Songs like The Kite by Anthony Rapp
Based on a tempo of (+/- 10%) and a similar genre
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Meredith Willson
Piano Lesson
75 bpm • C# Maj • 01:56 • -17db
13% Popularity • 61% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 71% Positiveness
13% Popularity • 61% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 71% Positiveness
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Natalie Cortez
Montage, Part 2: Nothing
75 bpm • G# min • 06:46 • -9db
31% Popularity • 51% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 49% Positiveness
31% Popularity • 51% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 49% Positiveness
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Rose
Everything's Coming Up Roses
75 bpm • A# Maj • 02:51 • -4db
34% Popularity • 52% Danceability • 53% Energy • 16% Liveness
0% Instrumentalness • 53% Positiveness
34% Popularity • 52% Danceability • 53% Energy • 16% Liveness
0% Instrumentalness • 53% Positiveness
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Anthony Rapp
The Kite
75 bpm • G# Maj • 02:07 • -13db
29% Popularity • 56% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
29% Popularity • 56% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
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Sherie Rene Scott as Ursula
Poor Unfortunate Souls
76 bpm • F min • 05:20 • -16.07db
39% Popularity • 46% Danceability • 19% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
39% Popularity • 46% Danceability • 19% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
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Stephanie D'Abruzzo
Mix Tape
74 bpm • A Maj • 03:35 • -14.86db
9% Popularity • 55% Danceability • 16% Energy • 8% Liveness
0% Instrumentalness • 41% Positiveness
9% Popularity • 55% Danceability • 16% Energy • 8% Liveness
0% Instrumentalness • 41% Positiveness
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Mindi Dickstein
Take a Chance on Me
76 bpm • C# min • 02:58 • -7db
30% Popularity • 46% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
30% Popularity • 46% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
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Stephen Schwartz
A Sentimental Man
74 bpm • B Maj • 01:16 • -15db
33% Popularity • 35% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
33% Popularity • 35% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
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The Original Broadway Cast Of 'Curtains'
I Miss The Music
74 bpm • F Maj • 05:08 • -20.17db
25% Popularity • 55% Danceability • 7% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
25% Popularity • 55% Danceability • 7% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
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Daniel Radcliffe
How To Succeed
76 bpm • G Maj • 02:34 • -10db
30% Popularity • 59% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
30% Popularity • 59% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
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David Aaron Baker
An Opening for a Princess
77 bpm • G min • 02:37 • -10.38db
22% Popularity • 39% Danceability • 37% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
22% Popularity • 39% Danceability • 37% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
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John Arthur Greene
Miracle: Pt. 2
77 bpm • F Maj • 02:11 • -11.02db
33% Popularity • 57% Danceability • 42% Energy • 68% Liveness
0% Instrumentalness • 63% Positiveness
33% Popularity • 57% Danceability • 42% Energy • 68% Liveness
0% Instrumentalness • 63% Positiveness
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Mandy Gonzalez
When the Sun Goes Down
77 bpm • C min • 02:32 • -14db
35% Popularity • 57% Danceability • 23% Energy • 13% Liveness
0% Instrumentalness • 6% Positiveness
35% Popularity • 57% Danceability • 23% Energy • 13% Liveness
0% Instrumentalness • 6% Positiveness
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Jane Krakowski
A Trip to the Library
73 bpm • A Maj • 04:27 • -11.7db
25% Popularity • 63% Danceability • 31% Energy • 30% Liveness
0% Instrumentalness • 42% Positiveness
25% Popularity • 63% Danceability • 31% Energy • 30% Liveness
0% Instrumentalness • 42% Positiveness
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Mindi Dickstein
Small Umbrella in the Rain
77 bpm • G Maj • 04:22 • -12.13db
26% Popularity • 44% Danceability • 23% Energy • 34% Liveness
0% Instrumentalness • 31% Positiveness
26% Popularity • 44% Danceability • 23% Energy • 34% Liveness
0% Instrumentalness • 31% Positiveness
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Stephen Lee Anderson
Heaven Help Me
77 bpm • A Maj • 01:51 • -12.58db
29% Popularity • 53% Danceability • 22% Energy • 18% Liveness
0% Instrumentalness • 49% Positiveness
29% Popularity • 53% Danceability • 22% Energy • 18% Liveness
0% Instrumentalness • 49% Positiveness
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Jeremy Jordan
I Never Planned On You / Don't Come A-Kn...
