Songs like The Legend of the Swordsman by Kenji Kawai
Based on a tempo of (+/- 10%) and a similar genre
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Kenji Kawai
映司登場
116 bpm • D min • 01:42 • -16.81db
1% Popularity • 30% Danceability • 13% Energy • 16% Liveness
85% Instrumentalness • 6% Positiveness
1% Popularity • 30% Danceability • 13% Energy • 16% Liveness
85% Instrumentalness • 6% Positiveness
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Akira Senju
To Be King
116 bpm • C min • 02:02 • -10.2db
35% Popularity • 84% Danceability • 91% Energy • 41% Liveness
98% Instrumentalness • 69% Positiveness
35% Popularity • 84% Danceability • 91% Energy • 41% Liveness
98% Instrumentalness • 69% Positiveness
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Takashi Ohmama
The Witch From Mercury
117 bpm • F min • 04:59 • -8.29db
39% Popularity • 33% Danceability • 60% Energy • 15% Liveness
86% Instrumentalness • 23% Positiveness
39% Popularity • 33% Danceability • 60% Energy • 15% Liveness
86% Instrumentalness • 23% Positiveness
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藤間 仁
優勢
115 bpm • C min • 02:02 • -6.84db
22% Popularity • 24% Danceability • 63% Energy • 10% Liveness
81% Instrumentalness • 57% Positiveness
22% Popularity • 24% Danceability • 63% Energy • 10% Liveness
81% Instrumentalness • 57% Positiveness
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桶狭間ありさ
Grudge fight
118 bpm • G# Maj • 01:59 • -8.05db
33% Popularity • 43% Danceability • 73% Energy • 10% Liveness
95% Instrumentalness • 22% Positiveness
33% Popularity • 43% Danceability • 73% Energy • 10% Liveness
95% Instrumentalness • 22% Positiveness
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KATE
消えない想い(2012 Version)
118 bpm • E min • 02:37 • -12db
26% Popularity • 40% Danceability • 12% Energy • 9% Liveness
81% Instrumentalness • 30% Positiveness
26% Popularity • 40% Danceability • 12% Energy • 9% Liveness
81% Instrumentalness • 30% Positiveness
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Kenji Kawai
RANK SEN -SHIKOU-
115 bpm • A# Maj • 01:45 • -9.73db
15% Popularity • 52% Danceability • 69% Energy • 15% Liveness
82% Instrumentalness • 18% Positiveness
15% Popularity • 52% Danceability • 69% Energy • 15% Liveness
82% Instrumentalness • 18% Positiveness
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Akira Senju
The Intrepid
115 bpm • F Maj • 02:18 • -12.31db
39% Popularity • 36% Danceability • 45% Energy • 9% Liveness
93% Instrumentalness • 20% Positiveness
39% Popularity • 36% Danceability • 45% Energy • 9% Liveness
93% Instrumentalness • 20% Positiveness
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阿保剛
B-Messenger
114 bpm • E min • 04:40 • -11.31db
28% Popularity • 54% Danceability • 49% Energy • 14% Liveness
95% Instrumentalness • 29% Positiveness
28% Popularity • 54% Danceability • 49% Energy • 14% Liveness
95% Instrumentalness • 29% Positiveness
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帆足圭吾
Honmei
114 bpm • B min • 02:34 • -7.93db
16% Popularity • 51% Danceability • 92% Energy • 33% Liveness
24% Instrumentalness • 31% Positiveness
16% Popularity • 51% Danceability • 92% Energy • 33% Liveness
24% Instrumentalness • 31% Positiveness
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Keiji Inai
Now, on to Battle!
114 bpm • G Maj • 01:54 • -11.58db
24% Popularity • 70% Danceability • 42% Energy • 12% Liveness
93% Instrumentalness • 35% Positiveness
24% Popularity • 70% Danceability • 42% Energy • 12% Liveness
93% Instrumentalness • 35% Positiveness
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羽岡 佳
カオス理論
114 bpm • E min • 01:14 • -9.55db
11% Popularity • 62% Danceability • 51% Energy • 7% Liveness
65% Instrumentalness • 34% Positiveness
11% Popularity • 62% Danceability • 51% Energy • 7% Liveness
65% Instrumentalness • 34% Positiveness
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MAYUKO
己の選択
114 bpm • F min • 03:02 • -11.72db
27% Popularity • 40% Danceability • 26% Energy • 10% Liveness
72% Instrumentalness • 11% Positiveness
27% Popularity • 40% Danceability • 26% Energy • 10% Liveness
72% Instrumentalness • 11% Positiveness
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Kohei Tanaka
解放の戦士
119 bpm • G min • 00:53 • -5.44db
31% Popularity • 26% Danceability • 74% Energy • 32% Liveness
97% Instrumentalness • 57% Positiveness
31% Popularity • 26% Danceability • 74% Energy • 32% Liveness
97% Instrumentalness • 57% Positiveness
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山下康介
物語の結末は、俺が決める!
