Songs like The Honeymoon Is Over by The Cruel Sea
Based on a tempo of (+/- 10%) and a similar genre
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Daryl Braithwaite
The Horses
94 bpm • E Maj • 04:16 • -14.82db
59% Popularity • 71% Danceability • 28% Energy • 7% Liveness
0% Instrumentalness • 20% Positiveness
59% Popularity • 71% Danceability • 28% Energy • 7% Liveness
0% Instrumentalness • 20% Positiveness
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The Cruel Sea
Hard Times
94 bpm • A Maj • 03:42 • -4.9db
8% Popularity • 53% Danceability • 90% Energy • 6% Liveness
1% Instrumentalness • 58% Positiveness
8% Popularity • 53% Danceability • 90% Energy • 6% Liveness
1% Instrumentalness • 58% Positiveness
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Regurgitator
Fat Cop
95 bpm • B min • 03:19 • -4db
30% Popularity • 74% Danceability • 94% Energy • 8% Liveness
0% Instrumentalness • 81% Positiveness
30% Popularity • 74% Danceability • 94% Energy • 8% Liveness
0% Instrumentalness • 81% Positiveness
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Crowded House
Better Be Home Soon
94 bpm • C Maj • 03:07 • -15db
60% Popularity • 44% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
60% Popularity • 44% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Skunkhour
Up To Our Necks In It
93 bpm • A# Maj • 04:47 • -9db
29% Popularity • 68% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
29% Popularity • 68% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
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The Superjesus
Gravity
93 bpm • F Maj • 03:59 • -5db
50% Popularity • 54% Danceability • 88% Energy • 22% Liveness
0% Instrumentalness • 58% Positiveness
50% Popularity • 54% Danceability • 88% Energy • 22% Liveness
0% Instrumentalness • 58% Positiveness
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Painters and Dockers
Die Yuppie Die
95 bpm • A Maj • 02:59 • -10db
23% Popularity • 37% Danceability • 85% Energy • 28% Liveness
0% Instrumentalness • 54% Positiveness
23% Popularity • 37% Danceability • 85% Energy • 28% Liveness
0% Instrumentalness • 54% Positiveness
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The Cruel Sea
Takin' All Day
94 bpm • G Maj • 03:31 • -8.16db
23% Popularity • 74% Danceability • 62% Energy • 19% Liveness
9% Instrumentalness • 60% Positiveness
23% Popularity • 74% Danceability • 62% Energy • 19% Liveness
9% Instrumentalness • 60% Positiveness
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Regurgitator
Everyday Formula
93 bpm • D Maj • 02:09 • -4db
29% Popularity • 51% Danceability • 99% Energy • 15% Liveness
4% Instrumentalness • 46% Positiveness
29% Popularity • 51% Danceability • 99% Energy • 15% Liveness
4% Instrumentalness • 46% Positiveness
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Spiderbait
Calypso
93 bpm • A Maj • 01:51 • -7db
53% Popularity • 38% Danceability • 74% Energy • 10% Liveness
22% Instrumentalness • 31% Positiveness
53% Popularity • 38% Danceability • 74% Energy • 10% Liveness
22% Instrumentalness • 31% Positiveness
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Skunkhour
Do You Like It
92 bpm • F# min • 05:14 • -10.17db
16% Popularity • 74% Danceability • 71% Energy • 29% Liveness
0% Instrumentalness • 90% Positiveness
16% Popularity • 74% Danceability • 71% Energy • 29% Liveness
0% Instrumentalness • 90% Positiveness
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Russell Morris
The Real Thing
92 bpm • D Maj • 06:20 • -14db
39% Popularity • 27% Danceability • 62% Energy • 12% Liveness
42% Instrumentalness • 56% Positiveness
39% Popularity • 27% Danceability • 62% Energy • 12% Liveness
42% Instrumentalness • 56% Positiveness
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Powderfinger
Passenger