77 bpm • G# Maj • 01:40 • -13.64db
45% Popularity • 34% Danceability • 17% Energy • 5% Liveness
0% Instrumentalness • 66% Positiveness
45% Popularity • 34% Danceability • 17% Energy • 5% Liveness
0% Instrumentalness • 66% Positiveness
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Bring It On: The Musical - Original Broadway Cast
Tryouts
73 bpm • G Maj • 01:01 • -5db
37% Popularity • 42% Danceability • 30% Energy • 33% Liveness
0% Instrumentalness • 18% Positiveness
37% Popularity • 42% Danceability • 30% Energy • 33% Liveness
0% Instrumentalness • 18% Positiveness
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25th Annual Putnam County Spelling Bee Original Cast
My Unfortunate Erection (Chip's Lament)
78 bpm • C# Maj • 02:38 • -8db
34% Popularity • 65% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
34% Popularity • 65% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
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Sierra Boggess as Ariel
The World Above
77 bpm • F# Maj • 01:34 • -22.22db
36% Popularity • 28% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
36% Popularity • 28% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Mindi Dickstein
The Fire Within Me
78 bpm • C Maj • 05:16 • -9.52db
27% Popularity • 24% Danceability • 24% Energy • 9% Liveness
1% Instrumentalness • 8% Positiveness
27% Popularity • 24% Danceability • 24% Energy • 9% Liveness
1% Instrumentalness • 8% Positiveness
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Christy Altomare
Do Me a Favor
78 bpm • G Maj • 03:18 • -6.37db
32% Popularity • 49% Danceability • 61% Energy • 13% Liveness
0% Instrumentalness • 44% Positiveness
32% Popularity • 49% Danceability • 61% Energy • 13% Liveness
0% Instrumentalness • 44% Positiveness
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John Tartaglia
There's a Fine, Fine Line (Reprise) / Wh...
78 bpm • A min • 01:43 • -16.92db
8% Popularity • 57% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
8% Popularity • 57% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
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Andy Karl and Allison Janney
Let Love Grow
78 bpm • D# Maj • 02:38 • -12.08db
24% Popularity • 53% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
24% Popularity • 53% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
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Anthony Rapp
The Surrender
72 bpm • A# Maj • 01:45 • -9.97db
14% Popularity • 15% Danceability • 30% Energy • 22% Liveness
0% Instrumentalness • 7% Positiveness
14% Popularity • 15% Danceability • 30% Energy • 22% Liveness
0% Instrumentalness • 7% Positiveness
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Merwin Foard as Pilot
Fathoms Below
79 bpm • D Maj • 02:34 • -16db
34% Popularity • 45% Danceability • 26% Energy • 14% Liveness
0% Instrumentalness • 65% Positiveness
34% Popularity • 45% Danceability • 26% Energy • 14% Liveness
0% Instrumentalness • 65% Positiveness
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Mindi Dickstein
How I Am
78 bpm • D Maj • 03:12 • -10db
25% Popularity • 52% Danceability • 32% Energy • 6% Liveness
0% Instrumentalness • 44% Positiveness
25% Popularity • 52% Danceability • 32% Energy • 6% Liveness
0% Instrumentalness • 44% Positiveness
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Hunter Parrish
Tower of Babble
79 bpm • A Maj • 04:30 • -12.59db
29% Popularity • 50% Danceability • 30% Energy • 65% Liveness
0% Instrumentalness • 69% Positiveness
29% Popularity • 50% Danceability • 30% Energy • 65% Liveness
0% Instrumentalness • 69% Positiveness
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Jared Gertner
One by One by One
79 bpm • D Maj • 03:34 • -12.32db
24% Popularity • 60% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
24% Popularity • 60% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
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Ann Harada
The More You Ruv Someone
79 bpm • G# Maj • 02:23 • -7.55db
9% Popularity • 47% Danceability • 26% Energy • 21% Liveness
0% Instrumentalness • 33% Positiveness
9% Popularity • 47% Danceability • 26% Energy • 21% Liveness
0% Instrumentalness • 33% Positiveness
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Anthony Rapp
“The next day, I got the good news…�...
