Songs like The Lonesome Border, Pt. 1 by Dear Nora
Based on a tempo of (+/- 10%) and a similar genre
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Whatever, Dad
I Don't Know
111 bpm • C Maj • 02:49 • -31.73db
39% Popularity • 32% Danceability • 2% Energy • 12% Liveness
92% Instrumentalness • 8% Positiveness
39% Popularity • 32% Danceability • 2% Energy • 12% Liveness
92% Instrumentalness • 8% Positiveness
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Linda Perhacs
Morning Colors
111 bpm • D Maj • 04:34 • -13db
28% Popularity • 40% Danceability • 16% Energy • 11% Liveness
26% Instrumentalness • 19% Positiveness
28% Popularity • 40% Danceability • 16% Energy • 11% Liveness
26% Instrumentalness • 19% Positiveness
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Dear Nora
The Lonesome Border, Pt. 1
111 bpm • E Maj • 01:31 • -16.83db
40% Popularity • 50% Danceability • 7% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
40% Popularity • 50% Danceability • 7% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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Jessica Pratt
On Your Own Love Again
111 bpm • F# Maj • 01:33 • -13db
51% Popularity • 62% Danceability • 31% Energy • 15% Liveness
1% Instrumentalness • 70% Positiveness
51% Popularity • 62% Danceability • 31% Energy • 15% Liveness
1% Instrumentalness • 70% Positiveness
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Julie Doiron
Sweeter
111 bpm • A Maj • 01:34 • -14.79db
28% Popularity • 60% Danceability • 16% Energy • 14% Liveness
0% Instrumentalness • 29% Positiveness
28% Popularity • 60% Danceability • 16% Energy • 14% Liveness
0% Instrumentalness • 29% Positiveness
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Tram
Nothing Left to Say
112 bpm • D Maj • 04:31 • -10.11db
39% Popularity • 46% Danceability • 46% Energy • 10% Liveness
89% Instrumentalness • 25% Positiveness
39% Popularity • 46% Danceability • 46% Energy • 10% Liveness
89% Instrumentalness • 25% Positiveness
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Adrianne Lenker
Carolina
110 bpm • D Maj • 02:30 • -19.17db
40% Popularity • 50% Danceability • 3% Energy • 38% Liveness
0% Instrumentalness • 10% Positiveness
40% Popularity • 50% Danceability • 3% Energy • 38% Liveness
0% Instrumentalness • 10% Positiveness
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Florist
White Light Doorway
112 bpm • A# Maj • 02:00 • -11db
50% Popularity • 59% Danceability • 55% Energy • 8% Liveness
41% Instrumentalness • 12% Positiveness
50% Popularity • 59% Danceability • 55% Energy • 8% Liveness
41% Instrumentalness • 12% Positiveness
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Tia Blake
My Father Is a Lonely Man
112 bpm • G Maj • 02:24 • -16.53db
24% Popularity • 53% Danceability • 4% Energy • 21% Liveness
0% Instrumentalness • 24% Positiveness
24% Popularity • 53% Danceability • 4% Energy • 21% Liveness
0% Instrumentalness • 24% Positiveness
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wished bone
pollinate me
112 bpm • D Maj • 04:31 • -8.64db
28% Popularity • 59% Danceability • 55% Energy • 15% Liveness
81% Instrumentalness • 45% Positiveness
28% Popularity • 59% Danceability • 55% Energy • 15% Liveness
81% Instrumentalness • 45% Positiveness
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Dead Sullivan
I Don't Think They'd Understand
110 bpm • F# Maj • 01:34 • -11.87db
35% Popularity • 57% Danceability • 42% Energy • 12% Liveness
73% Instrumentalness • 19% Positiveness
35% Popularity • 57% Danceability • 42% Energy • 12% Liveness
73% Instrumentalness • 19% Positiveness
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Indigo De Souza
Good Heart
110 bpm • B Maj • 02:40 • -10.13db
48% Popularity • 58% Danceability • 32% Energy • 16% Liveness
0% Instrumentalness • 37% Positiveness
48% Popularity • 58% Danceability • 32% Energy • 16% Liveness
0% Instrumentalness • 37% Positiveness
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Diane Cluck
Half a Million Miles from Home
112 bpm • C Maj • 03:25 • -18.43db
27% Popularity • 56% Danceability • 7% Energy • 8% Liveness
0% Instrumentalness • 21% Positiveness
27% Popularity • 56% Danceability • 7% Energy • 8% Liveness
0% Instrumentalness • 21% Positiveness
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Hana Stretton
Can II
110 bpm • C Maj • 03:40 • -16.66db
31% Popularity • 38% Danceability • 23% Energy • 32% Liveness
92% Instrumentalness • 20% Positiveness
31% Popularity • 38% Danceability • 23% Energy • 32% Liveness
92% Instrumentalness • 20% Positiveness
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Free Cake For Every Creature
First Storm of the Summer
110 bpm • G Maj • 02:24 • -16db
