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The Hours - The Hours - Arr. for cello and piano b...
Songs like
The Hours - The Hours - Arr. for cello and piano by Bruno Fontaine: The poet acts
by
Philip Glass
Based on a tempo of (+/- 10%) and a similar genre
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Peter Gregson
4.1 Prelude
76 bpm • G# Maj • 05:12 • -21.15db
26% Popularity • 17% Danceability • 21% Energy • 11% Liveness
87% Instrumentalness • 3% Positiveness
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Erik Satie
3 Gymnopédies: No. 3, Lent et grave
76 bpm • G Maj • 02:34 • -38.69db
36% Popularity • 44% Danceability • 0% Energy • 13% Liveness
97% Instrumentalness • 48% Positiveness
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Max Richter
Departure (Home)
76 bpm • D# Maj • 01:54 • -30.76db
50% Popularity • 32% Danceability • 4% Energy • 10% Liveness
93% Instrumentalness • 24% Positiveness
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Edvard Grieg
Piano Concerto in A minor, Op. 16: II. A...
76 bpm • C# Maj • 06:38 • -27.98db
58% Popularity • 11% Danceability • 2% Energy • 7% Liveness
88% Instrumentalness • 4% Positiveness
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Henryk GĂłrecki
3 Utwory w dawnym stylu (3 Pieces in Old...
76 bpm • A min • 03:17 • -23db
35% Popularity • 13% Danceability • 4% Energy • 8% Liveness
96% Instrumentalness • 3% Positiveness
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Marina Baranova
Leviathan Town
76 bpm • C# min • 02:49 • -26.08db
33% Popularity • 33% Danceability • 2% Energy • 10% Liveness
86% Instrumentalness • 7% Positiveness
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Peter Gregson
6.2 Allemande
76 bpm • D Maj • 03:35 • -20.22db
24% Popularity • 13% Danceability • 14% Energy • 8% Liveness
82% Instrumentalness • 3% Positiveness
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Henry Purcell
Music for a While
76 bpm • A min • 04:10 • -23db
46% Popularity • 23% Danceability • 1% Energy • 7% Liveness
90% Instrumentalness • 23% Positiveness
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BĂ©la BartĂłk
Romanian Folk Dances, Sz.56: III. Andant...
75 bpm • D min • 01:17 • -40db
29% Popularity • 25% Danceability • 1% Energy • 5% Liveness
7% Instrumentalness • 5% Positiveness
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Hildur GuĂ°nadĂłttir
Bær
75 bpm • E min • 03:17 • -20db
37% Popularity • 15% Danceability • 7% Energy • 15% Liveness
88% Instrumentalness • 4% Positiveness
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Valentin Silvestrov
Moments of Poetry and Music: No. 2, Melo...
77 bpm • B Maj • 03:45 • -37db
26% Popularity • 8% Danceability • 1% Energy • 7% Liveness
70% Instrumentalness • 3% Positiveness
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Dario Marianelli
Awaken
77 bpm • C min • 04:25 • -18db
45% Popularity • 17% Danceability • 4% Energy • 9% Liveness
91% Instrumentalness • 4% Positiveness
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Richard Wagner
Das Rheingold: Prelude
77 bpm • G# Maj • 05:31 • -28.79db
29% Popularity • 11% Danceability • 5% Energy • 22% Liveness
95% Instrumentalness • 3% Positiveness
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Henry Purcell
Dido and Aeneas, Z. 626 / Act III: "When...
77 bpm • G min • 03:48 • -23.96db
48% Popularity • 8% Danceability • 6% Energy • 9% Liveness
90% Instrumentalness • 3% Positiveness
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Maurice Ravel
Daphnis et Chloe: Part III: Lever du jou...
77 bpm • E min • 05:29 • -17db
43% Popularity • 7% Danceability • 18% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
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John Adams
Adams: Harmonielehre, Pt. III: Meister E...
