Songs like The Last of the Mohicans - From "L'ultimo dei Mohicani" by Giuseppe Sbernini
Based on a tempo of (+/- 10%) and a similar genre
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Yiruma
Kiss the Rain
126 bpm • G# Maj • 04:24 • -19.52db
36% Popularity • 76% Danceability • 8% Energy • 21% Liveness
90% Instrumentalness • 12% Positiveness
36% Popularity • 76% Danceability • 8% Energy • 21% Liveness
90% Instrumentalness • 12% Positiveness
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Giuseppe Sbernini
The Last of the Mohicans
126 bpm • D min • 02:17 • -15.27db
24% Popularity • 53% Danceability • 18% Energy • 21% Liveness
57% Instrumentalness • 26% Positiveness
24% Popularity • 53% Danceability • 18% Energy • 21% Liveness
57% Instrumentalness • 26% Positiveness
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Jeremy Weinglass
Un-break My Heart
126 bpm • B min • 03:43 • -19db
22% Popularity • 45% Danceability • 10% Energy • 10% Liveness
91% Instrumentalness • 14% Positiveness
22% Popularity • 45% Danceability • 10% Energy • 10% Liveness
91% Instrumentalness • 14% Positiveness
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Omar Akram
Never Let Go
126 bpm • F min • 03:35 • -11.88db
20% Popularity • 43% Danceability • 29% Energy • 11% Liveness
24% Instrumentalness • 8% Positiveness
20% Popularity • 43% Danceability • 29% Energy • 11% Liveness
24% Instrumentalness • 8% Positiveness
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Secret Garden
Song From A Secret Garden - Piano And Vi...
126 bpm • C min • 03:19 • -15.88db
32% Popularity • 31% Danceability • 18% Energy • 16% Liveness
42% Instrumentalness • 4% Positiveness
32% Popularity • 31% Danceability • 18% Energy • 16% Liveness
42% Instrumentalness • 4% Positiveness
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Christopher Phillips
Can You Feel The Love Tonight
127 bpm • A# Maj • 03:56 • -17.99db
26% Popularity • 41% Danceability • 12% Energy • 10% Liveness
94% Instrumentalness • 17% Positiveness
26% Popularity • 41% Danceability • 12% Energy • 10% Liveness
94% Instrumentalness • 17% Positiveness
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Pierre Charlon
Noelle's Theme
126 bpm • D# Maj • 03:40 • -12.5db
32% Popularity • 29% Danceability • 18% Energy • 10% Liveness
78% Instrumentalness • 4% Positiveness
32% Popularity • 29% Danceability • 18% Energy • 10% Liveness
78% Instrumentalness • 4% Positiveness
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Daywind
Have I Told You Lately
125 bpm • A# Maj • 03:54 • -16.12db
26% Popularity • 37% Danceability • 12% Energy • 10% Liveness
86% Instrumentalness • 10% Positiveness
26% Popularity • 37% Danceability • 12% Energy • 10% Liveness
86% Instrumentalness • 10% Positiveness
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Matt Ganim
Wonderful Tonight (Piano Version)
125 bpm • G Maj • 03:06 • -17.91db
30% Popularity • 42% Danceability • 17% Energy • 11% Liveness
86% Instrumentalness • 30% Positiveness
30% Popularity • 42% Danceability • 17% Energy • 11% Liveness
86% Instrumentalness • 30% Positiveness
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Omar Akram
Love of My Heart
126 bpm • F min • 03:39 • -10.8db
36% Popularity • 59% Danceability • 34% Energy • 11% Liveness
31% Instrumentalness • 21% Positiveness
36% Popularity • 59% Danceability • 34% Energy • 11% Liveness
31% Instrumentalness • 21% Positiveness
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Keith Martinson
A Time to Love
127 bpm • C Maj • 03:52 • -19db
22% Popularity • 39% Danceability • 9% Energy • 9% Liveness
91% Instrumentalness • 29% Positiveness
22% Popularity • 39% Danceability • 9% Energy • 9% Liveness
91% Instrumentalness • 29% Positiveness
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Maria Saldo