35% Popularity • 72% Danceability • 33% Energy • 32% Liveness
84% Instrumentalness • 34% Positiveness
35% Popularity • 72% Danceability • 33% Energy • 32% Liveness
84% Instrumentalness • 34% Positiveness
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The 6ths
You You You You You
110 bpm • G Maj • 03:10 • -12.27db
35% Popularity • 53% Danceability • 18% Energy • 13% Liveness
0% Instrumentalness • 26% Positiveness
35% Popularity • 53% Danceability • 18% Energy • 13% Liveness
0% Instrumentalness • 26% Positiveness
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Dear Nora
From My Bedroom Window
112 bpm • A Maj • 03:50 • -14.71db
11% Popularity • 36% Danceability • 22% Energy • 14% Liveness
5% Instrumentalness • 10% Positiveness
11% Popularity • 36% Danceability • 22% Energy • 14% Liveness
5% Instrumentalness • 10% Positiveness
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Fog Lake
Serotonin
110 bpm • C# Maj • 02:39 • -8db
45% Popularity • 59% Danceability • 56% Energy • 12% Liveness
62% Instrumentalness • 41% Positiveness
45% Popularity • 59% Danceability • 56% Energy • 12% Liveness
62% Instrumentalness • 41% Positiveness
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Jessica Pratt
Jacquelyn in the Background
112 bpm • C# Maj • 03:23 • -11db
36% Popularity • 46% Danceability • 26% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
36% Popularity • 46% Danceability • 26% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
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Michael Cera
ohNadine (You Were in My Dream)
110 bpm • D Maj • 02:32 • -17db
35% Popularity • 46% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
35% Popularity • 46% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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PACKS
fm
110 bpm • G# min • 01:08 • -14.26db
31% Popularity • 50% Danceability • 18% Energy • 16% Liveness
0% Instrumentalness • 19% Positiveness
31% Popularity • 50% Danceability • 18% Energy • 16% Liveness
0% Instrumentalness • 19% Positiveness
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Linda Perhacs
Chimacum Rain
112 bpm • C Maj • 03:24 • -20db
40% Popularity • 31% Danceability • 7% Energy • 10% Liveness
23% Instrumentalness • 10% Positiveness
40% Popularity • 31% Danceability • 7% Energy • 10% Liveness
23% Instrumentalness • 10% Positiveness
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Greg Mendez
Shark's Mouth
110 bpm • F# Maj • 02:06 • -17.34db
30% Popularity • 49% Danceability • 10% Energy • 10% Liveness
83% Instrumentalness • 30% Positiveness
30% Popularity • 49% Danceability • 10% Energy • 10% Liveness
83% Instrumentalness • 30% Positiveness
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Dear Nora
Love Song for My Friends
110 bpm • F Maj • 09:28 • -19.14db
13% Popularity • 49% Danceability • 0% Energy • 80% Liveness
0% Instrumentalness • 94% Positiveness
13% Popularity • 49% Danceability • 0% Energy • 80% Liveness
0% Instrumentalness • 94% Positiveness
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Julie Doiron
Creative Depression
110 bpm • E min • 02:26 • -14.83db
11% Popularity • 52% Danceability • 13% Energy • 18% Liveness
0% Instrumentalness • 10% Positiveness
11% Popularity • 52% Danceability • 13% Energy • 18% Liveness
0% Instrumentalness • 10% Positiveness
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Michael Cera
Steady Now
110 bpm • A Maj • 02:00 • -19.61db
39% Popularity • 58% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
39% Popularity • 58% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
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@
Camera Phone
113 bpm • B Maj • 04:22 • -18.88db
20% Popularity • 39% Danceability • 7% Energy • 30% Liveness
0% Instrumentalness • 19% Positiveness
20% Popularity • 39% Danceability • 7% Energy • 30% Liveness
0% Instrumentalness • 19% Positiveness
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Diane Cluck
Wild Deer At Dawn
113 bpm • C# min • 03:31 • -16db
20% Popularity • 36% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
20% Popularity • 36% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
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Kimya Dawson
You Love Me
113 bpm • G Maj • 02:39 • -12.75db
42% Popularity • 62% Danceability • 42% Energy • 11% Liveness
9% Instrumentalness • 38% Positiveness
42% Popularity • 62% Danceability • 42% Energy • 11% Liveness
9% Instrumentalness • 38% Positiveness
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Connie Converse
Man in the Sky
109 bpm • C# Maj • 04:02 • -17.34db
26% Popularity • 51% Danceability • 8% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