119 bpm • D min • 01:39 • -6.34db
14% Popularity • 24% Danceability • 63% Energy • 13% Liveness
14% Instrumentalness • 54% Positiveness
14% Popularity • 24% Danceability • 63% Energy • 13% Liveness
14% Instrumentalness • 54% Positiveness
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Shigeaki Saegusa
AURORA
113 bpm • F min • 02:46 • -9db
25% Popularity • 18% Danceability • 41% Energy • 10% Liveness
84% Instrumentalness • 8% Positiveness
25% Popularity • 18% Danceability • 41% Energy • 10% Liveness
84% Instrumentalness • 8% Positiveness
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Keiji Inai
Now, on to Adventure!
114 bpm • G Maj • 03:02 • -9.48db
17% Popularity • 57% Danceability • 55% Energy • 33% Liveness
98% Instrumentalness • 29% Positiveness
17% Popularity • 57% Danceability • 55% Energy • 33% Liveness
98% Instrumentalness • 29% Positiveness
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Masaru Yokoyama
Sandy Desert
119 bpm • E min • 01:47 • -10.61db
28% Popularity • 68% Danceability • 81% Energy • 12% Liveness
77% Instrumentalness • 64% Positiveness
28% Popularity • 68% Danceability • 81% Energy • 12% Liveness
77% Instrumentalness • 64% Positiveness
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Kotaro Nakagawa
Lelouch of the Resurrection
113 bpm • D min • 02:01 • -7.21db
35% Popularity • 56% Danceability • 45% Energy • 5% Liveness
85% Instrumentalness • 34% Positiveness
35% Popularity • 56% Danceability • 45% Energy • 5% Liveness
85% Instrumentalness • 34% Positiveness
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Kosta Ost
Rurouni Kenshin Epic Fight Scene
119 bpm • A min • 02:15 • -19.41db
15% Popularity • 26% Danceability • 7% Energy • 18% Liveness
45% Instrumentalness • 11% Positiveness
15% Popularity • 26% Danceability • 7% Energy • 18% Liveness
45% Instrumentalness • 11% Positiveness
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Taro Iwashiro
道なき道の果て
113 bpm • A min • 05:18 • -13db
15% Popularity • 23% Danceability • 54% Energy • 9% Liveness
70% Instrumentalness • 6% Positiveness
15% Popularity • 23% Danceability • 54% Energy • 9% Liveness
70% Instrumentalness • 6% Positiveness
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Lucas Ricciotti
Strangereal World War (Ace Combat Medley...
120 bpm • C# Maj • 07:24 • -12.39db
20% Popularity • 17% Danceability • 38% Energy • 33% Liveness
89% Instrumentalness • 16% Positiveness
20% Popularity • 17% Danceability • 38% Energy • 33% Liveness
89% Instrumentalness • 16% Positiveness
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梶浦 由記
this day, and never again
120 bpm • D min • 03:32 • -12db
31% Popularity • 21% Danceability • 55% Energy • 11% Liveness
57% Instrumentalness • 22% Positiveness
31% Popularity • 21% Danceability • 55% Energy • 11% Liveness
57% Instrumentalness • 22% Positiveness
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Hiroaki Tsutsumi
Get Exited!!
