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The Joint Is Jumpin'
Songs like
The Joint Is Jumpin'
by
Fats Waller
Based on a tempo of (+/- 10%) and a similar genre
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Fats Waller
The Joint Is Jumpin'
109 bpm • A# Maj • 02:47 • -16.05db
17% Popularity • 70% Danceability • 41% Energy • 13% Liveness
0% Instrumentalness • 66% Positiveness
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Fletcher Henderson & His Orchestra
Sing, Sing, Sing (With a Swing)
109 bpm • E min • 02:32 • -13.33db
18% Popularity • 78% Danceability • 26% Energy • 11% Liveness
64% Instrumentalness • 88% Positiveness
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Clarence Williams
I Wish I Could Shimmy Like My Sister Kat...
109 bpm • D Maj • 02:40 • -8.43db
11% Popularity • 79% Danceability • 85% Energy • 16% Liveness
30% Instrumentalness • 89% Positiveness
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Charlie Barnet
Skyliner
109 bpm • C# Maj • 03:00 • -11db
29% Popularity • 64% Danceability • 38% Energy • 53% Liveness
91% Instrumentalness • 81% Positiveness
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Ella Mae Morse
Cow Cow Boogie
109 bpm • G# Maj • 03:11 • -3.96db
13% Popularity • 62% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 82% Positiveness
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Bunny Berigan
Honeysuckle Rose
109 bpm • F Maj • 03:05 • -9.1db
8% Popularity • 64% Danceability • 64% Energy • 4% Liveness
88% Instrumentalness • 89% Positiveness
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Fats Waller
Lulu's Back In Town
109 bpm • D# Maj • 02:35 • -16.27db
19% Popularity • 76% Danceability • 31% Energy • 67% Liveness
0% Instrumentalness • 83% Positiveness
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Kid Ory
Eh, La Bas
109 bpm • A# Maj • 04:48 • -9.91db
26% Popularity • 74% Danceability • 65% Energy • 56% Liveness
89% Instrumentalness • 86% Positiveness
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Woody Herman & His Orchestra
Four Brothers
110 bpm • G# Maj • 03:15 • -10db
26% Popularity • 61% Danceability • 48% Energy • 30% Liveness
0% Instrumentalness • 87% Positiveness
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Charlie Barnet
Skyliner (Alternate Take)
108 bpm • F min • 03:01 • -6.75db
29% Popularity • 65% Danceability • 55% Energy • 11% Liveness
72% Instrumentalness • 81% Positiveness
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Fletcher Henderson & His Orchestra
Whiteman Stomp
108 bpm • D# Maj • 02:44 • -14db
6% Popularity • 65% Danceability • 34% Energy • 52% Liveness
71% Instrumentalness • 80% Positiveness
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Bunny Berigan
When I Take My Sugar to Tea
110 bpm • C Maj • 03:12 • -9.08db
21% Popularity • 86% Danceability • 31% Energy • 8% Liveness
4% Instrumentalness • 91% Positiveness
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Fats Waller
My Very Good Friend the Milkman - Remast...
110 bpm • F Maj • 03:30 • -13.78db
29% Popularity • 70% Danceability • 29% Energy • 18% Liveness
57% Instrumentalness • 55% Positiveness
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Victoria Spivey
Black Snake Swing
110 bpm • C Maj • 03:04 • -8.58db
8% Popularity • 66% Danceability • 27% Energy • 24% Liveness
7% Instrumentalness • 65% Positiveness
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The Cats & The Fiddle
Public Jitterbug No1
108 bpm • F min • 02:51 • -11.22db
16% Popularity • 75% Danceability • 36% Energy • 8% Liveness
10% Instrumentalness • 68% Positiveness
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Ella Mae Morse
No Love, No Nothin’
108 bpm • A# Maj • 02:35 • -7.88db
24% Popularity • 56% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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Fred Astaire
Let's Call The Whole Thing Off
110 bpm • F min • 04:24 • -17.3db
36% Popularity • 81% Danceability • 16% Energy • 16% Liveness
0% Instrumentalness • 49% Positiveness
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Gene Krupa
Drummin' Man
110 bpm • D# Maj • 03:03 • -3db
19% Popularity • 78% Danceability • 84% Energy • 7% Liveness
74% Instrumentalness • 76% Positiveness
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Slim Gaillard
That's What You Call Romance
108 bpm • C Maj • 02:52 • -19db
22% Popularity • 71% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 65% Positiveness