26% Popularity • 51% Danceability • 8% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
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Adrianne Lenker
ingydar
113 bpm • A# min • 04:08 • -16db
58% Popularity • 65% Danceability • 28% Energy • 21% Liveness
0% Instrumentalness • 51% Positiveness
58% Popularity • 65% Danceability • 28% Energy • 21% Liveness
0% Instrumentalness • 51% Positiveness
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Michael Cera
Those Days
110 bpm • B min • 02:44 • -20db
40% Popularity • 54% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
40% Popularity • 54% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Wednesday
How Can You Live If You Can’t Love How...
109 bpm • C Maj • 03:02 • -10.7db
36% Popularity • 55% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
36% Popularity • 55% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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Linda Perhacs
Sandy Toes
113 bpm • G Maj • 02:58 • -16db
40% Popularity • 52% Danceability • 29% Energy • 11% Liveness
56% Instrumentalness • 70% Positiveness
40% Popularity • 52% Danceability • 29% Energy • 11% Liveness
56% Instrumentalness • 70% Positiveness
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Dear Nora
Hung Up
109 bpm • A Maj • 01:48 • -18db
28% Popularity • 44% Danceability • 7% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
28% Popularity • 44% Danceability • 7% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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Connie Converse
One by One
109 bpm • G Maj • 02:04 • -17.26db
28% Popularity • 45% Danceability • 6% Energy • 18% Liveness
5% Instrumentalness • 32% Positiveness
28% Popularity • 45% Danceability • 6% Energy • 18% Liveness
5% Instrumentalness • 32% Positiveness
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Rocketship
You're Too Young
113 bpm • D# Maj • 02:39 • -9db
27% Popularity • 58% Danceability • 28% Energy • 8% Liveness
0% Instrumentalness • 43% Positiveness
27% Popularity • 58% Danceability • 28% Energy • 8% Liveness
0% Instrumentalness • 43% Positiveness
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The American Analog Set
A Good Friend Is Always Around
114 bpm • G Maj • 02:32 • -22db
32% Popularity • 56% Danceability • 10% Energy • 11% Liveness
91% Instrumentalness • 12% Positiveness
32% Popularity • 56% Danceability • 10% Energy • 11% Liveness
91% Instrumentalness • 12% Positiveness
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Whatever, Dad
Chiot
108 bpm • E Maj • 02:33 • -19.85db
39% Popularity • 39% Danceability • 10% Energy • 11% Liveness
6% Instrumentalness • 10% Positiveness
39% Popularity • 39% Danceability • 10% Energy • 11% Liveness
6% Instrumentalness • 10% Positiveness
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Daniel Johnston
Story of an Artist
108 bpm • D min • 05:11 • -11db
39% Popularity • 42% Danceability • 31% Energy • 32% Liveness
26% Instrumentalness • 69% Positiveness
39% Popularity • 42% Danceability • 31% Energy • 32% Liveness
26% Instrumentalness • 69% Positiveness
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Dear Nora
You're the Palindrome
113 bpm • C# Maj • 01:11 • -17.78db
9% Popularity • 72% Danceability • 25% Energy • 9% Liveness
2% Instrumentalness • 92% Positiveness
9% Popularity • 72% Danceability • 25% Energy • 9% Liveness
2% Instrumentalness • 92% Positiveness
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Silver Jews
Black and Brown Blues
114 bpm • D Maj • 04:04 • -10db
36% Popularity • 53% Danceability • 40% Energy • 16% Liveness
1% Instrumentalness • 59% Positiveness
36% Popularity • 53% Danceability • 40% Energy • 16% Liveness
1% Instrumentalness • 59% Positiveness
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Rocketship
Friendships and Love
109 bpm • C Maj • 04:40 • -8.14db
23% Popularity • 21% Danceability • 62% Energy • 9% Liveness
31% Instrumentalness • 6% Positiveness
23% Popularity • 21% Danceability • 62% Energy • 9% Liveness
31% Instrumentalness • 6% Positiveness
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Shelf Life
Sip
114 bpm • D Maj • 01:51 • -11db
34% Popularity • 80% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 91% Positiveness
34% Popularity • 80% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 91% Positiveness
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The Softies
My Empty Arms
108 bpm • G Maj • 03:39 • -9.79db
19% Popularity • 56% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 9% Positiveness
19% Popularity • 56% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 9% Positiveness
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Free Cake For Every Creature
All You Gotta Be When You're 23 Is Yours...