120 bpm • A min • 02:12 • -10db
32% Popularity • 61% Danceability • 87% Energy • 6% Liveness
82% Instrumentalness • 57% Positiveness
32% Popularity • 61% Danceability • 87% Energy • 6% Liveness
82% Instrumentalness • 57% Positiveness
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Akira Senju
Crisis in the North
120 bpm • D Maj • 01:35 • -11db
36% Popularity • 75% Danceability • 93% Energy • 21% Liveness
88% Instrumentalness • 56% Positiveness
36% Popularity • 75% Danceability • 93% Energy • 21% Liveness
88% Instrumentalness • 56% Positiveness
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Frying-Pan
Windy Zone - Theme of Furuya -
120 bpm • A min • 02:01 • -9db
22% Popularity • 47% Danceability • 62% Energy • 10% Liveness
72% Instrumentalness • 35% Positiveness
22% Popularity • 47% Danceability • 62% Energy • 10% Liveness
72% Instrumentalness • 35% Positiveness
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Yuu Takami
Moon Gundam no Theme
120 bpm • G Maj • 02:33 • -11.7db
10% Popularity • 22% Danceability • 67% Energy • 8% Liveness
92% Instrumentalness • 3% Positiveness
10% Popularity • 22% Danceability • 67% Energy • 8% Liveness
92% Instrumentalness • 3% Positiveness
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Yasuharu Takanashi
Sengoku Ranse
120 bpm • F# min • 02:06 • -11.35db
8% Popularity • 53% Danceability • 57% Energy • 9% Liveness
78% Instrumentalness • 14% Positiveness
8% Popularity • 53% Danceability • 57% Energy • 9% Liveness
78% Instrumentalness • 14% Positiveness
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Masaru Yokoyama
Mobile Suit Gundam: Iron-Blooded Orphans
120 bpm • E min • 02:40 • -6.79db
43% Popularity • 60% Danceability • 86% Energy • 24% Liveness
87% Instrumentalness • 29% Positiveness
43% Popularity • 60% Danceability • 86% Energy • 24% Liveness
87% Instrumentalness • 29% Positiveness
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KOHTA YAMAMOTO
undone
120 bpm • D Maj • 03:10 • -10.06db
12% Popularity • 56% Danceability • 84% Energy • 11% Liveness
86% Instrumentalness • 30% Positiveness
12% Popularity • 56% Danceability • 84% Energy • 11% Liveness
86% Instrumentalness • 30% Positiveness
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Kenji Kawai
MIRAI HE NO HIKARI
120 bpm • D Maj • 02:02 • -9.68db
18% Popularity • 64% Danceability • 67% Energy • 31% Liveness
98% Instrumentalness • 53% Positiveness
18% Popularity • 64% Danceability • 67% Energy • 31% Liveness
98% Instrumentalness • 53% Positiveness
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Hitomi
Lullaby of M
112 bpm • C Maj • 05:00 • -11.76db
14% Popularity • 36% Danceability • 31% Energy • 11% Liveness
14% Instrumentalness • 16% Positiveness
14% Popularity • 36% Danceability • 31% Energy • 11% Liveness
14% Instrumentalness • 16% Positiveness
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梶浦 由記
Point Zero
120 bpm • A min • 03:46 • -11db
30% Popularity • 20% Danceability • 62% Energy • 11% Liveness
34% Instrumentalness • 11% Positiveness
30% Popularity • 20% Danceability • 62% Energy • 11% Liveness
34% Instrumentalness • 11% Positiveness
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MAYUKO
ボッジの朝
112 bpm • F Maj • 01:35 • -13.87db
25% Popularity • 57% Danceability • 16% Energy • 6% Liveness
66% Instrumentalness • 40% Positiveness
25% Popularity • 57% Danceability • 16% Energy • 6% Liveness
66% Instrumentalness • 40% Positiveness
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Masaru Yokoyama
Fate/Apocrypha - Battle
112 bpm • C Maj • 02:27 • -8.08db
28% Popularity • 48% Danceability • 90% Energy • 29% Liveness
88% Instrumentalness • 24% Positiveness
28% Popularity • 48% Danceability • 90% Energy • 29% Liveness
88% Instrumentalness • 24% Positiveness
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KOHTA YAMAMOTO
山の民
120 bpm • G min • 03:28 • -8.46db
14% Popularity • 64% Danceability • 86% Energy • 14% Liveness
95% Instrumentalness • 16% Positiveness
14% Popularity • 64% Danceability • 86% Energy • 14% Liveness
95% Instrumentalness • 16% Positiveness
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Kenji Kawai
Strike
120 bpm • C# Maj • 02:24 • -13.53db
20% Popularity • 63% Danceability • 66% Energy • 10% Liveness
66% Instrumentalness • 22% Positiveness
20% Popularity • 63% Danceability • 66% Energy • 10% Liveness
66% Instrumentalness • 22% Positiveness
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Dolce Triade
Fleet of Littleships
112 bpm • C min • 01:39 • -11.93db
14% Popularity • 66% Danceability • 31% Energy • 8% Liveness
87% Instrumentalness • 58% Positiveness
14% Popularity • 66% Danceability • 31% Energy • 8% Liveness
87% Instrumentalness • 58% Positiveness
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梶浦 由記
Point Zero#2
120 bpm • C Maj • 03:56 • -10db
21% Popularity • 38% Danceability • 68% Energy • 14% Liveness
71% Instrumentalness • 17% Positiveness
21% Popularity • 38% Danceability • 68% Energy • 14% Liveness
71% Instrumentalness • 17% Positiveness
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赤い神Enryu
Re: Gundam The Witch of Mercury (AERIAL ...