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Jimmy Dorsey
Sophisticated Swing
110 bpm • D# Maj • 02:43 • -12db
15% Popularity • 51% Danceability • 16% Energy • 14% Liveness
85% Instrumentalness • 20% Positiveness
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Johnny Hodges & His Orchestra
Ruint
108 bpm • F# Maj • 02:34 • -15.94db
29% Popularity • 62% Danceability • 12% Energy • 38% Liveness
0% Instrumentalness • 58% Positiveness
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Stuff Smith
You'se a Viper
111 bpm • G# Maj • 03:10 • -10db
10% Popularity • 70% Danceability • 48% Energy • 40% Liveness
1% Instrumentalness • 90% Positiveness
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Muggsy Spanier
(What I Did to Be So) Black And Blue
111 bpm • G min • 02:40 • -9db
22% Popularity • 72% Danceability • 43% Energy • 36% Liveness
65% Instrumentalness • 62% Positiveness
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Erskine Hawkins
Riff Time
107 bpm • C# Maj • 03:04 • -6.7db
11% Popularity • 66% Danceability • 70% Energy • 10% Liveness
28% Instrumentalness • 83% Positiveness
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Bunk Johnson
Low Down Blues
107 bpm • G# Maj • 02:45 • -13db
31% Popularity • 80% Danceability • 19% Energy • 24% Liveness
92% Instrumentalness • 86% Positiveness
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The Cast
Back Home Again in Indiana
111 bpm • C min • 01:55 • -9db
29% Popularity • 76% Danceability • 46% Energy • 21% Liveness
4% Instrumentalness • 91% Positiveness
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Fletcher Henderson
Sugarfoot Stomp
111 bpm • A Maj • 03:01 • -5.67db
15% Popularity • 64% Danceability • 61% Energy • 23% Liveness
77% Instrumentalness • 93% Positiveness
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Johnny Dodds
Come on and Stomp, Stomp, Stomp
107 bpm • F Maj • 02:55 • -8db
25% Popularity • 79% Danceability • 66% Energy • 11% Liveness
92% Instrumentalness • 96% Positiveness
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King Oliver
Speakeasy Blues
111 bpm • A# Maj • 02:51 • -13db
27% Popularity • 74% Danceability • 20% Energy • 17% Liveness
90% Instrumentalness • 58% Positiveness
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Fletcher Henderson & His Orchestra
King Porter Stomp
111 bpm • F# Maj • 02:53 • -7db
11% Popularity • 64% Danceability • 76% Energy • 56% Liveness
18% Instrumentalness • 80% Positiveness
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Fats Waller
When Somebody Thinks You're Wonderful - ...
111 bpm • A# Maj • 03:37 • -12db
33% Popularity • 70% Danceability • 25% Energy • 11% Liveness
3% Instrumentalness • 69% Positiveness
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Bob Crosby & The Bob Cats
March Of The Bob Cats
107 bpm • E Maj • 02:38 • -10.64db
39% Popularity • 79% Danceability • 65% Energy • 4% Liveness
73% Instrumentalness • 84% Positiveness
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Fletcher Henderson
Rug Cutter's Swing
111 bpm • G Maj • 03:07 • -12db
21% Popularity • 81% Danceability • 39% Energy • 9% Liveness
77% Instrumentalness • 91% Positiveness
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James P. Johnson
If I Could Be With You
106 bpm • C# Maj • 02:46 • -19db
43% Popularity • 80% Danceability • 13% Energy • 19% Liveness
79% Instrumentalness • 63% Positiveness
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Woody Herman & His Orchestra
Blues Downstairs
112 bpm • F Maj • 02:47 • -11.06db
17% Popularity • 69% Danceability • 40% Energy • 22% Liveness
6% Instrumentalness • 75% Positiveness
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Fletcher Henderson & His Orchestra
Henderson Stomp
112 bpm • D Maj • 02:50 • -11.36db
9% Popularity • 61% Danceability • 44% Energy • 29% Liveness
88% Instrumentalness • 93% Positiveness
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Louis Armstrong & His Hot Five
Basin Sreet Blues - Remastered
106 bpm • A# Maj • 03:14 • -10db
19% Popularity • 55% Danceability • 23% Energy • 25% Liveness
67% Instrumentalness • 34% Positiveness
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Johnny Dodds
I'm Goin' Huntin'
106 bpm • F Maj • 02:59 • -9.69db
23% Popularity • 70% Danceability • 49% Energy • 36% Liveness
91% Instrumentalness • 89% Positiveness
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Fletcher Henderson