71 bpm • A min • 00:54 • -17.75db
6% Popularity • 62% Danceability • 27% Energy • 34% Liveness
0% Instrumentalness • 76% Positiveness
6% Popularity • 62% Danceability • 27% Energy • 34% Liveness
0% Instrumentalness • 76% Positiveness
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Marin Mazzie
Carrie - Reprise
79 bpm • D# Maj • 01:25 • -18db
24% Popularity • 46% Danceability • 4% Energy • 14% Liveness
0% Instrumentalness • 22% Positiveness
24% Popularity • 46% Danceability • 4% Energy • 14% Liveness
0% Instrumentalness • 22% Positiveness
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Mindi Dickstein
An Operatic Tragedy
79 bpm • G Maj • 01:57 • -8.06db
27% Popularity • 52% Danceability • 42% Energy • 60% Liveness
0% Instrumentalness • 57% Positiveness
27% Popularity • 52% Danceability • 42% Energy • 60% Liveness
0% Instrumentalness • 57% Positiveness
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Bebe Neuwirth
Finale
79 bpm • A# Maj • 01:05 • -10.82db
28% Popularity • 50% Danceability • 51% Energy • 38% Liveness
0% Instrumentalness • 56% Positiveness
28% Popularity • 50% Danceability • 51% Energy • 38% Liveness
0% Instrumentalness • 56% Positiveness
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Jesse L. Martin
I'll Cover You (Reprise)
80 bpm • E Maj • 02:51 • -11.57db
32% Popularity • 38% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
32% Popularity • 38% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
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Terrence Mann
War Is a Science
80 bpm • G Maj • 03:14 • -8.99db
33% Popularity • 50% Danceability • 45% Energy • 19% Liveness
0% Instrumentalness • 56% Positiveness
33% Popularity • 50% Danceability • 45% Energy • 19% Liveness
0% Instrumentalness • 56% Positiveness
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Anthony Rapp
Falling Slowly - Live
71 bpm • C Maj • 04:03 • -11.23db
5% Popularity • 42% Danceability • 26% Energy • 68% Liveness
0% Instrumentalness • 23% Positiveness
5% Popularity • 42% Danceability • 26% Energy • 68% Liveness
0% Instrumentalness • 23% Positiveness
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Lynn Ahrens
Alone in The Universe (Reprise) - Origin...
80 bpm • G Maj • 01:06 • -19.65db
28% Popularity • 30% Danceability • 12% Energy • 31% Liveness
0% Instrumentalness • 24% Positiveness
28% Popularity • 30% Danceability • 12% Energy • 31% Liveness
0% Instrumentalness • 24% Positiveness
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A Chorus Line Ensemble (2006)
Montage, Part 1: Hello Twelve, Hello Thi...
80 bpm • E Maj • 05:04 • -11db
29% Popularity • 58% Danceability • 26% Energy • 53% Liveness
0% Instrumentalness • 44% Positiveness
29% Popularity • 58% Danceability • 26% Energy • 53% Liveness
0% Instrumentalness • 44% Positiveness
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'Come From Away' Company
Something's Missing
80 bpm • G Maj • 05:36 • -9.6db
39% Popularity • 40% Danceability • 41% Energy • 20% Liveness
0% Instrumentalness • 31% Positiveness
39% Popularity • 40% Danceability • 41% Energy • 20% Liveness
0% Instrumentalness • 31% Positiveness
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Bryce Pinkham
Poison in My Pocket
81 bpm • C# Maj • 03:38 • -11.05db
26% Popularity • 62% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
26% Popularity • 62% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
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Sheila Hancock
Here Within These Walls
80 bpm • G# Maj • 04:04 • -9.25db
29% Popularity • 38% Danceability • 29% Energy • 6% Liveness
0% Instrumentalness • 32% Positiveness
29% Popularity • 38% Danceability • 29% Energy • 6% Liveness
0% Instrumentalness • 32% Positiveness
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Anthony Rapp
“A couple weeks into rehearsals…”
80 bpm • D Maj • 02:22 • -23.46db
5% Popularity • 64% Danceability • 22% Energy • 14% Liveness
0% Instrumentalness • 22% Positiveness
5% Popularity • 64% Danceability • 22% Energy • 14% Liveness
0% Instrumentalness • 22% Positiveness
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You're a Good Man, Charlie Brown Ensemble (1999)
The Book Report
81 bpm • D# Maj • 05:10 • -13db
29% Popularity • 50% Danceability • 32% Energy • 51% Liveness
0% Instrumentalness • 54% Positiveness
29% Popularity • 50% Danceability • 32% Energy • 51% Liveness
0% Instrumentalness • 54% Positiveness
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Mindi Dickstein
Sometimes When You Dream - Reprise
81 bpm • D Maj • 00:57 • -10db
23% Popularity • 36% Danceability • 11% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
23% Popularity • 36% Danceability • 11% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
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Lynn Ahrens
All For You - Original Broadway Cast Rec...