77 bpm • E min • 10:35 • -21.26db
15% Popularity • 18% Danceability • 12% Energy • 23% Liveness
76% Instrumentalness • 3% Positiveness
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Gabriel Fauré
Pavane, Op. 50 (Version for Piano)
75 bpm • F# min • 05:59 • -30.68db
57% Popularity • 39% Danceability • 2% Energy • 8% Liveness
88% Instrumentalness • 12% Positiveness
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Hildegard von Bingen
O Virtus Sapientae (Arr. M. Beiser for C...
77 bpm • A min • 03:47 • -12db
10% Popularity • 15% Danceability • 26% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
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Philip Glass
Opening
77 bpm • C min • 05:53 • -30.94db
53% Popularity • 18% Danceability • 3% Energy • 8% Liveness
89% Instrumentalness • 7% Positiveness
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William Duckworth
The Time Curve Preludes, Book I: XII - q...
77 bpm • F Maj • 04:54 • -23db
8% Popularity • 40% Danceability • 11% Energy • 13% Liveness
87% Instrumentalness • 14% Positiveness
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Anja Lechner
Hymne
75 bpm • D min • 01:38 • -35.57db
34% Popularity • 46% Danceability • 0% Energy • 11% Liveness
97% Instrumentalness • 7% Positiveness
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Balanescu Quartet
Butterflies
75 bpm • G# min • 03:36 • -18.81db
25% Popularity • 14% Danceability • 21% Energy • 11% Liveness
94% Instrumentalness • 8% Positiveness
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Dmitri Shostakovich
Piano Concerto No. 2 in F Major, Op. 102...
77 bpm • C min • 06:53 • -36.38db
53% Popularity • 15% Danceability • 1% Energy • 10% Liveness
93% Instrumentalness • 4% Positiveness
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Francis Poulenc
Poulenc: Cello Sonata, FP 143: II. Cavat...
77 bpm • F# Maj • 06:26 • -28db
58% Popularity • 13% Danceability • 1% Energy • 8% Liveness
91% Instrumentalness • 4% Positiveness
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Philip Glass
The Screens: The French Lieutenant Dream...
77 bpm • F min • 02:12 • -22.76db
14% Popularity • 20% Danceability • 6% Energy • 11% Liveness
95% Instrumentalness • 6% Positiveness
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Thomas Adès
Arcadiana, Op. 12: VI. O Albion
77 bpm • D# Maj • 03:15 • -37db
35% Popularity • 11% Danceability • 1% Energy • 14% Liveness
74% Instrumentalness • 3% Positiveness
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Max Richter
Three Worlds: Music from Woolf Works / M...
78 bpm • D# min • 06:07 • -22.87db
34% Popularity • 8% Danceability • 9% Energy • 11% Liveness
89% Instrumentalness • 4% Positiveness
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Olga Scheps
Memories of a Promenade II
74 bpm • C min • 03:26 • -28.35db
57% Popularity • 22% Danceability • 3% Energy • 11% Liveness
88% Instrumentalness • 17% Positiveness
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Erik Satie
3 Gymnopédies: No. 1 Lent et douloureux
74 bpm • G Maj • 03:39 • -36.5db
58% Popularity • 59% Danceability • 0% Energy • 7% Liveness
95% Instrumentalness • 18% Positiveness
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John Adams
Shaker Loops (version for string orchest...
78 bpm • C Maj • 04:09 • -29.15db
27% Popularity • 17% Danceability • 4% Energy • 22% Liveness
57% Instrumentalness • 8% Positiveness
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Philip Glass
The Hours: An Unwelcome Friend
74 bpm • G min • 04:16 • -36.17db
60% Popularity • 25% Danceability • 0% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
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BĂ©la BartĂłk
For Children, Vol. 1, Sz. 42 (Excerpts):...