Jim Town Blues
107 bpm • A# Maj • 02:44 • -7.92db
16% Popularity • 73% Danceability • 41% Energy • 4% Liveness
89% Instrumentalness • 94% Positiveness
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King Oliver
St James Infirmary
106 bpm • F min • 03:36 • -4.56db
12% Popularity • 69% Danceability • 36% Energy • 18% Liveness
1% Instrumentalness • 41% Positiveness
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Woody Herman & His Orchestra
Las Chiapanecas
106 bpm • G# Maj • 03:02 • -9.52db
11% Popularity • 58% Danceability • 46% Energy • 8% Liveness
91% Instrumentalness • 51% Positiveness
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The Sign Posters
Twenty Four Hours a Day
106 bpm • C Maj • 03:04 • -16.03db
13% Popularity • 79% Danceability • 15% Energy • 9% Liveness
18% Instrumentalness • 74% Positiveness
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Fats Waller
Dinah
112 bpm • F min • 03:06 • -12db
15% Popularity • 78% Danceability • 42% Energy • 22% Liveness
36% Instrumentalness • 87% Positiveness
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Fletcher Henderson & His Orchestra
The Stampede
112 bpm • F min • 03:14 • -11.81db
20% Popularity • 64% Danceability • 48% Energy • 23% Liveness
92% Instrumentalness • 90% Positiveness
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Fletcher Henderson
Wrappin' It Up
106 bpm • F# Maj • 02:41 • -9.53db
20% Popularity • 70% Danceability • 58% Energy • 9% Liveness
90% Instrumentalness • 88% Positiveness
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King Oliver's Creole Jazz Band
Alligator Hop
112 bpm • A# Maj • 02:23 • -11.48db
22% Popularity • 72% Danceability • 46% Energy • 20% Liveness
73% Instrumentalness • 90% Positiveness
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Jimmy Dorsey & His Orchestra
King Porter Stomp
106 bpm • G# Maj • 02:52 • -8.64db
25% Popularity • 72% Danceability • 60% Energy • 66% Liveness
97% Instrumentalness • 89% Positiveness
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Eddie Condon
Carnegie Drag
106 bpm • A# Maj • 03:16 • -13db
17% Popularity • 69% Danceability • 31% Energy • 9% Liveness
72% Instrumentalness • 82% Positiveness
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The Ink Spots
I'm Beginning To See The Light
113 bpm • F Maj • 02:42 • -12db
51% Popularity • 79% Danceability • 16% Energy • 44% Liveness
0% Instrumentalness • 46% Positiveness
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Charlie Barnet & His Orchestra
Things Ain't What They Used to Be
113 bpm • G# Maj • 02:40 • -20db
33% Popularity • 65% Danceability • 10% Energy • 9% Liveness
79% Instrumentalness • 67% Positiveness
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Gene Krupa
Sing, Sing, Sing
113 bpm • G Maj • 04:22 • -11db
25% Popularity • 60% Danceability • 38% Energy • 10% Liveness
93% Instrumentalness • 35% Positiveness
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Joe Venuti
Beatin' the Dog
105 bpm • A# Maj • 02:38 • -13.56db
18% Popularity • 83% Danceability • 38% Energy • 10% Liveness
91% Instrumentalness • 96% Positiveness
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James P. Johnson
Blue Note Boogie
105 bpm • C# Maj • 03:58 • -15db
29% Popularity • 73% Danceability • 33% Energy • 9% Liveness
89% Instrumentalness • 89% Positiveness
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Eddie Condon
Home Cooking
105 bpm • C min • 03:10 • -10db
22% Popularity • 67% Danceability • 36% Energy • 16% Liveness
4% Instrumentalness • 62% Positiveness
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Woody Herman & His Orchestra
Blues on Parade
113 bpm • C# min • 03:01 • -12.07db
12% Popularity • 72% Danceability • 43% Energy • 17% Liveness
73% Instrumentalness • 66% Positiveness
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Kid Ory
1919 Rag
105 bpm • C min • 03:08 • -9.46db
9% Popularity • 48% Danceability • 63% Energy • 32% Liveness
91% Instrumentalness • 97% Positiveness
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The Cast
Bill Bailey, Won't You Please Come Home
113 bpm • C min • 02:01 • -8.01db
37% Popularity • 70% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 92% Positiveness
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Nellie Lutcher
Hurry On Down
113 bpm • G# Maj • 02:27 • -12db
22% Popularity • 86% Danceability • 22% Energy • 16% Liveness
0% Instrumentalness • 56% Positiveness
