Songs like The Gadfly Suite, Op.97a: VIII. Nocturne by Dmitri Shostakovich
Based on a tempo of (+/- 10%) and a similar genre
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London Philharmonic Orchestra
Slavonic Dance No. 2 in E Minor, Op. 72
97 bpm • C Maj • 05:35 • -13db
30% Popularity • 17% Danceability • 30% Energy • 10% Liveness
86% Instrumentalness • 9% Positiveness
30% Popularity • 17% Danceability • 30% Energy • 10% Liveness
86% Instrumentalness • 9% Positiveness
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Aram Khachaturian
Masquerade, Ballet Music - Suite from th...
97 bpm • C Maj • 04:15 • -10db
42% Popularity • 32% Danceability • 50% Energy • 12% Liveness
92% Instrumentalness • 38% Positiveness
42% Popularity • 32% Danceability • 50% Energy • 12% Liveness
92% Instrumentalness • 38% Positiveness
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Eugène Ysaÿe
Paganini variations: Variation 4
97 bpm • A min • 01:20 • -24db
37% Popularity • 26% Danceability • 7% Energy • 14% Liveness
18% Instrumentalness • 12% Positiveness
37% Popularity • 26% Danceability • 7% Energy • 14% Liveness
18% Instrumentalness • 12% Positiveness
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Henry Purcell
Abdelazer, Z.570: 2. Rondeau
97 bpm • C# min • 01:38 • -20db
49% Popularity • 37% Danceability • 5% Energy • 11% Liveness
52% Instrumentalness • 48% Positiveness
49% Popularity • 37% Danceability • 5% Energy • 11% Liveness
52% Instrumentalness • 48% Positiveness
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Léo Delibes
Sylvia: Act III: Divertissement: Variati...
97 bpm • D# Maj • 01:15 • -23db
63% Popularity • 35% Danceability • 6% Energy • 21% Liveness
93% Instrumentalness • 42% Positiveness
63% Popularity • 35% Danceability • 6% Energy • 21% Liveness
93% Instrumentalness • 42% Positiveness
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Edward Elgar
Elgar: Cello Concerto in E Minor, Op. 85...
96 bpm • E min • 08:01 • -22.85db
41% Popularity • 12% Danceability • 10% Energy • 11% Liveness
22% Instrumentalness • 4% Positiveness
41% Popularity • 12% Danceability • 10% Energy • 11% Liveness
22% Instrumentalness • 4% Positiveness
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AntonÃn Dvořák
8 Slavonic Dances, Op. 72, B. 147: 2. Du...
97 bpm • C Maj • 05:41 • -15db
30% Popularity • 16% Danceability • 19% Energy • 10% Liveness
70% Instrumentalness • 12% Positiveness
30% Popularity • 16% Danceability • 19% Energy • 10% Liveness
70% Instrumentalness • 12% Positiveness
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Georges Bizet
Carmen Suite No. 1: 1. Prélude
96 bpm • A min • 01:23 • -23db
38% Popularity • 23% Danceability • 6% Energy • 6% Liveness
79% Instrumentalness • 4% Positiveness
38% Popularity • 23% Danceability • 6% Energy • 6% Liveness
79% Instrumentalness • 4% Positiveness
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Aram Khachaturian
Maskerade-Suite: I. Waltz
98 bpm • C Maj • 04:14 • -18db
34% Popularity • 36% Danceability • 30% Energy • 8% Liveness
94% Instrumentalness • 24% Positiveness
34% Popularity • 36% Danceability • 30% Energy • 8% Liveness
94% Instrumentalness • 24% Positiveness
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Gabriel Fauré
Après un rêve, Op. 7, No. 1 (Arr. for ...
98 bpm • F min • 03:01 • -20db
50% Popularity • 17% Danceability • 10% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
50% Popularity • 17% Danceability • 10% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
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Lev Atovmyan
Ballet Suite No. 4 (arr. L. Atovmyan): W...
96 bpm • C Maj • 03:29 • -16db
11% Popularity • 25% Danceability • 16% Energy • 5% Liveness
88% Instrumentalness • 25% Positiveness
11% Popularity • 25% Danceability • 16% Energy • 5% Liveness
88% Instrumentalness • 25% Positiveness
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Rudolf Barshai
Chamber Symphony in C Minor, Op. 110a (a...
