Songs like the Guide Of travellers along the roads of this world and along that leading to the next by Marshall Art
Based on a tempo of (+/- 10%) and a similar genre
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Sundbeats
Grime
102 bpm • B min • 01:22 • -10.11db
9% Popularity • 61% Danceability • 83% Energy • 16% Liveness
93% Instrumentalness • 32% Positiveness
9% Popularity • 61% Danceability • 83% Energy • 16% Liveness
93% Instrumentalness • 32% Positiveness
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Crethzor
Wateroll
102 bpm • C min • 03:42 • -14.63db
8% Popularity • 70% Danceability • 27% Energy • 9% Liveness
85% Instrumentalness • 53% Positiveness
8% Popularity • 70% Danceability • 27% Energy • 9% Liveness
85% Instrumentalness • 53% Positiveness
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Marshall Art
the Guide Of travellers along the roads ...
102 bpm • D# min • 00:28 • -13.86db
0% Popularity • 14% Danceability • 18% Energy • 10% Liveness
99% Instrumentalness • 3% Positiveness
0% Popularity • 14% Danceability • 18% Energy • 10% Liveness
99% Instrumentalness • 3% Positiveness
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XabiAir
The Only Thing They Fear Is You
103 bpm • A# Maj • 05:53 • -8.4db
8% Popularity • 25% Danceability • 79% Energy • 11% Liveness
91% Instrumentalness • 42% Positiveness
8% Popularity • 25% Danceability • 79% Energy • 11% Liveness
91% Instrumentalness • 42% Positiveness
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Orlandito
Grey Shirt
101 bpm • D Maj • 02:54 • -11.6db
7% Popularity • 60% Danceability • 63% Energy • 8% Liveness
87% Instrumentalness • 16% Positiveness
7% Popularity • 60% Danceability • 63% Energy • 8% Liveness
87% Instrumentalness • 16% Positiveness
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Manuel Backert
Toto in a Bottle
103 bpm • A Maj • 02:12 • -7.91db
19% Popularity • 61% Danceability • 63% Energy • 11% Liveness
89% Instrumentalness • 54% Positiveness
19% Popularity • 61% Danceability • 63% Energy • 11% Liveness
89% Instrumentalness • 54% Positiveness
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Douglas P Stoothoff
Wah-Wah Walk - Fast Timing Guitar Predom...
104 bpm • C# Maj • 06:51 • -11.69db
1% Popularity • 64% Danceability • 71% Energy • 13% Liveness
12% Instrumentalness • 94% Positiveness
1% Popularity • 64% Danceability • 71% Energy • 13% Liveness
12% Instrumentalness • 94% Positiveness
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Mike Geno
We Happy Now
104 bpm • B min • 02:50 • -12.02db
14% Popularity • 62% Danceability • 54% Energy • 13% Liveness
87% Instrumentalness • 54% Positiveness
14% Popularity • 62% Danceability • 54% Energy • 13% Liveness
87% Instrumentalness • 54% Positiveness
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Marshall Art
One of These Days
103 bpm • C# min • 05:56 • -11.08db
0% Popularity • 19% Danceability • 76% Energy • 31% Liveness
0% Instrumentalness • 9% Positiveness
0% Popularity • 19% Danceability • 76% Energy • 31% Liveness
0% Instrumentalness • 9% Positiveness
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Hollie Taylor
Forged in the Fire
100 bpm • A# min • 02:48 • -7.17db
8% Popularity • 52% Danceability • 96% Energy • 20% Liveness
87% Instrumentalness • 75% Positiveness
8% Popularity • 52% Danceability • 96% Energy • 20% Liveness
87% Instrumentalness • 75% Positiveness
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Anuka Kipshidze
Da Ass Rules
100 bpm • G Maj • 02:48 • -8.51db
17% Popularity • 59% Danceability • 79% Energy • 10% Liveness
4% Instrumentalness • 46% Positiveness
17% Popularity • 59% Danceability • 79% Energy • 10% Liveness
4% Instrumentalness • 46% Positiveness
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Axel Proobax
Jazz
100 bpm • C Maj • 02:02 • -8.28db
10% Popularity • 49% Danceability • 90% Energy • 11% Liveness
79% Instrumentalness • 15% Positiveness