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Charlie Barnet
Wichita Windstorm
105 bpm • F# Maj • 02:39 • -8db
23% Popularity • 68% Danceability • 49% Energy • 24% Liveness
81% Instrumentalness • 82% Positiveness
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Erskine Hawkins
Keep Cool, Fool
113 bpm • C Maj • 03:35 • -11db
13% Popularity • 80% Danceability • 15% Energy • 12% Liveness
8% Instrumentalness • 50% Positiveness
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James P. Johnson
Honeysuckle Rose
105 bpm • F Maj • 02:40 • -17.09db
33% Popularity • 73% Danceability • 31% Energy • 8% Liveness
88% Instrumentalness • 95% Positiveness
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The Cats & The Fiddle
That's On Jack That's On
105 bpm • F min • 02:32 • -10db
17% Popularity • 83% Danceability • 53% Energy • 6% Liveness
23% Instrumentalness • 91% Positiveness
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Fats Waller
It's A Sin To Tell A Lie
114 bpm • C Maj • 02:53 • -15.57db
30% Popularity • 82% Danceability • 30% Energy • 26% Liveness
15% Instrumentalness • 79% Positiveness
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Red Onion Jazz Babies
Cake Walking Babies From Home
114 bpm • F min • 03:07 • -12db
13% Popularity • 69% Danceability • 42% Energy • 22% Liveness
42% Instrumentalness • 91% Positiveness
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Charlie Barnet
E Bob o Lee Bob
105 bpm • G Maj • 02:29 • -13.81db
17% Popularity • 68% Danceability • 28% Energy • 32% Liveness
0% Instrumentalness • 92% Positiveness
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Johnny Dodds
Mad Dog
105 bpm • A# Maj • 02:49 • -8db
18% Popularity • 72% Danceability • 59% Energy • 24% Liveness
79% Instrumentalness • 83% Positiveness
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Bunny Berigan
All God s Chillun Got Rhyth
105 bpm • A# Maj • 02:25 • -11db
19% Popularity • 71% Danceability • 47% Energy • 8% Liveness
63% Instrumentalness • 80% Positiveness
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The Cats & The Fiddle
That's on Jack, That's On
105 bpm • F Maj • 02:32 • -8.18db
14% Popularity • 83% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
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Cootie Williams
Rinky Dink - Remastered
114 bpm • G Maj • 02:31 • -6.05db
18% Popularity • 69% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 92% Positiveness
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Fletcher Henderson & His Orchestra
Alabamy Bound
114 bpm • C# Maj • 03:05 • -12db
13% Popularity • 77% Danceability • 40% Energy • 16% Liveness
94% Instrumentalness • 74% Positiveness
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Ethel Waters
Shine on Harvest Moon
114 bpm • F# min • 03:01 • -12db
12% Popularity • 60% Danceability • 16% Energy • 14% Liveness
0% Instrumentalness • 64% Positiveness
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Genevieve Davis
Haven't Got a Dollar to Pay Your House R...
104 bpm • F Maj • 03:28 • -13.05db
24% Popularity • 61% Danceability • 21% Energy • 36% Liveness
0% Instrumentalness • 52% Positiveness
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Bunny Berigan
In the Dark
114 bpm • A min • 02:47 • -11.13db
12% Popularity • 54% Danceability • 15% Energy • 8% Liveness
90% Instrumentalness • 55% Positiveness
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James P. Johnson
Carolina Shout
104 bpm • C Maj • 02:43 • -19db
13% Popularity • 42% Danceability • 24% Energy • 19% Liveness
73% Instrumentalness • 71% Positiveness
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Louis Armstrong & His Savoy Ballroom Five
Tight Like This
114 bpm • D Maj • 03:12 • -12.27db
15% Popularity • 77% Danceability • 23% Energy • 5% Liveness
0% Instrumentalness • 50% Positiveness
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Walter Page's Blue Devils
Blue Devil Blues
104 bpm • D# Maj • 02:46 • -13db
13% Popularity • 77% Danceability • 24% Energy • 25% Liveness
0% Instrumentalness • 54% Positiveness
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Fletcher Henderson & His Orchestra
Copenhagen
114 bpm • A# Maj • 02:50 • -11db
11% Popularity • 67% Danceability • 46% Energy • 71% Liveness
60% Instrumentalness • 66% Positiveness
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The Cats & The Fiddle
Public Jitterbug Number One - Alternate ...