96 bpm • B min • 04:21 • -6.99db
46% Popularity • 26% Danceability • 61% Energy • 37% Liveness
5% Instrumentalness • 19% Positiveness
46% Popularity • 26% Danceability • 61% Energy • 37% Liveness
5% Instrumentalness • 19% Positiveness
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The Cruel Sea
The Right Time
94 bpm • A Maj • 02:43 • -9.13db
17% Popularity • 68% Danceability • 65% Energy • 10% Liveness
72% Instrumentalness • 95% Positiveness
17% Popularity • 68% Danceability • 65% Energy • 10% Liveness
72% Instrumentalness • 95% Positiveness
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Bernard Fanning
The Strangest Thing
91 bpm • G Maj • 03:14 • -7db
38% Popularity • 76% Danceability • 52% Energy • 11% Liveness
1% Instrumentalness • 80% Positiveness
38% Popularity • 76% Danceability • 52% Energy • 11% Liveness
1% Instrumentalness • 80% Positiveness
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Hoodoo Gurus
I Want You Back - Remaster 2005
91 bpm • D Maj • 03:10 • -2.88db
40% Popularity • 41% Danceability • 94% Energy • 8% Liveness
0% Instrumentalness • 51% Positiveness
40% Popularity • 41% Danceability • 94% Energy • 8% Liveness
0% Instrumentalness • 51% Positiveness
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Split Enz
I See Red
91 bpm • C Maj • 03:14 • -4.65db
37% Popularity • 30% Danceability • 90% Energy • 44% Liveness
0% Instrumentalness • 42% Positiveness
37% Popularity • 30% Danceability • 90% Energy • 44% Liveness
0% Instrumentalness • 42% Positiveness
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The Whitlams
Tangled Up In Blue
91 bpm • G Maj • 05:39 • -7db
30% Popularity • 57% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
30% Popularity • 57% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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Died Pretty
Satisfied
98 bpm • F Maj • 06:08 • -4.92db
13% Popularity • 28% Danceability • 74% Energy • 15% Liveness
51% Instrumentalness • 12% Positiveness
13% Popularity • 28% Danceability • 74% Energy • 15% Liveness
51% Instrumentalness • 12% Positiveness
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The Cruel Sea
The Honeymoon Is Over
94 bpm • C# Maj • 03:06 • -7.29db
51% Popularity • 46% Danceability • 75% Energy • 32% Liveness
1% Instrumentalness • 59% Positiveness
51% Popularity • 46% Danceability • 75% Energy • 32% Liveness
1% Instrumentalness • 59% Positiveness
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Sunnyboys
Tunnel of Love - 2014 Remaster
90 bpm • G Maj • 03:13 • -3.91db
28% Popularity • 40% Danceability • 90% Energy • 18% Liveness
0% Instrumentalness • 64% Positiveness
28% Popularity • 40% Danceability • 90% Energy • 18% Liveness
0% Instrumentalness • 64% Positiveness
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Stevie Wright
Evie (Let Your Hair Hang Down)
90 bpm • A Maj • 03:57 • -4.62db
52% Popularity • 46% Danceability • 95% Energy • 51% Liveness
0% Instrumentalness • 75% Positiveness
52% Popularity • 46% Danceability • 95% Energy • 51% Liveness
0% Instrumentalness • 75% Positiveness
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Spiderbait
Stevie
98 bpm • D Maj • 03:00 • -2db
29% Popularity • 56% Danceability • 97% Energy • 34% Liveness
62% Instrumentalness • 46% Positiveness
29% Popularity • 56% Danceability • 97% Energy • 34% Liveness
62% Instrumentalness • 46% Positiveness
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The Whitlams
You Sound Like Louis Burdett
98 bpm • C# Maj • 04:01 • -6.66db
38% Popularity • 57% Danceability • 89% Energy • 12% Liveness
0% Instrumentalness • 68% Positiveness
38% Popularity • 57% Danceability • 89% Energy • 12% Liveness
0% Instrumentalness • 68% Positiveness
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The Black Sorrows
Snake Skin Shoes