Don't Cry For Me Argentina
127 bpm • G# Maj • 04:13 • -12.67db
14% Popularity • 33% Danceability • 22% Energy • 14% Liveness
90% Instrumentalness • 9% Positiveness
14% Popularity • 33% Danceability • 22% Energy • 14% Liveness
90% Instrumentalness • 9% Positiveness
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George Skaroulis
I Want to Spend My Lifetime Loving You
127 bpm • A min • 04:54 • -19.25db
20% Popularity • 32% Danceability • 8% Energy • 9% Liveness
84% Instrumentalness • 3% Positiveness
20% Popularity • 32% Danceability • 8% Energy • 9% Liveness
84% Instrumentalness • 3% Positiveness
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Giuseppe Sbernini
Sorry Seems to Be the Hardest Word
128 bpm • G min • 03:44 • -13.77db
18% Popularity • 48% Danceability • 21% Energy • 16% Liveness
69% Instrumentalness • 13% Positiveness
18% Popularity • 48% Danceability • 21% Energy • 16% Liveness
69% Instrumentalness • 13% Positiveness
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Golden Strings Orchestra
Aria En Re
124 bpm • D Maj • 03:13 • -16.92db
42% Popularity • 18% Danceability • 30% Energy • 14% Liveness
94% Instrumentalness • 11% Positiveness
42% Popularity • 18% Danceability • 30% Energy • 14% Liveness
94% Instrumentalness • 11% Positiveness
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Lola & Hauser
Nocturno
128 bpm • A# Maj • 03:32 • -17.11db
45% Popularity • 31% Danceability • 18% Energy • 13% Liveness
92% Instrumentalness • 8% Positiveness
45% Popularity • 31% Danceability • 18% Energy • 13% Liveness
92% Instrumentalness • 8% Positiveness
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Jamie Conway
The Greatest Love Of All
124 bpm • F# min • 04:53 • -22.93db
23% Popularity • 46% Danceability • 9% Energy • 9% Liveness
87% Instrumentalness • 11% Positiveness
23% Popularity • 46% Danceability • 9% Energy • 9% Liveness
87% Instrumentalness • 11% Positiveness
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John Warrington
I Will Always Love You
128 bpm • G# Maj • 03:05 • -12.71db
44% Popularity • 40% Danceability • 20% Energy • 15% Liveness
92% Instrumentalness • 15% Positiveness
44% Popularity • 40% Danceability • 20% Energy • 15% Liveness
92% Instrumentalness • 15% Positiveness
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Sebastian Vargas
I Will Always Love You
128 bpm • G# Maj • 03:04 • -14db
38% Popularity • 51% Danceability • 28% Energy • 13% Liveness
99% Instrumentalness • 14% Positiveness
38% Popularity • 51% Danceability • 28% Energy • 13% Liveness
99% Instrumentalness • 14% Positiveness
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Orinoco Haven
Sailing
128 bpm • B Maj • 03:30 • -8db
37% Popularity • 56% Danceability • 38% Energy • 11% Liveness
87% Instrumentalness • 31% Positiveness
37% Popularity • 56% Danceability • 38% Energy • 11% Liveness
87% Instrumentalness • 31% Positiveness
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Paolo Buonvino
Father and Daugther (Version 2)
124 bpm • C Maj • 03:02 • -18.79db
21% Popularity • 25% Danceability • 17% Energy • 12% Liveness
93% Instrumentalness • 9% Positiveness
21% Popularity • 25% Danceability • 17% Energy • 12% Liveness
93% Instrumentalness • 9% Positiveness
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City of Prague Orchestra
Life is Beautiful
124 bpm • A Maj • 04:05 • -10.86db
14% Popularity • 26% Danceability • 28% Energy • 9% Liveness
84% Instrumentalness • 14% Positiveness
14% Popularity • 26% Danceability • 28% Energy • 9% Liveness
84% Instrumentalness • 14% Positiveness
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Scarborough Faire
The First Time Ever I Saw Your Face
128 bpm • F Maj • 04:06 • -16db
19% Popularity • 64% Danceability • 19% Energy • 13% Liveness
