Songs like The John Dunbar Theme (film version) by John Barry
Based on a tempo of (+/- 10%) and a similar genre
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John Barry
The John Dunbar Theme (film version)
89 bpm • D# Maj • 02:21 • -28db
51% Popularity • 10% Danceability • 6% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
51% Popularity • 10% Danceability • 6% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
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Academy of St. Martin in the Fields
Rupert Bear
90 bpm • A# Maj • 01:27 • -18db
45% Popularity • 21% Danceability • 19% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
45% Popularity • 21% Danceability • 19% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
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Abel Korzeniowski
Charms
90 bpm • G# min • 04:03 • -13.57db
48% Popularity • 24% Danceability • 31% Energy • 13% Liveness
90% Instrumentalness • 6% Positiveness
48% Popularity • 24% Danceability • 31% Energy • 13% Liveness
90% Instrumentalness • 6% Positiveness
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Clint Eastwood
Main Title
89 bpm • C# Maj • 01:57 • -20.34db
33% Popularity • 23% Danceability • 4% Energy • 9% Liveness
23% Instrumentalness • 21% Positiveness
33% Popularity • 23% Danceability • 4% Energy • 9% Liveness
23% Instrumentalness • 21% Positiveness
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Aaron Zigman
I Waited for You
88 bpm • G Maj • 01:30 • -26.69db
39% Popularity • 10% Danceability • 6% Energy • 24% Liveness
90% Instrumentalness • 4% Positiveness
39% Popularity • 10% Danceability • 6% Energy • 24% Liveness
90% Instrumentalness • 4% Positiveness
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Harald Kloser
You Came For Me
90 bpm • F Maj • 02:06 • -19db
36% Popularity • 10% Danceability • 15% Energy • 15% Liveness
98% Instrumentalness • 3% Positiveness
36% Popularity • 10% Danceability • 15% Energy • 15% Liveness
98% Instrumentalness • 3% Positiveness
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Anne Dudley
The Longest Walk
90 bpm • G min • 02:42 • -14.91db
21% Popularity • 10% Danceability • 18% Energy • 10% Liveness
98% Instrumentalness • 4% Positiveness
21% Popularity • 10% Danceability • 18% Energy • 10% Liveness
98% Instrumentalness • 4% Positiveness
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Gabriel Yared
Générique de fin
88 bpm • D Maj • 01:41 • -21db
48% Popularity • 11% Danceability • 12% Energy • 22% Liveness
96% Instrumentalness • 8% Positiveness
48% Popularity • 11% Danceability • 12% Energy • 22% Liveness
96% Instrumentalness • 8% Positiveness
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Harry Gregson-Williams
Coronation
90 bpm • B Maj • 03:02 • -19.95db
34% Popularity • 11% Danceability • 11% Energy • 7% Liveness
96% Instrumentalness • 3% Positiveness
34% Popularity • 11% Danceability • 11% Energy • 7% Liveness
96% Instrumentalness • 3% Positiveness
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Klaus Badelt
Elysium
88 bpm • A Maj • 02:41 • -25.28db
58% Popularity • 12% Danceability • 7% Energy • 14% Liveness
76% Instrumentalness • 4% Positiveness
58% Popularity • 12% Danceability • 7% Energy • 14% Liveness
76% Instrumentalness • 4% Positiveness
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Secret Garden
Pastorale
88 bpm • E min • 03:50 • -11db
48% Popularity • 22% Danceability • 28% Energy • 11% Liveness
80% Instrumentalness • 5% Positiveness
48% Popularity • 22% Danceability • 28% Energy • 11% Liveness
80% Instrumentalness • 5% Positiveness
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Patrick Doyle
Harry In Winter
88 bpm • B min • 02:58 • -17db
29% Popularity • 18% Danceability • 23% Energy • 10% Liveness
95% Instrumentalness • 4% Positiveness
29% Popularity • 18% Danceability • 23% Energy • 10% Liveness
95% Instrumentalness • 4% Positiveness
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Mark Knopfler
Morning Ride
88 bpm • G min • 01:34 • -11.43db
24% Popularity • 22% Danceability • 33% Energy • 11% Liveness