98 bpm • D Maj • 04:42 • -9db
22% Popularity • 59% Danceability • 72% Energy • 7% Liveness
14% Instrumentalness • 67% Positiveness
22% Popularity • 59% Danceability • 72% Energy • 7% Liveness
14% Instrumentalness • 67% Positiveness
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The Cruel Sea
Gimme Back My Thing
94 bpm • D Maj • 01:45 • -7.07db
14% Popularity • 73% Danceability • 69% Energy • 35% Liveness
3% Instrumentalness • 70% Positiveness
14% Popularity • 73% Danceability • 69% Energy • 35% Liveness
3% Instrumentalness • 70% Positiveness
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Australian Crawl
The Boys Light Up - Remastered 2013
98 bpm • G Maj • 04:41 • -7db
61% Popularity • 62% Danceability • 94% Energy • 31% Liveness
0% Instrumentalness • 70% Positiveness
61% Popularity • 62% Danceability • 94% Energy • 31% Liveness
0% Instrumentalness • 70% Positiveness
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Johnny Diesel & The Injectors
Cry In Shame
98 bpm • E Maj • 04:44 • -6.44db
54% Popularity • 56% Danceability • 72% Energy • 26% Liveness
0% Instrumentalness • 80% Positiveness
54% Popularity • 56% Danceability • 72% Energy • 26% Liveness
0% Instrumentalness • 80% Positiveness
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Jebediah
Harpoon
98 bpm • B Maj • 04:26 • -4.41db
40% Popularity • 54% Danceability • 92% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
40% Popularity • 54% Danceability • 92% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
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Skunkhour
Morning Rolls
90 bpm • B min • 04:38 • -11.02db
13% Popularity • 66% Danceability • 70% Energy • 31% Liveness
0% Instrumentalness • 78% Positiveness
13% Popularity • 66% Danceability • 70% Energy • 31% Liveness
0% Instrumentalness • 78% Positiveness
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Machine Gun Fellatio
Mutha Fukka On A Motorcycle
90 bpm • G Maj • 02:20 • -4.83db
30% Popularity • 65% Danceability • 91% Energy • 83% Liveness
0% Instrumentalness • 70% Positiveness
30% Popularity • 65% Danceability • 91% Energy • 83% Liveness
0% Instrumentalness • 70% Positiveness
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The Cruel Sea
Orleans Stomp
93 bpm • F Maj • 02:47 • -10.13db
24% Popularity • 73% Danceability • 72% Energy • 9% Liveness
86% Instrumentalness • 95% Positiveness
24% Popularity • 73% Danceability • 72% Energy • 9% Liveness
86% Instrumentalness • 95% Positiveness
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Boom Crash Opera
Hands Up In The Air
90 bpm • B Maj • 03:53 • -2.76db
27% Popularity • 53% Danceability • 91% Energy • 18% Liveness
2% Instrumentalness • 61% Positiveness
27% Popularity • 53% Danceability • 91% Energy • 18% Liveness
2% Instrumentalness • 61% Positiveness
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Split Enz
My Mistake
98 bpm • A# Maj • 03:01 • -6.54db
33% Popularity • 57% Danceability • 76% Energy • 18% Liveness
0% Instrumentalness • 71% Positiveness
33% Popularity • 57% Danceability • 76% Energy • 18% Liveness
0% Instrumentalness • 71% Positiveness
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The Badloves
Slave
89 bpm • E min • 05:24 • -6.91db
16% Popularity • 47% Danceability • 83% Energy • 8% Liveness
0% Instrumentalness • 82% Positiveness
16% Popularity • 47% Danceability • 83% Energy • 8% Liveness
0% Instrumentalness • 82% Positiveness
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Ed Kuepper
The Way I Made You Feel
99 bpm • E min • 04:00 • -8.9db
31% Popularity • 70% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 63% Positiveness
31% Popularity • 70% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 63% Positiveness
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Do Re Mi
