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The Goodbye Song
Songs like
The Goodbye Song
by
George Salazar
Based on a tempo of (+/- 10%) and a similar genre
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Drew Gehling
It Only Takes a Taste
111 bpm • F# Maj • 03:08 • -12db
51% Popularity • 75% Danceability • 26% Energy • 35% Liveness
0% Instrumentalness • 37% Positiveness
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Max Crumm
Falling (Reprise) / Take Me as I Am [Rep...
111 bpm • C Maj • 03:24 • -4.74db
1% Popularity • 36% Danceability • 81% Energy • 26% Liveness
0% Instrumentalness • 52% Positiveness
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Gavin Creel
Molly's Song
111 bpm • D Maj • 02:47 • -8.74db
20% Popularity • 65% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
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George Salazar
The Goodbye Song
111 bpm • D# Maj • 06:01 • -13.85db
29% Popularity • 48% Danceability • 8% Energy • 8% Liveness
0% Instrumentalness • 16% Positiveness
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Jessica Keenan Wynn
The Me Inside of Me
111 bpm • A# min • 05:15 • -9.33db
52% Popularity • 53% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
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Matt Dahan
The Red Vineyard
111 bpm • D# Maj • 02:37 • -10.5db
21% Popularity • 35% Danceability • 25% Energy • 22% Liveness
0% Instrumentalness • 11% Positiveness
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Will Roland
Two-Player Game
112 bpm • D Maj • 04:02 • -7db
28% Popularity • 59% Danceability • 62% Energy • 60% Liveness
0% Instrumentalness • 58% Positiveness
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Ethan Jewell
Dreams
110 bpm • G# Maj • 05:08 • -13.86db
32% Popularity • 56% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Varian
Let Me Make You Proud (Reprise)
112 bpm • C# Maj • 01:02 • -8db
41% Popularity • 45% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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George Salazar
Michael in the Bathroom
111 bpm • E Maj • 05:21 • -16db
18% Popularity • 64% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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Ethan Nestor
When I Met You
110 bpm • C# Maj • 03:19 • -11db
31% Popularity • 54% Danceability • 17% Energy • 14% Liveness
0% Instrumentalness • 35% Positiveness
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dodie
Ready Now
110 bpm • G Maj • 03:01 • -20.44db
50% Popularity • 69% Danceability • 5% Energy • 13% Liveness
20% Instrumentalness • 32% Positiveness
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36 Questions
Judith Ford
112 bpm • F# min • 02:30 • -9.54db
32% Popularity • 68% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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Cavetown
You've Got a Friend In Me
110 bpm • C Maj • 02:18 • -14db
42% Popularity • 76% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
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Oliver Boyd and the Remembralls
Just a Hufflepuff
112 bpm • F# Maj • 03:20 • -9.93db
25% Popularity • 60% Danceability • 43% Energy • 30% Liveness
0% Instrumentalness • 54% Positiveness
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George Salazar
Light of the World
110 bpm • F# min • 02:43 • -8db
29% Popularity • 55% Danceability • 79% Energy • 5% Liveness
0% Instrumentalness • 68% Positiveness
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Finn Anderson
Answerphone
110 bpm • D Maj • 01:18 • -12.72db
21% Popularity • 91% Danceability • 7% Energy • 9% Liveness
0% Instrumentalness • 74% Positiveness
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dodie
If I'm Being Honest
112 bpm • A# Maj • 04:39 • -12.44db
44% Popularity • 44% Danceability • 19% Energy • 11% Liveness
3% Instrumentalness • 19% Positiveness
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Krystina Alabado
Babbling Brooke
112 bpm • G# Maj • 04:45 • -9.44db
27% Popularity • 78% Danceability • 61% Energy • 8% Liveness
0% Instrumentalness • 82% Positiveness
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Will Roland
Voices in My Head
112 bpm • F Maj • 04:44 • -7.94db
26% Popularity • 55% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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Halfy & Winks
Other Side of the Moon
109 bpm • C Maj • 04:37 • -9.23db
24% Popularity • 25% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 9% Positiveness
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George Salazar
Two-Player Game
112 bpm • D Maj • 03:55 • -11.37db
13% Popularity • 64% Danceability • 34% Energy • 13% Liveness
0% Instrumentalness • 52% Positiveness
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Ben Platt
Finale
113 bpm • F Maj • 01:35 • -10.34db
46% Popularity • 42% Danceability • 9% Energy • 9% Liveness
0% Instrumentalness • 41% Positiveness