112 bpm • E min • 02:31 • -9.3db
33% Popularity • 28% Danceability • 70% Energy • 15% Liveness
19% Instrumentalness • 7% Positiveness
33% Popularity • 28% Danceability • 70% Energy • 15% Liveness
19% Instrumentalness • 7% Positiveness
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Shigeaki Saegusa
Jerid to Mouar
112 bpm • C min • 03:25 • -9.95db
17% Popularity • 44% Danceability • 76% Energy • 13% Liveness
74% Instrumentalness • 20% Positiveness
17% Popularity • 44% Danceability • 76% Energy • 13% Liveness
74% Instrumentalness • 20% Positiveness
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KOHTA YAMAMOTO
Ignore the Nation... Awake My Identity
112 bpm • A min • 02:53 • -7.99db
14% Popularity • 57% Danceability • 63% Energy • 10% Liveness
95% Instrumentalness • 7% Positiveness
14% Popularity • 57% Danceability • 63% Energy • 10% Liveness
95% Instrumentalness • 7% Positiveness
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Michiru Oshima
孤独
111 bpm • D min • 01:23 • -26.78db
33% Popularity • 54% Danceability • 4% Energy • 8% Liveness
93% Instrumentalness • 29% Positiveness
33% Popularity • 54% Danceability • 4% Energy • 8% Liveness
93% Instrumentalness • 29% Positiveness
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藤間 仁
覚悟
111 bpm • G min • 01:58 • -7.46db
29% Popularity • 37% Danceability • 60% Energy • 25% Liveness
94% Instrumentalness • 50% Positiveness
29% Popularity • 37% Danceability • 60% Energy • 25% Liveness
94% Instrumentalness • 50% Positiveness
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Kohei Tanaka
ゾロVS.キング
111 bpm • D Maj • 01:36 • -5.83db
35% Popularity • 49% Danceability • 84% Energy • 20% Liveness
62% Instrumentalness • 22% Positiveness
35% Popularity • 49% Danceability • 84% Energy • 20% Liveness
62% Instrumentalness • 22% Positiveness
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赤い神Enryu
Re: Gundam The Witch of Mercury (GUNDAM)
111 bpm • G min • 02:29 • -9.87db
20% Popularity • 23% Danceability • 54% Energy • 17% Liveness
72% Instrumentalness • 19% Positiveness
20% Popularity • 23% Danceability • 54% Energy • 17% Liveness
72% Instrumentalness • 19% Positiveness
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Kenji Kawai
Decisive Battle
111 bpm • C Maj • 02:42 • -13.08db
24% Popularity • 28% Danceability • 64% Energy • 23% Liveness
95% Instrumentalness • 24% Positiveness
24% Popularity • 28% Danceability • 64% Energy • 23% Liveness
95% Instrumentalness • 24% Positiveness
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Shigeaki Saegusa
MAIN TITLE
122 bpm • C Maj • 04:45 • -10db
33% Popularity • 28% Danceability • 44% Energy • 10% Liveness
95% Instrumentalness • 3% Positiveness
33% Popularity • 28% Danceability • 44% Energy • 10% Liveness
95% Instrumentalness • 3% Positiveness
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Kotaro Nakagawa
Le Repos Du Guerrier
122 bpm • D Maj • 02:04 • -12.02db
19% Popularity • 53% Danceability • 44% Energy • 17% Liveness
4% Instrumentalness • 25% Positiveness
19% Popularity • 53% Danceability • 44% Energy • 17% Liveness
4% Instrumentalness • 25% Positiveness
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Audio Highs
剣の記憶
110 bpm • F Maj • 02:07 • -9.61db
15% Popularity • 16% Danceability • 59% Energy • 8% Liveness
90% Instrumentalness • 8% Positiveness
15% Popularity • 16% Danceability • 59% Energy • 8% Liveness
90% Instrumentalness • 8% Positiveness
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KATE
約束された勝利の剣_UBW Extended
110 bpm • F# min • 00:53 • -11.4db
28% Popularity • 39% Danceability • 52% Energy • 9% Liveness
95% Instrumentalness • 28% Positiveness
28% Popularity • 39% Danceability • 52% Energy • 9% Liveness
95% Instrumentalness • 28% Positiveness
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川井憲次
Unmeino yoru