Man Overboard
89 bpm • C Maj • 04:10 • -11db
36% Popularity • 58% Danceability • 51% Energy • 38% Liveness
1% Instrumentalness • 69% Positiveness
36% Popularity • 58% Danceability • 51% Energy • 38% Liveness
1% Instrumentalness • 69% Positiveness
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The Cruel Sea
It's Alright (Cause She Loves Me)
93 bpm • F Maj • 04:23 • -14.47db
23% Popularity • 58% Danceability • 40% Energy • 11% Liveness
23% Instrumentalness • 42% Positiveness
23% Popularity • 58% Danceability • 40% Energy • 11% Liveness
23% Instrumentalness • 42% Positiveness
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Boom Crash Opera
Onionskin
99 bpm • C Maj • 03:27 • -3.04db
42% Popularity • 52% Danceability • 92% Energy • 16% Liveness
0% Instrumentalness • 46% Positiveness
42% Popularity • 52% Danceability • 92% Energy • 16% Liveness
0% Instrumentalness • 46% Positiveness
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The Superjesus
Shut My Eyes
89 bpm • G Maj • 03:50 • -6db
30% Popularity • 40% Danceability • 77% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
30% Popularity • 40% Danceability • 77% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
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Split Enz
Shark Attack
99 bpm • D Maj • 03:00 • -5db
28% Popularity • 50% Danceability • 92% Energy • 16% Liveness
0% Instrumentalness • 50% Positiveness
28% Popularity • 50% Danceability • 92% Energy • 16% Liveness
0% Instrumentalness • 50% Positiveness
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Regurgitator
Kong Foo Sing
89 bpm • E Maj • 03:01 • -6db
36% Popularity • 49% Danceability • 92% Energy • 11% Liveness
3% Instrumentalness • 44% Positiveness
36% Popularity • 49% Danceability • 92% Energy • 11% Liveness
3% Instrumentalness • 44% Positiveness
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The Stems
At First Sight
100 bpm • G min • 04:02 • -14db
33% Popularity • 46% Danceability • 55% Energy • 7% Liveness
12% Instrumentalness • 59% Positiveness
33% Popularity • 46% Danceability • 55% Energy • 7% Liveness
12% Instrumentalness • 59% Positiveness
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The Cruel Sea
Brain Wash
95 bpm • E min • 02:58 • -7.98db
12% Popularity • 57% Danceability • 74% Energy • 22% Liveness
0% Instrumentalness • 28% Positiveness
12% Popularity • 57% Danceability • 74% Energy • 22% Liveness
0% Instrumentalness • 28% Positiveness
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GANGgajang
Distraction - Remastered
100 bpm • D Maj • 03:20 • -5.95db
21% Popularity • 70% Danceability • 77% Energy • 10% Liveness
2% Instrumentalness • 96% Positiveness
21% Popularity • 70% Danceability • 77% Energy • 10% Liveness
2% Instrumentalness • 96% Positiveness
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Grinspoon
Just Ace
100 bpm • D Maj • 01:48 • -6.83db
48% Popularity • 59% Danceability • 86% Energy • 32% Liveness
1% Instrumentalness • 82% Positiveness
48% Popularity • 59% Danceability • 86% Energy • 32% Liveness
1% Instrumentalness • 82% Positiveness
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Alex Lloyd
Amazing
100 bpm • A Maj • 03:23 • -7db
48% Popularity • 53% Danceability • 74% Energy • 7% Liveness
0% Instrumentalness • 60% Positiveness
48% Popularity • 53% Danceability • 74% Energy • 7% Liveness
0% Instrumentalness • 60% Positiveness
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Beasts Of Bourbon
Saturated
100 bpm • F Maj • 03:51 • -5.78db
20% Popularity • 25% Danceability • 89% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
20% Popularity • 25% Danceability • 89% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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John Schumann
I Was Only 19 (A Walk in the Light Green...