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dodie
Burned Out
110 bpm • F Maj • 03:31 • -16.93db
46% Popularity • 52% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
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Katie Thompson
Miles To Go
113 bpm • C# Maj • 04:58 • -7.85db
19% Popularity • 43% Danceability • 33% Energy • 15% Liveness
0% Instrumentalness • 24% Positiveness
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Kait Kerrigan & Brian Lowdermilk
Holding On
109 bpm • E Maj • 04:58 • -7.86db
8% Popularity • 31% Danceability • 36% Energy • 63% Liveness
0% Instrumentalness • 27% Positiveness
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Will Connolly
Voices in My Head
109 bpm • G Maj • 04:18 • -6db
33% Popularity • 51% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
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George Salazar
Iron Mike
110 bpm • C Maj • 04:33 • -9db
9% Popularity • 43% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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Ben Platt
Words Fail
109 bpm • C Maj • 05:47 • -10.78db
37% Popularity • 39% Danceability • 17% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
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Michael Park
To Break In a Glove
108 bpm • G Maj • 03:50 • -8.66db
46% Popularity • 65% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
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Hollie Allen
I Knew You Once
114 bpm • D Maj • 01:10 • -15.64db
32% Popularity • 51% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
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Joe Iconis
Album
114 bpm • C Maj • 07:10 • -14.95db
5% Popularity • 65% Danceability • 23% Energy • 8% Liveness
0% Instrumentalness • 22% Positiveness
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Original StarKid Cast of Twisted
If I Believed
108 bpm • D Maj • 01:57 • -9db
35% Popularity • 43% Danceability • 35% Energy • 19% Liveness
0% Instrumentalness • 14% Positiveness
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Brian D'Arcy James
I'll Jump
108 bpm • E min • 04:56 • -9.2db
14% Popularity • 46% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Mal Blum
Fine!
108 bpm • C Maj • 03:34 • -13.76db
36% Popularity • 68% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
► Preview
Adam Chanler-Berat
More Than Just a Friend
114 bpm • D Maj • 02:04 • -6.76db
14% Popularity • 56% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
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Rachel Bay Jones
Good For You
108 bpm • D# Maj • 03:05 • -4.69db
56% Popularity • 63% Danceability • 71% Energy • 24% Liveness
0% Instrumentalness • 79% Positiveness
► Preview
Matt Doyle
Stroke by Stroke
108 bpm • D Maj • 03:41 • -6db
14% Popularity • 52% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Bears In Trees
It Gets Better
108 bpm • C Maj • 03:25 • -9.2db
32% Popularity • 81% Danceability • 40% Energy • 17% Liveness
0% Instrumentalness • 83% Positiveness
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George Salazar
Two-Player Game
114 bpm • D Maj • 03:45 • -6.49db
37% Popularity • 52% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
► Preview
Andrew Garfield
Johnny Can't Decide
115 bpm • G# Maj • 03:30 • -7.46db
47% Popularity • 50% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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Egg
putting a spin on hey there delilah
115 bpm • F min • 03:35 • -21.11db
51% Popularity • 60% Danceability • 4% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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Rachel Bay Jones
Anybody Have a Map?
108 bpm • G Maj • 02:26 • -6.37db
56% Popularity • 63% Danceability • 60% Energy • 54% Liveness
0% Instrumentalness • 74% Positiveness
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Jonathan Groff
What Comes Next?
115 bpm • G Maj • 01:39 • -10.88db
63% Popularity • 52% Danceability • 30% Energy • 20% Liveness
0% Instrumentalness • 28% Positiveness
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Amina Faye
Oh Well
107 bpm • G# Maj • 05:30 • -8.06db
14% Popularity • 50% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 27% Positiveness
► Preview
Nick Blaemire
Pura Vida
115 bpm • C Maj • 04:21 • -9.27db
6% Popularity • 31% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
► Preview
Eddie Perfect
Mamma Would (Lydia) - 2015 Cut Song
115 bpm • C Maj • 03:21 • -5.89db
20% Popularity • 72% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 69% Positiveness
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Joe Iconis
Try Again
107 bpm • G Maj • 04:20 • -14.25db
4% Popularity • 51% Danceability • 19% Energy • 16% Liveness
0% Instrumentalness • 39% Positiveness
► Preview
Katherine Lynn-Rose
In the Clouds
115 bpm • C Maj • 03:25 • -18db
27% Popularity • 58% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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Leslie Odom Jr.
