Musicstax
Advanced Search
Metrics
Your Stats
🔥Growing Artists
|
Pitch your song
|
<<
Back to
The Great Plains
Songs like
The Great Plains
by
Patrick Doyle
Based on a tempo of (+/- 10%) and a similar genre
► Preview
Patrick Doyle
The Great Plains
109 bpm • C Maj • 02:47 • -14.89db
19% Popularity • 19% Danceability • 38% Energy • 12% Liveness
89% Instrumentalness • 8% Positiveness
► Preview
John Lunn
The Butler And The Housekeeper
109 bpm • F Maj • 02:08 • -20db
30% Popularity • 16% Danceability • 12% Energy • 9% Liveness
83% Instrumentalness • 3% Positiveness
► Preview
George Fenton
The Final Mission
109 bpm • G Maj • 03:56 • -14.98db
24% Popularity • 16% Danceability • 27% Energy • 8% Liveness
87% Instrumentalness • 6% Positiveness
► Preview
Blake Neely
I’ll Always Be Looking For You
109 bpm • D# Maj • 01:17 • -32.37db
34% Popularity • 16% Danceability • 1% Energy • 10% Liveness
96% Instrumentalness • 4% Positiveness
► Preview
Rupert Gregson-Williams
Ludendorff, Enough!
109 bpm • D Maj • 07:37 • -17.12db
20% Popularity • 16% Danceability • 15% Energy • 6% Liveness
82% Instrumentalness • 4% Positiveness
► Preview
Alan Menken
Enchanted Suite
110 bpm • G Maj • 04:32 • -9.57db
44% Popularity • 26% Danceability • 40% Energy • 10% Liveness
63% Instrumentalness • 18% Positiveness
► Preview
Patrick Doyle
Jaffa to Stamboul
109 bpm • F Maj • 01:27 • -11.94db
22% Popularity • 16% Danceability • 32% Energy • 11% Liveness
97% Instrumentalness • 5% Positiveness
► Preview
Leonard Rosenman
Star Trek IV: The Voyage Home: End Credi...
108 bpm • G min • 02:49 • -18db
28% Popularity • 20% Danceability • 29% Energy • 19% Liveness
78% Instrumentalness • 17% Positiveness
► Preview
Trevor Jones
Ceremony of the Sunstones
108 bpm • D Maj • 04:22 • -15.73db
21% Popularity • 16% Danceability • 23% Energy • 11% Liveness
95% Instrumentalness • 6% Positiveness
► Preview
Marc Streitenfeld
Creatures
110 bpm • A min • 02:09 • -16.29db
47% Popularity • 34% Danceability • 37% Energy • 25% Liveness
56% Instrumentalness • 6% Positiveness
► Preview
Bear McCreary
The Liberty Song
108 bpm • C# Maj • 01:13 • -15db
21% Popularity • 85% Danceability • 36% Energy • 8% Liveness
90% Instrumentalness • 3% Positiveness
► Preview
AKIRA HONDA
Enigma's Pulse
108 bpm • E min • 05:23 • -21.26db
23% Popularity • 58% Danceability • 43% Energy • 12% Liveness
79% Instrumentalness • 62% Positiveness
► Preview
Patrick Doyle
The Dark Mark
110 bpm • C# Maj • 03:26 • -14.61db
38% Popularity • 19% Danceability • 25% Energy • 9% Liveness
76% Instrumentalness • 4% Positiveness
► Preview
Leonard Rosenman
History Of The Ring
108 bpm • C Maj • 06:31 • -20.8db
14% Popularity • 23% Danceability • 11% Energy • 16% Liveness
66% Instrumentalness • 4% Positiveness
► Preview
Harald Kloser
The Day After Tomorrow
110 bpm • C Maj • 03:27 • -20.47db
49% Popularity • 20% Danceability • 21% Energy • 9% Liveness
89% Instrumentalness • 4% Positiveness
► Preview
Rupert Gregson-Williams
Okinawa Battlefield
110 bpm • E min • 03:59 • -19db
33% Popularity • 16% Danceability • 18% Energy • 4% Liveness
90% Instrumentalness • 3% Positiveness
► Preview
Daniel Pemberton
The Dark Crystal: Age Of Resistance
110 bpm • D min • 03:41 • -14db
38% Popularity • 28% Danceability • 33% Energy • 7% Liveness
7% Instrumentalness • 4% Positiveness
► Preview
Mark McKenzie
Red's Goodbye
110 bpm • G min • 01:35 • -21.57db
30% Popularity • 20% Danceability • 5% Energy • 11% Liveness
96% Instrumentalness • 6% Positiveness
► Preview
Patrick Doyle
Papa!