88 bpm • A Maj • 04:19 • -9.75db
40% Popularity • 65% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
40% Popularity • 65% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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The Cruel Sea
Navigate
92 bpm • F Maj • 01:49 • -12.41db
16% Popularity • 71% Danceability • 58% Energy • 8% Liveness
89% Instrumentalness • 71% Positiveness
16% Popularity • 71% Danceability • 58% Energy • 8% Liveness
89% Instrumentalness • 71% Positiveness
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Skunkhour
That's the Way
88 bpm • C Maj • 04:31 • -10.62db
14% Popularity • 74% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 89% Positiveness
14% Popularity • 74% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 89% Positiveness
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Jo Jo Zep and The Falcons
Shape I'm In
101 bpm • G min • 03:34 • -12.26db
45% Popularity • 69% Danceability • 62% Energy • 7% Liveness
0% Instrumentalness • 74% Positiveness
45% Popularity • 69% Danceability • 62% Energy • 7% Liveness
0% Instrumentalness • 74% Positiveness
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The Screaming Jets
Better
101 bpm • D Maj • 04:37 • -10.16db
51% Popularity • 52% Danceability • 64% Energy • 5% Liveness
0% Instrumentalness • 39% Positiveness
51% Popularity • 52% Danceability • 64% Energy • 5% Liveness
0% Instrumentalness • 39% Positiveness
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Hunters & Collectors
Holy Grail
101 bpm • C# min • 03:47 • -3.98db
59% Popularity • 64% Danceability • 96% Energy • 32% Liveness
3% Instrumentalness • 71% Positiveness
59% Popularity • 64% Danceability • 96% Energy • 32% Liveness
3% Instrumentalness • 71% Positiveness
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Noiseworks
No Lies
102 bpm • A Maj • 03:54 • -11db
44% Popularity • 56% Danceability • 83% Energy • 8% Liveness
2% Instrumentalness • 46% Positiveness
44% Popularity • 56% Danceability • 83% Energy • 8% Liveness
2% Instrumentalness • 46% Positiveness
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The Cruel Sea
Let's Lay Down Here And Make Love
96 bpm • G Maj • 03:36 • -8.04db
15% Popularity • 78% Danceability • 75% Energy • 13% Liveness
74% Instrumentalness • 59% Positiveness
15% Popularity • 78% Danceability • 75% Energy • 13% Liveness
74% Instrumentalness • 59% Positiveness
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Radio Birdman
Aloha Steve & Danno
102 bpm • D Maj • 03:59 • -2.12db
28% Popularity • 35% Danceability • 95% Energy • 30% Liveness
10% Instrumentalness • 52% Positiveness
28% Popularity • 35% Danceability • 95% Energy • 30% Liveness
10% Instrumentalness • 52% Positiveness
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Jo Jo Zep and The Falcons
Shape I'm In
101 bpm • G min • 03:33 • -3.64db
24% Popularity • 67% Danceability • 86% Energy • 5% Liveness
0% Instrumentalness • 80% Positiveness
24% Popularity • 67% Danceability • 86% Energy • 5% Liveness
0% Instrumentalness • 80% Positiveness
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Split Enz
One Step Ahead
102 bpm • A min • 02:51 • -7.85db
38% Popularity • 70% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
38% Popularity • 70% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
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The Radiators
Hit and Run
102 bpm • E Maj • 04:18 • -14db
21% Popularity • 84% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 61% Positiveness
21% Popularity • 84% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 61% Positiveness
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Crowded House
Fall At Your Feet
103 bpm • C min • 03:18 • -13.62db
60% Popularity • 65% Danceability • 37% Energy • 10% Liveness
1% Instrumentalness • 56% Positiveness
60% Popularity • 65% Danceability • 37% Energy • 10% Liveness
1% Instrumentalness • 56% Positiveness
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The Cruel Sea
Fanging Hoons
97 bpm • G Maj • 02:16 • -15.75db
18% Popularity • 41% Danceability • 58% Energy • 9% Liveness
85% Instrumentalness • 24% Positiveness
18% Popularity • 41% Danceability • 58% Energy • 9% Liveness
85% Instrumentalness • 24% Positiveness
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Powderfinger
My Happiness
86 bpm • C Maj • 04:36 • -5.42db
62% Popularity • 44% Danceability • 82% Energy • 43% Liveness
0% Instrumentalness • 49% Positiveness
62% Popularity • 44% Danceability • 82% Energy • 43% Liveness
0% Instrumentalness • 49% Positiveness
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Skunkhour
Weightlessness
103 bpm • F min • 03:57 • -7.55db
27% Popularity • 61% Danceability • 88% Energy • 21% Liveness
45% Instrumentalness • 72% Positiveness
27% Popularity • 61% Danceability • 88% Energy • 21% Liveness
45% Instrumentalness • 72% Positiveness
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Painters and Dockers
You're Going Home in the Back of a Divi ...