96 bpm • C Maj • 05:21 • -25db
7% Popularity • 12% Danceability • 5% Energy • 10% Liveness
85% Instrumentalness • 3% Positiveness
7% Popularity • 12% Danceability • 5% Energy • 10% Liveness
85% Instrumentalness • 3% Positiveness
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![6 Chants polonais, S. 480: No. 2, Frühling (Wiosna, Spring) [After Chopin's Op. 74] cover art](https://i.scdn.co/image/ab67616d00001e02b75259b5803e04a1d46dc211)
Franz Liszt
6 Chants polonais, S. 480: No. 2, Frühl...
96 bpm • G min • 02:11 • -35.91db
64% Popularity • 41% Danceability • 1% Energy • 7% Liveness
95% Instrumentalness • 16% Positiveness
64% Popularity • 41% Danceability • 1% Energy • 7% Liveness
95% Instrumentalness • 16% Positiveness
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Antonio Vivaldi
Vivaldi: The Four Seasons, Violin Concer...
95 bpm • F min • 03:08 • -17db
47% Popularity • 32% Danceability • 17% Energy • 39% Liveness
3% Instrumentalness • 39% Positiveness
47% Popularity • 32% Danceability • 17% Energy • 39% Liveness
3% Instrumentalness • 39% Positiveness
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Max Bruch
Violin Concerto No. 1 in G Minor, Op. 26...
99 bpm • D# Maj • 08:21 • -16.9db
32% Popularity • 21% Danceability • 16% Energy • 13% Liveness
20% Instrumentalness • 8% Positiveness
32% Popularity • 21% Danceability • 16% Energy • 13% Liveness
20% Instrumentalness • 8% Positiveness
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Sergei Prokofiev
Peter and the Wolf, Op. 67 (Without Narr...
99 bpm • C Maj • 01:12 • -37.4db
51% Popularity • 35% Danceability • 1% Energy • 26% Liveness
53% Instrumentalness • 13% Positiveness
51% Popularity • 35% Danceability • 1% Energy • 26% Liveness
53% Instrumentalness • 13% Positiveness
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Lev Atovmyan
Ballet Suite No. 3 (arr. L. Atovmyan): W...
96 bpm • F Maj • 01:48 • -19db
13% Popularity • 24% Danceability • 16% Energy • 10% Liveness
87% Instrumentalness • 18% Positiveness
13% Popularity • 24% Danceability • 16% Energy • 10% Liveness
87% Instrumentalness • 18% Positiveness
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Edward Elgar
Salut d'amour, Op. 12
95 bpm • E Maj • 02:54 • -22db
51% Popularity • 17% Danceability • 13% Energy • 13% Liveness
4% Instrumentalness • 5% Positiveness
51% Popularity • 17% Danceability • 13% Energy • 13% Liveness
4% Instrumentalness • 5% Positiveness
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Florence Beatrice Price
Violin Concerto No. 1 in D Major: II. An...
95 bpm • A# Maj • 05:57 • -21.56db
38% Popularity • 15% Danceability • 8% Energy • 16% Liveness
28% Instrumentalness • 4% Positiveness
38% Popularity • 15% Danceability • 8% Energy • 16% Liveness
28% Instrumentalness • 4% Positiveness
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Niccolò Paganini
Paganini: 24 Caprices, Op. 1: No. 2 in B...
95 bpm • B min • 02:43 • -16.21db
51% Popularity • 58% Danceability • 28% Energy • 8% Liveness
69% Instrumentalness • 86% Positiveness
51% Popularity • 58% Danceability • 28% Energy • 8% Liveness
69% Instrumentalness • 86% Positiveness
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Franz Liszt
Liebestraum
95 bpm • G# Maj • 04:45 • -15.77db
48% Popularity • 36% Danceability • 15% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
48% Popularity • 36% Danceability • 15% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
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Daniel Barenboim
Bach, JS : Well-Tempered Clavier Book 1 ...
95 bpm • C Maj • 01:40 • -37db
56% Popularity • 18% Danceability • 2% Energy • 7% Liveness
90% Instrumentalness • 25% Positiveness
56% Popularity • 18% Danceability • 2% Energy • 7% Liveness
90% Instrumentalness • 25% Positiveness
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Edvard Grieg
Peer Gynt Suite No. 1, Op. 46: II. Ã…se'...
99 bpm • G Maj • 04:23 • -27.92db
20% Popularity • 16% Danceability • 1% Energy • 11% Liveness
50% Instrumentalness • 4% Positiveness
20% Popularity • 16% Danceability • 1% Energy • 11% Liveness
50% Instrumentalness • 4% Positiveness
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César Franck
Violin Sonata in A major, FWV 8: IV. All...
94 bpm • A Maj • 06:04 • -18.62db
52% Popularity • 25% Danceability • 14% Energy • 5% Liveness
3% Instrumentalness • 18% Positiveness
52% Popularity • 25% Danceability • 14% Energy • 5% Liveness
3% Instrumentalness • 18% Positiveness
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St. Petersburg State Symphony Orchestra
Masquerade Suite: Maskarad (Masquerade):...