69 bpm • F Maj • 03:37 • -13.12db
31% Popularity • 59% Danceability • 20% Energy • 15% Liveness
0% Instrumentalness • 26% Positiveness
31% Popularity • 59% Danceability • 20% Energy • 15% Liveness
0% Instrumentalness • 26% Positiveness
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Sherie Rene Scott as Ursula
I Want the Good Times Back
82 bpm • G Maj • 04:57 • -14.85db
34% Popularity • 49% Danceability • 24% Energy • 13% Liveness
0% Instrumentalness • 46% Positiveness
34% Popularity • 49% Danceability • 24% Energy • 13% Liveness
0% Instrumentalness • 46% Positiveness
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Jeremy Jordan
The Schmuel Song
82 bpm • F# min • 07:42 • -8.6db
34% Popularity • 46% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 39% Positiveness
34% Popularity • 46% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 39% Positiveness
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Anthony Rapp
Don't Give Up - Live
81 bpm • D# Maj • 05:36 • -8.62db
2% Popularity • 45% Danceability • 29% Energy • 97% Liveness
0% Instrumentalness • 29% Positiveness
2% Popularity • 45% Danceability • 29% Energy • 97% Liveness
0% Instrumentalness • 29% Positiveness
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'Come From Away' Company
Darkness And Trees
82 bpm • E min • 03:08 • -12.61db
40% Popularity • 63% Danceability • 40% Energy • 27% Liveness
0% Instrumentalness • 26% Positiveness
40% Popularity • 63% Danceability • 40% Energy • 27% Liveness
0% Instrumentalness • 26% Positiveness
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Quentin Earl Darrington
And the God's Heard Her Prayer / Rain
82 bpm • C# min • 04:26 • -13.87db
29% Popularity • 39% Danceability • 27% Energy • 22% Liveness
0% Instrumentalness • 59% Positiveness
29% Popularity • 39% Danceability • 27% Energy • 22% Liveness
0% Instrumentalness • 59% Positiveness
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Janine LaManna
The One Feather Tail Of Miss Gertrude Mc...
82 bpm • C Maj • 01:16 • -16.14db
35% Popularity • 38% Danceability • 4% Energy • 24% Liveness
0% Instrumentalness • 26% Positiveness
35% Popularity • 38% Danceability • 4% Energy • 24% Liveness
0% Instrumentalness • 26% Positiveness
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Burke Moses
Me
82 bpm • F# min • 02:48 • -17.3db
37% Popularity • 66% Danceability • 22% Energy • 28% Liveness
0% Instrumentalness • 54% Positiveness
37% Popularity • 66% Danceability • 22% Energy • 28% Liveness
0% Instrumentalness • 54% Positiveness
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Andrea Burns
No Me Diga
82 bpm • G# Maj • 02:26 • -8.08db
40% Popularity • 60% Danceability • 45% Energy • 13% Liveness
0% Instrumentalness • 78% Positiveness
40% Popularity • 60% Danceability • 45% Energy • 13% Liveness
0% Instrumentalness • 78% Positiveness
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Anthony Rapp
“Mom had always loved country life…�...
81 bpm • C Maj • 02:57 • -17.97db
6% Popularity • 60% Danceability • 25% Energy • 50% Liveness
0% Instrumentalness • 48% Positiveness
6% Popularity • 60% Danceability • 25% Energy • 50% Liveness
0% Instrumentalness • 48% Positiveness
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Sean Palmer as Prince Eric
One Step Closer
83 bpm • D Maj • 04:22 • -20.5db
32% Popularity • 28% Danceability • 9% Energy • 18% Liveness
0% Instrumentalness • 25% Positiveness
32% Popularity • 28% Danceability • 9% Energy • 18% Liveness
0% Instrumentalness • 25% Positiveness
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Alice Ripley
Just Another Day
83 bpm • E min • 03:49 • -7.52db
36% Popularity • 52% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
36% Popularity • 52% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
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Kevin Chamberlin
The People Versus Horton The Elephant - ...
