Songs like The Girl for You by Alan Zachary
Based on a tempo of (+/- 10%) and a similar genre
► Preview
Alan Zachary
The Girl for You
139 bpm • A min • 05:06 • -5.66db
22% Popularity • 68% Danceability • 71% Energy • 13% Liveness
0% Instrumentalness • 74% Positiveness
22% Popularity • 68% Danceability • 71% Energy • 13% Liveness
0% Instrumentalness • 74% Positiveness
► Preview
Emily Padgett
Typical Girls Next Door
139 bpm • C# Maj • 02:05 • -7.67db
9% Popularity • 61% Danceability • 37% Energy • 4% Liveness
0% Instrumentalness • 72% Positiveness
9% Popularity • 61% Danceability • 37% Energy • 4% Liveness
0% Instrumentalness • 72% Positiveness
► Preview
Lauren Lopez
The Night Belongs to Us
139 bpm • A Maj • 03:02 • -6.9db
25% Popularity • 44% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
25% Popularity • 44% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
► Preview
Sasha Allen
White Boys
139 bpm • F Maj • 02:22 • -4.93db
20% Popularity • 56% Danceability • 87% Energy • 49% Liveness
0% Instrumentalness • 76% Positiveness
20% Popularity • 56% Danceability • 87% Energy • 49% Liveness
0% Instrumentalness • 76% Positiveness
► Preview
Andy Mientus
The Man In The Middle
139 bpm • A Maj • 02:27 • -8db
12% Popularity • 55% Danceability • 30% Energy • 36% Liveness
0% Instrumentalness • 57% Positiveness
12% Popularity • 55% Danceability • 30% Energy • 36% Liveness
0% Instrumentalness • 57% Positiveness
► Preview
Sara Bareilles
It Takes Two
139 bpm • A# Maj • 02:49 • -10.59db
38% Popularity • 48% Danceability • 33% Energy • 15% Liveness
0% Instrumentalness • 45% Positiveness
38% Popularity • 48% Danceability • 33% Energy • 15% Liveness
0% Instrumentalness • 45% Positiveness
► Preview
Santino Fontana
Opening Number
140 bpm • D Maj • 05:56 • -9.88db
17% Popularity • 62% Danceability • 42% Energy • 19% Liveness
0% Instrumentalness • 71% Positiveness
17% Popularity • 62% Danceability • 42% Energy • 19% Liveness
0% Instrumentalness • 71% Positiveness
► Preview
Alan Zachary
The Things I Never Said
138 bpm • G# Maj • 03:23 • -8.21db
22% Popularity • 36% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
22% Popularity • 36% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
► Preview
Kasie Gasparini
Two Little Lines
140 bpm • F Maj • 04:40 • -7.15db
23% Popularity • 68% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 53% Positiveness
23% Popularity • 68% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 53% Positiveness
► Preview
Megan McGinnis
Mr. Girl Hater
138 bpm • G# min • 01:41 • -7.94db
23% Popularity • 60% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
23% Popularity • 60% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
► Preview
Andy Mientus
Tarrytown
140 bpm • C Maj • 03:58 • -10db
9% Popularity • 38% Danceability • 33% Energy • 7% Liveness
0% Instrumentalness • 30% Positiveness
9% Popularity • 38% Danceability • 33% Energy • 7% Liveness
0% Instrumentalness • 30% Positiveness
► Preview
'Something Rotten' Ensemble
The Black Death
140 bpm • E Maj • 01:15 • -8.96db
38% Popularity • 72% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
38% Popularity • 72% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
► Preview
Jared Gertner
Life Story (Reprise)
138 bpm • G Maj • 01:57 • -17.72db
17% Popularity • 56% Danceability • 12% Energy • 16% Liveness
0% Instrumentalness • 34% Positiveness
17% Popularity • 56% Danceability • 12% Energy • 16% Liveness
0% Instrumentalness • 34% Positiveness
► Preview
Stephanie J. Block
I'm Breaking Down
141 bpm • A Maj • 04:48 • -7.7db
45% Popularity • 61% Danceability • 43% Energy • 40% Liveness
0% Instrumentalness • 56% Positiveness
45% Popularity • 61% Danceability • 43% Energy • 40% Liveness
0% Instrumentalness • 56% Positiveness
► Preview
Alan Zachary
In Love With You
137 bpm • C Maj • 03:53 • -6db
28% Popularity • 55% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
28% Popularity • 55% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
► Preview
Darius Nichols
I'm Black / Ain't Got No
137 bpm • E min • 01:05 • -6.32db
22% Popularity • 76% Danceability • 72% Energy • 21% Liveness
0% Instrumentalness • 80% Positiveness
22% Popularity • 76% Danceability • 72% Energy • 21% Liveness
0% Instrumentalness • 80% Positiveness
► Preview
Carner & Gregor
T.M.I.