94 bpm • C Maj • 04:22 • -17.68db
55% Popularity • 30% Danceability • 26% Energy • 10% Liveness
95% Instrumentalness • 20% Positiveness
55% Popularity • 30% Danceability • 26% Energy • 10% Liveness
95% Instrumentalness • 20% Positiveness
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Jean Sibelius
Sonatina No. 1, Op. 67: III. Allegro mod...
94 bpm • F# Maj • 01:41 • -30db
42% Popularity • 36% Danceability • 11% Energy • 8% Liveness
89% Instrumentalness • 33% Positiveness
42% Popularity • 36% Danceability • 11% Energy • 8% Liveness
89% Instrumentalness • 33% Positiveness
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Camille Saint-Saëns
Le Cygne
94 bpm • G Maj • 03:34 • -26.63db
58% Popularity • 12% Danceability • 6% Energy • 15% Liveness
91% Instrumentalness • 4% Positiveness
58% Popularity • 12% Danceability • 6% Energy • 15% Liveness
91% Instrumentalness • 4% Positiveness
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Dmitri Shostakovich
24 Preludes and Fugues, Op. 87: Prelude ...
100 bpm • G Maj • 01:57 • -35db
48% Popularity • 39% Danceability • 2% Energy • 8% Liveness
91% Instrumentalness • 9% Positiveness
48% Popularity • 39% Danceability • 2% Energy • 8% Liveness
91% Instrumentalness • 9% Positiveness
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Ottorino Respighi
Suite No. 3, P. 172: I. Italiana: Andant...
94 bpm • A# Maj • 02:46 • -27.36db
48% Popularity • 17% Danceability • 5% Energy • 35% Liveness
68% Instrumentalness • 18% Positiveness
48% Popularity • 17% Danceability • 5% Energy • 35% Liveness
68% Instrumentalness • 18% Positiveness
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Gustav Mahler
Mahler: Blumine
100 bpm • C Maj • 08:26 • -24.61db
30% Popularity • 14% Danceability • 5% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
30% Popularity • 14% Danceability • 5% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
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Léo Delibes
Le roi s'amuse: Final
94 bpm • A min • 01:04 • -19.13db
55% Popularity • 43% Danceability • 12% Energy • 11% Liveness
60% Instrumentalness • 48% Positiveness
55% Popularity • 43% Danceability • 12% Energy • 11% Liveness
60% Instrumentalness • 48% Positiveness
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Antonio Vivaldi
Vivaldi: The Four Seasons, Violin Concer...
101 bpm • E Maj • 04:19 • -16.24db
50% Popularity • 32% Danceability • 14% Energy • 26% Liveness
88% Instrumentalness • 30% Positiveness
50% Popularity • 32% Danceability • 14% Energy • 26% Liveness
88% Instrumentalness • 30% Positiveness
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Igor Stravinsky
Choral-Vatiationen: Var. I. In canone al...
93 bpm • C Maj • 01:13 • -29.05db
40% Popularity • 43% Danceability • 9% Energy • 7% Liveness
91% Instrumentalness • 72% Positiveness
40% Popularity • 43% Danceability • 9% Energy • 7% Liveness
91% Instrumentalness • 72% Positiveness
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Dmitri Shostakovich
Jazz Suite No. 2: II. Lyric Waltz
100 bpm • C min • 02:08 • -19.27db
50% Popularity • 31% Danceability • 14% Energy • 17% Liveness
73% Instrumentalness • 27% Positiveness
50% Popularity • 31% Danceability • 14% Energy • 17% Liveness
73% Instrumentalness • 27% Positiveness
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AntonÃn Dvořák
Serenade for Strings in E Major, Op. 22,...
93 bpm • F# min • 07:31 • -24.52db
29% Popularity • 18% Danceability • 3% Energy • 24% Liveness
89% Instrumentalness • 16% Positiveness
29% Popularity • 18% Danceability • 3% Energy • 24% Liveness
89% Instrumentalness • 16% Positiveness
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Pablo de Sarasate
Zigeunerweisen, Op. 20: II. Lento
100 bpm • C min • 03:41 • -22.63db
38% Popularity • 33% Danceability • 9% Energy • 13% Liveness
32% Instrumentalness • 5% Positiveness
38% Popularity • 33% Danceability • 9% Energy • 13% Liveness
32% Instrumentalness • 5% Positiveness
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Jacques Offenbach
Les contes d'Hoffmann (The Tales of Hoff...