85 bpm • B min • 03:30 • -4.82db
17% Popularity • 45% Danceability • 74% Energy • 7% Liveness
0% Instrumentalness • 61% Positiveness
17% Popularity • 45% Danceability • 74% Energy • 7% Liveness
0% Instrumentalness • 61% Positiveness
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The Black Sorrows
Harley & Rose
104 bpm • G Maj • 03:54 • -15.26db
46% Popularity • 64% Danceability • 63% Energy • 18% Liveness
0% Instrumentalness • 56% Positiveness
46% Popularity • 64% Danceability • 63% Energy • 18% Liveness
0% Instrumentalness • 56% Positiveness
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Split Enz
Strait Old Line
103 bpm • B Maj • 04:03 • -8.74db
23% Popularity • 63% Danceability • 72% Energy • 7% Liveness
4% Instrumentalness • 69% Positiveness
23% Popularity • 63% Danceability • 72% Energy • 7% Liveness
4% Instrumentalness • 69% Positiveness
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The Cruel Sea
Blame It On The Moon
99 bpm • A min • 03:37 • -13db
20% Popularity • 64% Danceability • 42% Energy • 25% Liveness
83% Instrumentalness • 36% Positiveness
20% Popularity • 64% Danceability • 42% Energy • 25% Liveness
83% Instrumentalness • 36% Positiveness
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Beasts Of Bourbon
Psycho
104 bpm • E min • 03:57 • -9.53db
20% Popularity • 54% Danceability • 66% Energy • 28% Liveness
0% Instrumentalness • 40% Positiveness
20% Popularity • 54% Danceability • 66% Energy • 28% Liveness
0% Instrumentalness • 40% Positiveness
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Alex Lloyd
Coming Home
104 bpm • E Maj • 03:06 • -2.91db
28% Popularity • 50% Danceability • 88% Energy • 17% Liveness
0% Instrumentalness • 51% Positiveness
28% Popularity • 50% Danceability • 88% Energy • 17% Liveness
0% Instrumentalness • 51% Positiveness
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Weddings Parties Anything
Father's Day
105 bpm • E Maj • 04:02 • -8.29db
39% Popularity • 61% Danceability • 82% Energy • 26% Liveness
0% Instrumentalness • 72% Positiveness
39% Popularity • 61% Danceability • 82% Energy • 26% Liveness
0% Instrumentalness • 72% Positiveness
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Powderfinger
These Days
84 bpm • A Maj • 04:58 • -7.64db
55% Popularity • 15% Danceability • 45% Energy • 16% Liveness
2% Instrumentalness • 10% Positiveness
55% Popularity • 15% Danceability • 45% Energy • 16% Liveness
2% Instrumentalness • 10% Positiveness
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Jo Jo Zep and The Falcons
Hit and Run
106 bpm • C Maj • 04:41 • -3.63db
38% Popularity • 66% Danceability • 83% Energy • 18% Liveness
0% Instrumentalness • 77% Positiveness
38% Popularity • 66% Danceability • 83% Energy • 18% Liveness
0% Instrumentalness • 77% Positiveness
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The Cruel Sea
Don't Sell It
100 bpm • D Maj • 05:19 • -15.22db
9% Popularity • 64% Danceability • 67% Energy • 16% Liveness
66% Instrumentalness • 80% Positiveness
9% Popularity • 64% Danceability • 67% Energy • 16% Liveness
66% Instrumentalness • 80% Positiveness
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Beasts Of Bourbon
Ride On
106 bpm • C Maj • 05:22 • -11.85db
18% Popularity • 44% Danceability • 51% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
18% Popularity • 44% Danceability • 51% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
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The Master's Apprentices
Turn Up Your Radio