137 bpm • D Maj • 03:49 • -14.32db
12% Popularity • 67% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
12% Popularity • 67% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
► Preview
Mindi Dickstein
I'd Be Delighted
141 bpm • G# min • 01:56 • -8.49db
27% Popularity • 61% Danceability • 38% Energy • 64% Liveness
0% Instrumentalness • 67% Positiveness
27% Popularity • 61% Danceability • 38% Energy • 64% Liveness
0% Instrumentalness • 67% Positiveness
► Preview
Diana Original Broadway Cast
She Moves In The Most Modern Ways
141 bpm • D Maj • 03:37 • -8.5db
21% Popularity • 53% Danceability • 45% Energy • 63% Liveness
0% Instrumentalness • 56% Positiveness
21% Popularity • 53% Danceability • 45% Energy • 63% Liveness
0% Instrumentalness • 56% Positiveness
► Preview
Brian D'Arcy James
Finale: Children Will Listen
137 bpm • C Maj • 06:20 • -10.04db
33% Popularity • 46% Danceability • 32% Energy • 19% Liveness
0% Instrumentalness • 38% Positiveness
33% Popularity • 46% Danceability • 32% Energy • 19% Liveness
0% Instrumentalness • 38% Positiveness
► Preview
Alan Zachary
I'd Order Love
137 bpm • B Maj • 03:28 • -6.22db
21% Popularity • 51% Danceability • 56% Energy • 14% Liveness
0% Instrumentalness • 54% Positiveness
21% Popularity • 51% Danceability • 56% Energy • 14% Liveness
0% Instrumentalness • 54% Positiveness
► Preview
Caroline O'Connor
The Press Conference
137 bpm • C Maj • 02:05 • -9db
37% Popularity • 74% Danceability • 53% Energy • 26% Liveness
0% Instrumentalness • 89% Positiveness
37% Popularity • 74% Danceability • 53% Energy • 26% Liveness
0% Instrumentalness • 89% Positiveness
► Preview
Linda Hart
(The Legend of) Miss Baltimore Crabs
142 bpm • C# Maj • 02:53 • -8.16db
28% Popularity • 70% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
28% Popularity • 70% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
► Preview
Megan Hilty, Stephanie J. Block, Allison Janney and Ensemble
Shine Like The Sun
142 bpm • E Maj • 04:15 • -6.44db
33% Popularity • 60% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
33% Popularity • 60% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
► Preview
'Songs for a New World' 2018 Encores! Off-Center Company
'It's about one moment' (Transition)
142 bpm • B Maj • 01:33 • -6.96db
18% Popularity • 52% Danceability • 45% Energy • 49% Liveness
0% Instrumentalness • 35% Positiveness
18% Popularity • 52% Danceability • 45% Energy • 49% Liveness
0% Instrumentalness • 35% Positiveness
► Preview
Tessa Netting
Barb's Lament
142 bpm • F# Maj • 01:02 • -13.02db
27% Popularity • 66% Danceability • 31% Energy • 8% Liveness
0% Instrumentalness • 48% Positiveness
27% Popularity • 66% Danceability • 31% Energy • 8% Liveness
0% Instrumentalness • 48% Positiveness
► Preview
Alan Zachary
Allison's Theme #1
142 bpm • G# Maj • 00:50 • -8.73db
15% Popularity • 52% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
15% Popularity • 52% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
► Preview
Brad Alexander & Adam Mathias
Dark Ride
142 bpm • C min • 02:54 • -13.14db
2% Popularity • 38% Danceability • 18% Energy • 35% Liveness
0% Instrumentalness • 8% Positiveness
2% Popularity • 38% Danceability • 18% Energy • 35% Liveness
0% Instrumentalness • 8% Positiveness
► Preview
Kate Wetherhead
Don't Wanna Be Here
136 bpm • C Maj • 02:40 • -11.01db
30% Popularity • 70% Danceability • 26% Energy • 13% Liveness
0% Instrumentalness • 90% Positiveness
30% Popularity • 70% Danceability • 26% Energy • 13% Liveness
0% Instrumentalness • 90% Positiveness
► Preview
Jennifer Damiano