10% Popularity • 49% Danceability • 90% Energy • 11% Liveness
79% Instrumentalness • 15% Positiveness
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Solprojekto
RuÃdo
100 bpm • A# min • 02:30 • -8.34db
14% Popularity • 67% Danceability • 80% Energy • 23% Liveness
85% Instrumentalness • 34% Positiveness
14% Popularity • 67% Danceability • 80% Energy • 23% Liveness
85% Instrumentalness • 34% Positiveness
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Daryl Barnes
Summer Heat
100 bpm • G Maj • 02:27 • -11.93db
15% Popularity • 55% Danceability • 63% Energy • 25% Liveness
86% Instrumentalness • 63% Positiveness
15% Popularity • 55% Danceability • 63% Energy • 25% Liveness
86% Instrumentalness • 63% Positiveness
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Mystical Space Tigers
N A R U
100 bpm • G# Maj • 03:54 • -10.22db
12% Popularity • 36% Danceability • 52% Energy • 8% Liveness
90% Instrumentalness • 24% Positiveness
12% Popularity • 36% Danceability • 52% Energy • 8% Liveness
90% Instrumentalness • 24% Positiveness
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ROFractal
Home at Last
100 bpm • D min • 03:30 • -8.1db
31% Popularity • 62% Danceability • 71% Energy • 12% Liveness
76% Instrumentalness • 51% Positiveness
31% Popularity • 62% Danceability • 71% Energy • 12% Liveness
76% Instrumentalness • 51% Positiveness
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Levke
Penny
100 bpm • G min • 02:06 • -8.85db
9% Popularity • 56% Danceability • 90% Energy • 5% Liveness
80% Instrumentalness • 96% Positiveness
9% Popularity • 56% Danceability • 90% Energy • 5% Liveness
80% Instrumentalness • 96% Positiveness
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Marshall Art
They're Like Locusts
100 bpm • C Maj • 05:08 • -10.05db
0% Popularity • 19% Danceability • 61% Energy • 47% Liveness
95% Instrumentalness • 28% Positiveness
0% Popularity • 19% Danceability • 61% Energy • 47% Liveness
95% Instrumentalness • 28% Positiveness
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J.K.RAM
Angel
100 bpm • E min • 04:47 • -12.01db
11% Popularity • 69% Danceability • 71% Energy • 12% Liveness
86% Instrumentalness • 48% Positiveness
11% Popularity • 69% Danceability • 71% Energy • 12% Liveness
86% Instrumentalness • 48% Positiveness
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Shep
Misery
100 bpm • C# Maj • 03:28 • -8.44db
10% Popularity • 42% Danceability • 78% Energy • 12% Liveness
86% Instrumentalness • 14% Positiveness
10% Popularity • 42% Danceability • 78% Energy • 12% Liveness
86% Instrumentalness • 14% Positiveness
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Pharozen
Yuji Awakening "Jujutsu Kaisen" Chapter ...
100 bpm • D Maj • 02:19 • -6.15db
31% Popularity • 15% Danceability • 94% Energy • 33% Liveness
96% Instrumentalness • 36% Positiveness
31% Popularity • 15% Danceability • 94% Energy • 33% Liveness
96% Instrumentalness • 36% Positiveness
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Churgney Gurgney
Your Copy - Instrumental
100 bpm • F min • 05:47 • -10.52db
9% Popularity • 40% Danceability • 86% Energy • 9% Liveness
96% Instrumentalness • 15% Positiveness
9% Popularity • 40% Danceability • 86% Energy • 9% Liveness
96% Instrumentalness • 15% Positiveness
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Ray
Battle Vs Odoyaga
105 bpm • D min • 03:43 • -8.09db
12% Popularity • 21% Danceability • 91% Energy • 63% Liveness
80% Instrumentalness • 43% Positiveness
12% Popularity • 21% Danceability • 91% Energy • 63% Liveness
80% Instrumentalness • 43% Positiveness
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Greg Turini
Taj Mahal
105 bpm • G Maj • 02:59 • -9.67db
29% Popularity • 54% Danceability • 85% Energy • 27% Liveness
89% Instrumentalness • 33% Positiveness
29% Popularity • 54% Danceability • 85% Energy • 27% Liveness
89% Instrumentalness • 33% Positiveness
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Rainbowdragoneyes