82 bpm • E Maj • 04:30 • -10.84db
31% Popularity • 49% Danceability • 47% Energy • 32% Liveness
0% Instrumentalness • 43% Positiveness
31% Popularity • 49% Danceability • 47% Energy • 32% Liveness
0% Instrumentalness • 43% Positiveness
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Allison Janney and Ensemble
Around Here
82 bpm • C Maj • 03:00 • -9db
36% Popularity • 66% Danceability • 45% Energy • 22% Liveness
0% Instrumentalness • 90% Positiveness
36% Popularity • 66% Danceability • 45% Energy • 22% Liveness
0% Instrumentalness • 90% Positiveness
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Nicholas Barasch
Try Me
83 bpm • D Maj • 03:41 • -10.41db
24% Popularity • 49% Danceability • 40% Energy • 14% Liveness
0% Instrumentalness • 63% Positiveness
24% Popularity • 49% Danceability • 40% Energy • 14% Liveness
0% Instrumentalness • 63% Positiveness
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Anthony Rapp
“The only way out is through…”
82 bpm • B min • 04:28 • -19.06db
3% Popularity • 63% Danceability • 24% Energy • 18% Liveness
0% Instrumentalness • 14% Positiveness
3% Popularity • 63% Danceability • 24% Energy • 18% Liveness
0% Instrumentalness • 14% Positiveness
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Heidi Blickenstaff
Right Hand Man - Reprise
68 bpm • C# Maj • 01:21 • -14db
33% Popularity • 44% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
33% Popularity • 44% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
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Brian D'Arcy James
Travel Song
83 bpm • E Maj • 01:56 • -8db
43% Popularity • 68% Danceability • 49% Energy • 31% Liveness
0% Instrumentalness • 77% Positiveness
43% Popularity • 68% Danceability • 49% Energy • 31% Liveness
0% Instrumentalness • 77% Positiveness
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Roger Bart
Suppertime
83 bpm • G Maj • 04:38 • -12.58db
27% Popularity • 50% Danceability • 33% Energy • 30% Liveness
0% Instrumentalness • 30% Positiveness
27% Popularity • 50% Danceability • 33% Energy • 30% Liveness
0% Instrumentalness • 30% Positiveness
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Sara Ramirez
Twice In Every Show - Original Broadway ...
83 bpm • A# Maj • 01:17 • -7.46db
33% Popularity • 51% Danceability • 33% Energy • 56% Liveness
0% Instrumentalness • 32% Positiveness
33% Popularity • 51% Danceability • 33% Energy • 56% Liveness
0% Instrumentalness • 32% Positiveness
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Tom Bosley
No Matter What
83 bpm • D# Maj • 03:06 • -22.26db
33% Popularity • 41% Danceability • 8% Energy • 7% Liveness
0% Instrumentalness • 31% Positiveness
33% Popularity • 41% Danceability • 8% Energy • 7% Liveness
0% Instrumentalness • 31% Positiveness
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Anthony Rapp
Attic Basement
82 bpm • G Maj • 02:16 • -15.67db
0% Popularity • 63% Danceability • 34% Energy • 31% Liveness
0% Instrumentalness • 32% Positiveness
0% Popularity • 63% Danceability • 34% Energy • 31% Liveness
0% Instrumentalness • 32% Positiveness
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Jonathan Pryce
Reviewing the Situation - Reprise
83 bpm • F min • 01:03 • -17.08db
24% Popularity • 42% Danceability • 8% Energy • 29% Liveness
0% Instrumentalness • 16% Positiveness
24% Popularity • 42% Danceability • 8% Energy • 29% Liveness
0% Instrumentalness • 16% Positiveness
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25th Annual Putnam County Spelling Bee Original Cast
Finale
83 bpm • C Maj • 01:01 • -6.27db
28% Popularity • 64% Danceability • 39% Energy • 27% Liveness
0% Instrumentalness • 88% Positiveness
28% Popularity • 64% Danceability • 39% Energy • 27% Liveness
0% Instrumentalness • 88% Positiveness
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Bring It On: The Musical - Original Broadway Cast
Enjoy The Trip
84 bpm • G# Maj • 03:09 • -7.46db
35% Popularity • 57% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
35% Popularity • 57% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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The Original Broadway Cast Of 'Curtains'
The Woman's Dead
84 bpm • C min • 03:36 • -14.97db
21% Popularity • 47% Danceability • 16% Energy • 24% Liveness
0% Instrumentalness • 24% Positiveness
21% Popularity • 47% Danceability • 16% Energy • 24% Liveness
0% Instrumentalness • 24% Positiveness
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Danny Burstein
I Am Aldolpho
84 bpm • E min • 02:34 • -9.04db
30% Popularity • 54% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
30% Popularity • 54% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
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Anthony Rapp
T.E.A.M. / The Baseball Game
82 bpm • D Maj • 03:42 • -14.19db
27% Popularity • 53% Danceability • 29% Energy • 36% Liveness
0% Instrumentalness • 52% Positiveness
27% Popularity • 53% Danceability • 29% Energy • 36% Liveness
0% Instrumentalness • 52% Positiveness
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Dee Hoty
Can You Find It in Your Heart?