Hey #3 / Perfect for You - Reprise
136 bpm • E min • 02:23 • -13.98db
29% Popularity • 45% Danceability • 13% Energy • 17% Liveness
0% Instrumentalness • 14% Positiveness
29% Popularity • 45% Danceability • 13% Energy • 17% Liveness
0% Instrumentalness • 14% Positiveness
► Preview
Beth Leavel
Changing Lives
142 bpm • F# Maj • 03:10 • -6db
32% Popularity • 54% Danceability • 83% Energy • 5% Liveness
0% Instrumentalness • 70% Positiveness
32% Popularity • 54% Danceability • 83% Energy • 5% Liveness
0% Instrumentalness • 70% Positiveness
► Preview
Mindi Dickstein
Off to Massachusetts
136 bpm • A Maj • 01:40 • -10.32db
28% Popularity • 73% Danceability • 28% Energy • 8% Liveness
0% Instrumentalness • 69% Positiveness
28% Popularity • 73% Danceability • 28% Energy • 8% Liveness
0% Instrumentalness • 69% Positiveness
► Preview
Alan Zachary
Allison's Theme #2
142 bpm • F Maj • 00:48 • -10.45db
15% Popularity • 51% Danceability • 33% Energy • 5% Liveness
0% Instrumentalness • 60% Positiveness
15% Popularity • 51% Danceability • 33% Energy • 5% Liveness
0% Instrumentalness • 60% Positiveness
► Preview
Brian D'Arcy James
To Thine Own Self - Reprise
135 bpm • E min • 01:50 • -13.56db
32% Popularity • 31% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
32% Popularity • 31% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
► Preview
The Original Broadway Cast Of 'Curtains'
Wide Open Spaces
135 bpm • C Maj • 03:04 • -12.84db
22% Popularity • 69% Danceability • 37% Energy • 44% Liveness
0% Instrumentalness • 76% Positiveness
22% Popularity • 69% Danceability • 37% Energy • 44% Liveness
0% Instrumentalness • 76% Positiveness
► Preview
Original StarKid Cast of The Trail To Oregon!
Dysentery World
135 bpm • C min • 02:10 • -6.77db
28% Popularity • 49% Danceability • 69% Energy • 22% Liveness
0% Instrumentalness • 66% Positiveness
28% Popularity • 49% Danceability • 69% Energy • 22% Liveness
0% Instrumentalness • 66% Positiveness
► Preview
Michael Potts
We Look to You
135 bpm • C Maj • 02:45 • -11.3db
26% Popularity • 44% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
26% Popularity • 44% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
► Preview
Kevin Chamberlin
Horton Sits On The Egg / Act I Finale - ...
135 bpm • F Maj • 02:21 • -10.48db
30% Popularity • 52% Danceability • 48% Energy • 60% Liveness
0% Instrumentalness • 57% Positiveness
30% Popularity • 52% Danceability • 48% Energy • 60% Liveness
0% Instrumentalness • 57% Positiveness
► Preview
Terrence Mann
Everything's Golden
143 bpm • C# Maj • 03:22 • -7.48db
27% Popularity • 49% Danceability • 62% Energy • 30% Liveness
0% Instrumentalness • 77% Positiveness
27% Popularity • 49% Danceability • 62% Energy • 30% Liveness
0% Instrumentalness • 77% Positiveness
► Preview
Gavin Creel
Any Moment
144 bpm • F min • 02:07 • -17.41db
31% Popularity • 50% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
31% Popularity • 50% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
► Preview
Aaron Tveit
You Can't Tame Me
143 bpm • D# Maj • 03:23 • -12db
24% Popularity • 45% Danceability • 23% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
24% Popularity • 45% Danceability • 23% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
► Preview
Hunter Foster
Look at the Sky
144 bpm • F# Maj • 03:14 • -8.94db
28% Popularity • 56% Danceability • 36% Energy • 38% Liveness
0% Instrumentalness • 50% Positiveness
28% Popularity • 56% Danceability • 36% Energy • 38% Liveness
0% Instrumentalness • 50% Positiveness
► Preview
Grey Henson
Where Do You Belong?