108 bpm • A Maj • 02:26 • -12.57db
40% Popularity • 69% Danceability • 60% Energy • 12% Liveness
10% Instrumentalness • 31% Positiveness
40% Popularity • 69% Danceability • 60% Energy • 12% Liveness
10% Instrumentalness • 31% Positiveness
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Kim Deal
Beautiful Moon
108 bpm • G Maj • 01:46 • -16.97db
33% Popularity • 49% Danceability • 5% Energy • 10% Liveness
2% Instrumentalness • 27% Positiveness
33% Popularity • 49% Danceability • 5% Energy • 10% Liveness
2% Instrumentalness • 27% Positiveness
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Connie Converse
Talkin' Like You (Two Tall Mountains)
114 bpm • G min • 02:31 • -21db
42% Popularity • 54% Danceability • 7% Energy • 14% Liveness
0% Instrumentalness • 33% Positiveness
42% Popularity • 54% Danceability • 7% Energy • 14% Liveness
0% Instrumentalness • 33% Positiveness
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Thanksgiving
Rich (Homeless)
114 bpm • A Maj • 04:20 • -19.82db
21% Popularity • 36% Danceability • 10% Energy • 11% Liveness
64% Instrumentalness • 13% Positiveness
21% Popularity • 36% Danceability • 10% Energy • 11% Liveness
64% Instrumentalness • 13% Positiveness
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Diane Cluck
Bones and Born Again
114 bpm • D Maj • 05:24 • -12.18db
19% Popularity • 44% Danceability • 14% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
19% Popularity • 44% Danceability • 14% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
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The Softies
Me and the Bees
108 bpm • B Maj • 03:18 • -10.45db
27% Popularity • 64% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
27% Popularity • 64% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
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Babehoven
Fugazi
108 bpm • A Maj • 04:26 • -10.63db
33% Popularity • 62% Danceability • 29% Energy • 25% Liveness
16% Instrumentalness • 10% Positiveness
33% Popularity • 62% Danceability • 29% Energy • 25% Liveness
16% Instrumentalness • 10% Positiveness
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Florist
Vacation
108 bpm • C Maj • 03:47 • -13.94db
48% Popularity • 62% Danceability • 27% Energy • 8% Liveness
14% Instrumentalness • 11% Positiveness
48% Popularity • 62% Danceability • 27% Energy • 8% Liveness
14% Instrumentalness • 11% Positiveness
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Greg Mendez
Clearer Picture (of You)
108 bpm • G# Maj • 02:43 • -15.49db
27% Popularity • 70% Danceability • 25% Energy • 11% Liveness
15% Instrumentalness • 38% Positiveness
27% Popularity • 70% Danceability • 25% Energy • 11% Liveness
15% Instrumentalness • 38% Positiveness
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Free Cake For Every Creature
For You
107 bpm • E min • 02:25 • -11.19db
24% Popularity • 75% Danceability • 69% Energy • 35% Liveness
43% Instrumentalness • 64% Positiveness
24% Popularity • 75% Danceability • 69% Energy • 35% Liveness
43% Instrumentalness • 64% Positiveness
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Silver Jews