84 bpm • C# Maj • 02:28 • -19.73db
27% Popularity • 42% Danceability • 6% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
27% Popularity • 42% Danceability • 6% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
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Hailey Kilgore
Waiting for Life
84 bpm • A Maj • 03:25 • -10db
38% Popularity • 54% Danceability • 38% Energy • 18% Liveness
0% Instrumentalness • 43% Positiveness
38% Popularity • 54% Danceability • 38% Energy • 18% Liveness
0% Instrumentalness • 43% Positiveness
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Terrence Mann
If I Can't Love Her (Reprise)
84 bpm • D Maj • 01:34 • -26.39db
32% Popularity • 22% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 6% Positiveness
32% Popularity • 22% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 6% Positiveness
► Preview
Christy Altomare
Epilogue
84 bpm • E Maj • 02:29 • -11db
26% Popularity • 34% Danceability • 11% Energy • 20% Liveness
0% Instrumentalness • 10% Positiveness
26% Popularity • 34% Danceability • 11% Energy • 20% Liveness
0% Instrumentalness • 10% Positiveness
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Ben Fankhauser
Watch What Happens (Reprise)
85 bpm • F Maj • 01:53 • -11db
45% Popularity • 74% Danceability • 24% Energy • 18% Liveness
0% Instrumentalness • 67% Positiveness
45% Popularity • 74% Danceability • 24% Energy • 18% Liveness
0% Instrumentalness • 67% Positiveness
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Anthony Rapp
“The next morning, January 25th…”
84 bpm • D Maj • 03:33 • -18.78db
4% Popularity • 67% Danceability • 31% Energy • 32% Liveness
0% Instrumentalness • 20% Positiveness
4% Popularity • 67% Danceability • 31% Energy • 32% Liveness
0% Instrumentalness • 20% Positiveness
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Ensemble
The Happiest Town In Town
85 bpm • D Maj • 02:53 • -8.89db
23% Popularity • 52% Danceability • 37% Energy • 75% Liveness
0% Instrumentalness • 41% Positiveness
23% Popularity • 52% Danceability • 37% Energy • 75% Liveness
0% Instrumentalness • 41% Positiveness
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Kenita R. Miller
A Part of Us
84 bpm • E Maj • 02:56 • -13.65db
22% Popularity • 41% Danceability • 15% Energy • 61% Liveness
0% Instrumentalness • 29% Positiveness
22% Popularity • 41% Danceability • 15% Energy • 61% Liveness
0% Instrumentalness • 29% Positiveness
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Michele Pawk
Mayzie In Palm Beach - Original Broadway...