74 bpm • E min • 01:10 • -37db
46% Popularity • 54% Danceability • 1% Energy • 7% Liveness
94% Instrumentalness • 9% Positiveness
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Simone Dinnerstein
Etude No.16
74 bpm • G min • 07:30 • -24.82db
13% Popularity • 34% Danceability • 1% Energy • 8% Liveness
87% Instrumentalness • 4% Positiveness
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Felix Rösch
Humming Bird Rework
78 bpm • F min • 03:21 • -17.59db
37% Popularity • 14% Danceability • 11% Energy • 11% Liveness
44% Instrumentalness • 3% Positiveness
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Valentin Silvestrov
Hymn - 2001
74 bpm • A# Maj • 06:05 • -31.44db
37% Popularity • 14% Danceability • 2% Energy • 11% Liveness
84% Instrumentalness • 3% Positiveness
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Erik Satie
Trois Gymnopédies: lll. "Lent et grave"
78 bpm • A min • 02:26 • -39.7db
41% Popularity • 55% Danceability • 1% Energy • 7% Liveness
94% Instrumentalness • 39% Positiveness
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Philip Glass
Why Does Someone Have to Die?
78 bpm • G min • 03:56 • -27.57db
31% Popularity • 27% Danceability • 1% Energy • 12% Liveness
98% Instrumentalness • 3% Positiveness
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Maurice Ravel
Piano Concerto in G Major, M. 83: II. Ad...
74 bpm • E Maj • 09:23 • -34.6db
47% Popularity • 13% Danceability • 2% Energy • 9% Liveness
95% Instrumentalness • 4% Positiveness
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Sergei Rachmaninoff
12 Songs, Op. 21: V. Lilacs (Transcr. Ra...
78 bpm • G# Maj • 03:01 • -36.25db
57% Popularity • 17% Danceability • 1% Energy • 7% Liveness
92% Instrumentalness • 7% Positiveness
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Hania Rani
Malasana
74 bpm • A# min • 05:21 • -25.63db
47% Popularity • 24% Danceability • 8% Energy • 12% Liveness
84% Instrumentalness • 7% Positiveness
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Valentin Silvestrov
4 Postludes for Piano & String Orchestra...
78 bpm • F# Maj • 03:38 • -41db
33% Popularity • 16% Danceability • 0% Energy • 13% Liveness
76% Instrumentalness • 4% Positiveness
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Aram Khachaturian
Gayane Suite No. 3: IV. Gayane's Adagio
74 bpm • F min • 04:56 • -23.68db
37% Popularity • 10% Danceability • 7% Energy • 12% Liveness
79% Instrumentalness • 4% Positiveness
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Thomas Adès
Arcadiana: VI. O Albion
78 bpm • D# Maj • 03:26 • -43db
33% Popularity • 16% Danceability • 0% Energy • 11% Liveness
9% Instrumentalness • 4% Positiveness
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Australian Chamber Orchestra
A Final Bridge
74 bpm • A min • 02:05 • -37.01db
16% Popularity • 14% Danceability • 0% Energy • 12% Liveness
70% Instrumentalness • 5% Positiveness
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Peter Sculthorpe
Requiem for Cello Alone: VI. Lux aeterna
78 bpm • D Maj • 04:13 • -28.22db
25% Popularity • 8% Danceability • 3% Energy • 12% Liveness
40% Instrumentalness • 3% Positiveness
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Philip Glass
The Vivid Unknown
78 bpm • G Maj • 07:33 • -35.95db
24% Popularity • 8% Danceability • 1% Energy • 15% Liveness
29% Instrumentalness • 5% Positiveness
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Valentin Silvestrov
4 Postludes for Piano & String Orchestra...
74 bpm • G Maj • 02:50 • -39.4db
44% Popularity • 7% Danceability • 0% Energy • 9% Liveness
91% Instrumentalness • 3% Positiveness
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Giya Kancheli
Miniature No. 7
78 bpm • F# min • 02:22 • -27.8db
35% Popularity • 14% Danceability • 2% Energy • 12% Liveness
2% Instrumentalness • 5% Positiveness
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Dmitri Shostakovich
Piano Concerto No. 2 Op. 102 in F Major:...