110 bpm • D Maj • 02:32 • -12.1db
18% Popularity • 26% Danceability • 23% Energy • 29% Liveness
94% Instrumentalness • 11% Positiveness
► Preview
Basil Poledouris
Main Title & Opening Credits
111 bpm • E min • 03:34 • -17.3db
13% Popularity • 20% Danceability • 19% Energy • 16% Liveness
83% Instrumentalness • 9% Positiveness
► Preview
Rob Lane
The Call of Destiny / Titles
107 bpm • D# Maj • 01:56 • -11db
39% Popularity • 20% Danceability • 29% Energy • 14% Liveness
98% Instrumentalness • 7% Positiveness
► Preview
Jan A.P. Kaczmarek
War and Peace - Main Title
107 bpm • B Maj • 02:34 • -13.06db
44% Popularity • 19% Danceability • 32% Energy • 8% Liveness
90% Instrumentalness • 12% Positiveness
► Preview
BBC Scottish Symphony Orchestra
Viking Battles
107 bpm • A min • 01:01 • -13.78db
37% Popularity • 51% Danceability • 49% Energy • 20% Liveness
81% Instrumentalness • 36% Positiveness
► Preview
Vino Veritas
Errores Graves
111 bpm • F Maj • 02:05 • -24.71db
19% Popularity • 48% Danceability • 12% Energy • 11% Liveness
86% Instrumentalness • 22% Positiveness
► Preview
Patrick Doyle
Harry in Winter
110 bpm • B min • 02:54 • -16.71db
57% Popularity • 18% Danceability • 25% Energy • 19% Liveness
97% Instrumentalness • 4% Positiveness
► Preview
Nicholas Hooper
Ginny
111 bpm • E min • 01:30 • -27.74db
47% Popularity • 22% Danceability • 8% Energy • 11% Liveness
94% Instrumentalness • 15% Positiveness
► Preview
Harald Kloser
Burning Books
111 bpm • E min • 01:42 • -27db
46% Popularity • 22% Danceability • 5% Energy • 11% Liveness
98% Instrumentalness • 3% Positiveness
► Preview
Carter Burwell
One Against Four
111 bpm • C Maj • 01:36 • -12.82db
19% Popularity • 18% Danceability • 6% Energy • 8% Liveness
86% Instrumentalness • 5% Positiveness
► Preview
Blake Neely
This Is It
107 bpm • C Maj • 03:42 • -15.49db
33% Popularity • 16% Danceability • 20% Energy • 11% Liveness
93% Instrumentalness • 3% Positiveness
► Preview
The Chamber Orchestra Of London
An Ideal Marriage
107 bpm • G min • 02:43 • -15db
36% Popularity • 21% Danceability • 18% Energy • 18% Liveness
92% Instrumentalness • 5% Positiveness
► Preview
Patrick Doyle
The Goblet of Fire
111 bpm • C# Maj • 03:21 • -20.37db
39% Popularity • 16% Danceability • 15% Energy • 11% Liveness
86% Instrumentalness • 3% Positiveness
► Preview
George Fenton
The Homecoming
107 bpm • C Maj • 01:29 • -20.26db
33% Popularity • 16% Danceability • 14% Energy • 8% Liveness
79% Instrumentalness • 11% Positiveness
► Preview
Regency Players
Sense and Sensibility [BBC 2008 Adaptat...