Thrashbaath - Instrumental
105 bpm • G# Maj • 03:02 • -5.53db
17% Popularity • 49% Danceability • 96% Energy • 19% Liveness
62% Instrumentalness • 70% Positiveness
17% Popularity • 49% Danceability • 96% Energy • 19% Liveness
62% Instrumentalness • 70% Positiveness
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Marshall Art
Meteorites & Rabbits
105 bpm • G# Maj • 03:11 • -9.35db
0% Popularity • 44% Danceability • 53% Energy • 17% Liveness
42% Instrumentalness • 32% Positiveness
0% Popularity • 44% Danceability • 53% Energy • 17% Liveness
42% Instrumentalness • 32% Positiveness
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Mika Luoto
Sounds in my head at the morning
105 bpm • D Maj • 03:26 • -14.83db
14% Popularity • 67% Danceability • 73% Energy • 16% Liveness
88% Instrumentalness • 73% Positiveness
14% Popularity • 67% Danceability • 73% Energy • 16% Liveness
88% Instrumentalness • 73% Positiveness
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Salvati
Ice Stars
105 bpm • F Maj • 01:17 • -13.29db
9% Popularity • 64% Danceability • 70% Energy • 21% Liveness
52% Instrumentalness • 64% Positiveness
9% Popularity • 64% Danceability • 70% Energy • 21% Liveness
52% Instrumentalness • 64% Positiveness
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Drxxpy
Fallen Angel
99 bpm • C Maj • 03:40 • -7.91db
16% Popularity • 24% Danceability • 75% Energy • 25% Liveness
66% Instrumentalness • 17% Positiveness
16% Popularity • 24% Danceability • 75% Energy • 25% Liveness
66% Instrumentalness • 17% Positiveness
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Chrono Apollo
Pacific
99 bpm • A# min • 03:33 • -9.46db
8% Popularity • 60% Danceability • 68% Energy • 20% Liveness
75% Instrumentalness • 59% Positiveness
8% Popularity • 60% Danceability • 68% Energy • 20% Liveness
75% Instrumentalness • 59% Positiveness
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Dubmood
Capriccio 1 In B Whatever
105 bpm • C Maj • 03:36 • -5.67db
11% Popularity • 55% Danceability • 96% Energy • 32% Liveness
87% Instrumentalness • 56% Positiveness
11% Popularity • 55% Danceability • 96% Energy • 32% Liveness
87% Instrumentalness • 56% Positiveness
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Marshall Art
But You're Still Hungry
99 bpm • C min • 05:20 • -9.33db
0% Popularity • 34% Danceability • 66% Energy • 61% Liveness
16% Instrumentalness • 9% Positiveness
0% Popularity • 34% Danceability • 66% Energy • 61% Liveness
16% Instrumentalness • 9% Positiveness
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Cory Johnson
But You're Still Hungry
99 bpm • C min • 05:33 • -6.88db
0% Popularity • 16% Danceability • 50% Energy • 11% Liveness
62% Instrumentalness • 11% Positiveness
0% Popularity • 16% Danceability • 50% Energy • 11% Liveness
62% Instrumentalness • 11% Positiveness
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Ryan Gregory Tallman
Temper, Temper
98 bpm • D Maj • 02:46 • -9.14db
10% Popularity • 55% Danceability • 84% Energy • 8% Liveness
87% Instrumentalness • 8% Positiveness
10% Popularity • 55% Danceability • 84% Energy • 8% Liveness
87% Instrumentalness • 8% Positiveness
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Hollie Taylor
Put on the Red Light
98 bpm • D# min • 02:15 • -8.3db
8% Popularity • 55% Danceability • 67% Energy • 11% Liveness
93% Instrumentalness • 76% Positiveness
8% Popularity • 55% Danceability • 67% Energy • 11% Liveness
93% Instrumentalness • 76% Positiveness
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Julius Schoen
Club For Forever
98 bpm • A min • 01:50 • -7.9db
13% Popularity • 56% Danceability • 93% Energy • 79% Liveness
94% Instrumentalness • 55% Positiveness
13% Popularity • 56% Danceability • 93% Energy • 79% Liveness
94% Instrumentalness • 55% Positiveness
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rj lake
a galaxy of children who've only seen re...