93% Instrumentalness • 6% Positiveness
19% Popularity • 64% Danceability • 19% Energy • 13% Liveness
93% Instrumentalness • 6% Positiveness
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Jamie Conway
Without You
128 bpm • G Maj • 03:41 • -21.84db
19% Popularity • 49% Danceability • 9% Energy • 8% Liveness
92% Instrumentalness • 6% Positiveness
19% Popularity • 49% Danceability • 9% Energy • 8% Liveness
92% Instrumentalness • 6% Positiveness
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Jeff Steinberg
Love Theme
128 bpm • A# Maj • 03:58 • -17db
36% Popularity • 40% Danceability • 15% Energy • 14% Liveness
80% Instrumentalness • 16% Positiveness
36% Popularity • 40% Danceability • 15% Energy • 14% Liveness
80% Instrumentalness • 16% Positiveness
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The London Theatre Orchestra
Hero
123 bpm • F Maj • 04:09 • -13.91db
27% Popularity • 39% Danceability • 27% Energy • 9% Liveness
91% Instrumentalness • 11% Positiveness
27% Popularity • 39% Danceability • 27% Energy • 9% Liveness
91% Instrumentalness • 11% Positiveness
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Nicola Piovani
La vita è bella: La vita è bella
129 bpm • D Maj • 02:38 • -14.34db
40% Popularity • 26% Danceability • 16% Energy • 10% Liveness
92% Instrumentalness • 38% Positiveness
40% Popularity • 26% Danceability • 16% Energy • 10% Liveness
92% Instrumentalness • 38% Positiveness
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Kevin Kern
After the Rain
123 bpm • A# Maj • 04:09 • -17.37db
43% Popularity • 39% Danceability • 8% Energy • 10% Liveness
93% Instrumentalness • 20% Positiveness
43% Popularity • 39% Danceability • 8% Energy • 10% Liveness
93% Instrumentalness • 20% Positiveness
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Daywind
Through The Eyes Of Love
129 bpm • A# Maj • 03:23 • -13db
30% Popularity • 36% Danceability • 14% Energy • 25% Liveness
91% Instrumentalness • 12% Positiveness
30% Popularity • 36% Danceability • 14% Energy • 25% Liveness
91% Instrumentalness • 12% Positiveness
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Saint-Preux
Quand Le Temps Suspend Son Vol
123 bpm • G Maj • 02:43 • -19.6db
42% Popularity • 32% Danceability • 13% Energy • 15% Liveness
86% Instrumentalness • 16% Positiveness
42% Popularity • 32% Danceability • 13% Energy • 15% Liveness
86% Instrumentalness • 16% Positiveness
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Jeff Steinberg
Intermezzo
123 bpm • F Maj • 03:55 • -17.26db
29% Popularity • 23% Danceability • 14% Energy • 19% Liveness
49% Instrumentalness • 15% Positiveness
29% Popularity • 23% Danceability • 14% Energy • 19% Liveness
49% Instrumentalness • 15% Positiveness
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Omar Akram
A Day with You
123 bpm • F Maj • 05:09 • -15.12db
27% Popularity • 32% Danceability • 20% Energy • 10% Liveness
41% Instrumentalness • 12% Positiveness
27% Popularity • 32% Danceability • 20% Energy • 10% Liveness
41% Instrumentalness • 12% Positiveness
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Christopher Phillips
Here Comes The Sun
130 bpm • A Maj • 03:00 • -19.38db
31% Popularity • 44% Danceability • 30% Energy • 9% Liveness
92% Instrumentalness • 39% Positiveness
31% Popularity • 44% Danceability • 30% Energy • 9% Liveness
92% Instrumentalness • 39% Positiveness
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Kevin Kern
Hide and Seek
129 bpm • A# Maj • 04:09 • -19.26db
27% Popularity • 44% Danceability • 10% Energy • 18% Liveness
89% Instrumentalness • 48% Positiveness
27% Popularity • 44% Danceability • 10% Energy • 18% Liveness
89% Instrumentalness • 48% Positiveness
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Pepito Ros e A.M.P.