Pretty Eyes
115 bpm • G Maj • 04:12 • -10.64db
31% Popularity • 50% Danceability • 37% Energy • 11% Liveness
1% Instrumentalness • 28% Positiveness
31% Popularity • 50% Danceability • 37% Energy • 11% Liveness
1% Instrumentalness • 28% Positiveness
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Built To Spill
Twin Falls
115 bpm • A Maj • 01:49 • -13db
48% Popularity • 54% Danceability • 34% Energy • 24% Liveness
1% Instrumentalness • 41% Positiveness
48% Popularity • 54% Danceability • 34% Energy • 24% Liveness
1% Instrumentalness • 41% Positiveness
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Lowertown
The Gaping Mouth
107 bpm • F Maj • 04:38 • -9.71db
44% Popularity • 59% Danceability • 46% Energy • 11% Liveness
29% Instrumentalness • 18% Positiveness
44% Popularity • 59% Danceability • 46% Energy • 11% Liveness
29% Instrumentalness • 18% Positiveness
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Florist
If Blue Could Be Happiness
115 bpm • C Maj • 05:07 • -14db
43% Popularity • 52% Danceability • 29% Energy • 14% Liveness
76% Instrumentalness • 32% Positiveness
43% Popularity • 52% Danceability • 29% Energy • 14% Liveness
76% Instrumentalness • 32% Positiveness
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Wednesday
Love Has No Pride (Condemned)
115 bpm • C# Maj • 05:13 • -11.34db
28% Popularity • 33% Danceability • 36% Energy • 11% Liveness
5% Instrumentalness • 11% Positiveness
28% Popularity • 33% Danceability • 36% Energy • 11% Liveness
5% Instrumentalness • 11% Positiveness
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Smog
I Feel Like The Mother Of The World
115 bpm • B Maj • 03:09 • -10.27db
38% Popularity • 53% Danceability • 85% Energy • 9% Liveness
35% Instrumentalness • 51% Positiveness
38% Popularity • 53% Danceability • 85% Energy • 9% Liveness
35% Instrumentalness • 51% Positiveness
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Silver Jews
How to Rent a Room
115 bpm • C Maj • 03:02 • -10db
45% Popularity • 47% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 84% Positiveness
45% Popularity • 47% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 84% Positiveness
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The Softies
Just A Day
107 bpm • C Maj • 01:43 • -10.79db
21% Popularity • 76% Danceability • 37% Energy • 26% Liveness
0% Instrumentalness • 71% Positiveness
21% Popularity • 76% Danceability • 37% Energy • 26% Liveness
0% Instrumentalness • 71% Positiveness
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Joanna Sternberg
For You
107 bpm • C Maj • 02:07 • -20.41db
29% Popularity • 60% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
29% Popularity • 60% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
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Twain
Walking
107 bpm • E Maj • 02:39 • -22.81db
37% Popularity • 36% Danceability • 8% Energy • 27% Liveness
1% Instrumentalness • 17% Positiveness
37% Popularity • 36% Danceability • 8% Energy • 27% Liveness
1% Instrumentalness • 17% Positiveness
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Dear Nora
People, Don't You Know?