93 bpm • G Maj • 02:12 • -18db
46% Popularity • 56% Danceability • 7% Energy • 8% Liveness
89% Instrumentalness • 59% Positiveness
46% Popularity • 56% Danceability • 7% Energy • 8% Liveness
89% Instrumentalness • 59% Positiveness
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Sergei Rachmaninoff
The Flight of the Bumblebee
92 bpm • D min • 01:13 • -28db
44% Popularity • 40% Danceability • 17% Energy • 26% Liveness
90% Instrumentalness • 18% Positiveness
44% Popularity • 40% Danceability • 17% Energy • 26% Liveness
90% Instrumentalness • 18% Positiveness
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Claude Debussy
Petite suite: I. En bateau (arr. H. Buss...
93 bpm • G Maj • 03:47 • -30.82db
54% Popularity • 14% Danceability • 2% Energy • 12% Liveness
85% Instrumentalness • 7% Positiveness
54% Popularity • 14% Danceability • 2% Energy • 12% Liveness
85% Instrumentalness • 7% Positiveness
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Giovanni Bottesini
Bottesini: Double Bass Concerto in B Min...
102 bpm • E min • 06:06 • -16.36db
27% Popularity • 30% Danceability • 18% Energy • 13% Liveness
87% Instrumentalness • 29% Positiveness
27% Popularity • 30% Danceability • 18% Energy • 13% Liveness
87% Instrumentalness • 29% Positiveness
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Gabriel Fauré
Pelléas et Mélisande, Op. 80: 4. Sicil...
92 bpm • G min • 04:04 • -30.09db
36% Popularity • 11% Danceability • 4% Energy • 10% Liveness
97% Instrumentalness • 6% Positiveness
36% Popularity • 11% Danceability • 4% Energy • 10% Liveness
97% Instrumentalness • 6% Positiveness
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Gioachino Rossini
Il barbiere di Siviglia: Overture (Sinfo...
92 bpm • E Maj • 07:05 • -20.75db
52% Popularity • 32% Danceability • 14% Energy • 12% Liveness
76% Instrumentalness • 28% Positiveness
52% Popularity • 32% Danceability • 14% Energy • 12% Liveness
76% Instrumentalness • 28% Positiveness
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Edward Elgar
Cello Concerto in E Minor, Op. 85: I. Ad...
102 bpm • E min • 08:13 • -21.03db
39% Popularity • 14% Danceability • 8% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
39% Popularity • 14% Danceability • 8% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
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Georges Bizet
Carmen Suite No. 1 (Arr. E. Guiraud): II...
92 bpm • D# Maj • 02:48 • -33.21db
49% Popularity • 11% Danceability • 1% Energy • 11% Liveness
95% Instrumentalness • 4% Positiveness
49% Popularity • 11% Danceability • 1% Energy • 11% Liveness
95% Instrumentalness • 4% Positiveness
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Lev Atovmyan
Ballet Suite No. 1 (arr. L. Atovmyan): L...
103 bpm • D# Maj • 02:06 • -18db
24% Popularity • 46% Danceability • 20% Energy • 14% Liveness
91% Instrumentalness • 35% Positiveness
24% Popularity • 46% Danceability • 20% Energy • 14% Liveness
91% Instrumentalness • 35% Positiveness
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Dmitri Shostakovich
Five Pieces For Two Violins and Piano: I...
92 bpm • A Maj • 02:49 • -25db
21% Popularity • 15% Danceability • 9% Energy • 8% Liveness
3% Instrumentalness • 6% Positiveness
21% Popularity • 15% Danceability • 9% Energy • 8% Liveness
3% Instrumentalness • 6% Positiveness
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Franz Schubert
Minuet in A major, D. 334
92 bpm • A Maj • 03:13 • -39.25db
60% Popularity • 27% Danceability • 1% Energy • 9% Liveness
91% Instrumentalness • 17% Positiveness
60% Popularity • 27% Danceability • 1% Energy • 9% Liveness
91% Instrumentalness • 17% Positiveness
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Nikolai Rimsky-Korsakov
Shéhérazade, Op. 35: III. The Young Pr...
103 bpm • G Maj • 09:54 • -31.17db
23% Popularity • 16% Danceability • 3% Energy • 7% Liveness
61% Instrumentalness • 4% Positiveness
23% Popularity • 16% Danceability • 3% Energy • 7% Liveness
61% Instrumentalness • 4% Positiveness
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Camille Saint-Saëns
Introduction et Rondo capriccioso, Op. 2...