Sorry seems to be the hardest word
130 bpm • G min • 03:39 • -8.77db
29% Popularity • 41% Danceability • 29% Energy • 27% Liveness
73% Instrumentalness • 18% Positiveness
29% Popularity • 41% Danceability • 29% Energy • 27% Liveness
73% Instrumentalness • 18% Positiveness
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Maurice Jarre
A Walk in the Clouds
130 bpm • A Maj • 03:06 • -21.67db
22% Popularity • 18% Danceability • 10% Energy • 10% Liveness
96% Instrumentalness • 9% Positiveness
22% Popularity • 18% Danceability • 10% Energy • 10% Liveness
96% Instrumentalness • 9% Positiveness
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Giuseppe Sbernini
Corcovado
130 bpm • D Maj • 04:39 • -18.41db
6% Popularity • 85% Danceability • 25% Energy • 11% Liveness
91% Instrumentalness • 38% Positiveness
6% Popularity • 85% Danceability • 25% Energy • 11% Liveness
91% Instrumentalness • 38% Positiveness
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Mercuzio Pianist
Gladiator - Now We Are Free
130 bpm • A Maj • 04:22 • -25.94db
22% Popularity • 53% Danceability • 1% Energy • 8% Liveness
90% Instrumentalness • 5% Positiveness
22% Popularity • 53% Danceability • 1% Energy • 8% Liveness
90% Instrumentalness • 5% Positiveness
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Christopher Phillips
Candle In The Wind
122 bpm • E Maj • 03:31 • -17.56db
21% Popularity • 37% Danceability • 20% Energy • 12% Liveness
91% Instrumentalness • 22% Positiveness
21% Popularity • 37% Danceability • 20% Energy • 12% Liveness
91% Instrumentalness • 22% Positiveness
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Noah Perry
Goodbye Yellow Brick Road
122 bpm • F Maj • 03:13 • -14.59db
26% Popularity • 58% Danceability • 38% Energy • 12% Liveness
90% Instrumentalness • 23% Positiveness
26% Popularity • 58% Danceability • 38% Energy • 12% Liveness
90% Instrumentalness • 23% Positiveness
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The London Theatre Orchestra
A Kiss from a Rose
130 bpm • C Maj • 04:45 • -12.66db
25% Popularity • 58% Danceability • 28% Energy • 11% Liveness
95% Instrumentalness • 11% Positiveness
25% Popularity • 58% Danceability • 28% Energy • 11% Liveness
95% Instrumentalness • 11% Positiveness
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Bernward Koch
The Treasure
122 bpm • G# Maj • 03:57 • -17.23db
39% Popularity • 65% Danceability • 23% Energy • 11% Liveness
88% Instrumentalness • 16% Positiveness
39% Popularity • 65% Danceability • 23% Energy • 11% Liveness
88% Instrumentalness • 16% Positiveness
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John Warrington
Because You Loved Me
130 bpm • D Maj • 04:15 • -13.2db
39% Popularity • 59% Danceability • 24% Energy • 14% Liveness
77% Instrumentalness • 24% Positiveness
39% Popularity • 59% Danceability • 24% Energy • 14% Liveness
77% Instrumentalness • 24% Positiveness
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Smoking Lights
Cast Away Main Title - Theme from Cast A...
122 bpm • A min • 02:33 • -8db
19% Popularity • 50% Danceability • 38% Energy • 10% Liveness
16% Instrumentalness • 11% Positiveness
19% Popularity • 50% Danceability • 38% Energy • 10% Liveness
16% Instrumentalness • 11% Positiveness
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Christopher Phillips
Goodbye Yellow Brick Road
122 bpm • F Maj • 03:36 • -18.46db
18% Popularity • 60% Danceability • 15% Energy • 12% Liveness
93% Instrumentalness • 22% Positiveness
18% Popularity • 60% Danceability • 15% Energy • 12% Liveness
93% Instrumentalness • 22% Positiveness
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Giuseppe Sbernini
That's All
122 bpm • A# Maj • 04:25 • -16.47db
4% Popularity • 51% Danceability • 16% Energy • 12% Liveness
93% Instrumentalness • 19% Positiveness
4% Popularity • 51% Danceability • 16% Energy • 12% Liveness
93% Instrumentalness • 19% Positiveness
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The Strings Of Paris
Ballade Pour Adeline
130 bpm • C Maj • 02:32 • -13db
48% Popularity • 39% Danceability • 35% Energy • 13% Liveness
91% Instrumentalness • 26% Positiveness
48% Popularity • 39% Danceability • 35% Energy • 13% Liveness