66% Instrumentalness • 33% Positiveness
24% Popularity • 22% Danceability • 33% Energy • 11% Liveness
66% Instrumentalness • 33% Positiveness
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John Barry
Out Of Africa (End Credits)
91 bpm • C Maj • 02:49 • -23.53db
38% Popularity • 17% Danceability • 9% Energy • 10% Liveness
96% Instrumentalness • 4% Positiveness
38% Popularity • 17% Danceability • 9% Energy • 10% Liveness
96% Instrumentalness • 4% Positiveness
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Jan A.P. Kaczmarek
The Promise of Things to Come
87 bpm • C Maj • 03:00 • -10db
38% Popularity • 9% Danceability • 37% Energy • 10% Liveness
95% Instrumentalness • 4% Positiveness
38% Popularity • 9% Danceability • 37% Energy • 10% Liveness
95% Instrumentalness • 4% Positiveness
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Klaus Badelt
Eloi
91 bpm • B min • 02:12 • -15.93db
43% Popularity • 12% Danceability • 9% Energy • 10% Liveness
3% Instrumentalness • 4% Positiveness
43% Popularity • 12% Danceability • 9% Energy • 10% Liveness
3% Instrumentalness • 4% Positiveness
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Alex North
Unchained Melody
87 bpm • D Maj • 04:28 • -17.45db
35% Popularity • 10% Danceability • 21% Energy • 16% Liveness
78% Instrumentalness • 4% Positiveness
35% Popularity • 10% Danceability • 21% Energy • 16% Liveness
78% Instrumentalness • 4% Positiveness
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Craig Armstrong
Far from the Madding Crowd Love Theme
87 bpm • A min • 03:42 • -12db
36% Popularity • 15% Danceability • 32% Energy • 13% Liveness
85% Instrumentalness • 4% Positiveness
36% Popularity • 15% Danceability • 32% Energy • 13% Liveness
85% Instrumentalness • 4% Positiveness
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Howard Shore
Rivendell
87 bpm • C Maj • 03:26 • -23db
50% Popularity • 9% Danceability • 6% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
50% Popularity • 9% Danceability • 6% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
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John Barry
Ride to Fort Hays
87 bpm • C Maj • 02:02 • -23db
36% Popularity • 18% Danceability • 14% Energy • 11% Liveness
95% Instrumentalness • 8% Positiveness
36% Popularity • 18% Danceability • 14% Energy • 11% Liveness
95% Instrumentalness • 8% Positiveness
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Burkhard Dallwitz
Tibet
91 bpm • E min • 05:26 • -16db
29% Popularity • 13% Danceability • 17% Energy • 11% Liveness
91% Instrumentalness • 3% Positiveness
29% Popularity • 13% Danceability • 17% Energy • 11% Liveness
91% Instrumentalness • 3% Positiveness
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Marc Streitenfeld
Fate Has Smiled Upon Us
91 bpm • E min • 02:02 • -13.98db
60% Popularity • 28% Danceability • 39% Energy • 22% Liveness
89% Instrumentalness • 4% Positiveness
60% Popularity • 28% Danceability • 39% Energy • 22% Liveness
89% Instrumentalness • 4% Positiveness
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Patrick Doyle
Preying Penniless Woman - Instrumental
87 bpm • C min • 01:32 • -23.15db
29% Popularity • 13% Danceability • 5% Energy • 50% Liveness
91% Instrumentalness • 4% Positiveness
29% Popularity • 13% Danceability • 5% Energy • 50% Liveness
91% Instrumentalness • 4% Positiveness
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Craig Armstrong
Opening
91 bpm • D min • 04:39 • -15.73db
52% Popularity • 14% Danceability • 19% Energy • 11% Liveness
28% Instrumentalness • 7% Positiveness
52% Popularity • 14% Danceability • 19% Energy • 11% Liveness
28% Instrumentalness • 7% Positiveness
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John Lunn
Duneagle
92 bpm • F# min • 02:06 • -14.23db
47% Popularity • 31% Danceability • 20% Energy • 9% Liveness
91% Instrumentalness • 28% Positiveness
47% Popularity • 31% Danceability • 20% Energy • 9% Liveness
91% Instrumentalness • 28% Positiveness
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John Barry
Have You Got A Story For Me?