144 bpm • A# Maj • 04:53 • -5.41db
52% Popularity • 46% Danceability • 72% Energy • 15% Liveness
0% Instrumentalness • 48% Positiveness
52% Popularity • 46% Danceability • 72% Energy • 15% Liveness
0% Instrumentalness • 48% Positiveness
► Preview
Lisa Brescia
Let Things Go
144 bpm • B Maj • 03:09 • -12.75db
23% Popularity • 57% Danceability • 19% Energy • 16% Liveness
0% Instrumentalness • 61% Positiveness
23% Popularity • 57% Danceability • 19% Energy • 16% Liveness
0% Instrumentalness • 61% Positiveness
► Preview
Beth Leavel
Changing Lives (Reprise)
144 bpm • D Maj • 01:52 • -5.74db
29% Popularity • 61% Danceability • 73% Energy • 8% Liveness
0% Instrumentalness • 79% Positiveness
29% Popularity • 61% Danceability • 73% Energy • 8% Liveness
0% Instrumentalness • 79% Positiveness
► Preview
Zachary Levi
Three Letters
134 bpm • A min • 02:56 • -11db
24% Popularity • 56% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
24% Popularity • 56% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
► Preview
Keala Settle
The Negative
144 bpm • C# Maj • 02:27 • -7.25db
49% Popularity • 58% Danceability • 60% Energy • 29% Liveness
0% Instrumentalness • 63% Positiveness
49% Popularity • 58% Danceability • 60% Energy • 29% Liveness
0% Instrumentalness • 63% Positiveness
► Preview
Louis Hobson
You Can Do Better Than Him
134 bpm • A Maj • 03:11 • -12.44db
31% Popularity • 41% Danceability • 21% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
31% Popularity • 41% Danceability • 21% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
► Preview
Krysta Rodriguez
Bonjour Paris
144 bpm • G min • 01:49 • -7.24db
6% Popularity • 42% Danceability • 45% Energy • 13% Liveness
0% Instrumentalness • 50% Positiveness
6% Popularity • 42% Danceability • 45% Energy • 13% Liveness
0% Instrumentalness • 50% Positiveness
► Preview
Hunter Foster
The Space Between
134 bpm • G Maj • 02:27 • -9.99db
23% Popularity • 72% Danceability • 40% Energy • 28% Liveness
0% Instrumentalness • 76% Positiveness
23% Popularity • 72% Danceability • 40% Energy • 28% Liveness
0% Instrumentalness • 76% Positiveness
► Preview
Lea Michele
Sadie, Sadie
145 bpm • F min • 04:08 • -10db
26% Popularity • 44% Danceability • 42% Energy • 27% Liveness
0% Instrumentalness • 46% Positiveness
26% Popularity • 44% Danceability • 42% Energy • 27% Liveness
0% Instrumentalness • 46% Positiveness
► Preview
‘Into The Woods’ 2022 Broadway Cast
First Midnight
133 bpm • A# min • 01:11 • -7.32db
34% Popularity • 66% Danceability • 52% Energy • 19% Liveness
0% Instrumentalness • 74% Positiveness
34% Popularity • 66% Danceability • 52% Energy • 19% Liveness
0% Instrumentalness • 74% Positiveness
► Preview
Kecia Lewis-Evans
I Do, I Do in the Sky
145 bpm • A# min • 02:08 • -7db
29% Popularity • 67% Danceability • 46% Energy • 20% Liveness
0% Instrumentalness • 60% Positiveness
29% Popularity • 67% Danceability • 46% Energy • 20% Liveness
0% Instrumentalness • 60% Positiveness
► Preview
John Tartaglia
Freak Flag
145 bpm • A Maj • 03:51 • -7.09db
43% Popularity • 60% Danceability • 53% Energy • 40% Liveness
0% Instrumentalness • 58% Positiveness
43% Popularity • 60% Danceability • 53% Energy • 40% Liveness
0% Instrumentalness • 58% Positiveness
► Preview
Bryce Ryness
What You Do to Me
133 bpm • G# Maj • 02:36 • -5.34db
15% Popularity • 69% Danceability • 82% Energy • 8% Liveness
0% Instrumentalness • 60% Positiveness
15% Popularity • 69% Danceability • 82% Energy • 8% Liveness
0% Instrumentalness • 60% Positiveness
► Preview
Kate Wetherhead
Rooftop Duet / Falling
145 bpm • D Maj • 07:23 • -12.13db
21% Popularity • 52% Danceability • 22% Energy • 13% Liveness
0% Instrumentalness • 33% Positiveness
21% Popularity • 52% Danceability • 22% Energy • 13% Liveness
0% Instrumentalness • 33% Positiveness
► Preview
Original StarKid Cast of The Trail To Oregon!