91% Instrumentalness • 26% Positiveness
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Paolo Buonvino
Father and Daugther
121 bpm • C Maj • 05:10 • -17.83db
25% Popularity • 31% Danceability • 8% Energy • 11% Liveness
95% Instrumentalness • 4% Positiveness
25% Popularity • 31% Danceability • 8% Energy • 11% Liveness
95% Instrumentalness • 4% Positiveness
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Steve Barakatt
Pure Smile
130 bpm • A# Maj • 02:32 • -11.47db
37% Popularity • 30% Danceability • 24% Energy • 10% Liveness
82% Instrumentalness • 21% Positiveness
37% Popularity • 30% Danceability • 24% Energy • 10% Liveness
82% Instrumentalness • 21% Positiveness
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Henry Salomon y su Orquesta
Emmanuelle - De "Emmanuelle"
121 bpm • C min • 03:02 • -14db
52% Popularity • 48% Danceability • 24% Energy • 10% Liveness
4% Instrumentalness • 36% Positiveness
52% Popularity • 48% Danceability • 24% Energy • 10% Liveness
4% Instrumentalness • 36% Positiveness
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Maria Saldo
Concerto Pour Une Jeune Fille Je T'aime
121 bpm • C min • 03:43 • -11.57db
20% Popularity • 57% Danceability • 31% Energy • 13% Liveness
11% Instrumentalness • 26% Positiveness
20% Popularity • 57% Danceability • 31% Energy • 13% Liveness
11% Instrumentalness • 26% Positiveness
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Chester Tan
Garden of Eternity
121 bpm • G Maj • 04:01 • -15.31db
18% Popularity • 24% Danceability • 13% Energy • 13% Liveness
96% Instrumentalness • 4% Positiveness
18% Popularity • 24% Danceability • 13% Energy • 13% Liveness
96% Instrumentalness • 4% Positiveness
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Giuseppe Sbernini
A Whiter Shade of Pale
131 bpm • C Maj • 05:29 • -13.5db
12% Popularity • 55% Danceability • 30% Energy • 11% Liveness
93% Instrumentalness • 17% Positiveness
12% Popularity • 55% Danceability • 30% Energy • 11% Liveness
93% Instrumentalness • 17% Positiveness
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Paolo Buonvino
I Want to Stay with You
131 bpm • C Maj • 01:27 • -16.5db
29% Popularity • 18% Danceability • 22% Energy • 8% Liveness
98% Instrumentalness • 12% Positiveness
29% Popularity • 18% Danceability • 22% Energy • 8% Liveness
98% Instrumentalness • 12% Positiveness
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M.S.
Armageddon: I Don't Want to Miss a Thing...
121 bpm • D Maj • 04:27 • -10.49db
15% Popularity • 53% Danceability • 53% Energy • 18% Liveness
95% Instrumentalness • 7% Positiveness
15% Popularity • 53% Danceability • 53% Energy • 18% Liveness
95% Instrumentalness • 7% Positiveness
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Chris Ingham
(Everything I Do) I Do It for You
131 bpm • C# Maj • 04:10 • -20.1db
21% Popularity • 60% Danceability • 9% Energy • 9% Liveness
98% Instrumentalness • 11% Positiveness
21% Popularity • 60% Danceability • 9% Energy • 9% Liveness
98% Instrumentalness • 11% Positiveness
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Andrea Guerra
Atelier Fontana - Main Title
132 bpm • F Maj • 02:30 • -19.2db
49% Popularity • 18% Danceability • 13% Energy • 12% Liveness
93% Instrumentalness • 5% Positiveness
49% Popularity • 18% Danceability • 13% Energy • 12% Liveness
93% Instrumentalness • 5% Positiveness
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Francis Pourcel Orchestra
Los Carros de Fuego
131 bpm • C# Maj • 03:20 • -10db
20% Popularity • 52% Danceability • 22% Energy • 16% Liveness
0% Instrumentalness • 5% Positiveness
20% Popularity • 52% Danceability • 22% Energy • 16% Liveness
0% Instrumentalness • 5% Positiveness
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B. Kudanowski
15 Pop / Rock Songs - Instrumental
132 bpm • D Maj • 05:38 • -16.37db
16% Popularity • 41% Danceability • 10% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
16% Popularity • 41% Danceability • 10% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
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Sergio Ortiz
Sueño Imposible
132 bpm • C Maj • 02:30 • -19db
52% Popularity • 30% Danceability • 18% Energy • 10% Liveness