Dear Theodosia
107 bpm • A Maj • 03:04 • -10.48db
66% Popularity • 60% Danceability • 22% Energy • 7% Liveness
0% Instrumentalness • 27% Positiveness
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Reeve Carney
If it's True
116 bpm • A# min • 04:13 • -6.9db
48% Popularity • 59% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
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Nick Blaemire
Out of My Dreams
107 bpm • C# Maj • 04:39 • -6.96db
6% Popularity • 64% Danceability • 88% Energy • 29% Liveness
0% Instrumentalness • 59% Positiveness
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Rob Rokicki
Take the Weight
116 bpm • D Maj • 02:59 • -7.93db
26% Popularity • 45% Danceability • 37% Energy • 8% Liveness
0% Instrumentalness • 21% Positiveness
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Jared Weiss
Haddonfield, 15 Years Later (For Judith)...
107 bpm • A Maj • 04:46 • -8.25db
3% Popularity • 36% Danceability • 33% Energy • 17% Liveness
0% Instrumentalness • 23% Positiveness
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David Taylor Gomes
Come Up for Air
116 bpm • F Maj • 05:42 • -9.46db
11% Popularity • 44% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Chris Miller
One of These Nights
116 bpm • F Maj • 04:48 • -8.07db
9% Popularity • 29% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 19% Positiveness
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Drew Weston
Disaster
116 bpm • G Maj • 04:44 • -10.61db
11% Popularity • 56% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Seth Eliser
A Guy That I'd Kinda Be Into
116 bpm • D Maj • 03:16 • -13.62db
7% Popularity • 60% Danceability • 16% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
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Ethan Slater
(I Guess I) Miss You
116 bpm • A# Maj • 03:41 • -9.57db
34% Popularity • 47% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
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SNCKPCK
I've Got a Huge Crush On You
106 bpm • C Maj • 02:48 • -11.43db
19% Popularity • 54% Danceability • 31% Energy • 19% Liveness
0% Instrumentalness • 54% Positiveness
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Sydney Farley
Operation: Sha La La
106 bpm • G Maj • 04:59 • -7.24db
6% Popularity • 62% Danceability • 57% Energy • 18% Liveness
0% Instrumentalness • 46% Positiveness
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Lisa Brescia
I'll Be Here
106 bpm • C Maj • 05:25 • -15.95db
31% Popularity • 54% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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Andrew Keenan-Bolger
Partner in Crime
116 bpm • D Maj • 04:27 • -8.46db
35% Popularity • 75% Danceability • 50% Energy • 48% Liveness
0% Instrumentalness • 78% Positiveness
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Heidi Blickenstaff
Ammonia
106 bpm • C Maj • 08:01 • -6.43db
10% Popularity • 40% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Lilli Furfaro
Mothers
117 bpm • B Maj • 03:57 • -25.44db
27% Popularity • 80% Danceability • 5% Energy • 8% Liveness
0% Instrumentalness • 15% Positiveness
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Chris McCarrell
Drive
116 bpm • E Maj • 04:34 • -7.05db
43% Popularity • 68% Danceability • 64% Energy • 32% Liveness
0% Instrumentalness • 58% Positiveness
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Kelly McIntyre
The Three Failed Escape Attempts Of Shei...
117 bpm • F min • 07:01 • -7.2db
11% Popularity • 58% Danceability • 50% Energy • 62% Liveness
0% Instrumentalness • 49% Positiveness
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Jeremy Morse
Jeff
117 bpm • D Maj • 05:19 • -8.65db
8% Popularity • 75% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
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Matt Dahan
The Road
105 bpm • C# min • 05:18 • -9.2db
22% Popularity • 52% Danceability • 36% Energy • 7% Liveness
0% Instrumentalness • 22% Positiveness
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George Salazar
The Answer
117 bpm • D Maj • 04:54 • -16db
21% Popularity • 54% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Alex Brightman
A Little Bit
105 bpm • C Maj • 04:08 • -9.88db
27% Popularity • 62% Danceability • 51% Energy • 7% Liveness
0% Instrumentalness • 63% Positiveness
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Jonathan Raviv
Their Sign
105 bpm • E Maj • 03:00 • -9.73db
38% Popularity • 60% Danceability • 37% Energy • 24% Liveness
0% Instrumentalness • 37% Positiveness
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36 Questions
We Both
118 bpm • G Maj • 05:10 • -7.9db
31% Popularity • 76% Danceability • 54% Energy • 22% Liveness
0% Instrumentalness • 48% Positiveness
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Carson James Argenna
Budding Romance
104 bpm • F# Maj • 03:26 • -8.77db
26% Popularity • 50% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Shaina Taub