116 bpm • B min • 00:40 • -17.46db
11% Popularity • 51% Danceability • 32% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
11% Popularity • 51% Danceability • 32% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
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Acetone
All The Time
116 bpm • D Maj • 03:46 • -11.45db
30% Popularity • 61% Danceability • 44% Energy • 9% Liveness
85% Instrumentalness • 18% Positiveness
30% Popularity • 61% Danceability • 44% Energy • 9% Liveness
85% Instrumentalness • 18% Positiveness
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Songs: Ohia
Blue Chicago Moon
107 bpm • A min • 06:47 • -8.17db
32% Popularity • 62% Danceability • 26% Energy • 19% Liveness
0% Instrumentalness • 15% Positiveness
32% Popularity • 62% Danceability • 26% Energy • 19% Liveness
0% Instrumentalness • 15% Positiveness
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The Glands
Call Me Doctor
106 bpm • D# Maj • 01:02 • -9.3db
36% Popularity • 63% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 61% Positiveness
36% Popularity • 63% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 61% Positiveness
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The Cat's Miaow
You Know It's True
116 bpm • A min • 02:17 • -10.6db
26% Popularity • 42% Danceability • 41% Energy • 11% Liveness
87% Instrumentalness • 74% Positiveness
26% Popularity • 42% Danceability • 41% Energy • 11% Liveness
87% Instrumentalness • 74% Positiveness
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Electrelane
Enter Laughing
116 bpm • E Maj • 03:42 • -15.43db
41% Popularity • 81% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 90% Positiveness
41% Popularity • 81% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 90% Positiveness
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Tia Blake
Wish I Was a Single Girl Again
116 bpm • A Maj • 02:35 • -24.4db
44% Popularity • 63% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
44% Popularity • 63% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
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Free Cake For Every Creature
Chubby Cows
106 bpm • D Maj • 02:05 • -9.98db
31% Popularity • 38% Danceability • 66% Energy • 23% Liveness
2% Instrumentalness • 40% Positiveness
31% Popularity • 38% Danceability • 66% Energy • 23% Liveness
2% Instrumentalness • 40% Positiveness
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Micah Preite
Their name sticks out
106 bpm • A min • 01:15 • -16.01db
48% Popularity • 73% Danceability • 33% Energy • 12% Liveness
91% Instrumentalness • 54% Positiveness
48% Popularity • 73% Danceability • 33% Energy • 12% Liveness
91% Instrumentalness • 54% Positiveness
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Dear Nora
You Are a Bear (For a New Friend)
116 bpm • E Maj • 01:41 • -20.84db
12% Popularity • 28% Danceability • 10% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
12% Popularity • 28% Danceability • 10% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
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Beat Happening
Godsend
116 bpm • G Maj • 09:28 • -8db
31% Popularity • 40% Danceability • 76% Energy • 15% Liveness
82% Instrumentalness • 47% Positiveness
31% Popularity • 40% Danceability • 76% Energy • 15% Liveness
82% Instrumentalness • 47% Positiveness
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Kitty Craft
Inward Jam
117 bpm • F# Maj • 02:45 • -4.19db
41% Popularity • 70% Danceability • 89% Energy • 12% Liveness
78% Instrumentalness • 71% Positiveness
41% Popularity • 70% Danceability • 89% Energy • 12% Liveness
78% Instrumentalness • 71% Positiveness
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Silver Jews
Random Rules
105 bpm • C Maj • 03:58 • -10.52db
49% Popularity • 57% Danceability • 48% Energy • 7% Liveness
0% Instrumentalness • 54% Positiveness
49% Popularity • 57% Danceability • 48% Energy • 7% Liveness
0% Instrumentalness • 54% Positiveness
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Babehoven
Break the Ice
117 bpm • G Maj • 04:35 • -9.34db
37% Popularity • 57% Danceability • 54% Energy • 19% Liveness
0% Instrumentalness • 31% Positiveness
37% Popularity • 57% Danceability • 54% Energy • 19% Liveness
0% Instrumentalness • 31% Positiveness
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CBMC
Philadelphia II
105 bpm • F Maj • 01:47 • -16.63db
37% Popularity • 46% Danceability • 36% Energy • 39% Liveness
0% Instrumentalness • 67% Positiveness
37% Popularity • 46% Danceability • 36% Energy • 39% Liveness
0% Instrumentalness • 67% Positiveness
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Jessica Pratt
Wrong Hand
117 bpm • G Maj • 03:18 • -12db
41% Popularity • 46% Danceability • 36% Energy • 11% Liveness
52% Instrumentalness • 20% Positiveness
41% Popularity • 46% Danceability • 36% Energy • 11% Liveness
52% Instrumentalness • 20% Positiveness
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Lisa Germano
Cry Wolf