78 bpm • C min • 07:42 • -38.86db
50% Popularity • 19% Danceability • 0% Energy • 7% Liveness
94% Instrumentalness • 4% Positiveness
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John Tavener
Funeral Ikos
74 bpm • F min • 03:24 • -18.92db
25% Popularity • 11% Danceability • 6% Energy • 15% Liveness
76% Instrumentalness • 5% Positiveness
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John Cage
Dream
74 bpm • C min • 07:48 • -49db
18% Popularity • 14% Danceability • 0% Energy • 10% Liveness
89% Instrumentalness • 17% Positiveness
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Ralph Vaughan Williams
6 Studies in English Folksong (Version f...
73 bpm • E min • 01:32 • -27.14db
48% Popularity • 28% Danceability • 1% Energy • 9% Liveness
78% Instrumentalness • 19% Positiveness
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Henry Purcell
Dido and Aeneas, Z. 626: When I am laid ...
73 bpm • G min • 04:23 • -27.48db
41% Popularity • 7% Danceability • 3% Energy • 18% Liveness
94% Instrumentalness • 3% Positiveness
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Leoš Janáček
Janáček: On an Overgrown Path, Book I:...
73 bpm • E min • 03:19 • -23.82db
50% Popularity • 34% Danceability • 1% Energy • 8% Liveness
88% Instrumentalness • 8% Positiveness
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Ignaz Friedman
Flute Sonata in E-Flat Major, BWV 1031: ...
73 bpm • G min • 02:12 • -30.53db
58% Popularity • 36% Danceability • 3% Energy • 8% Liveness
93% Instrumentalness • 16% Positiveness
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György Ligeti
Lux aeterna
79 bpm • D# Maj • 08:50 • -40.71db
26% Popularity • 7% Danceability • 0% Energy • 9% Liveness
61% Instrumentalness • 2% Positiveness
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Johann Sebastian Bach
Siciliano (After "Erbarme dich" from Mat...
79 bpm • G min • 02:05 • -22.72db
57% Popularity • 30% Danceability • 6% Energy • 7% Liveness
88% Instrumentalness • 35% Positiveness
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Wilhelm Kempff
Menuet in G Minor (trans. W. Kempff)
73 bpm • G min • 03:13 • -33db
53% Popularity • 44% Danceability • 1% Energy • 11% Liveness
89% Instrumentalness • 8% Positiveness
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Frédéric Chopin
Piano Sonata No. 3: Largo
79 bpm • B Maj • 09:17 • -27.35db
27% Popularity • 30% Danceability • 1% Energy • 10% Liveness
96% Instrumentalness • 11% Positiveness
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Max Richter
Journey 4
79 bpm • D min • 04:39 • -16.19db
17% Popularity • 16% Danceability • 19% Energy • 62% Liveness
88% Instrumentalness • 4% Positiveness
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Camille PĂ©pin
The Sound of Trees: Apaisé, boisé
79 bpm • B min • 03:27 • -19db
17% Popularity • 13% Danceability • 18% Energy • 12% Liveness
91% Instrumentalness • 7% Positiveness
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György Ligeti
Lontano
79 bpm • C# Maj • 09:25 • -26.7db
32% Popularity • 7% Danceability • 4% Energy • 7% Liveness
93% Instrumentalness • 2% Positiveness
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Henryk GĂłrecki
Symphonie No. 3, Op. 36: II. Lento e lar...
79 bpm • A# min • 09:37 • -25db
19% Popularity • 10% Danceability • 3% Energy • 17% Liveness
93% Instrumentalness • 3% Positiveness
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Jonny Greenwood
Phantom Thread II
79 bpm • E min • 03:54 • -16.19db
31% Popularity • 37% Danceability • 7% Energy • 8% Liveness
28% Instrumentalness • 14% Positiveness
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John Tavener
The Lamb
72 bpm • E min • 03:56 • -23db
41% Popularity • 9% Danceability • 5% Energy • 15% Liveness
77% Instrumentalness • 3% Positiveness
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John Field
Nocturne No. 2 in C Minor, H.25
80 bpm • C min • 03:11 • -19.31db
46% Popularity • 35% Danceability • 6% Energy • 10% Liveness
92% Instrumentalness • 5% Positiveness
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Zbigniew Preisner
Second Flute
80 bpm • B min • 01:18 • -25db
32% Popularity • 24% Danceability • 3% Energy • 12% Liveness
91% Instrumentalness • 8% Positiveness
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Edvard Grieg
Lyric Pieces, Book 5, Op. 54: Nocturne
72 bpm • C Maj • 03:40 • -29.73db
60% Popularity • 30% Danceability • 4% Energy • 8% Liveness
86% Instrumentalness • 3% Positiveness
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Henryk GĂłrecki
GĂłrecki: Symphony No. 3, Op. 36, "Symph...