112 bpm • D Maj • 01:38 • -9.46db
24% Popularity • 22% Danceability • 46% Energy • 20% Liveness
94% Instrumentalness • 6% Positiveness
► Preview
John Powell
The Cove
106 bpm • A Maj • 01:10 • -26.98db
44% Popularity • 16% Danceability • 5% Energy • 11% Liveness
96% Instrumentalness • 8% Positiveness
► Preview
Nicholas Hooper
Flight of the Order of the Phoenix
106 bpm • D Maj • 01:31 • -16db
48% Popularity • 28% Danceability • 53% Energy • 9% Liveness
88% Instrumentalness • 3% Positiveness
► Preview
Rob Lane
The Militia Passes By
113 bpm • E min • 02:48 • -14.58db
15% Popularity • 39% Danceability • 52% Energy • 13% Liveness
83% Instrumentalness • 14% Positiveness
► Preview
Patrick Doyle
Washington DC
112 bpm • D Maj • 02:07 • -12.04db
8% Popularity • 33% Danceability • 26% Energy • 8% Liveness
89% Instrumentalness • 13% Positiveness
► Preview
Alan Menken
Transformation
113 bpm • F Maj • 05:49 • -17.07db
43% Popularity • 21% Danceability • 20% Energy • 7% Liveness
31% Instrumentalness • 7% Positiveness
► Preview
Carter Burwell
The Snake Pit
106 bpm • A min • 03:15 • -19.42db
14% Popularity • 20% Danceability • 18% Energy • 11% Liveness
84% Instrumentalness • 4% Positiveness
► Preview
John Powell
First Sledding Attempt
112 bpm • C min • 02:27 • -15.02db
12% Popularity • 32% Danceability • 22% Energy • 9% Liveness
81% Instrumentalness • 13% Positiveness
► Preview
Henry Jackman
First Class
113 bpm • A# Maj • 03:20 • -11db
52% Popularity • 53% Danceability • 49% Energy • 11% Liveness
88% Instrumentalness • 24% Positiveness
► Preview
Pinar Toprak
Captain Marvel
105 bpm • C Maj • 02:15 • -14.81db
45% Popularity • 37% Danceability • 48% Energy • 12% Liveness
94% Instrumentalness • 11% Positiveness
► Preview
Patrick Doyle
Thanksgiving
112 bpm • D Maj • 02:31 • -16.33db
12% Popularity • 32% Danceability • 9% Energy • 5% Liveness
95% Instrumentalness • 5% Positiveness
► Preview
Alexandra Harwood
On That We Must Agree
113 bpm • A min • 04:18 • -20.66db
19% Popularity • 20% Danceability • 8% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
► Preview
Carter Burwell
Talk About Suffering
114 bpm • C# Maj • 01:32 • -22db
22% Popularity • 21% Danceability • 2% Energy • 12% Liveness
97% Instrumentalness • 16% Positiveness
► Preview
Universal Production Music
Eternal Beauty
104 bpm • A Maj • 02:56 • -13.46db
9% Popularity • 44% Danceability • 62% Energy • 9% Liveness
95% Instrumentalness • 29% Positiveness
► Preview
John Powell
Coming Back Around
113 bpm • E Maj • 02:51 • -7.5db
52% Popularity • 35% Danceability • 81% Energy • 5% Liveness
87% Instrumentalness • 12% Positiveness
► Preview
Mark Isham
Dolphin Dance
114 bpm • F Maj • 03:01 • -17.27db
11% Popularity • 22% Danceability • 24% Energy • 11% Liveness
97% Instrumentalness • 12% Positiveness
► Preview
Patrick Doyle
Thor Kills the Destroyer
114 bpm • D Maj • 01:53 • -12.19db
30% Popularity • 18% Danceability • 76% Energy • 29% Liveness
95% Instrumentalness • 29% Positiveness
► Preview
Nick Glennie-Smith
What Is War?