104 bpm • C min • 02:54 • -9db
16% Popularity • 77% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 91% Positiveness
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King Oliver's Creole Jazz Band
Snake Rag
104 bpm • C min • 02:58 • -15db
14% Popularity • 71% Danceability • 31% Energy • 28% Liveness
88% Instrumentalness • 96% Positiveness
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Fletcher Henderson
Wrappin' It Up
104 bpm • G# Maj • 02:42 • -10db
6% Popularity • 76% Danceability • 40% Energy • 9% Liveness
91% Instrumentalness • 94% Positiveness
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Lonnie Johnson
I'm Not Rough
103 bpm • G# Maj • 02:59 • -15.03db
22% Popularity • 65% Danceability • 23% Energy • 17% Liveness
78% Instrumentalness • 65% Positiveness
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Kid Ory
Original Dixieland One Step
115 bpm • C min • 05:35 • -10.08db
12% Popularity • 68% Danceability • 64% Energy • 72% Liveness
57% Instrumentalness • 82% Positiveness
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Erroll Garner
She's Funny That Way
115 bpm • F min • 02:31 • -14.71db
38% Popularity • 65% Danceability • 22% Energy • 26% Liveness
79% Instrumentalness • 48% Positiveness
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Harry James
I'm Beginning To See The Light
115 bpm • G# Maj • 03:07 • -10.71db
17% Popularity • 67% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 45% Positiveness
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Lil Hardin Armstrong
Harlem on Saturday Night
115 bpm • C Maj • 02:42 • -7.31db
16% Popularity • 83% Danceability • 47% Energy • 8% Liveness
10% Instrumentalness • 96% Positiveness
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Johnny Hodges & His Orchestra
Squaty Roo - Remastered - 1995
103 bpm • A# min • 02:23 • -14db
30% Popularity • 68% Danceability • 34% Energy • 11% Liveness
92% Instrumentalness • 72% Positiveness
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Fats Waller
Sweetie Pie - Remastered
103 bpm • F Maj • 03:03 • -11db
12% Popularity • 83% Danceability • 46% Energy • 40% Liveness
13% Instrumentalness • 88% Positiveness
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Erskine Hawkins & His Orchestra
Swing Out
103 bpm • A# Maj • 03:19 • -13db
10% Popularity • 78% Danceability • 24% Energy • 9% Liveness
81% Instrumentalness • 44% Positiveness
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Eddie Condon
Diane
103 bpm • F min • 03:06 • -15db
16% Popularity • 57% Danceability • 11% Energy • 11% Liveness
89% Instrumentalness • 66% Positiveness
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Clarence Williams' Blue Five
Pickin' On Your Baby
103 bpm • C Maj • 03:17 • -14.04db
9% Popularity • 52% Danceability • 15% Energy • 35% Liveness
13% Instrumentalness • 32% Positiveness
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Jerome Kern
Smoke Gets In Your Eyes - (RKO film "Rob...
103 bpm • G# Maj • 03:15 • -7db
23% Popularity • 72% Danceability • 37% Energy • 12% Liveness
1% Instrumentalness • 76% Positiveness
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King Oliver
New Orleans Shout
102 bpm • F Maj • 02:43 • -12db
16% Popularity • 85% Danceability • 40% Energy • 20% Liveness
92% Instrumentalness • 97% Positiveness
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Fats Waller
Patty Cake, Patty Cake
103 bpm • C Maj • 03:14 • -15db
12% Popularity • 72% Danceability • 30% Energy • 6% Liveness
2% Instrumentalness • 78% Positiveness
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Joe Venuti
After You've Gone
102 bpm • F Maj • 03:03 • -10db
28% Popularity • 59% Danceability • 39% Energy • 8% Liveness
11% Instrumentalness • 96% Positiveness
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Jimmy Dorsey & His Orchestra
The Darktown Strutter's Ball
102 bpm • F min • 02:27 • -8db
25% Popularity • 71% Danceability • 55% Energy • 51% Liveness
3% Instrumentalness • 84% Positiveness
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James P. Johnson
Carolina Shout
102 bpm • C Maj • 02:47 • -17db
23% Popularity • 43% Danceability • 34% Energy • 13% Liveness
83% Instrumentalness • 78% Positiveness
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Charlie Barnet & His Orchestra
Swing Street Strut
116 bpm • G min • 02:47 • -10.63db
16% Popularity • 70% Danceability • 52% Energy • 36% Liveness
39% Instrumentalness • 72% Positiveness
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Fletcher Henderson & His Orchestra
Sugar Foot Stomp
102 bpm • A# Maj • 02:46 • -12.66db
28% Popularity • 78% Danceability • 24% Energy • 8% Liveness
7% Instrumentalness • 84% Positiveness
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Fats Waller
Honey Hush
103 bpm • G Maj • 03:17 • -18.69db
13% Popularity • 66% Danceability • 21% Energy • 20% Liveness
0% Instrumentalness • 59% Positiveness
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Louis Armstrong & His Hot Five
Fireworks
117 bpm • G# Maj • 03:07 • -9.77db
16% Popularity • 80% Danceability • 40% Energy • 7% Liveness
84% Instrumentalness • 87% Positiveness
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The Joint Is Jumpin'