72 bpm • C# Maj • 05:23 • -23.5db
32% Popularity • 9% Danceability • 4% Energy • 12% Liveness
44% Instrumentalness • 4% Positiveness
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Terry Riley
Cadenza on the Night Plain: Cadenza: Cel...
80 bpm • F# min • 01:07 • -28.23db
34% Popularity • 33% Danceability • 2% Energy • 11% Liveness
94% Instrumentalness • 40% Positiveness
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Felix Mendelssohn
Lieder ohne Worte (Songs without Words),...
72 bpm • G min • 02:04 • -33.47db
61% Popularity • 39% Danceability • 4% Energy • 8% Liveness
89% Instrumentalness • 15% Positiveness
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Philip Glass
Invitation
72 bpm • G Maj • 03:00 • -22.6db
36% Popularity • 20% Danceability • 8% Energy • 11% Liveness
97% Instrumentalness • 38% Positiveness
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Max Richter
Dream 1 (before the wind blows it all aw...
72 bpm • F# Maj • 02:33 • -40db
57% Popularity • 21% Danceability • 0% Energy • 10% Liveness
97% Instrumentalness • 9% Positiveness
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Hauschka
Curious
72 bpm • C Maj • 03:30 • -22.24db
34% Popularity • 37% Danceability • 2% Energy • 11% Liveness
91% Instrumentalness • 14% Positiveness
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Jean Sibelius
6 Impromptus, Op. 5: Impromptu V
72 bpm • B min • 03:51 • -31.63db
43% Popularity • 26% Danceability • 2% Energy • 36% Liveness
95% Instrumentalness • 4% Positiveness
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Frédéric Chopin
Preludes, Op. 28: No. 15, Sostenuto
72 bpm • C# Maj • 05:39 • -24db
42% Popularity • 38% Danceability • 2% Energy • 13% Liveness
90% Instrumentalness • 4% Positiveness
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Hilary Hahn
Stillness
72 bpm • A Maj • 01:43 • -25.05db
38% Popularity • 21% Danceability • 2% Energy • 13% Liveness
44% Instrumentalness • 3% Positiveness
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Thomas Adès
Arcadiana, Op. 12: VI. O Albion
72 bpm • D# Maj • 02:43 • -41db
34% Popularity • 23% Danceability • 0% Energy • 8% Liveness
62% Instrumentalness • 3% Positiveness
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Max Richter
Vocal
80 bpm • F Maj • 08:37 • -17.24db
30% Popularity • 17% Danceability • 8% Energy • 11% Liveness
88% Instrumentalness • 13% Positiveness
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Frederick Delius
2 Aquarelles: Lento, ma non troppo
72 bpm • A# Maj • 02:12 • -27.63db
63% Popularity • 18% Danceability • 5% Energy • 29% Liveness
92% Instrumentalness • 3% Positiveness
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Luciano Berio
6 Encores: No. 3, Wasserklavier
81 bpm • A# min • 02:10 • -31db
23% Popularity • 31% Danceability • 3% Energy • 15% Liveness
87% Instrumentalness • 12% Positiveness
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John Tavener
The Lamb
81 bpm • E min • 03:22 • -19.62db
13% Popularity • 8% Danceability • 18% Energy • 12% Liveness
93% Instrumentalness • 3% Positiveness
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Ralph Vaughan Williams
6 Studies in English Folksong (Version f...
81 bpm • D min • 01:36 • -28db
53% Popularity • 23% Danceability • 2% Energy • 9% Liveness
93% Instrumentalness • 22% Positiveness
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Olivier Messiaen
Quatuor pour la fin du Temps: V. Louange...