104 bpm • A# min • 03:33 • -25.98db
25% Popularity • 24% Danceability • 7% Energy • 9% Liveness
89% Instrumentalness • 7% Positiveness
► Preview
John Barry
The Buffalo Hunt (film version)
104 bpm • D# Maj • 04:32 • -18.3db
29% Popularity • 37% Danceability • 21% Energy • 11% Liveness
68% Instrumentalness • 22% Positiveness
► Preview
Steven Price
The Ocean Returns The Favour
103 bpm • E min • 02:20 • -15db
39% Popularity • 40% Danceability • 36% Energy • 9% Liveness
66% Instrumentalness • 8% Positiveness
► Preview
Dario Marianelli
The War Rooms
103 bpm • G# Maj • 02:45 • -20.91db
30% Popularity • 46% Danceability • 17% Energy • 12% Liveness
89% Instrumentalness • 6% Positiveness
► Preview
Mark Isham
Yes, Quite a Day
104 bpm • E min • 01:06 • -17.66db
16% Popularity • 17% Danceability • 11% Energy • 11% Liveness
81% Instrumentalness • 4% Positiveness
► Preview
Rupert Gregson-Williams
One Man At A Time
116 bpm • D Maj • 02:30 • -13db
50% Popularity • 21% Danceability • 50% Energy • 10% Liveness
87% Instrumentalness • 3% Positiveness
► Preview
Anne Dudley
Fresh Paint
115 bpm • D min • 02:01 • -19db
34% Popularity • 20% Danceability • 5% Energy • 9% Liveness
94% Instrumentalness • 3% Positiveness
► Preview
Trevor Jones
Dinotopia Main Theme
116 bpm • D Maj • 03:25 • -16db
35% Popularity • 17% Danceability • 22% Energy • 15% Liveness
95% Instrumentalness • 4% Positiveness
► Preview
Steven Price
The Numbers Build
117 bpm • F# min • 05:04 • -11.49db
25% Popularity • 23% Danceability • 50% Energy • 17% Liveness
98% Instrumentalness • 18% Positiveness
► Preview
Harald Kloser
The End
102 bpm • F Maj • 03:18 • -15db
34% Popularity • 14% Danceability • 22% Energy • 10% Liveness
93% Instrumentalness • 3% Positiveness
► Preview
David Newman
Baby Walks
118 bpm • G Maj • 01:34 • -14db
38% Popularity • 20% Danceability • 30% Energy • 11% Liveness
45% Instrumentalness • 9% Positiveness
► Preview
Patrick Doyle
Arrival
102 bpm • C Maj • 02:02 • -15.38db
19% Popularity • 50% Danceability • 24% Energy • 10% Liveness
90% Instrumentalness • 16% Positiveness
► Preview
Roque Baños
Essex Leaving Harbor
118 bpm • G# Maj • 03:06 • -15.56db
21% Popularity • 52% Danceability • 57% Energy • 10% Liveness
80% Instrumentalness • 16% Positiveness
► Preview
Mark Isham
The Splendor in the Grass
118 bpm • F Maj • 01:11 • -20.3db
19% Popularity • 22% Danceability • 16% Energy • 11% Liveness
96% Instrumentalness • 7% Positiveness
► Preview
Harry Gregson-Williams
Journey to the How - Score
118 bpm • A min • 04:39 • -21.39db
29% Popularity • 22% Danceability • 19% Energy • 12% Liveness
88% Instrumentalness • 3% Positiveness
► Preview
Samuel Sim
Brea And The Library
119 bpm • G Maj • 01:32 • -18db
30% Popularity • 22% Danceability • 15% Energy • 8% Liveness
98% Instrumentalness • 4% Positiveness
► Preview
Nicholas Hooper
Fireworks
100 bpm • D Maj • 01:45 • -14db
51% Popularity • 49% Danceability • 50% Energy • 12% Liveness
89% Instrumentalness • 7% Positiveness
► Preview
BBC Scottish Symphony Orchestra
Linlithgow Palace
100 bpm • F min • 02:06 • -23db
36% Popularity • 20% Danceability • 4% Energy • 8% Liveness
86% Instrumentalness • 4% Positiveness
► Preview
Peter Breiner
Miss Stacey's Jig
119 bpm • D Maj • 01:29 • -13.52db
20% Popularity • 42% Danceability • 7% Energy • 10% Liveness
71% Instrumentalness • 36% Positiveness
► Preview
David Newman
Giving Back The Baby
119 bpm • E min • 06:26 • -14db
32% Popularity • 22% Danceability • 18% Energy • 9% Liveness
86% Instrumentalness • 4% Positiveness
► Preview
Mychael Danna
Run With the Herd
120 bpm • D Maj • 03:51 • -13.9db
27% Popularity • 24% Danceability • 30% Energy • 8% Liveness
87% Instrumentalness • 17% Positiveness
► Preview
Brian Tyler
End Title Overture / The Greatest Game E...