Is This Not Love
104 bpm • C# Maj • 05:21 • -9db
26% Popularity • 48% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 10% Positiveness
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George Salazar
Andy's Song
105 bpm • A Maj • 03:56 • -12.03db
27% Popularity • 65% Danceability • 26% Energy • 8% Liveness
0% Instrumentalness • 60% Positiveness
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Matt Dahan
Wheat Fields / Finale Ultimo
104 bpm • A# Maj • 05:33 • -10.28db
20% Popularity • 34% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
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Jason Tam
The Pitiful Children
104 bpm • C min • 04:16 • -5db
29% Popularity • 39% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
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Sydney Farley
B-Side: Jezebel
118 bpm • F Maj • 02:03 • -7.78db
5% Popularity • 51% Danceability • 44% Energy • 13% Liveness
0% Instrumentalness • 53% Positiveness
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Chris McCarrell
The Last Day of Summer
104 bpm • B Maj • 03:35 • -9.07db
44% Popularity • 50% Danceability • 38% Energy • 50% Liveness
0% Instrumentalness • 38% Positiveness
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Krystina Alabado
Go Tonight
104 bpm • G# Maj • 04:41 • -9.39db
35% Popularity • 64% Danceability • 37% Energy • 23% Liveness
0% Instrumentalness • 25% Positiveness
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George Salazar
I Love Play Rehearsal
118 bpm • B Maj • 03:29 • -15.92db
15% Popularity • 61% Danceability • 18% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
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Matt Dahan
Impress Me
104 bpm • A Maj • 05:43 • -7.62db
24% Popularity • 65% Danceability • 54% Energy • 17% Liveness
0% Instrumentalness • 68% Positiveness
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Molly Kirby
I Found Her Among the Aliens
104 bpm • D Maj • 02:36 • -23db
18% Popularity • 47% Danceability • 7% Energy • 16% Liveness
3% Instrumentalness • 26% Positiveness
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Sydney Farley
Finale
104 bpm • E Maj • 01:45 • -10.54db
5% Popularity • 42% Danceability • 28% Energy • 34% Liveness
0% Instrumentalness • 43% Positiveness
► Preview
Kaden MacKay
Don't You Dare (Make Me Fall in Love Wit...
119 bpm • C Maj • 04:03 • -15.1db
48% Popularity • 42% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 10% Positiveness
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Amandla Stenberg
The Anonymous Ones
104 bpm • C# Maj • 04:43 • -9.51db
33% Popularity • 51% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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George Salazar
Broadway, Here I Come!
104 bpm • A Maj • 04:40 • -14db
26% Popularity • 54% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
► Preview
Andrew Rannells
Kevin
104 bpm • D min • 05:22 • -5db
32% Popularity • 52% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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dodie
Not What I Meant
119 bpm • C Maj • 02:23 • -13.4db
40% Popularity • 48% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
► Preview
Kerry Butler
The Saddest Girl in the World
103 bpm • F Maj • 03:17 • -12.76db
3% Popularity • 53% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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The Nebulous
I'll Follow You into the Dark
103 bpm • D# Maj • 03:20 • -15.3db
29% Popularity • 40% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
► Preview
Sydney Farley
Revolution Song
103 bpm • C Maj • 04:17 • -6db
10% Popularity • 52% Danceability • 78% Energy • 19% Liveness
0% Instrumentalness • 29% Positiveness
► Preview
George Salazar
Michael in the Bathroom
119 bpm • E Maj • 04:57 • -7.75db
54% Popularity • 57% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
► Preview
Lizard Boy Original Cast
The Woah Song
120 bpm • G Maj • 03:04 • -6.06db
13% Popularity • 46% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
► Preview
Michael Korte
Elphaba in the Bathroom
120 bpm • F Maj • 05:04 • -9.53db
11% Popularity • 52% Danceability • 37% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
► Preview
Andrew Garfield
Why
120 bpm • C# Maj • 05:22 • -15.17db
45% Popularity • 53% Danceability • 6% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
► Preview
Will Connolly
Cecily Smith (Bonus Track)
120 bpm • G Maj • 04:49 • -13.07db
40% Popularity • 77% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
► Preview
Amina Faye
The Other One
120 bpm • E Maj • 04:24 • -7.98db
11% Popularity • 73% Danceability • 55% Energy • 30% Liveness
0% Instrumentalness • 42% Positiveness
► Preview
Eva Noblezada
All I've Ever Known - Radio Edit
120 bpm • C# Maj • 03:52 • -12.02db
30% Popularity • 66% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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The Goodbye Song