103 bpm • A min • 08:56 • -23db
30% Popularity • 37% Danceability • 14% Energy • 6% Liveness
47% Instrumentalness • 30% Positiveness
30% Popularity • 37% Danceability • 14% Energy • 6% Liveness
47% Instrumentalness • 30% Positiveness
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Felix Mendelssohn
Capriccio brillant, Op. 22: Andante
91 bpm • B Maj • 02:30 • -30.47db
54% Popularity • 25% Danceability • 1% Energy • 8% Liveness
97% Instrumentalness • 4% Positiveness
54% Popularity • 25% Danceability • 1% Energy • 8% Liveness
97% Instrumentalness • 4% Positiveness
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Fritz Kreisler
Praeludium and Allegro
103 bpm • E min • 05:45 • -17.31db
32% Popularity • 39% Danceability • 25% Energy • 15% Liveness
66% Instrumentalness • 19% Positiveness
32% Popularity • 39% Danceability • 25% Energy • 15% Liveness
66% Instrumentalness • 19% Positiveness
► Preview
Igor Stravinsky
Stravinsky: The Rite of Spring, Pt. 1 "A...
103 bpm • A Maj • 05:02 • -22db
24% Popularity • 31% Danceability • 10% Energy • 5% Liveness
94% Instrumentalness • 4% Positiveness
24% Popularity • 31% Danceability • 10% Energy • 5% Liveness
94% Instrumentalness • 4% Positiveness
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Lev Atovmyan
The Unforgettable Year 1919 Suite, Op. 8...
103 bpm • F Maj • 07:01 • -15db
7% Popularity • 24% Danceability • 17% Energy • 9% Liveness
96% Instrumentalness • 4% Positiveness
7% Popularity • 24% Danceability • 17% Energy • 9% Liveness
96% Instrumentalness • 4% Positiveness
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Alexander Borodin
Polovtsian Dances From "Prince Igor"
103 bpm • D Maj • 11:30 • -21.85db
34% Popularity • 22% Danceability • 10% Energy • 9% Liveness
62% Instrumentalness • 8% Positiveness
34% Popularity • 22% Danceability • 10% Energy • 9% Liveness
62% Instrumentalness • 8% Positiveness
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Franz Schubert
Schwanengesang, D.957: No. 4 Serenade
91 bpm • C Maj • 04:23 • -25.32db
55% Popularity • 10% Danceability • 4% Energy • 10% Liveness
96% Instrumentalness • 4% Positiveness
55% Popularity • 10% Danceability • 4% Energy • 10% Liveness
96% Instrumentalness • 4% Positiveness
► Preview
Alexander Glazunov
Raymonda, Act III: Variation 4
103 bpm • D min • 02:26 • -29.45db
37% Popularity • 25% Danceability • 9% Energy • 19% Liveness
94% Instrumentalness • 4% Positiveness
37% Popularity • 25% Danceability • 9% Energy • 19% Liveness
94% Instrumentalness • 4% Positiveness
► Preview
Georges Bizet
L’arlésienne Suite No. 2 (Arr. E. Gui...
91 bpm • D Maj • 03:15 • -19db
34% Popularity • 50% Danceability • 27% Energy • 9% Liveness
96% Instrumentalness • 16% Positiveness
34% Popularity • 50% Danceability • 27% Energy • 9% Liveness
96% Instrumentalness • 16% Positiveness
► Preview
Léo Delibes
Le roi s'amuse: Pavane
91 bpm • A# Maj • 01:28 • -34db
64% Popularity • 20% Danceability • 1% Energy • 15% Liveness
94% Instrumentalness • 24% Positiveness
64% Popularity • 20% Danceability • 1% Energy • 15% Liveness
94% Instrumentalness • 24% Positiveness
► Preview
Camille Saint-Saëns
Introduction and Rondo capriccioso in A ...
91 bpm • A min • 09:07 • -26db
37% Popularity • 29% Danceability • 9% Energy • 10% Liveness
70% Instrumentalness • 16% Positiveness
37% Popularity • 29% Danceability • 9% Energy • 10% Liveness
70% Instrumentalness • 16% Positiveness
► Preview
Dmitri Shostakovich
Shostakovich: Suite from the Age of Gold...
91 bpm • D min • 02:15 • -23.96db
19% Popularity • 67% Danceability • 10% Energy • 10% Liveness
86% Instrumentalness • 53% Positiveness
19% Popularity • 67% Danceability • 10% Energy • 10% Liveness
86% Instrumentalness • 53% Positiveness
► Preview
Fritz Kreisler
Schön Rosmarin
104 bpm • G Maj • 02:17 • -20.46db
31% Popularity • 50% Danceability • 15% Energy • 6% Liveness
19% Instrumentalness • 71% Positiveness
31% Popularity • 50% Danceability • 15% Energy • 6% Liveness
19% Instrumentalness • 71% Positiveness
► Preview
Anton Arensky
Piano Trio No. 1 in D Minor, Op. 32: III...