87 bpm • C min • 01:14 • -21db
45% Popularity • 35% Danceability • 2% Energy • 12% Liveness
96% Instrumentalness • 7% Positiveness
45% Popularity • 35% Danceability • 2% Energy • 12% Liveness
96% Instrumentalness • 7% Positiveness
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Ramin Djawadi
A Lannister Always Pays His Debts
86 bpm • D min • 02:50 • -16.52db
60% Popularity • 29% Danceability • 29% Energy • 17% Liveness
95% Instrumentalness • 10% Positiveness
60% Popularity • 29% Danceability • 29% Energy • 17% Liveness
95% Instrumentalness • 10% Positiveness
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Secret Garden
The Promise
86 bpm • A Maj • 03:20 • -18.26db
53% Popularity • 18% Danceability • 16% Energy • 11% Liveness
77% Instrumentalness • 9% Positiveness
53% Popularity • 18% Danceability • 16% Energy • 11% Liveness
77% Instrumentalness • 9% Positiveness
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Samuel Sim
Knightley's Walk
92 bpm • G Maj • 01:07 • -16db
40% Popularity • 13% Danceability • 10% Energy • 14% Liveness
80% Instrumentalness • 7% Positiveness
40% Popularity • 13% Danceability • 10% Energy • 14% Liveness
80% Instrumentalness • 7% Positiveness
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Nicola Piovani
Buon giorno principessa
86 bpm • A Maj • 03:40 • -12.19db
42% Popularity • 19% Danceability • 14% Energy • 10% Liveness
89% Instrumentalness • 8% Positiveness
42% Popularity • 19% Danceability • 14% Energy • 10% Liveness
89% Instrumentalness • 8% Positiveness
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The Chamber Orchestra Of London
Story Of My Life
86 bpm • F min • 01:57 • -18.17db
44% Popularity • 10% Danceability • 14% Energy • 12% Liveness
2% Instrumentalness • 3% Positiveness
44% Popularity • 10% Danceability • 14% Energy • 12% Liveness
2% Instrumentalness • 3% Positiveness
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John Barry
I Had A Compass From Denys (Karen's Them...
86 bpm • D min • 02:31 • -18.27db
37% Popularity • 19% Danceability • 17% Energy • 10% Liveness
91% Instrumentalness • 6% Positiveness
37% Popularity • 19% Danceability • 17% Energy • 10% Liveness
91% Instrumentalness • 6% Positiveness
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Andrea Guerra
Coco Chanel - Main Title
86 bpm • D# Maj • 01:27 • -32.04db
51% Popularity • 18% Danceability • 2% Energy • 10% Liveness
71% Instrumentalness • 5% Positiveness
51% Popularity • 18% Danceability • 2% Energy • 10% Liveness
71% Instrumentalness • 5% Positiveness
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Guy Farley
Alice Studies
86 bpm • G min • 01:46 • -24.92db
44% Popularity • 28% Danceability • 7% Energy • 10% Liveness
84% Instrumentalness • 12% Positiveness
44% Popularity • 28% Danceability • 7% Energy • 10% Liveness
84% Instrumentalness • 12% Positiveness
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Patrick Doyle
Violin Romance
86 bpm • C# Maj • 05:04 • -21.53db
20% Popularity • 13% Danceability • 14% Energy • 5% Liveness
45% Instrumentalness • 8% Positiveness
20% Popularity • 13% Danceability • 14% Energy • 5% Liveness
45% Instrumentalness • 8% Positiveness
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Kyle Eastwood
Invictus Theme
92 bpm • G# min • 04:09 • -19.38db
29% Popularity • 12% Danceability • 7% Energy • 10% Liveness
88% Instrumentalness • 4% Positiveness
29% Popularity • 12% Danceability • 7% Energy • 10% Liveness
88% Instrumentalness • 4% Positiveness
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Christian Desire Langlade
Divertissement
92 bpm • G Maj • 02:16 • -14.57db
46% Popularity • 38% Danceability • 32% Energy • 21% Liveness
94% Instrumentalness • 61% Positiveness
46% Popularity • 38% Danceability • 32% Energy • 21% Liveness
94% Instrumentalness • 61% Positiveness
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Mělník Philharmonic Orchestra
E Lucevan Le Stelle - Instrumental
86 bpm • A# min • 02:22 • -16db
28% Popularity • 9% Danceability • 19% Energy • 12% Liveness
90% Instrumentalness • 7% Positiveness
28% Popularity • 9% Danceability • 19% Energy • 12% Liveness
90% Instrumentalness • 7% Positiveness
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Alex North
Unchained - Unchained Melody
86 bpm • A Maj • 03:26 • -24db
17% Popularity • 9% Danceability • 5% Energy • 11% Liveness
89% Instrumentalness • 5% Positiveness