83 bpm • E min • 03:33 • -12.6db
34% Popularity • 41% Danceability • 72% Energy • 46% Liveness
65% Instrumentalness • 63% Positiveness
34% Popularity • 41% Danceability • 72% Energy • 46% Liveness
65% Instrumentalness • 63% Positiveness
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Boom Crash Opera
In The Morning
107 bpm • A Maj • 03:57 • -3.53db
19% Popularity • 49% Danceability • 87% Energy • 10% Liveness
3% Instrumentalness • 41% Positiveness
19% Popularity • 49% Danceability • 87% Energy • 10% Liveness
3% Instrumentalness • 41% Positiveness
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Powderfinger
d.a.f
106 bpm • D Maj • 03:30 • -7.15db
44% Popularity • 56% Danceability • 79% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
44% Popularity • 56% Danceability • 79% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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Chain
Black and Blue
107 bpm • D min • 04:51 • -13.33db
24% Popularity • 56% Danceability • 37% Energy • 13% Liveness
0% Instrumentalness • 63% Positiveness
24% Popularity • 56% Danceability • 37% Energy • 13% Liveness
0% Instrumentalness • 63% Positiveness
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The Cruel Sea
Don't Sell It
100 bpm • D Maj • 04:58 • -8.47db
15% Popularity • 64% Danceability • 88% Energy • 16% Liveness
57% Instrumentalness • 74% Positiveness
15% Popularity • 64% Danceability • 88% Energy • 16% Liveness
57% Instrumentalness • 74% Positiveness
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The Whitlams
Blow Up The Pokies
82 bpm • A min • 03:27 • -8db
47% Popularity • 25% Danceability • 65% Energy • 17% Liveness
0% Instrumentalness • 38% Positiveness
47% Popularity • 25% Danceability • 65% Energy • 17% Liveness
0% Instrumentalness • 38% Positiveness
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The Radiators
Comin' Home
82 bpm • A Maj • 03:08 • -7.97db
46% Popularity • 62% Danceability • 80% Energy • 8% Liveness
0% Instrumentalness • 52% Positiveness
46% Popularity • 62% Danceability • 80% Energy • 8% Liveness
0% Instrumentalness • 52% Positiveness
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The Black Sorrows
The Crack-Up
108 bpm • D Maj • 03:23 • -11db
26% Popularity • 64% Danceability • 68% Energy • 29% Liveness
0% Instrumentalness • 34% Positiveness
26% Popularity • 64% Danceability • 68% Energy • 29% Liveness
0% Instrumentalness • 34% Positiveness
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Divinyls
In My Life
108 bpm • D# Maj • 03:48 • -10db
24% Popularity • 39% Danceability • 88% Energy • 33% Liveness
4% Instrumentalness • 67% Positiveness
24% Popularity • 39% Danceability • 88% Energy • 33% Liveness
4% Instrumentalness • 67% Positiveness
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Alex Lloyd
Lucky Star
82 bpm • G Maj • 03:59 • -8db
27% Popularity • 49% Danceability • 68% Energy • 42% Liveness
0% Instrumentalness • 47% Positiveness
27% Popularity • 49% Danceability • 68% Energy • 42% Liveness
0% Instrumentalness • 47% Positiveness
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The Cruel Sea
Better Get A Lawyer
86 bpm • D Maj • 03:00 • -7db
42% Popularity • 47% Danceability • 64% Energy • 26% Liveness
20% Instrumentalness • 86% Positiveness
42% Popularity • 47% Danceability • 64% Energy • 26% Liveness
20% Instrumentalness • 86% Positiveness
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The Party Boys
He's Gonna Step on You Again
108 bpm • D Maj • 04:09 • -10.23db