90 bpm • G min • 05:08 • -35db
30% Popularity • 21% Danceability • 1% Energy • 10% Liveness
57% Instrumentalness • 7% Positiveness
30% Popularity • 21% Danceability • 1% Energy • 10% Liveness
57% Instrumentalness • 7% Positiveness
► Preview
Edward Elgar
Variations on an Original Theme, Op. 36,...
91 bpm • G min • 01:25 • -35db
41% Popularity • 14% Danceability • 1% Energy • 11% Liveness
62% Instrumentalness • 4% Positiveness
41% Popularity • 14% Danceability • 1% Energy • 11% Liveness
62% Instrumentalness • 4% Positiveness
► Preview
Lev Atovmyan
Ballet Suite No. 1 (arr. L. Atovmyan): R...
90 bpm • F Maj • 02:44 • -24.58db
15% Popularity • 19% Danceability • 7% Energy • 9% Liveness
88% Instrumentalness • 4% Positiveness
15% Popularity • 19% Danceability • 7% Energy • 9% Liveness
88% Instrumentalness • 4% Positiveness
► Preview
Reynaldo Hahn
Douze valses, Le ruban dénoué: No. 1, ...
104 bpm • F# min • 01:26 • -26.49db
53% Popularity • 40% Danceability • 4% Energy • 8% Liveness
83% Instrumentalness • 9% Positiveness
53% Popularity • 40% Danceability • 4% Energy • 8% Liveness
83% Instrumentalness • 9% Positiveness
► Preview
Sergei Rachmaninoff
Preghiera (Arr. by Fritz Kreisler from P...
104 bpm • C Maj • 05:29 • -21.34db
46% Popularity • 22% Danceability • 6% Energy • 7% Liveness
49% Instrumentalness • 7% Positiveness
46% Popularity • 22% Danceability • 6% Energy • 7% Liveness
49% Instrumentalness • 7% Positiveness
► Preview
Claude Debussy
Prélude à l'après-midi d'un faune, L....
90 bpm • G# min • 10:44 • -30.2db
43% Popularity • 10% Danceability • 3% Energy • 10% Liveness
86% Instrumentalness • 3% Positiveness
43% Popularity • 10% Danceability • 3% Energy • 10% Liveness
86% Instrumentalness • 3% Positiveness
► Preview
Gabriel Fauré
Fauré: Élégie, Op. 24
90 bpm • G# Maj • 06:46 • -26db
22% Popularity • 16% Danceability • 2% Energy • 10% Liveness
92% Instrumentalness • 6% Positiveness
22% Popularity • 16% Danceability • 2% Energy • 10% Liveness
92% Instrumentalness • 6% Positiveness
► Preview
Alexander Borodin
String Quartet No.2 in D Major
90 bpm • A Maj • 08:12 • -20.95db
22% Popularity • 18% Danceability • 12% Energy • 7% Liveness
75% Instrumentalness • 11% Positiveness
22% Popularity • 18% Danceability • 12% Energy • 7% Liveness
75% Instrumentalness • 11% Positiveness
► Preview
Pablo de Sarasate
Zigeunerweisen, Op. 20: III. Un poco pi�...
105 bpm • C min • 01:53 • -27db
34% Popularity • 19% Danceability • 5% Energy • 18% Liveness
38% Instrumentalness • 11% Positiveness
34% Popularity • 19% Danceability • 5% Energy • 18% Liveness
38% Instrumentalness • 11% Positiveness
► Preview
Alexander Glazunov
Raymonda, Op. 57: Act III - Variation IV
90 bpm • D min • 02:32 • -35db
38% Popularity • 23% Danceability • 2% Energy • 13% Liveness
88% Instrumentalness • 6% Positiveness
38% Popularity • 23% Danceability • 2% Energy • 13% Liveness
88% Instrumentalness • 6% Positiveness
► Preview
Dmitri Shostakovich
Violin Sonata in G Major, Op. 134: II. A...
90 bpm • D# Maj • 07:46 • -18.25db
19% Popularity • 47% Danceability • 20% Energy • 6% Liveness
9% Instrumentalness • 54% Positiveness
19% Popularity • 47% Danceability • 20% Energy • 6% Liveness
9% Instrumentalness • 54% Positiveness
► Preview
Franz Schubert
Auf dem Wasser zu singen, D. 774 - Trans...
105 bpm • G# min • 03:52 • -20.8db
47% Popularity • 24% Danceability • 16% Energy • 12% Liveness
92% Instrumentalness • 18% Positiveness
47% Popularity • 24% Danceability • 16% Energy • 12% Liveness
92% Instrumentalness • 18% Positiveness
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Gerald Finzi
Love's Labour's Lost, Op. 28a: III. Duma...