17% Popularity • 9% Danceability • 5% Energy • 11% Liveness
89% Instrumentalness • 5% Positiveness
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Steven Price
Gravity
93 bpm • G# min • 04:35 • -15.36db
49% Popularity • 12% Danceability • 26% Energy • 20% Liveness
98% Instrumentalness • 6% Positiveness
49% Popularity • 12% Danceability • 26% Energy • 20% Liveness
98% Instrumentalness • 6% Positiveness
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Ulrich Herkenhoff
The English Patient: Convento di Sant'An...
85 bpm • G Maj • 03:31 • -20.84db
20% Popularity • 28% Danceability • 11% Energy • 14% Liveness
93% Instrumentalness • 13% Positiveness
20% Popularity • 28% Danceability • 11% Energy • 14% Liveness
93% Instrumentalness • 13% Positiveness
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Luis Bacalov
Il Postino (Titoli)
85 bpm • C Maj • 02:44 • -16db
40% Popularity • 14% Danceability • 9% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
40% Popularity • 14% Danceability • 9% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
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Gabriel Yared
Calm After Storm
85 bpm • G Maj • 02:15 • -19.93db
17% Popularity • 19% Danceability • 20% Energy • 21% Liveness
77% Instrumentalness • 3% Positiveness
17% Popularity • 19% Danceability • 20% Energy • 21% Liveness
77% Instrumentalness • 3% Positiveness
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John Barry
Somewhere In Time
85 bpm • C Maj • 03:01 • -18.38db
48% Popularity • 14% Danceability • 8% Energy • 9% Liveness
91% Instrumentalness • 7% Positiveness
48% Popularity • 14% Danceability • 8% Energy • 9% Liveness
91% Instrumentalness • 7% Positiveness
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Rachel Portman
Main Titles
93 bpm • G Maj • 02:10 • -17.43db
46% Popularity • 14% Danceability • 11% Energy • 16% Liveness
89% Instrumentalness • 7% Positiveness
46% Popularity • 14% Danceability • 11% Energy • 16% Liveness
89% Instrumentalness • 7% Positiveness
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Mark McKenzie
What's Your Dream?
93 bpm • G Maj • 02:37 • -20.66db
30% Popularity • 14% Danceability • 7% Energy • 13% Liveness
88% Instrumentalness • 6% Positiveness
30% Popularity • 14% Danceability • 7% Energy • 13% Liveness
88% Instrumentalness • 6% Positiveness
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Craig Armstrong
Hollow in the Ferns
85 bpm • D min • 03:38 • -17.3db
47% Popularity • 22% Danceability • 14% Energy • 12% Liveness
86% Instrumentalness • 5% Positiveness
47% Popularity • 22% Danceability • 14% Energy • 12% Liveness
86% Instrumentalness • 5% Positiveness
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John Barry Orchestra
Wednesday's Child
85 bpm • G min • 02:11 • -19db
22% Popularity • 46% Danceability • 20% Energy • 24% Liveness
79% Instrumentalness • 33% Positiveness
22% Popularity • 46% Danceability • 20% Energy • 24% Liveness
79% Instrumentalness • 33% Positiveness
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Alan Silvestri
Suite from Forrest Gump
85 bpm • F Maj • 06:34 • -18.36db
47% Popularity • 11% Danceability • 10% Energy • 16% Liveness
82% Instrumentalness • 4% Positiveness
47% Popularity • 11% Danceability • 10% Energy • 16% Liveness
82% Instrumentalness • 4% Positiveness
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John Barry
Flying Over Africa
93 bpm • D min • 03:25 • -14.38db
40% Popularity • 13% Danceability • 28% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
40% Popularity • 13% Danceability • 28% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
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Mark Isham
The Moment That Could Not Last
94 bpm • F Maj • 01:23 • -20db
26% Popularity • 37% Danceability • 14% Energy • 13% Liveness
86% Instrumentalness • 17% Positiveness
26% Popularity • 37% Danceability • 14% Energy • 13% Liveness
86% Instrumentalness • 17% Positiveness
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Anne Dudley
Suite from Poldark
84 bpm • A min • 05:31 • -17db
33% Popularity • 12% Danceability • 18% Energy • 32% Liveness
76% Instrumentalness • 6% Positiveness
33% Popularity • 12% Danceability • 18% Energy • 32% Liveness
76% Instrumentalness • 6% Positiveness
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Michael Kamen
Main Titles from the HBO Miniseries Band...