117 bpm • G Maj • 04:59 • -16.23db
31% Popularity • 39% Danceability • 20% Energy • 12% Liveness
10% Instrumentalness • 9% Positiveness
31% Popularity • 39% Danceability • 20% Energy • 12% Liveness
10% Instrumentalness • 9% Positiveness
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Mount Eerie
You Swan, Go On
117 bpm • A min • 01:32 • -16.68db
41% Popularity • 58% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
41% Popularity • 58% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
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Dear Nora
Hey Tiger (Early 2003)
105 bpm • E Maj • 02:35 • -14.83db
11% Popularity • 66% Danceability • 41% Energy • 8% Liveness
68% Instrumentalness • 12% Positiveness
11% Popularity • 66% Danceability • 41% Energy • 8% Liveness
68% Instrumentalness • 12% Positiveness
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Lou Barlow
No Matter What
117 bpm • C# Maj • 01:42 • -14.44db
30% Popularity • 70% Danceability • 27% Energy • 18% Liveness
62% Instrumentalness • 42% Positiveness
30% Popularity • 70% Danceability • 27% Energy • 18% Liveness
62% Instrumentalness • 42% Positiveness
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Connie Converse
Down This Road
105 bpm • F min • 01:44 • -18.63db
28% Popularity • 50% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 80% Positiveness
28% Popularity • 50% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 80% Positiveness
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Mathew Lee Cothran
Farrah Abraham
105 bpm • F Maj • 01:56 • -6.26db
28% Popularity • 56% Danceability • 40% Energy • 10% Liveness
1% Instrumentalness • 20% Positiveness
28% Popularity • 56% Danceability • 40% Energy • 10% Liveness
1% Instrumentalness • 20% Positiveness
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Hana Stretton
The Thrill Of Loneliness
105 bpm • A Maj • 02:55 • -20.47db
49% Popularity • 31% Danceability • 13% Energy • 20% Liveness
96% Instrumentalness • 13% Positiveness
49% Popularity • 31% Danceability • 13% Energy • 20% Liveness
96% Instrumentalness • 13% Positiveness
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The Moldy Peaches
Secret Tongues
105 bpm • C# Maj • 02:32 • -8.19db
29% Popularity • 47% Danceability • 32% Energy • 11% Liveness
1% Instrumentalness • 23% Positiveness
29% Popularity • 47% Danceability • 32% Energy • 11% Liveness
1% Instrumentalness • 23% Positiveness
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MJ Lenderman
Perfect
104 bpm • G min • 04:02 • -12.96db
28% Popularity • 27% Danceability • 48% Energy • 11% Liveness
47% Instrumentalness • 9% Positiveness
28% Popularity • 27% Danceability • 48% Energy • 11% Liveness
47% Instrumentalness • 9% Positiveness
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Eric's Trip
My Chest Is Empty
118 bpm • B Maj • 03:07 • -16.45db
29% Popularity • 56% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
29% Popularity • 56% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
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Field Medic
FULL GROWN
118 bpm • E Maj • 01:34 • -14.57db
47% Popularity • 44% Danceability • 22% Energy • 11% Liveness
15% Instrumentalness • 44% Positiveness
47% Popularity • 44% Danceability • 22% Energy • 11% Liveness
15% Instrumentalness • 44% Positiveness
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Haley Heynderickx
Untitled God Song
119 bpm • F min • 03:44 • -7.13db
44% Popularity • 44% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
44% Popularity • 44% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
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Diane Cluck
Yr Million Sweetnesses
104 bpm • F min • 02:45 • -17.13db
24% Popularity • 53% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
24% Popularity • 53% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Sibylle Baier
Colour Green
119 bpm • G min • 02:25 • -14db
35% Popularity • 56% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
35% Popularity • 56% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Florist
The Birds Outside Sang
119 bpm • C Maj • 03:53 • -9.68db
29% Popularity • 36% Danceability • 39% Energy • 31% Liveness
73% Instrumentalness • 4% Positiveness
29% Popularity • 36% Danceability • 39% Energy • 31% Liveness
73% Instrumentalness • 4% Positiveness
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Palace Music
We All, Us Three, Will Ride
119 bpm • B Maj • 02:56 • -24.71db
20% Popularity • 45% Danceability • 4% Energy • 24% Liveness
0% Instrumentalness • 57% Positiveness
20% Popularity • 45% Danceability • 4% Energy • 24% Liveness
0% Instrumentalness • 57% Positiveness
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thanks for coming
Losing Touch (NYC)
119 bpm • B Maj • 02:29 • -7db
34% Popularity • 56% Danceability • 82% Energy • 10% Liveness
0% Instrumentalness • 97% Positiveness
34% Popularity • 56% Danceability • 82% Energy • 10% Liveness
0% Instrumentalness • 97% Positiveness