90% Instrumentalness • 28% Positiveness
52% Popularity • 30% Danceability • 18% Energy • 10% Liveness
90% Instrumentalness • 28% Positiveness
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Anne Trenning
Max's Birthday
132 bpm • G Maj • 02:58 • -16.26db
28% Popularity • 50% Danceability • 37% Energy • 15% Liveness
92% Instrumentalness • 47% Positiveness
28% Popularity • 50% Danceability • 37% Energy • 15% Liveness
92% Instrumentalness • 47% Positiveness
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Brice Davoli
Castle In The Sky
120 bpm • C# Maj • 03:38 • -13.16db
39% Popularity • 25% Danceability • 32% Energy • 13% Liveness
88% Instrumentalness • 20% Positiveness
39% Popularity • 25% Danceability • 32% Energy • 13% Liveness
88% Instrumentalness • 20% Positiveness
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Norman Dück
Knocking on Heavens Door
120 bpm • F# Maj • 03:00 • -20.22db
33% Popularity • 46% Danceability • 8% Energy • 10% Liveness
91% Instrumentalness • 15% Positiveness
33% Popularity • 46% Danceability • 8% Energy • 10% Liveness
91% Instrumentalness • 15% Positiveness
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Ernesto Cortazar III
Dawn's Gift
120 bpm • C Maj • 03:12 • -9.6db
29% Popularity • 72% Danceability • 41% Energy • 17% Liveness
96% Instrumentalness • 53% Positiveness
29% Popularity • 72% Danceability • 41% Energy • 17% Liveness
96% Instrumentalness • 53% Positiveness
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Secret Garden
Poéme - Piano And Violin Version
120 bpm • A Maj • 03:42 • -14.66db
40% Popularity • 28% Danceability • 14% Energy • 10% Liveness
19% Instrumentalness • 10% Positiveness
40% Popularity • 28% Danceability • 14% Energy • 10% Liveness
19% Instrumentalness • 10% Positiveness
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Discovey Light Orchestra
Concierto de Aranjuez
120 bpm • B min • 03:38 • -12db
51% Popularity • 26% Danceability • 23% Energy • 19% Liveness
91% Instrumentalness • 16% Positiveness
51% Popularity • 26% Danceability • 23% Energy • 19% Liveness
91% Instrumentalness • 16% Positiveness
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Christopher Phillips
Your Song
133 bpm • D# Maj • 03:35 • -19.05db
35% Popularity • 45% Danceability • 16% Energy • 12% Liveness
91% Instrumentalness • 21% Positiveness
35% Popularity • 45% Danceability • 16% Energy • 12% Liveness
91% Instrumentalness • 21% Positiveness
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Jamie Conway
Time After Time
120 bpm • C Maj • 03:40 • -19.12db
19% Popularity • 49% Danceability • 15% Energy • 16% Liveness
93% Instrumentalness • 11% Positiveness
19% Popularity • 49% Danceability • 15% Energy • 16% Liveness
93% Instrumentalness • 11% Positiveness
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Sebastian Vargas
(Everything I Do) I Do It for You
133 bpm • G Maj • 03:36 • -14db
27% Popularity • 54% Danceability • 22% Energy • 10% Liveness
96% Instrumentalness • 10% Positiveness
27% Popularity • 54% Danceability • 22% Energy • 10% Liveness
96% Instrumentalness • 10% Positiveness
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Ernesto Cortazar III
Legacy
120 bpm • C min • 03:24 • -9.84db
38% Popularity • 67% Danceability • 35% Energy • 14% Liveness
88% Instrumentalness • 30% Positiveness
38% Popularity • 67% Danceability • 35% Energy • 14% Liveness
88% Instrumentalness • 30% Positiveness
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Richard Zillersman
L'été 42
134 bpm • C Maj • 02:02 • -13db
44% Popularity • 53% Danceability • 27% Energy • 10% Liveness
79% Instrumentalness • 4% Positiveness
44% Popularity • 53% Danceability • 27% Energy • 10% Liveness
79% Instrumentalness • 4% Positiveness
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Jeremy Weinglass
Your Song
134 bpm • D# Maj • 03:41 • -20db
18% Popularity • 38% Danceability • 11% Energy • 13% Liveness
90% Instrumentalness • 15% Positiveness
18% Popularity • 38% Danceability • 11% Energy • 13% Liveness
90% Instrumentalness • 15% Positiveness
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Serge de Saint Laurent
Saving All My Love for You
119 bpm • A Maj • 03:12 • -22db