110 bpm • C min • 03:25 • -8.99db
24% Popularity • 50% Danceability • 72% Energy • 12% Liveness
78% Instrumentalness • 50% Positiveness
24% Popularity • 50% Danceability • 72% Energy • 12% Liveness
78% Instrumentalness • 50% Positiveness
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Kenji Kawai
Exercise
122 bpm • E Maj • 02:04 • -14.9db
9% Popularity • 54% Danceability • 67% Energy • 27% Liveness
94% Instrumentalness • 28% Positiveness
9% Popularity • 54% Danceability • 67% Energy • 27% Liveness
94% Instrumentalness • 28% Positiveness
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MAYUKO
小さな警戒心
110 bpm • F Maj • 01:32 • -20.19db
19% Popularity • 90% Danceability • 26% Energy • 8% Liveness
91% Instrumentalness • 25% Positiveness
19% Popularity • 90% Danceability • 26% Energy • 8% Liveness
91% Instrumentalness • 25% Positiveness
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Keiji Inai
Till the Last Breath
123 bpm • E min • 03:02 • -10.16db
13% Popularity • 27% Danceability • 60% Energy • 35% Liveness
92% Instrumentalness • 22% Positiveness
13% Popularity • 27% Danceability • 60% Energy • 35% Liveness
92% Instrumentalness • 22% Positiveness
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梶浦 由記
the battle is to the strong
110 bpm • G min • 03:04 • -8.95db
37% Popularity • 38% Danceability • 83% Energy • 12% Liveness
92% Instrumentalness • 19% Positiveness
37% Popularity • 38% Danceability • 83% Energy • 12% Liveness
92% Instrumentalness • 19% Positiveness
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James Harris
Heaven'sfeel anthology
109 bpm • A min • 03:07 • -11.81db
9% Popularity • 42% Danceability • 68% Energy • 9% Liveness
84% Instrumentalness • 28% Positiveness
9% Popularity • 42% Danceability • 68% Energy • 9% Liveness
84% Instrumentalness • 28% Positiveness
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PROJECT ACES
Zero
123 bpm • A min • 05:09 • -8db
35% Popularity • 47% Danceability • 94% Energy • 11% Liveness
93% Instrumentalness • 35% Positiveness
35% Popularity • 47% Danceability • 94% Energy • 11% Liveness
93% Instrumentalness • 35% Positiveness
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Kenji Kawai
Innovation
122 bpm • A# min • 02:21 • -16.13db
10% Popularity • 63% Danceability • 53% Energy • 12% Liveness
80% Instrumentalness • 5% Positiveness
10% Popularity • 63% Danceability • 53% Energy • 12% Liveness
80% Instrumentalness • 5% Positiveness
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Takashi Ohmama
AERIAL REBUILD
109 bpm • E min • 05:09 • -13.83db
33% Popularity • 26% Danceability • 38% Energy • 26% Liveness
73% Instrumentalness • 6% Positiveness
33% Popularity • 26% Danceability • 38% Energy • 26% Liveness
73% Instrumentalness • 6% Positiveness
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Audio Highs
在りし日
124 bpm • C Maj • 01:45 • -22.6db
34% Popularity • 72% Danceability • 7% Energy • 24% Liveness
77% Instrumentalness • 21% Positiveness
34% Popularity • 72% Danceability • 7% Energy • 24% Liveness
77% Instrumentalness • 21% Positiveness
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梶浦 由記
garan-no-dou
124 bpm • F min • 08:58 • -13.65db
23% Popularity • 29% Danceability • 52% Energy • 10% Liveness
59% Instrumentalness • 4% Positiveness
23% Popularity • 29% Danceability • 52% Energy • 10% Liveness
59% Instrumentalness • 4% Positiveness
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Rei Kondoh
Decisive Battle of Blood Fates
124 bpm • A# min • 05:34 • -13.33db
9% Popularity • 23% Danceability • 62% Energy • 8% Liveness
92% Instrumentalness • 13% Positiveness
9% Popularity • 23% Danceability • 62% Energy • 8% Liveness
92% Instrumentalness • 13% Positiveness
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KOHTA YAMAMOTO
王弟
124 bpm • G min • 03:47 • -11.34db