98 bpm • G Maj • 03:12 • -5.57db
15% Popularity • 65% Danceability • 73% Energy • 7% Liveness
19% Instrumentalness • 36% Positiveness
15% Popularity • 65% Danceability • 73% Energy • 7% Liveness
19% Instrumentalness • 36% Positiveness
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Marshall Art
But You're Still Hungry
99 bpm • C min • 05:56 • -8.62db
0% Popularity • 21% Danceability • 57% Energy • 32% Liveness
96% Instrumentalness • 8% Positiveness
0% Popularity • 21% Danceability • 57% Energy • 32% Liveness
96% Instrumentalness • 8% Positiveness
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Saxon Ferdinand
Remember That Day
107 bpm • D# Maj • 06:24 • -7.65db
22% Popularity • 50% Danceability • 81% Energy • 8% Liveness
2% Instrumentalness • 34% Positiveness
22% Popularity • 50% Danceability • 81% Energy • 8% Liveness
2% Instrumentalness • 34% Positiveness
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S4 League
Eye Catch
107 bpm • A# min • 01:13 • -8.31db
9% Popularity • 53% Danceability • 92% Energy • 8% Liveness
13% Instrumentalness • 96% Positiveness
9% Popularity • 53% Danceability • 92% Energy • 8% Liveness
13% Instrumentalness • 96% Positiveness
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cal
modulated
107 bpm • D Maj • 03:39 • -17.39db
10% Popularity • 40% Danceability • 50% Energy • 15% Liveness
98% Instrumentalness • 8% Positiveness
10% Popularity • 40% Danceability • 50% Energy • 15% Liveness
98% Instrumentalness • 8% Positiveness
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Tee Lopes
Chromatic Oscillations (Pengo Mix)
107 bpm • C# min • 02:23 • -6.9db
14% Popularity • 60% Danceability • 97% Energy • 7% Liveness
86% Instrumentalness • 48% Positiveness
14% Popularity • 60% Danceability • 97% Energy • 7% Liveness
86% Instrumentalness • 48% Positiveness
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Funky Party Music
Friday Night Funkin VS Sonic.EXE: Final ...
107 bpm • A Maj • 02:09 • -4.1db
11% Popularity • 43% Danceability • 97% Energy • 34% Liveness
89% Instrumentalness • 39% Positiveness
11% Popularity • 43% Danceability • 97% Energy • 34% Liveness
89% Instrumentalness • 39% Positiveness
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Harrison Clapham
On the Way
108 bpm • A Maj • 01:40 • -10.93db
0% Popularity • 45% Danceability • 80% Energy • 44% Liveness
89% Instrumentalness • 55% Positiveness
0% Popularity • 45% Danceability • 80% Energy • 44% Liveness
89% Instrumentalness • 55% Positiveness
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Allister Brimble
Chronos
108 bpm • E Maj • 03:05 • -8.99db
10% Popularity • 39% Danceability • 94% Energy • 40% Liveness
84% Instrumentalness • 41% Positiveness
10% Popularity • 39% Danceability • 94% Energy • 40% Liveness
84% Instrumentalness • 41% Positiveness
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zerohpoint
NOW'S YOUR CHANCE TO BE A
108 bpm • A# min • 01:11 • -10.72db
17% Popularity • 69% Danceability • 78% Energy • 10% Liveness
93% Instrumentalness • 46% Positiveness
17% Popularity • 69% Danceability • 78% Energy • 10% Liveness
93% Instrumentalness • 46% Positiveness
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Willebrordus Treffers
Cool Again
108 bpm • A Maj • 01:40 • -13.7db
0% Popularity • 41% Danceability • 54% Energy • 70% Liveness
15% Instrumentalness • 51% Positiveness
0% Popularity • 41% Danceability • 54% Energy • 70% Liveness
15% Instrumentalness • 51% Positiveness
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Dark Heart
Fling Description
96 bpm • B min • 02:45 • -15db
17% Popularity • 46% Danceability • 90% Energy • 50% Liveness
80% Instrumentalness • 56% Positiveness
17% Popularity • 46% Danceability • 90% Energy • 50% Liveness
80% Instrumentalness • 56% Positiveness
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Ace Waters
Forest Frenzy
96 bpm • G Maj • 05:20 • -6.05db
9% Popularity • 47% Danceability • 75% Energy • 10% Liveness
31% Instrumentalness • 25% Positiveness
9% Popularity • 47% Danceability • 75% Energy • 10% Liveness
31% Instrumentalness • 25% Positiveness
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Shadow Celestial
Delight (Instrumental. Ver)
96 bpm • C Maj • 01:03 • -7.64db
8% Popularity • 47% Danceability • 91% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
8% Popularity • 47% Danceability • 91% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
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DUSKREND
Blood Storm