84 bpm • F Maj • 02:24 • -17.62db
45% Popularity • 8% Danceability • 18% Energy • 10% Liveness
97% Instrumentalness • 4% Positiveness
45% Popularity • 8% Danceability • 18% Energy • 10% Liveness
97% Instrumentalness • 4% Positiveness
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Johann Pachelbel
Pachelbel: Canon and Gigue in D Major: C...
84 bpm • D Maj • 05:00 • -16.65db
63% Popularity • 12% Danceability • 15% Energy • 10% Liveness
91% Instrumentalness • 9% Positiveness
63% Popularity • 12% Danceability • 15% Energy • 10% Liveness
91% Instrumentalness • 9% Positiveness
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Philip Glass
The Poet Acts
84 bpm • G min • 03:43 • -29.62db
46% Popularity • 25% Danceability • 3% Energy • 10% Liveness
97% Instrumentalness • 4% Positiveness
46% Popularity • 25% Danceability • 3% Energy • 10% Liveness
97% Instrumentalness • 4% Positiveness
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John Barry
Rescue of Dances With Wolves
85 bpm • A# Maj • 02:08 • -13.98db
26% Popularity • 15% Danceability • 36% Energy • 9% Liveness
93% Instrumentalness • 14% Positiveness
26% Popularity • 15% Danceability • 36% Energy • 9% Liveness
93% Instrumentalness • 14% Positiveness
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Mark Isham
Haunted by Waters - A River Runs Through...
94 bpm • D Maj • 04:21 • -12db
21% Popularity • 18% Danceability • 14% Energy • 8% Liveness
88% Instrumentalness • 10% Positiveness
21% Popularity • 18% Danceability • 14% Energy • 8% Liveness
88% Instrumentalness • 10% Positiveness
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Nicholas Hooper
When Ginny Kissed Harry
84 bpm • E min • 02:38 • -28.26db
56% Popularity • 48% Danceability • 6% Energy • 4% Liveness
96% Instrumentalness • 8% Positiveness
56% Popularity • 48% Danceability • 6% Energy • 4% Liveness
96% Instrumentalness • 8% Positiveness
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Lennie Niehaus
Doe Eyes - Love Theme from the Bridges o...
84 bpm • C Maj • 01:05 • -25.8db
48% Popularity • 31% Danceability • 2% Energy • 9% Liveness
96% Instrumentalness • 14% Positiveness
48% Popularity • 31% Danceability • 2% Energy • 9% Liveness
96% Instrumentalness • 14% Positiveness
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Howard Shore
The Council of Elrond [Theme for Aragor...