105 bpm • G min • 01:17 • -25db
46% Popularity • 23% Danceability • 9% Energy • 14% Liveness
94% Instrumentalness • 34% Positiveness
46% Popularity • 23% Danceability • 9% Energy • 14% Liveness
94% Instrumentalness • 34% Positiveness
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Max Bruch
Bruch: Violin Concerto No. 1 in G Minor,...
90 bpm • G Maj • 07:34 • -16db
34% Popularity • 35% Danceability • 20% Energy • 20% Liveness
4% Instrumentalness • 33% Positiveness
34% Popularity • 35% Danceability • 20% Energy • 20% Liveness
4% Instrumentalness • 33% Positiveness
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Niccolò Paganini
Violin Concerto No. 2 in B Minor, Op. 7,...
105 bpm • B min • 08:43 • -23.55db
48% Popularity • 47% Danceability • 18% Energy • 37% Liveness
31% Instrumentalness • 24% Positiveness
48% Popularity • 47% Danceability • 18% Energy • 37% Liveness
31% Instrumentalness • 24% Positiveness
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Sergei Rachmaninoff
Aleko: Intermezzo
90 bpm • A# Maj • 01:54 • -32.72db
44% Popularity • 19% Danceability • 2% Energy • 8% Liveness
68% Instrumentalness • 4% Positiveness
44% Popularity • 19% Danceability • 2% Energy • 8% Liveness
68% Instrumentalness • 4% Positiveness
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Dmitri Shostakovich
The Gadfly Suite, Op. 97a: V. Barrel-Org...
105 bpm • A# Maj • 02:00 • -28db
29% Popularity • 43% Danceability • 5% Energy • 21% Liveness
94% Instrumentalness • 79% Positiveness
29% Popularity • 43% Danceability • 5% Energy • 21% Liveness
94% Instrumentalness • 79% Positiveness
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Jules Massenet
Méditation from Thaïs
89 bpm • E min • 05:31 • -23.42db
56% Popularity • 11% Danceability • 7% Energy • 9% Liveness
43% Instrumentalness • 4% Positiveness
56% Popularity • 11% Danceability • 7% Energy • 9% Liveness
43% Instrumentalness • 4% Positiveness
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Alexander Glazunov
Rhapsodie Orientale, Op. 29: 1. Andante
89 bpm • C# Maj • 04:32 • -31db
42% Popularity • 10% Danceability • 2% Energy • 8% Liveness
65% Instrumentalness • 4% Positiveness
42% Popularity • 10% Danceability • 2% Energy • 8% Liveness
65% Instrumentalness • 4% Positiveness
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Pablo de Sarasate
Carmen Fantasy, Op. 25: I. Moderato
89 bpm • D Maj • 03:14 • -21.21db
40% Popularity • 36% Danceability • 14% Energy • 26% Liveness
0% Instrumentalness • 41% Positiveness
40% Popularity • 36% Danceability • 14% Energy • 26% Liveness
0% Instrumentalness • 41% Positiveness
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Léo Delibes
Coppelia: Act I - Valse
89 bpm • D# Maj • 02:21 • -26.69db
55% Popularity • 20% Danceability • 3% Energy • 9% Liveness
87% Instrumentalness • 19% Positiveness
55% Popularity • 20% Danceability • 3% Energy • 9% Liveness
87% Instrumentalness • 19% Positiveness
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Joseph Haydn
String Quartet No. 62 in C Major, Op. 76...
106 bpm • G Maj • 07:42 • -28db
49% Popularity • 16% Danceability • 4% Energy • 16% Liveness
76% Instrumentalness • 11% Positiveness
49% Popularity • 16% Danceability • 4% Energy • 16% Liveness
76% Instrumentalness • 11% Positiveness
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Lev Atovmyan
Pyat'dney-pyat' nochey (Five Days - Five...
89 bpm • A# Maj • 06:05 • -29.19db
7% Popularity • 14% Danceability • 1% Energy • 8% Liveness
35% Instrumentalness • 3% Positiveness
7% Popularity • 14% Danceability • 1% Energy • 8% Liveness
35% Instrumentalness • 3% Positiveness
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Dmitri Shostakovich
Symphony No. 5 in D Minor, Op. 47: IV. A...
106 bpm • A# Maj • 08:59 • -13.38db
38% Popularity • 28% Danceability • 35% Energy • 16% Liveness
91% Instrumentalness • 12% Positiveness
38% Popularity • 28% Danceability • 35% Energy • 16% Liveness
91% Instrumentalness • 12% Positiveness
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Sergei Rachmaninoff
Rhapsody on a Theme of Paganini, Op. 43:...