26% Popularity • 34% Danceability • 10% Energy • 10% Liveness
95% Instrumentalness • 13% Positiveness
26% Popularity • 34% Danceability • 10% Energy • 10% Liveness
95% Instrumentalness • 13% Positiveness
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Kevin Kern
Into the Realm
119 bpm • A# Maj • 03:38 • -20.53db
33% Popularity • 51% Danceability • 5% Energy • 11% Liveness
92% Instrumentalness • 32% Positiveness
33% Popularity • 51% Danceability • 5% Energy • 11% Liveness
92% Instrumentalness • 32% Positiveness
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Karmaley Ween
Killing Me Softly
119 bpm • F min • 03:19 • -15.19db
18% Popularity • 50% Danceability • 24% Energy • 10% Liveness
16% Instrumentalness • 32% Positiveness
18% Popularity • 50% Danceability • 24% Energy • 10% Liveness
16% Instrumentalness • 32% Positiveness
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Snake Hips Johnson
Candle in the Wind
134 bpm • E Maj • 03:52 • -11.27db
28% Popularity • 57% Danceability • 33% Energy • 20% Liveness
90% Instrumentalness • 22% Positiveness
28% Popularity • 57% Danceability • 33% Energy • 20% Liveness
90% Instrumentalness • 22% Positiveness
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Henri Seroka
Easy Go
134 bpm • D Maj • 03:02 • -18db
52% Popularity • 30% Danceability • 13% Energy • 14% Liveness
82% Instrumentalness • 17% Positiveness
52% Popularity • 30% Danceability • 13% Energy • 14% Liveness
82% Instrumentalness • 17% Positiveness
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Maurice Jarre
Butterfly Wings
118 bpm • A# Maj • 02:53 • -23.04db
8% Popularity • 17% Danceability • 7% Energy • 11% Liveness
85% Instrumentalness • 4% Positiveness
8% Popularity • 17% Danceability • 7% Energy • 11% Liveness
85% Instrumentalness • 4% Positiveness
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Giuseppe Sbernini
My Heart Will Go On
118 bpm • A Maj • 03:43 • -11.94db
9% Popularity • 52% Danceability • 28% Energy • 12% Liveness
92% Instrumentalness • 14% Positiveness
9% Popularity • 52% Danceability • 28% Energy • 12% Liveness
92% Instrumentalness • 14% Positiveness
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The Marco Phillipe Orchestra
Without You
118 bpm • F# Maj • 04:04 • -16.3db
35% Popularity • 60% Danceability • 22% Energy • 8% Liveness
89% Instrumentalness • 35% Positiveness
35% Popularity • 60% Danceability • 22% Energy • 8% Liveness
89% Instrumentalness • 35% Positiveness
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Saint-Preux
Prélude Pour Piano
118 bpm • F min • 02:57 • -12db
56% Popularity • 23% Danceability • 36% Energy • 9% Liveness
74% Instrumentalness • 24% Positiveness
56% Popularity • 23% Danceability • 36% Energy • 9% Liveness
74% Instrumentalness • 24% Positiveness
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Frenmad
I Just Called to Say I Love You
118 bpm • C Maj • 03:09 • -20.13db
30% Popularity • 53% Danceability • 5% Energy • 12% Liveness
90% Instrumentalness • 30% Positiveness
30% Popularity • 53% Danceability • 5% Energy • 12% Liveness
90% Instrumentalness • 30% Positiveness
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Jeremy Weinglass
I Can't Help Falling in Love with You
117 bpm • F Maj • 03:33 • -23db
29% Popularity • 43% Danceability • 4% Energy • 9% Liveness
82% Instrumentalness • 11% Positiveness
29% Popularity • 43% Danceability • 4% Energy • 9% Liveness
82% Instrumentalness • 11% Positiveness
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Maurice Jarre
Victoria
118 bpm • G Maj • 07:29 • -25.25db
16% Popularity • 18% Danceability • 3% Energy • 14% Liveness
90% Instrumentalness • 6% Positiveness
16% Popularity • 18% Danceability • 3% Energy • 14% Liveness
90% Instrumentalness • 6% Positiveness
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Hollywood Symphony Orchestra
Patch Adams
136 bpm • A Maj • 02:11 • -19.5db
34% Popularity • 40% Danceability • 10% Energy • 9% Liveness
90% Instrumentalness • 5% Positiveness
34% Popularity • 40% Danceability • 10% Energy • 9% Liveness
90% Instrumentalness • 5% Positiveness
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Giuseppe Sbernini
September Morn
136 bpm • A# Maj • 03:51 • -14.05db