96 bpm • G# Maj • 02:09 • -9.42db
7% Popularity • 64% Danceability • 54% Energy • 8% Liveness
90% Instrumentalness • 4% Positiveness
7% Popularity • 64% Danceability • 54% Energy • 8% Liveness
90% Instrumentalness • 4% Positiveness
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Chrono Apollo
High Tide
96 bpm • B min • 03:12 • -8.87db
11% Popularity • 47% Danceability • 81% Energy • 44% Liveness
83% Instrumentalness • 85% Positiveness
11% Popularity • 47% Danceability • 81% Energy • 44% Liveness
83% Instrumentalness • 85% Positiveness
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Frangance
Food Preparation
109 bpm • C# Maj • 01:52 • -19.45db
22% Popularity • 63% Danceability • 30% Energy • 11% Liveness
82% Instrumentalness • 37% Positiveness
22% Popularity • 63% Danceability • 30% Energy • 11% Liveness
82% Instrumentalness • 37% Positiveness
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Dominic Cardinale
Solace
95 bpm • F# min • 03:27 • -10.49db
8% Popularity • 52% Danceability • 79% Energy • 13% Liveness
90% Instrumentalness • 57% Positiveness
8% Popularity • 52% Danceability • 79% Energy • 13% Liveness
90% Instrumentalness • 57% Positiveness
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Ben Reber
The Hero Approaches
95 bpm • F min • 01:15 • -16.28db
13% Popularity • 42% Danceability • 69% Energy • 31% Liveness
97% Instrumentalness • 54% Positiveness
13% Popularity • 42% Danceability • 69% Energy • 31% Liveness
97% Instrumentalness • 54% Positiveness
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Bear Bongs
Death Note
95 bpm • A Maj • 01:30 • -4.61db
11% Popularity • 57% Danceability • 96% Energy • 7% Liveness
83% Instrumentalness • 53% Positiveness
11% Popularity • 57% Danceability • 96% Energy • 7% Liveness
83% Instrumentalness • 53% Positiveness
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Professor Caffeine & the Insecurities
Oat Roper
95 bpm • B min • 04:59 • -8.25db
13% Popularity • 37% Danceability • 98% Energy • 36% Liveness
95% Instrumentalness • 55% Positiveness
13% Popularity • 37% Danceability • 98% Energy • 36% Liveness
95% Instrumentalness • 55% Positiveness
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Mika Hammy
DEFENDER - instrumental
95 bpm • G Maj • 01:30 • -11.27db
10% Popularity • 43% Danceability • 65% Energy • 71% Liveness
85% Instrumentalness • 45% Positiveness
10% Popularity • 43% Danceability • 65% Energy • 71% Liveness
85% Instrumentalness • 45% Positiveness
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The 1999
Lord of Dream
95 bpm • D min • 01:51 • -12.41db
27% Popularity • 56% Danceability • 74% Energy • 30% Liveness
80% Instrumentalness • 44% Positiveness
27% Popularity • 56% Danceability • 74% Energy • 30% Liveness
80% Instrumentalness • 44% Positiveness
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BlackHoleDream
Reality Became Sober Intro
95 bpm • A Maj • 01:01 • -8db
15% Popularity • 30% Danceability • 63% Energy • 21% Liveness
84% Instrumentalness • 19% Positiveness
15% Popularity • 30% Danceability • 63% Energy • 21% Liveness
84% Instrumentalness • 19% Positiveness
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Aj Varela
The guitar never dies
95 bpm • A# min • 03:44 • -7.63db
22% Popularity • 32% Danceability • 53% Energy • 19% Liveness
95% Instrumentalness • 17% Positiveness
22% Popularity • 32% Danceability • 53% Energy • 19% Liveness
95% Instrumentalness • 17% Positiveness
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Bear Bongs
Resurrection
95 bpm • C min • 01:30 • -4.67db
10% Popularity • 60% Danceability • 95% Energy • 17% Liveness
82% Instrumentalness • 36% Positiveness
10% Popularity • 60% Danceability • 95% Energy • 17% Liveness
82% Instrumentalness • 36% Positiveness
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Time and Temperature
Sex Flags Grand Opening
110 bpm • B Maj • 01:11 • -9.16db
8% Popularity • 66% Danceability • 93% Energy • 6% Liveness
93% Instrumentalness • 89% Positiveness
8% Popularity • 66% Danceability • 93% Energy • 6% Liveness
93% Instrumentalness • 89% Positiveness
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Chien Méchant
Dans La Niche #22
110 bpm • C# Maj • 00:59 • -9.71db
17% Popularity • 82% Danceability • 41% Energy • 18% Liveness
90% Instrumentalness • 64% Positiveness
17% Popularity • 82% Danceability • 41% Energy • 18% Liveness
90% Instrumentalness • 64% Positiveness
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S.T.R.Y.X.