Lost Without You
132 bpm • G Maj • 03:40 • -6db
28% Popularity • 61% Danceability • 75% Energy • 20% Liveness
0% Instrumentalness • 54% Positiveness
28% Popularity • 61% Danceability • 75% Energy • 20% Liveness
0% Instrumentalness • 54% Positiveness
► Preview
Diana Original Broadway Cast
The Main Event
146 bpm • A# Maj • 04:26 • -6.53db
23% Popularity • 72% Danceability • 68% Energy • 7% Liveness
0% Instrumentalness • 83% Positiveness
23% Popularity • 72% Danceability • 68% Energy • 7% Liveness
0% Instrumentalness • 83% Positiveness
► Preview
Alice By Heart Original Cast Recording Company
Do You Think We Think You're Alice?
132 bpm • G# Maj • 01:18 • -10.86db
32% Popularity • 72% Danceability • 48% Energy • 14% Liveness
0% Instrumentalness • 78% Positiveness
32% Popularity • 72% Danceability • 48% Energy • 14% Liveness
0% Instrumentalness • 78% Positiveness
► Preview
Brent Carver
This Is Not Over Yet
132 bpm • A Maj • 02:49 • -10.07db
29% Popularity • 49% Danceability • 39% Energy • 33% Liveness
0% Instrumentalness • 78% Positiveness
29% Popularity • 49% Danceability • 39% Energy • 33% Liveness
0% Instrumentalness • 78% Positiveness
► Preview
Ethan Carlson
Lydia (Purple Cloth)
132 bpm • G Maj • 04:13 • -7.65db
1% Popularity • 69% Danceability • 44% Energy • 8% Liveness
0% Instrumentalness • 55% Positiveness
1% Popularity • 69% Danceability • 44% Energy • 8% Liveness
0% Instrumentalness • 55% Positiveness
► Preview
Kacie Sheik
Air
132 bpm • G Maj • 01:29 • -9.75db
22% Popularity • 69% Danceability • 44% Energy • 64% Liveness
0% Instrumentalness • 91% Positiveness
22% Popularity • 69% Danceability • 44% Energy • 64% Liveness
0% Instrumentalness • 91% Positiveness
► Preview
Andy Karl
Day Two
132 bpm • D Maj • 04:26 • -8.2db
28% Popularity • 50% Danceability • 53% Energy • 23% Liveness
0% Instrumentalness • 42% Positiveness
28% Popularity • 50% Danceability • 53% Energy • 23% Liveness
0% Instrumentalness • 42% Positiveness
► Preview
Bring It On: The Musical - Original Broadway Cast
Cross The Line
132 bpm • G Maj • 03:46 • -4db
34% Popularity • 61% Danceability • 90% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
34% Popularity • 61% Danceability • 90% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
► Preview
Isaac Powell
Some Girls
147 bpm • D# Maj • 03:11 • -16db
26% Popularity • 38% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
26% Popularity • 38% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
► Preview
Casey Likes
1973
147 bpm • C Maj • 06:00 • -5.69db
28% Popularity • 55% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 57% Positiveness
28% Popularity • 55% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 57% Positiveness
► Preview
Heidi Blickenstaff
What Kind of Girl Is She?
131 bpm • B Maj • 01:50 • -15.16db
19% Popularity • 56% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
19% Popularity • 56% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
► Preview
Jeremy Jordan
The Legend Of Sleepy Hollow
131 bpm • F min • 03:38 • -7db
13% Popularity • 55% Danceability • 51% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
13% Popularity • 55% Danceability • 51% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
► Preview
Krysta Rodriguez
Headshot
131 bpm • A min • 04:34 • -9.33db
3% Popularity • 53% Danceability • 61% Energy • 15% Liveness
0% Instrumentalness • 24% Positiveness
3% Popularity • 53% Danceability • 61% Energy • 15% Liveness
0% Instrumentalness • 24% Positiveness
► Preview
Tessa Netting
Pay Attention!