14% Popularity • 17% Danceability • 36% Energy • 7% Liveness
92% Instrumentalness • 4% Positiveness
14% Popularity • 17% Danceability • 36% Energy • 7% Liveness
92% Instrumentalness • 4% Positiveness
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Kenji Kawai
Union
123 bpm • C Maj • 02:05 • -13.02db
13% Popularity • 74% Danceability • 54% Energy • 12% Liveness
73% Instrumentalness • 4% Positiveness
13% Popularity • 74% Danceability • 54% Energy • 12% Liveness
73% Instrumentalness • 4% Positiveness
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Kenichiro Suehiro
The Yellow Heaven
108 bpm • F# min • 02:48 • -5.4db
13% Popularity • 40% Danceability • 68% Energy • 31% Liveness
84% Instrumentalness • 25% Positiveness
13% Popularity • 40% Danceability • 68% Energy • 31% Liveness
84% Instrumentalness • 25% Positiveness
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Shiro SAGISU
At The Very Beginning
108 bpm • A min • 03:15 • -7.48db
31% Popularity • 51% Danceability • 73% Energy • 8% Liveness
78% Instrumentalness • 23% Positiveness
31% Popularity • 51% Danceability • 73% Energy • 8% Liveness
78% Instrumentalness • 23% Positiveness
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Hitomi
Innocent Days
124 bpm • C Maj • 04:26 • -10.46db
28% Popularity • 28% Danceability • 38% Energy • 8% Liveness
2% Instrumentalness • 18% Positiveness
28% Popularity • 28% Danceability • 38% Energy • 8% Liveness
2% Instrumentalness • 18% Positiveness
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阿保剛
覚醒 're-awake'
125 bpm • C Maj • 04:54 • -8.83db
28% Popularity • 54% Danceability • 72% Energy • 20% Liveness
90% Instrumentalness • 24% Positiveness
28% Popularity • 54% Danceability • 72% Energy • 20% Liveness
90% Instrumentalness • 24% Positiveness
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Lucas Ricciotti
United (Ace Combat Series Medley)
125 bpm • G# min • 05:23 • -17db
26% Popularity • 46% Danceability • 48% Energy • 11% Liveness
92% Instrumentalness • 12% Positiveness
26% Popularity • 46% Danceability • 48% Energy • 11% Liveness
92% Instrumentalness • 12% Positiveness
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Kenji Kawai
WORLD TORIGA MAIN THEME
108 bpm • C# min • 03:10 • -9.62db
29% Popularity • 49% Danceability • 70% Energy • 6% Liveness
92% Instrumentalness • 12% Positiveness
29% Popularity • 49% Danceability • 70% Energy • 6% Liveness
92% Instrumentalness • 12% Positiveness
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Shigeaki Saegusa
COMBAT
108 bpm • B min • 04:45 • -11.07db
18% Popularity • 33% Danceability • 56% Energy • 13% Liveness
92% Instrumentalness • 22% Positiveness
18% Popularity • 33% Danceability • 56% Energy • 13% Liveness
92% Instrumentalness • 22% Positiveness
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CelloKat
Log Horizon Main Theme
126 bpm • C Maj • 02:36 • -5db
26% Popularity • 32% Danceability • 60% Energy • 34% Liveness
89% Instrumentalness • 15% Positiveness
26% Popularity • 32% Danceability • 60% Energy • 34% Liveness
89% Instrumentalness • 15% Positiveness
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Takashi Ohmama
The Way We Wanna Go
107 bpm • A# Maj • 03:34 • -10.8db
24% Popularity • 32% Danceability • 39% Energy • 21% Liveness
93% Instrumentalness • 7% Positiveness
24% Popularity • 32% Danceability • 39% Energy • 21% Liveness
93% Instrumentalness • 7% Positiveness
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Kevin Penkin
The Rising of the Shield Hero
126 bpm • F min • 04:28 • -8.01db
40% Popularity • 54% Danceability • 51% Energy • 8% Liveness
90% Instrumentalness • 9% Positiveness
40% Popularity • 54% Danceability • 51% Energy • 8% Liveness
90% Instrumentalness • 9% Positiveness
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赤い神Enryu
Re: Gundam The Witch of Mercury II (CALI...