66 bpm • A# Maj • 02:16 • -14db
28% Popularity • 60% Danceability • 20% Energy • 14% Liveness
0% Instrumentalness • 28% Positiveness
28% Popularity • 60% Danceability • 20% Energy • 14% Liveness
0% Instrumentalness • 28% Positiveness
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Brian D'Arcy James
Big Bright Beautiful World (Reprise)
85 bpm • C# Maj • 01:56 • -20.09db
37% Popularity • 40% Danceability • 9% Energy • 15% Liveness
0% Instrumentalness • 34% Positiveness
37% Popularity • 40% Danceability • 9% Energy • 15% Liveness
0% Instrumentalness • 34% Positiveness
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Lindsay Mendez
Mister Snow
85 bpm • G Maj • 05:02 • -10.69db
28% Popularity • 52% Danceability • 25% Energy • 8% Liveness
0% Instrumentalness • 43% Positiveness
28% Popularity • 52% Danceability • 25% Energy • 8% Liveness
0% Instrumentalness • 43% Positiveness
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Anthony Rapp
“On my next visit home…”
85 bpm • F Maj • 02:57 • -17.17db
4% Popularity • 63% Danceability • 20% Energy • 17% Liveness
0% Instrumentalness • 13% Positiveness
4% Popularity • 63% Danceability • 20% Energy • 17% Liveness
0% Instrumentalness • 13% Positiveness
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Nancy Opel
Why Did I Listen to That Man?
85 bpm • G min • 03:08 • -10.17db
29% Popularity • 63% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
29% Popularity • 63% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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Aaron Tveit
Stuck Together (Strange but True)
86 bpm • A min • 04:06 • -8.38db
27% Popularity • 64% Danceability • 37% Energy • 5% Liveness
0% Instrumentalness • 31% Positiveness
27% Popularity • 64% Danceability • 37% Energy • 5% Liveness
0% Instrumentalness • 31% Positiveness
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25th Annual Putnam County Spelling Bee Original Cast
My Friend, the Dictionary
87 bpm • F Maj • 02:45 • -10.23db
31% Popularity • 47% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
31% Popularity • 47% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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Alice Ripley
So Anyway
86 bpm • A Maj • 03:08 • -17.07db
29% Popularity • 43% Danceability • 8% Energy • 18% Liveness
0% Instrumentalness • 20% Positiveness
29% Popularity • 43% Danceability • 8% Energy • 18% Liveness
0% Instrumentalness • 20% Positiveness
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Dee Hoty
Learning to Be Silent
65 bpm • F min • 02:36 • -16db
29% Popularity • 41% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
29% Popularity • 41% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Josh Gad
I Am Here for You
87 bpm • A Maj • 02:04 • -19.37db
42% Popularity • 37% Danceability • 14% Energy • 33% Liveness
0% Instrumentalness • 37% Positiveness
42% Popularity • 37% Danceability • 14% Energy • 33% Liveness
0% Instrumentalness • 37% Positiveness
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Brian D'Arcy James
Build A Wall
87 bpm • F Maj • 02:40 • -6.16db
39% Popularity • 63% Danceability • 64% Energy • 6% Liveness
0% Instrumentalness • 43% Positiveness
39% Popularity • 63% Danceability • 64% Energy • 6% Liveness
0% Instrumentalness • 43% Positiveness
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Anthony Rapp
Halloween
87 bpm • F min • 01:29 • -6.95db
38% Popularity • 45% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 73% Positiveness
38% Popularity • 45% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 73% Positiveness
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Mindi Dickstein
The Weekly Volcano Press
87 bpm • D Maj • 07:47 • -9.2db
26% Popularity • 46% Danceability • 35% Energy • 34% Liveness
0% Instrumentalness • 37% Positiveness
26% Popularity • 46% Danceability • 35% Energy • 34% Liveness
0% Instrumentalness • 37% Positiveness
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Kevin Chamberlin
Horton Hears A Who - Original Broadway C...
87 bpm • A Maj • 02:37 • -16db
35% Popularity • 60% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
35% Popularity • 60% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
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Harry Stott as Michael Banks
Brimstone and Treacle - London Cast Reco...
88 bpm • D min • 02:38 • -14.79db
22% Popularity • 55% Danceability • 22% Energy • 65% Liveness
0% Instrumentalness • 66% Positiveness
22% Popularity • 55% Danceability • 22% Energy • 65% Liveness
0% Instrumentalness • 66% Positiveness
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25th Annual Putnam County Spelling Bee Original Cast
Why We Like Spelling
88 bpm • F Maj • 02:51 • -8.67db
27% Popularity • 68% Danceability • 32% Energy • 13% Liveness
0% Instrumentalness • 47% Positiveness
27% Popularity • 68% Danceability • 32% Energy • 13% Liveness
0% Instrumentalness • 47% Positiveness
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Andrew Keenan-Bolger
Seventeen
64 bpm • G Maj • 02:03 • -12db
29% Popularity • 30% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
29% Popularity • 30% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