147 bpm • F# Maj • 03:35 • -14.62db
28% Popularity • 75% Danceability • 37% Energy • 34% Liveness
0% Instrumentalness • 40% Positiveness
28% Popularity • 75% Danceability • 37% Energy • 34% Liveness
0% Instrumentalness • 40% Positiveness
► Preview
Mindi Dickstein
Five Forever
131 bpm • E Maj • 02:38 • -8.05db
28% Popularity • 67% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 74% Positiveness
28% Popularity • 67% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 74% Positiveness
► Preview
Nancy Opel
It's a Privilege to Pee
131 bpm • C min • 03:47 • -11db
32% Popularity • 64% Danceability • 26% Energy • 14% Liveness
0% Instrumentalness • 62% Positiveness
32% Popularity • 64% Danceability • 26% Energy • 14% Liveness
0% Instrumentalness • 62% Positiveness
► Preview
Heidi Blickenstaff
Right Hand Man
147 bpm • C# Maj • 02:43 • -8db
47% Popularity • 64% Danceability • 43% Energy • 8% Liveness
0% Instrumentalness • 83% Positiveness
47% Popularity • 64% Danceability • 43% Energy • 8% Liveness
0% Instrumentalness • 83% Positiveness
► Preview
Erika Henningsen
Fearless
147 bpm • G Maj • 04:11 • -5.17db
48% Popularity • 36% Danceability • 70% Energy • 40% Liveness
0% Instrumentalness • 23% Positiveness
48% Popularity • 36% Danceability • 70% Energy • 40% Liveness
0% Instrumentalness • 23% Positiveness
► Preview
Julia Lester
I Know Things Now
131 bpm • C Maj • 01:55 • -10.42db
33% Popularity • 75% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
33% Popularity • 75% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
► Preview
'Hair' Tribe
Curtain Call: Hair - Reprise
131 bpm • C min • 01:35 • -6.17db
17% Popularity • 45% Danceability • 89% Energy • 71% Liveness
1% Instrumentalness • 60% Positiveness
17% Popularity • 45% Danceability • 89% Energy • 71% Liveness
1% Instrumentalness • 60% Positiveness
► Preview
'The Drowsy Chaperone' Original Broadway Cast
Fancy Dress
131 bpm • C# Maj • 04:55 • -8db
28% Popularity • 68% Danceability • 49% Energy • 45% Liveness
0% Instrumentalness • 81% Positiveness
28% Popularity • 68% Danceability • 49% Energy • 45% Liveness
0% Instrumentalness • 81% Positiveness
► Preview
Zachary Levi
Good Morning, Good Day
131 bpm • B Maj • 03:07 • -8.93db
27% Popularity • 64% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
27% Popularity • 64% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
► Preview
Alan Zachary
The One
148 bpm • D Maj • 02:39 • -3.01db
26% Popularity • 71% Danceability • 86% Energy • 16% Liveness
0% Instrumentalness • 74% Positiveness
26% Popularity • 71% Danceability • 86% Energy • 16% Liveness
0% Instrumentalness • 74% Positiveness
► Preview
Diana Original Broadway Cast
The Worst Job In England
148 bpm • F Maj • 03:00 • -6.15db
25% Popularity • 74% Danceability • 70% Energy • 90% Liveness
0% Instrumentalness • 82% Positiveness
25% Popularity • 74% Danceability • 70% Energy • 90% Liveness
0% Instrumentalness • 82% Positiveness
► Preview
Aidan Gemme
We Own The Night - Original Broadway Cas...
130 bpm • C# Maj • 03:04 • -9.25db
26% Popularity • 78% Danceability • 45% Energy • 52% Liveness
0% Instrumentalness • 70% Positiveness
26% Popularity • 78% Danceability • 45% Energy • 52% Liveness
0% Instrumentalness • 70% Positiveness
► Preview
Charlotte D'Amboise
Spread a Little Sunshine
148 bpm • C min • 03:03 • -9.43db
33% Popularity • 36% Danceability • 34% Energy • 62% Liveness
0% Instrumentalness • 48% Positiveness
33% Popularity • 36% Danceability • 34% Energy • 62% Liveness
0% Instrumentalness • 48% Positiveness
► Preview
Terrence Mann
Let's Not Talk About Anything Else But L...