119 bpm • C Maj • 02:47 • -17db
13% Popularity • 28% Danceability • 32% Energy • 12% Liveness
93% Instrumentalness • 8% Positiveness
► Preview
Harry Gregson-Williams
The Stone Table
99 bpm • G min • 08:06 • -19.11db
35% Popularity • 16% Danceability • 16% Energy • 11% Liveness
87% Instrumentalness • 3% Positiveness
► Preview
Rob Lane
Opening Titles
99 bpm • D min • 02:44 • -11.22db
34% Popularity • 47% Danceability • 56% Energy • 11% Liveness
91% Instrumentalness • 27% Positiveness
► Preview
Samuel Sim
The Ship's Cook
120 bpm • G min • 02:26 • -16.98db
25% Popularity • 72% Danceability • 26% Energy • 17% Liveness
58% Instrumentalness • 44% Positiveness
► Preview
Roque Baños
Chase Walking Nantucket
120 bpm • D min • 02:05 • -16db
25% Popularity • 51% Danceability • 60% Energy • 12% Liveness
90% Instrumentalness • 4% Positiveness
► Preview
Leonard Rosenman
The Voyage To Mordor; Theme From The Lor...
120 bpm • A# Maj • 04:43 • -13.14db
15% Popularity • 42% Danceability • 26% Energy • 22% Liveness
12% Instrumentalness • 17% Positiveness
► Preview
W.G. Snuffy Walden
The Nomination
99 bpm • G Maj • 01:51 • -20.21db
11% Popularity • 19% Danceability • 11% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
► Preview
Bear McCreary
Running Out of Time
120 bpm • C Maj • 04:17 • -20.91db
25% Popularity • 51% Danceability • 20% Energy • 9% Liveness
84% Instrumentalness • 10% Positiveness
► Preview
Patrick Doyle
Letting Go
99 bpm • F Maj • 03:17 • -26.18db
26% Popularity • 13% Danceability • 2% Energy • 10% Liveness
2% Instrumentalness • 10% Positiveness
► Preview
Stephen Warbeck
The World in the Room
99 bpm • A# Maj • 01:37 • -22.65db
42% Popularity • 15% Danceability • 6% Energy • 8% Liveness
97% Instrumentalness • 6% Positiveness
► Preview
Steven Price
Every Other Breath You Take
98 bpm • A min • 04:21 • -18.94db
16% Popularity • 18% Danceability • 20% Energy • 9% Liveness
95% Instrumentalness • 5% Positiveness
► Preview
John Powell
Skagway, Alaska
98 bpm • A min • 02:30 • -25.18db
17% Popularity • 28% Danceability • 5% Energy • 9% Liveness
54% Instrumentalness • 11% Positiveness
► Preview
Brian Tyler
The Game Is Afoot - Score
121 bpm • G# Maj • 01:20 • -15.31db
20% Popularity • 54% Danceability • 39% Energy • 8% Liveness
89% Instrumentalness • 16% Positiveness
► Preview
Mychael Danna
Dad
98 bpm • C# min • 02:52 • -14db
28% Popularity • 19% Danceability • 20% Energy • 12% Liveness
88% Instrumentalness • 4% Positiveness
► Preview
William Ross
We'll Be #1
122 bpm • A# Maj • 01:52 • -22db
38% Popularity • 34% Danceability • 8% Energy • 13% Liveness
91% Instrumentalness • 6% Positiveness
► Preview
Rupert Gregson-Williams
Rescue Continues