84 bpm • C# Maj • 03:49 • -20.03db
62% Popularity • 10% Danceability • 11% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
62% Popularity • 10% Danceability • 11% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
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Dario Marianelli
Someone Loves Us
84 bpm • E Maj • 01:56 • -27db
53% Popularity • 18% Danceability • 1% Energy • 8% Liveness
85% Instrumentalness • 4% Positiveness
53% Popularity • 18% Danceability • 1% Energy • 8% Liveness
85% Instrumentalness • 4% Positiveness
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John Barry
Main Title (I Had A Farm In Africa)
85 bpm • C Maj • 03:12 • -12.81db
46% Popularity • 12% Danceability • 35% Energy • 9% Liveness
75% Instrumentalness • 5% Positiveness
46% Popularity • 12% Danceability • 35% Energy • 9% Liveness
75% Instrumentalness • 5% Positiveness
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Secret Garden
Serenade To Spring
84 bpm • A Maj • 03:15 • -12.25db
50% Popularity • 12% Danceability • 32% Energy • 10% Liveness
89% Instrumentalness • 12% Positiveness
50% Popularity • 12% Danceability • 32% Energy • 10% Liveness
89% Instrumentalness • 12% Positiveness
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Maurizio Malagnini
The Adventure of Life
83 bpm • G Maj • 03:23 • -13db
27% Popularity • 13% Danceability • 32% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
27% Popularity • 13% Danceability • 32% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
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Carter Burwell
Ride to Death
83 bpm • G Maj • 02:28 • -20.92db
30% Popularity • 27% Danceability • 1% Energy • 11% Liveness
89% Instrumentalness • 15% Positiveness
30% Popularity • 27% Danceability • 1% Energy • 11% Liveness
89% Instrumentalness • 15% Positiveness
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Ralph Vaughan Williams
Fantasia on a Theme by Thomas Tallis - E...
83 bpm • C min • 05:14 • -19db
29% Popularity • 14% Danceability • 18% Energy • 27% Liveness
78% Instrumentalness • 4% Positiveness
29% Popularity • 14% Danceability • 18% Energy • 27% Liveness
78% Instrumentalness • 4% Positiveness
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Harry Gregson-Williams
Fairytale
83 bpm • G# Maj • 01:26 • -18.77db
61% Popularity • 9% Danceability • 16% Energy • 46% Liveness
50% Instrumentalness • 10% Positiveness
61% Popularity • 9% Danceability • 16% Energy • 46% Liveness
50% Instrumentalness • 10% Positiveness
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Jack Brymer
Mozart: Mozart: Concerto For Clarinet An...
84 bpm • D Maj • 02:50 • -27.87db
45% Popularity • 11% Danceability • 2% Energy • 7% Liveness
88% Instrumentalness • 8% Positiveness
45% Popularity • 11% Danceability • 2% Energy • 7% Liveness
88% Instrumentalness • 8% Positiveness
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John Barry
You Are Karen M'Sabu
84 bpm • C Maj • 01:20 • -22db
46% Popularity • 17% Danceability • 6% Energy • 12% Liveness
95% Instrumentalness • 4% Positiveness
46% Popularity • 17% Danceability • 6% Energy • 12% Liveness
95% Instrumentalness • 4% Positiveness
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Aaron Zigman
Allie Returns
95 bpm • B min • 05:06 • -21.59db
33% Popularity • 12% Danceability • 4% Energy • 11% Liveness
89% Instrumentalness • 4% Positiveness
33% Popularity • 12% Danceability • 4% Energy • 11% Liveness
89% Instrumentalness • 4% Positiveness
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Boston Pops Orchestra
Theme
83 bpm • C Maj • 08:13 • -15.93db
29% Popularity • 29% Danceability • 23% Energy • 10% Liveness
74% Instrumentalness • 22% Positiveness
29% Popularity • 29% Danceability • 23% Energy • 10% Liveness
74% Instrumentalness • 22% Positiveness
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Jóhann Jóhannsson
Cambridge, 1963
83 bpm • A# Maj • 01:41 • -16.91db
58% Popularity • 36% Danceability • 9% Energy • 10% Liveness
98% Instrumentalness • 65% Positiveness
58% Popularity • 36% Danceability • 9% Energy • 10% Liveness
98% Instrumentalness • 65% Positiveness
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Harry Gregson-Williams
Only The Beginning of The Adventure
83 bpm • G# Maj • 05:32 • -18.08db
53% Popularity • 19% Danceability • 17% Energy • 10% Liveness
62% Instrumentalness • 4% Positiveness
53% Popularity • 19% Danceability • 17% Energy • 10% Liveness
62% Instrumentalness • 4% Positiveness
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Patrick Doyle
Neville's Waltz
96 bpm • D Maj • 02:09 • -21.09db
48% Popularity • 25% Danceability • 7% Energy • 10% Liveness
92% Instrumentalness • 13% Positiveness
48% Popularity • 25% Danceability • 7% Energy • 10% Liveness
92% Instrumentalness • 13% Positiveness
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Ludwig van Beethoven
Speaking Unto Nations (Beethoven Symphon...