Monolith 7
110 bpm • C# Maj • 00:53 • -14.16db
11% Popularity • 40% Danceability • 61% Energy • 38% Liveness
60% Instrumentalness • 38% Positiveness
11% Popularity • 40% Danceability • 61% Energy • 38% Liveness
60% Instrumentalness • 38% Positiveness
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Riccardo Rossini
Infrared
110 bpm • F min • 03:52 • -14.8db
7% Popularity • 51% Danceability • 56% Energy • 25% Liveness
81% Instrumentalness • 19% Positiveness
7% Popularity • 51% Danceability • 56% Energy • 25% Liveness
81% Instrumentalness • 19% Positiveness
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Adman The Madman
Trapped in WonkaVision
110 bpm • G# Maj • 03:31 • -10.14db
26% Popularity • 41% Danceability • 75% Energy • 11% Liveness
91% Instrumentalness • 20% Positiveness
26% Popularity • 41% Danceability • 75% Energy • 11% Liveness
91% Instrumentalness • 20% Positiveness
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Elizebeth Neukirch
Swing Sat
110 bpm • A min • 02:37 • -12.45db
20% Popularity • 78% Danceability • 48% Energy • 17% Liveness
92% Instrumentalness • 89% Positiveness
20% Popularity • 78% Danceability • 48% Energy • 17% Liveness
92% Instrumentalness • 89% Positiveness
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Dawn Enigma
Sky in the Air
110 bpm • G Maj • 03:17 • -14.46db
12% Popularity • 73% Danceability • 50% Energy • 19% Liveness
48% Instrumentalness • 31% Positiveness
12% Popularity • 73% Danceability • 50% Energy • 19% Liveness
48% Instrumentalness • 31% Positiveness
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Yae Joon
No Cry
110 bpm • C Maj • 03:00 • -14.01db
13% Popularity • 70% Danceability • 45% Energy • 7% Liveness
92% Instrumentalness • 50% Positiveness
13% Popularity • 70% Danceability • 45% Energy • 7% Liveness
92% Instrumentalness • 50% Positiveness
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Warner Oliveira
Out of the Void
110 bpm • C Maj • 02:15 • -6.21db
20% Popularity • 59% Danceability • 88% Energy • 9% Liveness
25% Instrumentalness • 96% Positiveness
20% Popularity • 59% Danceability • 88% Energy • 9% Liveness
25% Instrumentalness • 96% Positiveness
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Greg Turini
Mutianyu
110 bpm • C Maj • 04:38 • -12.45db
13% Popularity • 31% Danceability • 66% Energy • 11% Liveness
79% Instrumentalness • 26% Positiveness
13% Popularity • 31% Danceability • 66% Energy • 11% Liveness
79% Instrumentalness • 26% Positiveness
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kattyan
irrational
110 bpm • G# min • 01:32 • -10.33db
10% Popularity • 63% Danceability • 70% Energy • 46% Liveness
83% Instrumentalness • 44% Positiveness
10% Popularity • 63% Danceability • 70% Energy • 46% Liveness
83% Instrumentalness • 44% Positiveness
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Matthew S Burns
Exapunks
110 bpm • E min • 01:22 • -7.39db
10% Popularity • 49% Danceability • 88% Energy • 21% Liveness
64% Instrumentalness • 11% Positiveness
10% Popularity • 49% Danceability • 88% Energy • 21% Liveness
64% Instrumentalness • 11% Positiveness
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Overbrook
Into Space
110 bpm • D Maj • 02:06 • -7.35db