81 bpm • E Maj • 09:03 • -31.19db
22% Popularity • 13% Danceability • 0% Energy • 7% Liveness
62% Instrumentalness • 2% Positiveness
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Aaron Copland
Appalachian Spring - 1945 Suite: 1. Very...
71 bpm • A Maj • 02:54 • -35db
44% Popularity • 7% Danceability • 1% Energy • 11% Liveness
82% Instrumentalness • 3% Positiveness
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Gustav Mahler
Mahler / Transcr. Tharaud: Symphony No. ...
71 bpm • F Maj • 10:36 • -19.43db
45% Popularity • 34% Danceability • 4% Energy • 14% Liveness
89% Instrumentalness • 4% Positiveness
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Federico Mompou
MĂşsica Callada - Book 1: 1. Angelico
71 bpm • A min • 02:01 • -41db
31% Popularity • 45% Danceability • 0% Energy • 8% Liveness
92% Instrumentalness • 46% Positiveness
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Johann Sebastian Bach
Organ Sonata No. 4, BWV 528: II. Andante...
71 bpm • B min • 05:26 • -23.02db
52% Popularity • 38% Danceability • 4% Energy • 7% Liveness
90% Instrumentalness • 6% Positiveness
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John Tavener
Tavener: Funeral Canticle
81 bpm • F min • 05:13 • -38.75db
33% Popularity • 11% Danceability • 2% Energy • 9% Liveness
98% Instrumentalness • 5% Positiveness
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Ottorino Respighi
Respighi: Pini di Roma, P. 141: III. I p...
81 bpm • E Maj • 07:42 • -35.69db
47% Popularity • 8% Danceability • 1% Energy • 8% Liveness
11% Instrumentalness • 3% Positiveness
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Claude Debussy
Suite Bergamasque, L. 75: III. Clair de ...
71 bpm • C# Maj • 05:33 • -32.9db
47% Popularity • 28% Danceability • 0% Energy • 6% Liveness
93% Instrumentalness • 4% Positiveness
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Philip Glass
Violin Concerto: II. -
82 bpm • C min • 08:32 • -22db
27% Popularity • 10% Danceability • 11% Energy • 6% Liveness
4% Instrumentalness • 4% Positiveness
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William Walton
Henry V: Henry V: Touch her soft lips an...
82 bpm • C Maj • 01:33 • -31.37db
64% Popularity • 15% Danceability • 2% Energy • 9% Liveness
88% Instrumentalness • 5% Positiveness
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Erik Satie
Gnossienne: No. 2
71 bpm • D min • 01:40 • -26.31db
44% Popularity • 33% Danceability • 3% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
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Hilary Hahn
Krakow
71 bpm • G min • 02:40 • -14.73db
21% Popularity • 30% Danceability • 17% Energy • 10% Liveness
37% Instrumentalness • 5% Positiveness
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Peter Gregson
Somnia
82 bpm • G Maj • 03:18 • -23.5db
43% Popularity • 8% Danceability • 14% Energy • 11% Liveness
68% Instrumentalness • 4% Positiveness
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Gustav Mahler
Symphony No. 5 In C Sharp Minor: 4. Adag...
82 bpm • F Maj • 10:45 • -27.86db
38% Popularity • 14% Danceability • 2% Energy • 10% Liveness
83% Instrumentalness • 3% Positiveness
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Joep Beving
Losar
82 bpm • F min • 03:41 • -29db
61% Popularity • 30% Danceability • 4% Energy • 9% Liveness
90% Instrumentalness • 9% Positiveness
► Preview
Simone Dinnerstein
Etude No.2
70 bpm • C Maj • 11:15 • -24.96db
10% Popularity • 30% Danceability • 2% Energy • 9% Liveness
89% Instrumentalness • 4% Positiveness
► Preview
Erik Satie
3 Gymnopédies: No. 1, Lent et douloureu...
82 bpm • G Maj • 03:10 • -38db
53% Popularity • 42% Danceability • 0% Energy • 10% Liveness
95% Instrumentalness • 48% Positiveness
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The Hours - The Hours - Arr. for cello and piano b...