83 bpm • E min • 05:02 • -20.74db
43% Popularity • 10% Danceability • 2% Energy • 8% Liveness
80% Instrumentalness • 4% Positiveness
43% Popularity • 10% Danceability • 2% Energy • 8% Liveness
80% Instrumentalness • 4% Positiveness
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John Barry
The Love Theme
83 bpm • G Maj • 03:46 • -27db
34% Popularity • 8% Danceability • 5% Energy • 13% Liveness
79% Instrumentalness • 5% Positiveness
34% Popularity • 8% Danceability • 5% Energy • 13% Liveness
79% Instrumentalness • 5% Positiveness
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Michael Kamen
Open Range
96 bpm • C Maj • 02:36 • -16db
26% Popularity • 20% Danceability • 18% Energy • 15% Liveness
94% Instrumentalness • 4% Positiveness
26% Popularity • 20% Danceability • 18% Energy • 15% Liveness
94% Instrumentalness • 4% Positiveness
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Zbigniew Preisner
Happily Ever After
83 bpm • E Maj • 02:25 • -15.66db
33% Popularity • 17% Danceability • 18% Energy • 12% Liveness
62% Instrumentalness • 6% Positiveness
33% Popularity • 17% Danceability • 18% Energy • 12% Liveness
62% Instrumentalness • 6% Positiveness
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Philippe Rombi
Une amitié
83 bpm • C Maj • 01:30 • -14.94db
42% Popularity • 17% Danceability • 22% Energy • 10% Liveness
46% Instrumentalness • 9% Positiveness
42% Popularity • 17% Danceability • 22% Energy • 10% Liveness
46% Instrumentalness • 9% Positiveness
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Philip Glass
Dreaming of Fiji
96 bpm • G min • 01:54 • -29.75db
42% Popularity • 15% Danceability • 4% Energy • 10% Liveness
98% Instrumentalness • 4% Positiveness
42% Popularity • 15% Danceability • 4% Energy • 10% Liveness
98% Instrumentalness • 4% Positiveness
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Carter Burwell
My Dear Anne
82 bpm • A min • 02:37 • -20.64db
41% Popularity • 14% Danceability • 4% Energy • 11% Liveness
84% Instrumentalness • 6% Positiveness
41% Popularity • 14% Danceability • 4% Energy • 11% Liveness
84% Instrumentalness • 6% Positiveness
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John Barry
Falling In Love
83 bpm • C Maj • 03:04 • -29.89db
33% Popularity • 12% Danceability • 5% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
33% Popularity • 12% Danceability • 5% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
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Nicola Piovani
Buongiorno Principessa
82 bpm • A Maj • 03:23 • -31db
47% Popularity • 15% Danceability • 1% Energy • 9% Liveness
97% Instrumentalness • 4% Positiveness
47% Popularity • 15% Danceability • 1% Energy • 9% Liveness
97% Instrumentalness • 4% Positiveness
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The Chamber Orchestra Of London
Downton Abbey - The Suite
82 bpm • A min • 07:08 • -14db
44% Popularity • 14% Danceability • 28% Energy • 10% Liveness
89% Instrumentalness • 11% Positiveness
44% Popularity • 14% Danceability • 28% Energy • 10% Liveness
89% Instrumentalness • 11% Positiveness
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Mark Isham
A River Runs Through It
82 bpm • G Maj • 02:23 • -16db
36% Popularity • 18% Danceability • 13% Energy • 19% Liveness
27% Instrumentalness • 12% Positiveness
36% Popularity • 18% Danceability • 13% Energy • 19% Liveness
27% Instrumentalness • 12% Positiveness
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Andrea Guerra
Cross tempo
82 bpm • G# Maj • 01:55 • -36db
47% Popularity • 19% Danceability • 0% Energy • 7% Liveness
74% Instrumentalness • 4% Positiveness
47% Popularity • 19% Danceability • 0% Energy • 7% Liveness
74% Instrumentalness • 4% Positiveness
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Benjamin Wallfisch
Variation 15
96 bpm • D# Maj • 05:51 • -17db
46% Popularity • 12% Danceability • 19% Energy • 10% Liveness
94% Instrumentalness • 3% Positiveness
46% Popularity • 12% Danceability • 19% Energy • 10% Liveness
94% Instrumentalness • 3% Positiveness
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Lennie Niehaus
Doe Eyes (Love Theme from the Bridges of...