8% Popularity • 56% Danceability • 55% Energy • 39% Liveness
46% Instrumentalness • 17% Positiveness
8% Popularity • 56% Danceability • 55% Energy • 39% Liveness
46% Instrumentalness • 17% Positiveness
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Sib The Maid
We All Hold the Duality
110 bpm • C# min • 03:27 • -6.18db
17% Popularity • 45% Danceability • 96% Energy • 23% Liveness
80% Instrumentalness • 9% Positiveness
17% Popularity • 45% Danceability • 96% Energy • 23% Liveness
80% Instrumentalness • 9% Positiveness
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James Currier
Bleed Blue
110 bpm • A# min • 02:57 • -13.27db
15% Popularity • 40% Danceability • 82% Energy • 9% Liveness
97% Instrumentalness • 65% Positiveness
15% Popularity • 40% Danceability • 82% Energy • 9% Liveness
97% Instrumentalness • 65% Positiveness
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Bert Schellekens
La Fin des Haricots
110 bpm • F# Maj • 07:27 • -12.69db
0% Popularity • 36% Danceability • 41% Energy • 14% Liveness
46% Instrumentalness • 4% Positiveness
0% Popularity • 36% Danceability • 41% Energy • 14% Liveness
46% Instrumentalness • 4% Positiveness
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Lake Lustre
Tokyoyo Yolk
94 bpm • B min • 06:41 • -7.58db
10% Popularity • 46% Danceability • 95% Energy • 10% Liveness
84% Instrumentalness • 39% Positiveness
10% Popularity • 46% Danceability • 95% Energy • 10% Liveness
84% Instrumentalness • 39% Positiveness
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Take & Take
Get Off
94 bpm • E min • 06:35 • -8.79db
8% Popularity • 27% Danceability • 93% Energy • 19% Liveness
1% Instrumentalness • 34% Positiveness
8% Popularity • 27% Danceability • 93% Energy • 19% Liveness
1% Instrumentalness • 34% Positiveness
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B w\o S
Sand Tides
94 bpm • A min • 02:17 • -5.1db
15% Popularity • 37% Danceability • 82% Energy • 45% Liveness
89% Instrumentalness • 38% Positiveness
15% Popularity • 37% Danceability • 82% Energy • 45% Liveness
89% Instrumentalness • 38% Positiveness
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ZxNX
Fana
111 bpm • A# min • 02:30 • -3.28db
14% Popularity • 44% Danceability • 98% Energy • 15% Liveness
61% Instrumentalness • 30% Positiveness
14% Popularity • 44% Danceability • 98% Energy • 15% Liveness
61% Instrumentalness • 30% Positiveness
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Tessa Gonzalez
Radical Rock Station
94 bpm • E min • 04:07 • -13.1db
19% Popularity • 58% Danceability • 42% Energy • 42% Liveness
92% Instrumentalness • 65% Positiveness
19% Popularity • 58% Danceability • 42% Energy • 42% Liveness
92% Instrumentalness • 65% Positiveness
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Falcom Sound Team jdk
If I Could Go Back to Those Days
111 bpm • G Maj • 01:55 • -13.62db
7% Popularity • 41% Danceability • 65% Energy • 31% Liveness
88% Instrumentalness • 55% Positiveness
7% Popularity • 41% Danceability • 65% Energy • 31% Liveness
88% Instrumentalness • 55% Positiveness
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Marshall Art
the Guide of travellers along the roads ...