88 bpm • C# Maj • 02:54 • -23.84db
56% Popularity • 20% Danceability • 5% Energy • 10% Liveness
91% Instrumentalness • 5% Positiveness
56% Popularity • 20% Danceability • 5% Energy • 10% Liveness
91% Instrumentalness • 5% Positiveness
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Florence Beatrice Price
Dances in the Canebrakes (Arr. W.G. Stil...
88 bpm • E Maj • 02:35 • -20db
38% Popularity • 39% Danceability • 8% Energy • 9% Liveness
89% Instrumentalness • 30% Positiveness
38% Popularity • 39% Danceability • 8% Energy • 9% Liveness
89% Instrumentalness • 30% Positiveness
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Léo Delibes
Le roi s'amuse: Passepied
88 bpm • A Maj • 01:41 • -31db
54% Popularity • 50% Danceability • 6% Energy • 8% Liveness
85% Instrumentalness • 32% Positiveness
54% Popularity • 50% Danceability • 6% Energy • 8% Liveness
85% Instrumentalness • 32% Positiveness
► Preview
Aram Khachaturian
Khachaturian: Spartacus (Highlights from...
88 bpm • G# Maj • 09:54 • -21.56db
39% Popularity • 11% Danceability • 11% Energy • 10% Liveness
82% Instrumentalness • 3% Positiveness
39% Popularity • 11% Danceability • 11% Energy • 10% Liveness
82% Instrumentalness • 3% Positiveness
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Modest Mussorgsky
Pictures at an Exhibition (Orch. Ravel):...
88 bpm • F Maj • 01:35 • -18db
45% Popularity • 34% Danceability • 3% Energy • 28% Liveness
96% Instrumentalness • 20% Positiveness
45% Popularity • 34% Danceability • 3% Energy • 28% Liveness
96% Instrumentalness • 20% Positiveness
► Preview
Dmitri Shostakovich
Shostakovich: Piano Quintet in G Minor, ...
88 bpm • F min • 04:25 • -14.97db
25% Popularity • 24% Danceability • 28% Energy • 8% Liveness
16% Instrumentalness • 20% Positiveness
25% Popularity • 24% Danceability • 28% Energy • 8% Liveness
16% Instrumentalness • 20% Positiveness
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Rudolf Barshai
Chamber Symphony in F Major, Op. 73a (Ar...
88 bpm • C Maj • 06:08 • -14.97db
7% Popularity • 43% Danceability • 13% Energy • 7% Liveness
69% Instrumentalness • 18% Positiveness
7% Popularity • 43% Danceability • 13% Energy • 7% Liveness
69% Instrumentalness • 18% Positiveness
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Franz Liszt
La campanella in G-Sharp Minor
88 bpm • G# min • 04:47 • -22.17db
52% Popularity • 28% Danceability • 29% Energy • 8% Liveness
89% Instrumentalness • 51% Positiveness
52% Popularity • 28% Danceability • 29% Energy • 8% Liveness
89% Instrumentalness • 51% Positiveness
► Preview
Camille Saint-Saëns
Danse Macabre, Op. 40, R.171
107 bpm • G min • 07:22 • -23.9db
58% Popularity • 37% Danceability • 13% Energy • 8% Liveness
92% Instrumentalness • 7% Positiveness
58% Popularity • 37% Danceability • 13% Energy • 8% Liveness
92% Instrumentalness • 7% Positiveness
► Preview
Gabriel Fauré
Elégie in C Minor, Op. 24 (Arr. Parkin ...
88 bpm • G# Maj • 07:35 • -24db
49% Popularity • 12% Danceability • 4% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
49% Popularity • 12% Danceability • 4% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
► Preview
Frederick Delius
2 Aquarelles: No. 1. Lento, ma non tropp...
88 bpm • A# Maj • 02:03 • -21db
36% Popularity • 16% Danceability • 14% Energy • 36% Liveness
81% Instrumentalness • 4% Positiveness
36% Popularity • 16% Danceability • 14% Energy • 36% Liveness
81% Instrumentalness • 4% Positiveness
► Preview
Dmitri Shostakovich
Concerto for Piano, Trumpet and String o...
107 bpm • G# Maj • 01:27 • -22.29db
19% Popularity • 20% Danceability • 11% Energy • 15% Liveness
89% Instrumentalness • 8% Positiveness
19% Popularity • 20% Danceability • 11% Energy • 15% Liveness
89% Instrumentalness • 8% Positiveness
► Preview
Rudolf Barshai
Chamber Symphony in C Minor, Op. 110a (a...
88 bpm • C# Maj • 05:41 • -18.14db
5% Popularity • 16% Danceability • 4% Energy • 10% Liveness
90% Instrumentalness • 3% Positiveness
5% Popularity • 16% Danceability • 4% Energy • 10% Liveness
90% Instrumentalness • 3% Positiveness