34% Popularity • 72% Danceability • 90% Energy • 38% Liveness
0% Instrumentalness • 66% Positiveness
34% Popularity • 72% Danceability • 90% Energy • 38% Liveness
0% Instrumentalness • 66% Positiveness
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The Whitlams
Melbourne
82 bpm • C Maj • 04:50 • -9db
32% Popularity • 59% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
32% Popularity • 59% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
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Split Enz
Dirty Creature
108 bpm • E min • 04:02 • -6db
36% Popularity • 61% Danceability • 85% Energy • 33% Liveness
0% Instrumentalness • 89% Positiveness
36% Popularity • 61% Danceability • 85% Energy • 33% Liveness
0% Instrumentalness • 89% Positiveness
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Regurgitator
Polyester Girl
108 bpm • G# Maj • 03:30 • -6db
35% Popularity • 75% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
35% Popularity • 75% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
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Ian Moss
Telephone Booth
108 bpm • F# Maj • 03:04 • -11db
40% Popularity • 68% Danceability • 53% Energy • 26% Liveness
0% Instrumentalness • 85% Positiveness
40% Popularity • 68% Danceability • 53% Energy • 26% Liveness
0% Instrumentalness • 85% Positiveness
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The Cruel Sea
Better Than Love
103 bpm • G Maj • 04:24 • -9.22db
16% Popularity • 66% Danceability • 57% Energy • 8% Liveness
48% Instrumentalness • 42% Positiveness
16% Popularity • 66% Danceability • 57% Energy • 8% Liveness
48% Instrumentalness • 42% Positiveness
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Weddings Parties Anything
Wide Open Road
81 bpm • G Maj • 04:16 • -5db
22% Popularity • 21% Danceability • 76% Energy • 93% Liveness
0% Instrumentalness • 62% Positiveness
22% Popularity • 21% Danceability • 76% Energy • 93% Liveness
0% Instrumentalness • 62% Positiveness
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Powderfinger
Waiting For The Sun
109 bpm • D Maj • 03:54 • -5.23db
43% Popularity • 20% Danceability • 96% Energy • 33% Liveness
29% Instrumentalness • 15% Positiveness
43% Popularity • 20% Danceability • 96% Energy • 33% Liveness
29% Instrumentalness • 15% Positiveness
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Stevie Wright
Evie (Evie)
81 bpm • E Maj • 02:59 • -14.43db
36% Popularity • 40% Danceability • 9% Energy • 25% Liveness
0% Instrumentalness • 11% Positiveness
36% Popularity • 40% Danceability • 9% Energy • 25% Liveness
0% Instrumentalness • 11% Positiveness
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The Triffids
Wide Open Road
81 bpm • A min • 04:08 • -9db
40% Popularity • 54% Danceability • 70% Energy • 10% Liveness
26% Instrumentalness • 57% Positiveness
40% Popularity • 54% Danceability • 70% Energy • 10% Liveness
26% Instrumentalness • 57% Positiveness
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The Radiators
Summer Holiday
81 bpm • A Maj • 04:28 • -12db
30% Popularity • 46% Danceability • 73% Energy • 32% Liveness
0% Instrumentalness • 68% Positiveness
30% Popularity • 46% Danceability • 73% Energy • 32% Liveness
0% Instrumentalness • 68% Positiveness
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The Cruel Sea
I'll Take Care Of You
84 bpm • B min • 03:15 • -14.83db
12% Popularity • 54% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
12% Popularity • 54% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