126 bpm • E min • 02:32 • -7.04db
26% Popularity • 18% Danceability • 78% Energy • 17% Liveness
96% Instrumentalness • 7% Positiveness
26% Popularity • 18% Danceability • 78% Energy • 17% Liveness
96% Instrumentalness • 7% Positiveness
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Kenji Kawai
Masurao
107 bpm • C# min • 03:51 • -14.6db
11% Popularity • 29% Danceability • 56% Energy • 14% Liveness
82% Instrumentalness • 4% Positiveness
11% Popularity • 29% Danceability • 56% Energy • 14% Liveness
82% Instrumentalness • 4% Positiveness
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Audio Highs
闇夜の虫は光に集う
126 bpm • A Maj • 01:56 • -8.95db
25% Popularity • 55% Danceability • 71% Energy • 5% Liveness
17% Instrumentalness • 10% Positiveness
25% Popularity • 55% Danceability • 71% Energy • 5% Liveness
17% Instrumentalness • 10% Positiveness
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梶浦 由記
you are my king
106 bpm • A Maj • 02:37 • -12.78db
27% Popularity • 17% Danceability • 36% Energy • 10% Liveness
72% Instrumentalness • 29% Positiveness
27% Popularity • 17% Danceability • 36% Energy • 10% Liveness
72% Instrumentalness • 29% Positiveness
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Koutarou Nakagawa
反逆のデュエル
127 bpm • B min • 02:40 • -8db
22% Popularity • 39% Danceability • 67% Energy • 13% Liveness
80% Instrumentalness • 52% Positiveness
22% Popularity • 39% Danceability • 67% Energy • 13% Liveness
80% Instrumentalness • 52% Positiveness
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Keiji Inai
Bunny Envy
126 bpm • E min • 02:00 • -12.35db
36% Popularity • 25% Danceability • 43% Energy • 20% Liveness
92% Instrumentalness • 8% Positiveness
36% Popularity • 25% Danceability • 43% Energy • 20% Liveness
92% Instrumentalness • 8% Positiveness
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Frying-Pan
Keen Eyed Player - Theme of Miyuki 2 -
106 bpm • C# Maj • 01:39 • -7db
19% Popularity • 51% Danceability • 93% Energy • 2% Liveness
91% Instrumentalness • 61% Positiveness
19% Popularity • 51% Danceability • 93% Energy • 2% Liveness
91% Instrumentalness • 61% Positiveness
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Kotaro Nakagawa
Prepared to Be Shot
127 bpm • F min • 02:02 • -16.2db
10% Popularity • 77% Danceability • 23% Energy • 14% Liveness
52% Instrumentalness • 21% Positiveness
10% Popularity • 77% Danceability • 23% Energy • 14% Liveness
52% Instrumentalness • 21% Positiveness
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Shuhei Naruse
パラレルワールド
127 bpm • F min • 02:14 • -9db
18% Popularity • 44% Danceability • 56% Energy • 22% Liveness
71% Instrumentalness • 8% Positiveness
18% Popularity • 44% Danceability • 56% Energy • 22% Liveness
71% Instrumentalness • 8% Positiveness
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Takashi Ohmama
Liberation from the Curse
127 bpm • E min • 05:20 • -10.74db
31% Popularity • 20% Danceability • 46% Energy • 37% Liveness
90% Instrumentalness • 11% Positiveness
31% Popularity • 20% Danceability • 46% Energy • 37% Liveness
90% Instrumentalness • 11% Positiveness
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Shiro SAGISU
Destiny
128 bpm • A min • 02:52 • -9.39db
31% Popularity • 53% Danceability • 59% Energy • 14% Liveness
75% Instrumentalness • 24% Positiveness
31% Popularity • 53% Danceability • 59% Energy • 14% Liveness
75% Instrumentalness • 24% Positiveness
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Alex Dillard
Demon Slaying Corps
128 bpm • C min • 04:06 • -10.59db
34% Popularity • 37% Danceability • 65% Energy • 23% Liveness