122 bpm • E min • 03:46 • -15db
40% Popularity • 32% Danceability • 39% Energy • 11% Liveness
88% Instrumentalness • 4% Positiveness
► Preview
Atli Örvarsson
The Last Confederate - Main Title
122 bpm • D min • 01:26 • -19db
26% Popularity • 22% Danceability • 10% Energy • 11% Liveness
94% Instrumentalness • 9% Positiveness
► Preview
Michael Giacchino
Par-tay For The Course
97 bpm • A# Maj • 02:47 • -20.71db
14% Popularity • 13% Danceability • 2% Energy • 7% Liveness
96% Instrumentalness • 4% Positiveness
► Preview
Steven Price
This Is Our Planet
97 bpm • A# Maj • 03:43 • -16db
39% Popularity • 26% Danceability • 33% Energy • 36% Liveness
94% Instrumentalness • 8% Positiveness
► Preview
Chance Thomas
Learning to Ride
97 bpm • G# Maj • 03:03 • -18.02db
33% Popularity • 54% Danceability • 44% Energy • 9% Liveness
95% Instrumentalness • 48% Positiveness
► Preview
John Powell
See You Tomorrow
123 bpm • G Maj • 03:53 • -10db
50% Popularity • 43% Danceability • 58% Energy • 12% Liveness
85% Instrumentalness • 22% Positiveness
► Preview
Rohan Stevenson
Hiding Excalibur
96 bpm • E min • 02:05 • -15db
31% Popularity • 15% Danceability • 19% Energy • 12% Liveness
90% Instrumentalness • 3% Positiveness
► Preview
Brian Tyler
Immigrant's Theme - Score
97 bpm • G min • 02:45 • -24.68db
14% Popularity • 18% Danceability • 7% Energy • 7% Liveness
85% Instrumentalness • 8% Positiveness
► Preview
Patrick Doyle
Legends Are Lessons
96 bpm • B min • 04:06 • -30.06db
32% Popularity • 20% Danceability • 1% Energy • 8% Liveness
76% Instrumentalness • 7% Positiveness
► Preview
Steven Price
A Greater Resilience
96 bpm • F# Maj • 04:02 • -16.01db
26% Popularity • 24% Danceability • 25% Energy • 9% Liveness
92% Instrumentalness • 5% Positiveness
► Preview
Alexandra Harwood
The Wrong Cat
95 bpm • C min • 02:11 • -14.55db
21% Popularity • 60% Danceability • 6% Energy • 11% Liveness
73% Instrumentalness • 50% Positiveness
► Preview
Rupert Gregson-Williams
The Sunny Vista Motel - Score
125 bpm • C Maj • 04:15 • -17.94db
15% Popularity • 27% Danceability • 18% Energy • 34% Liveness
78% Instrumentalness • 6% Positiveness
► Preview
Mark Isham
A Place Remembered
95 bpm • F Maj • 00:55 • -18.05db
19% Popularity • 19% Danceability • 10% Energy • 10% Liveness
58% Instrumentalness • 11% Positiveness
► Preview
Lorne Balfe
Scholastic Sanctuary
125 bpm • C Maj • 03:06 • -15db
33% Popularity • 44% Danceability • 28% Energy • 11% Liveness
83% Instrumentalness • 15% Positiveness
► Preview
Patrick Doyle
The Story Continues
124 bpm • C Maj • 01:29 • -16.32db
44% Popularity • 23% Danceability • 29% Energy • 49% Liveness
93% Instrumentalness • 12% Positiveness
<<
Back to
The Great Plains