02:05 • -18db
38% Popularity • 39% Danceability • 12% Energy • 11% Liveness
93% Instrumentalness • 22% Positiveness
38% Popularity • 39% Danceability • 12% Energy • 11% Liveness
93% Instrumentalness • 22% Positiveness
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Jason Hayes
Khala's End
110 bpm • F# min • 03:06 • -15.1db
22% Popularity • 30% Danceability • 24% Energy • 14% Liveness
92% Instrumentalness • 4% Positiveness
22% Popularity • 30% Danceability • 24% Energy • 14% Liveness
92% Instrumentalness • 4% Positiveness
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Jason Graves
A Hunter's Eye
110 bpm • F min • 02:38 • -12.78db
23% Popularity • 67% Danceability • 64% Energy • 11% Liveness
84% Instrumentalness • 22% Positiveness
23% Popularity • 67% Danceability • 64% Energy • 11% Liveness
84% Instrumentalness • 22% Positiveness
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Cris Velasco
Reaper Chase
110 bpm • C min • 02:04 • -8.63db
26% Popularity • 37% Danceability • 52% Energy • 20% Liveness
13% Instrumentalness • 7% Positiveness
26% Popularity • 37% Danceability • 52% Energy • 20% Liveness
13% Instrumentalness • 7% Positiveness
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Chance Thomas
Drums in the Deep
110 bpm • A# min • 02:19 • -9db
30% Popularity • 22% Danceability • 58% Energy • 11% Liveness
92% Instrumentalness • 8% Positiveness
30% Popularity • 22% Danceability • 58% Energy • 11% Liveness
92% Instrumentalness • 8% Positiveness
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Borislav Slavov
Driftwood
110 bpm • A min • 03:44 • -20db
35% Popularity • 30% Danceability • 11% Energy • 14% Liveness
88% Instrumentalness • 10% Positiveness
35% Popularity • 30% Danceability • 11% Energy • 14% Liveness
88% Instrumentalness • 10% Positiveness
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Glenn Stafford
Mountains of Thunder
91 bpm • D Maj • 05:55 • -18db
34% Popularity • 11% Danceability • 16% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
34% Popularity • 11% Danceability • 16% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
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Will Savino
Honor in the Storm
110 bpm • D# min • 03:10 • -12.61db
23% Popularity • 35% Danceability • 66% Energy • 34% Liveness
93% Instrumentalness • 21% Positiveness
23% Popularity • 35% Danceability • 66% Energy • 34% Liveness
93% Instrumentalness • 21% Positiveness
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Jason Hayes
Tavern
90 bpm • F# min • 01:14 • -13db
45% Popularity • 74% Danceability • 42% Energy • 10% Liveness
91% Instrumentalness • 76% Positiveness
45% Popularity • 74% Danceability • 42% Energy • 10% Liveness
91% Instrumentalness • 76% Positiveness
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Brad Derrick
Moth, Butterfly, and Torchbug
90 bpm • G Maj • 05:42 • -19db
44% Popularity • 10% Danceability • 14% Energy • 11% Liveness
92% Instrumentalness • 3% Positiveness
44% Popularity • 10% Danceability • 14% Energy • 11% Liveness
92% Instrumentalness • 3% Positiveness
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Daniel Ran
Kynareth's Wish
111 bpm • E min • 05:12 • -17db
24% Popularity • 16% Danceability • 25% Energy • 12% Liveness
88% Instrumentalness • 4% Positiveness
24% Popularity • 16% Danceability • 25% Energy • 12% Liveness
88% Instrumentalness • 4% Positiveness
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Kevin Riepl
Lawgiver
90 bpm • D Maj • 02:06 • -21db
25% Popularity • 62% Danceability • 60% Energy • 50% Liveness
71% Instrumentalness • 28% Positiveness
25% Popularity • 62% Danceability • 60% Energy • 50% Liveness
71% Instrumentalness • 28% Positiveness
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Derek Duke
God Hunters
90 bpm • A# Maj • 03:34 • -17db
29% Popularity • 19% Danceability • 44% Energy • 12% Liveness
79% Instrumentalness • 15% Positiveness
29% Popularity • 19% Danceability • 44% Energy • 12% Liveness
79% Instrumentalness • 15% Positiveness
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Mikolai Stroinski
Commanding The Fury
90 bpm • G Maj • 02:08 • -11.51db
47% Popularity • 53% Danceability • 78% Energy • 43% Liveness
2% Instrumentalness • 40% Positiveness
47% Popularity • 53% Danceability • 78% Energy • 43% Liveness
2% Instrumentalness • 40% Positiveness
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Jason Hayes
Dun Morogh
111 bpm • A# Maj • 07:31 • -19db
42% Popularity • 19% Danceability • 13% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
42% Popularity • 19% Danceability • 13% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
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Midnight Syndicate
City of Sails
90 bpm • C Maj • 03:31 • -16.51db
32% Popularity • 32% Danceability • 33% Energy • 13% Liveness
90% Instrumentalness • 39% Positiveness
32% Popularity • 32% Danceability • 33% Energy • 13% Liveness
90% Instrumentalness • 39% Positiveness
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Jamie Christopherson
Island Village
90 bpm • E Maj • 02:04 • -15.75db
32% Popularity • 51% Danceability • 32% Energy • 16% Liveness
96% Instrumentalness • 62% Positiveness
32% Popularity • 51% Danceability • 32% Energy • 16% Liveness
96% Instrumentalness • 62% Positiveness
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Aakaash Rao
Pandora's Heart
90 bpm • C# Maj • 02:16 • -13.55db
26% Popularity • 50% Danceability • 72% Energy • 14% Liveness
64% Instrumentalness • 28% Positiveness
26% Popularity • 50% Danceability • 72% Energy • 14% Liveness
64% Instrumentalness • 28% Positiveness