93 bpm • G# Maj • 00:28 • -13.98db
0% Popularity • 25% Danceability • 20% Energy • 10% Liveness
98% Instrumentalness • 3% Positiveness
0% Popularity • 25% Danceability • 20% Energy • 10% Liveness
98% Instrumentalness • 3% Positiveness
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Strange Cousin Susan
Strange Cousin Susan - Vocaloid Edit
112 bpm • G Maj • 03:51 • -9.95db
12% Popularity • 62% Danceability • 70% Energy • 6% Liveness
70% Instrumentalness • 13% Positiveness
12% Popularity • 62% Danceability • 70% Energy • 6% Liveness
70% Instrumentalness • 13% Positiveness
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Marco Monteverde
Just A While Away
112 bpm • C# Maj • 02:17 • -8.6db
11% Popularity • 57% Danceability • 63% Energy • 36% Liveness
82% Instrumentalness • 33% Positiveness
11% Popularity • 57% Danceability • 63% Energy • 36% Liveness
82% Instrumentalness • 33% Positiveness
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Ulrich Kutschera
Arne Spikehype
112 bpm • C Maj • 06:24 • -13.16db
10% Popularity • 37% Danceability • 62% Energy • 14% Liveness
76% Instrumentalness • 12% Positiveness
10% Popularity • 37% Danceability • 62% Energy • 14% Liveness
76% Instrumentalness • 12% Positiveness
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David F. Porfirio
Ninja Assassins
93 bpm • C Maj • 03:15 • -10.33db
9% Popularity • 28% Danceability • 74% Energy • 11% Liveness
94% Instrumentalness • 37% Positiveness
9% Popularity • 28% Danceability • 74% Energy • 11% Liveness
94% Instrumentalness • 37% Positiveness
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Lucas Masterfield
Paradoxo
93 bpm • D Maj • 03:25 • -7.92db
12% Popularity • 73% Danceability • 50% Energy • 10% Liveness
74% Instrumentalness • 77% Positiveness
12% Popularity • 73% Danceability • 50% Energy • 10% Liveness
74% Instrumentalness • 77% Positiveness
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Marshall Art
MGLV: The Easiest Enemy
112 bpm • C Maj • 04:52 • -8.95db
0% Popularity • 39% Danceability • 44% Energy • 10% Liveness
2% Instrumentalness • 42% Positiveness
0% Popularity • 39% Danceability • 44% Energy • 10% Liveness
2% Instrumentalness • 42% Positiveness
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Publio Delgado
Incubus Rising
93 bpm • D Maj • 02:01 • -15.3db
10% Popularity • 48% Danceability • 73% Energy • 48% Liveness
83% Instrumentalness • 46% Positiveness
10% Popularity • 48% Danceability • 73% Energy • 48% Liveness
83% Instrumentalness • 46% Positiveness
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James Currier
Cash is King
112 bpm • C# min • 03:08 • -11.44db
14% Popularity • 47% Danceability • 92% Energy • 28% Liveness
88% Instrumentalness • 39% Positiveness
14% Popularity • 47% Danceability • 92% Energy • 28% Liveness
88% Instrumentalness • 39% Positiveness
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Cory Johnson
MGLV: The Easiest Enemy
112 bpm • G Maj • 05:21 • -8.64db
1% Popularity • 30% Danceability • 72% Energy • 7% Liveness
96% Instrumentalness • 30% Positiveness
1% Popularity • 30% Danceability • 72% Energy • 7% Liveness
96% Instrumentalness • 30% Positiveness
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MONACA
Fatal Error
92 bpm • F min • 02:11 • -7.36db
9% Popularity • 57% Danceability • 69% Energy • 24% Liveness
80% Instrumentalness • 66% Positiveness
9% Popularity • 57% Danceability • 69% Energy • 24% Liveness
80% Instrumentalness • 66% Positiveness
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Oscillian
Catch It
92 bpm • A Maj • 01:07 • -6.96db
14% Popularity • 43% Danceability • 98% Energy • 14% Liveness
88% Instrumentalness • 22% Positiveness
14% Popularity • 43% Danceability • 98% Energy • 14% Liveness
88% Instrumentalness • 22% Positiveness
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Marshall Art
MGLV: The Easiest Enemy [From "Undertal...
112 bpm • G Maj • 05:45 • -7.92db
0% Popularity • 33% Danceability • 62% Energy • 7% Liveness
97% Instrumentalness • 28% Positiveness
0% Popularity • 33% Danceability • 62% Energy • 7% Liveness
97% Instrumentalness • 28% Positiveness
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Onefin
wildlyHandwaving
113 bpm • B min • 02:58 • -7.71db
10% Popularity • 45% Danceability • 89% Energy • 9% Liveness
85% Instrumentalness • 18% Positiveness
10% Popularity • 45% Danceability • 89% Energy • 9% Liveness
85% Instrumentalness • 18% Positiveness