149 bpm • F Maj • 03:19 • -10.74db
35% Popularity • 60% Danceability • 38% Energy • 27% Liveness
0% Instrumentalness • 69% Positiveness
35% Popularity • 60% Danceability • 38% Energy • 27% Liveness
0% Instrumentalness • 69% Positiveness
► Preview
Caitlin Kinnunen
You Happened
130 bpm • C Maj • 03:14 • -5.7db
31% Popularity • 79% Danceability • 71% Energy • 7% Liveness
0% Instrumentalness • 89% Positiveness
31% Popularity • 79% Danceability • 71% Energy • 7% Liveness
0% Instrumentalness • 89% Positiveness
► Preview
Mindi Dickstein
Our Finest Dreams
149 bpm • C# Maj • 03:38 • -8.01db
27% Popularity • 54% Danceability • 40% Energy • 37% Liveness
0% Instrumentalness • 67% Positiveness
27% Popularity • 54% Danceability • 40% Energy • 37% Liveness
0% Instrumentalness • 67% Positiveness
► Preview
Nick Blaemire
The Truth Is a Lie
130 bpm • F Maj • 04:48 • -7.13db
9% Popularity • 60% Danceability • 70% Energy • 5% Liveness
0% Instrumentalness • 51% Positiveness
9% Popularity • 60% Danceability • 70% Energy • 5% Liveness
0% Instrumentalness • 51% Positiveness
► Preview
Ali Stroker
I Cain’t Say No
149 bpm • C Maj • 03:58 • -8.32db
30% Popularity • 56% Danceability • 37% Energy • 27% Liveness
0% Instrumentalness • 58% Positiveness
30% Popularity • 56% Danceability • 37% Energy • 27% Liveness
0% Instrumentalness • 58% Positiveness
► Preview
Gavin Creel
Hello, Little Girl
130 bpm • A# min • 02:41 • -13db
34% Popularity • 51% Danceability • 26% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
34% Popularity • 51% Danceability • 26% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
► Preview
Daniel and Laura Curtis
Stop Bringing Me Down
149 bpm • D min • 03:21 • -7.15db
0% Popularity • 38% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
0% Popularity • 38% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
► Preview
Nathan Lane
Betrayed
149 bpm • G# Maj • 04:52 • -11db
25% Popularity • 57% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
25% Popularity • 57% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
► Preview
Kerry Butler
What's Wrong With Me? (Reprise)
129 bpm • C Maj • 01:50 • -8.37db
44% Popularity • 39% Danceability • 22% Energy • 18% Liveness
0% Instrumentalness • 27% Positiveness
44% Popularity • 39% Danceability • 22% Energy • 18% Liveness
0% Instrumentalness • 27% Positiveness
► Preview
Heidi Blickenstaff
Today and Ev'ry Day
129 bpm • A Maj • 06:57 • -8db
25% Popularity • 50% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
25% Popularity • 50% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
► Preview
Rebecca Naomi Jones
Many A New Day
130 bpm • C Maj • 03:09 • -9.56db
25% Popularity • 65% Danceability • 19% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
25% Popularity • 65% Danceability • 19% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
► Preview
Original Cast of Amélie
World's Best Dad
150 bpm • D Maj • 02:19 • -7.05db
19% Popularity • 56% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
19% Popularity • 56% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
► Preview
Bebe Neuwirth
Just Around The Corner
129 bpm • F# Maj • 03:58 • -10db
39% Popularity • 57% Danceability • 40% Energy • 7% Liveness
0% Instrumentalness • 64% Positiveness
39% Popularity • 57% Danceability • 40% Energy • 7% Liveness
0% Instrumentalness • 64% Positiveness
► Preview
'Something Rotten' Company
Finale
129 bpm • C Maj • 02:31 • -6.17db
33% Popularity • 58% Danceability • 70% Energy • 13% Liveness
0% Instrumentalness • 53% Positiveness
33% Popularity • 58% Danceability • 70% Energy • 13% Liveness
0% Instrumentalness • 53% Positiveness
► Preview
Alan Zachary
First Impressions
150 bpm • C Maj • 03:35 • -5.62db
31% Popularity • 74% Danceability • 71% Energy • 12% Liveness
0% Instrumentalness • 84% Positiveness
31% Popularity • 74% Danceability • 71% Energy • 12% Liveness
0% Instrumentalness • 84% Positiveness
► Preview
Harry Hadden-Paton
Why Can't the English?
129 bpm • C Maj • 02:52 • -10.62db
17% Popularity • 64% Danceability • 40% Energy • 24% Liveness
0% Instrumentalness • 67% Positiveness
17% Popularity • 64% Danceability • 40% Energy • 24% Liveness
0% Instrumentalness • 67% Positiveness