82 bpm • C Maj • 05:00 • -21db
36% Popularity • 8% Danceability • 9% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
36% Popularity • 8% Danceability • 9% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
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Anne Dudley
Resurgam
82 bpm • F min • 03:24 • -13.24db
30% Popularity • 12% Danceability • 23% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
30% Popularity • 12% Danceability • 23% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
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John Lunn
A Royal Command
82 bpm • A min • 04:49 • -16.24db
29% Popularity • 23% Danceability • 24% Energy • 11% Liveness
95% Instrumentalness • 8% Positiveness
29% Popularity • 23% Danceability • 24% Energy • 11% Liveness
95% Instrumentalness • 8% Positiveness
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Mark Isham
I Built Myself A Life
82 bpm • G# Maj • 05:48 • -19.93db
20% Popularity • 10% Danceability • 7% Energy • 9% Liveness
64% Instrumentalness • 4% Positiveness
20% Popularity • 10% Danceability • 7% Energy • 9% Liveness
64% Instrumentalness • 4% Positiveness
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Craig Armstrong
Bathsheba and Oak Unite
82 bpm • G Maj • 01:35 • -17.66db
47% Popularity • 17% Danceability • 21% Energy • 32% Liveness
88% Instrumentalness • 4% Positiveness
47% Popularity • 17% Danceability • 21% Energy • 32% Liveness
88% Instrumentalness • 4% Positiveness
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Guy Farley
Elizabeth's Dance
97 bpm • F Maj • 02:10 • -18.22db
41% Popularity • 12% Danceability • 20% Energy • 14% Liveness
93% Instrumentalness • 11% Positiveness
41% Popularity • 12% Danceability • 20% Energy • 14% Liveness
93% Instrumentalness • 11% Positiveness
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Gabriel Yared
To All The Ships At Sea
82 bpm • D min • 04:05 • -14.37db
21% Popularity • 19% Danceability • 22% Energy • 36% Liveness
95% Instrumentalness • 4% Positiveness
21% Popularity • 19% Danceability • 22% Energy • 36% Liveness
95% Instrumentalness • 4% Positiveness
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Howard Shore
The Eagles
97 bpm • C Maj • 02:23 • -25.37db
47% Popularity • 12% Danceability • 2% Energy • 10% Liveness
71% Instrumentalness • 4% Positiveness
47% Popularity • 12% Danceability • 2% Energy • 10% Liveness
71% Instrumentalness • 4% Positiveness
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Lisa Gerrard
The Wheat
82 bpm • B min • 01:03 • -33.48db
54% Popularity • 19% Danceability • 3% Energy • 10% Liveness
83% Instrumentalness • 9% Positiveness
54% Popularity • 19% Danceability • 3% Energy • 10% Liveness
83% Instrumentalness • 9% Positiveness
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Stanley Myers
The Deer Hunter - Cavatina
82 bpm • E Maj • 03:33 • -18db
43% Popularity • 53% Danceability • 12% Energy • 10% Liveness
85% Instrumentalness • 31% Positiveness
43% Popularity • 53% Danceability • 12% Energy • 10% Liveness
85% Instrumentalness • 31% Positiveness
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Martin Phipps
New Start
81 bpm • G Maj • 03:41 • -17.54db
42% Popularity • 8% Danceability • 5% Energy • 10% Liveness
82% Instrumentalness • 4% Positiveness
42% Popularity • 8% Danceability • 5% Energy • 10% Liveness
82% Instrumentalness • 4% Positiveness