12% Popularity • 62% Danceability • 22% Energy • 10% Liveness
82% Instrumentalness • 36% Positiveness
12% Popularity • 62% Danceability • 22% Energy • 10% Liveness
82% Instrumentalness • 36% Positiveness
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Serge de Saint Laurent
A comme Amour
136 bpm • A# min • 03:16 • -15.44db
24% Popularity • 59% Danceability • 26% Energy • 10% Liveness
81% Instrumentalness • 18% Positiveness
24% Popularity • 59% Danceability • 26% Energy • 10% Liveness
81% Instrumentalness • 18% Positiveness
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Henry Dubois
Balada para Adelina
136 bpm • C Maj • 02:41 • -13.7db
50% Popularity • 55% Danceability • 44% Energy • 12% Liveness
85% Instrumentalness • 40% Positiveness
50% Popularity • 55% Danceability • 44% Energy • 12% Liveness
85% Instrumentalness • 40% Positiveness
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The Richard Romance Orchestra
Love on the Rocks
117 bpm • A min • 03:54 • -15.87db
14% Popularity • 32% Danceability • 30% Energy • 11% Liveness
35% Instrumentalness • 7% Positiveness
14% Popularity • 32% Danceability • 30% Energy • 11% Liveness
35% Instrumentalness • 7% Positiveness
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Sebastian Vargas
The Wind Beneath My Wings
136 bpm • A# Maj • 04:24 • -14.39db
26% Popularity • 39% Danceability • 26% Energy • 9% Liveness
9% Instrumentalness • 12% Positiveness
26% Popularity • 39% Danceability • 26% Energy • 9% Liveness
9% Instrumentalness • 12% Positiveness
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Scarborough Faire
My Heart Will Go On (Love Theme From "Ti...
117 bpm • D# Maj • 04:00 • -17db
27% Popularity • 30% Danceability • 18% Energy • 8% Liveness
90% Instrumentalness • 21% Positiveness
27% Popularity • 30% Danceability • 18% Energy • 8% Liveness
90% Instrumentalness • 21% Positiveness
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Giuseppe Sbernini
The Way We Were
136 bpm • A Maj • 03:26 • -15.86db
14% Popularity • 23% Danceability • 9% Energy • 21% Liveness
97% Instrumentalness • 9% Positiveness
14% Popularity • 23% Danceability • 9% Energy • 21% Liveness
97% Instrumentalness • 9% Positiveness
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Chet Swiatkowski
Rhapsody On A Theme Of Paganini
137 bpm • C# Maj • 02:53 • -20db
39% Popularity • 23% Danceability • 8% Energy • 7% Liveness
86% Instrumentalness • 4% Positiveness
39% Popularity • 23% Danceability • 8% Energy • 7% Liveness
86% Instrumentalness • 4% Positiveness
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Jeremy Weinglass
I Don't Wanna Miss a Thing
137 bpm • D Maj • 03:54 • -20.27db
13% Popularity • 37% Danceability • 11% Energy • 10% Liveness
88% Instrumentalness • 13% Positiveness
13% Popularity • 37% Danceability • 11% Energy • 10% Liveness
88% Instrumentalness • 13% Positiveness
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Henry Dubois
Historia de amor
137 bpm • A min • 03:02 • -12.15db
52% Popularity • 43% Danceability • 42% Energy • 9% Liveness
97% Instrumentalness • 15% Positiveness
52% Popularity • 43% Danceability • 42% Energy • 9% Liveness
97% Instrumentalness • 15% Positiveness
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The Strings Of Paris
Couleur Trendesse
137 bpm • D# Maj • 03:14 • -12.45db
44% Popularity • 28% Danceability • 33% Energy • 24% Liveness
95% Instrumentalness • 12% Positiveness
44% Popularity • 28% Danceability • 33% Energy • 24% Liveness
95% Instrumentalness • 12% Positiveness
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Keith Martinson
The Hands of Time (Brian's Song)
116 bpm • G Maj • 02:20 • -21db
30% Popularity • 44% Danceability • 10% Energy • 11% Liveness
89% Instrumentalness • 21% Positiveness
30% Popularity • 44% Danceability • 10% Energy • 11% Liveness
89% Instrumentalness • 21% Positiveness
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Orchestra de Verona
For Love One Can Die
137 bpm • A min • 03:57 • -12.25db
12% Popularity • 17% Danceability • 34% Energy • 10% Liveness
86% Instrumentalness • 22% Positiveness
12% Popularity • 17% Danceability • 34% Energy • 10% Liveness
86% Instrumentalness • 22% Positiveness