34% Instrumentalness • 16% Positiveness
34% Popularity • 37% Danceability • 65% Energy • 23% Liveness
34% Instrumentalness • 16% Positiveness
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Masaru Yokoyama
The Knight of Rebelion
128 bpm • G min • 02:31 • -9db
30% Popularity • 69% Danceability • 78% Energy • 9% Liveness
94% Instrumentalness • 77% Positiveness
30% Popularity • 69% Danceability • 78% Energy • 9% Liveness
94% Instrumentalness • 77% Positiveness
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Audio Highs
終われぬ苦しみ
128 bpm • D min • 02:31 • -7db
19% Popularity • 19% Danceability • 59% Energy • 9% Liveness
93% Instrumentalness • 11% Positiveness
19% Popularity • 19% Danceability • 59% Energy • 9% Liveness
93% Instrumentalness • 11% Positiveness
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KOHTA YAMAMOTO
All Ablaze
105 bpm • G Maj • 03:08 • -7.51db
26% Popularity • 39% Danceability • 80% Energy • 32% Liveness
86% Instrumentalness • 34% Positiveness
26% Popularity • 39% Danceability • 80% Energy • 32% Liveness
86% Instrumentalness • 34% Positiveness
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Takashi Ohmama
Twilight AXIS
128 bpm • A# min • 04:34 • -15.33db
14% Popularity • 25% Danceability • 17% Energy • 12% Liveness
96% Instrumentalness • 5% Positiveness
14% Popularity • 25% Danceability • 17% Energy • 12% Liveness
96% Instrumentalness • 5% Positiveness
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赤い神Enryu
Re: Gundam The Witch of Mercury (GUND-AR...
105 bpm • E min • 01:29 • -7.27db
28% Popularity • 18% Danceability • 50% Energy • 11% Liveness
60% Instrumentalness • 14% Positiveness
28% Popularity • 18% Danceability • 50% Energy • 11% Liveness
60% Instrumentalness • 14% Positiveness
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PROJECT ACES
The Unsung War
105 bpm • F# min • 07:18 • -11.57db
24% Popularity • 17% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
24% Popularity • 17% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
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Masaru Yokoyama
Hoping for You
105 bpm • A Maj • 02:28 • -9.61db
21% Popularity • 58% Danceability • 64% Energy • 35% Liveness
54% Instrumentalness • 44% Positiveness
21% Popularity • 58% Danceability • 64% Energy • 35% Liveness
54% Instrumentalness • 44% Positiveness
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Hideakira Kimura
He's a Champion
105 bpm • F Maj • 02:03 • -10.67db
11% Popularity • 30% Danceability • 78% Energy • 10% Liveness
84% Instrumentalness • 27% Positiveness
11% Popularity • 30% Danceability • 78% Energy • 10% Liveness
84% Instrumentalness • 27% Positiveness
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KOHTA YAMAMOTO
TRAITOR
105 bpm • D Maj • 04:47 • -11db
42% Popularity • 49% Danceability • 69% Energy • 11% Liveness
86% Instrumentalness • 7% Positiveness
42% Popularity • 49% Danceability • 69% Energy • 11% Liveness
86% Instrumentalness • 7% Positiveness
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Takashi Ohmama
Fix Release
128 bpm • D Maj • 03:51 • -13.56db
27% Popularity • 38% Danceability • 70% Energy • 26% Liveness
86% Instrumentalness • 58% Positiveness
27% Popularity • 38% Danceability • 70% Energy • 26% Liveness
86% Instrumentalness • 58% Positiveness
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赤い神Enryu
Re: The Devil of Mars x The Witch of Mer...
105 bpm • E min • 04:29 • -6.21db
32% Popularity • 29% Danceability • 92% Energy • 8% Liveness
92% Instrumentalness • 13% Positiveness
32% Popularity • 29% Danceability • 92% Energy • 8% Liveness
92% Instrumentalness • 13% Positiveness