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The Loser Trophy
Songs like
The Loser Trophy
by
Christopher Titus
Based on a tempo of (+/- 10%) and a similar genre
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Chad Daniels
Fat Wheels
86 bpm • F# min • 01:20 • -7.38db
41% Popularity • 63% Danceability • 82% Energy • 68% Liveness
0% Instrumentalness • 53% Positiveness
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Bert Kreischer
Kids, Girls and Advice
86 bpm • F# Maj • 07:02 • -12.52db
23% Popularity • 48% Danceability • 53% Energy • 70% Liveness
0% Instrumentalness • 55% Positiveness
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Rachel Feinstein
Fairytales and Porn
86 bpm • G# Maj • 01:36 • -6.18db
35% Popularity • 64% Danceability • 91% Energy • 93% Liveness
0% Instrumentalness • 82% Positiveness
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Joe Rogan
P'''y Whipped, Best Friends
86 bpm • C# Maj • 05:02 • -9.24db
30% Popularity • 55% Danceability • 68% Energy • 78% Liveness
0% Instrumentalness • 49% Positiveness
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Anthony Jeselnik
Holocaust Museum of Modern Art
86 bpm • A Maj • 03:55 • -11.02db
33% Popularity • 56% Danceability • 81% Energy • 96% Liveness
0% Instrumentalness • 16% Positiveness
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Gabriel Iglesias
The Secret Desert Show
86 bpm • F Maj • 07:04 • -5.93db
33% Popularity • 58% Danceability • 83% Energy • 88% Liveness
0% Instrumentalness • 40% Positiveness
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Chris Hardwick
Merica the Beautiful
86 bpm • A# Maj • 01:51 • -4.83db
37% Popularity • 53% Danceability • 90% Energy • 89% Liveness
0% Instrumentalness • 48% Positiveness
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John Pinette
A Gas Problem
86 bpm • C# Maj • 02:24 • -11.15db
30% Popularity • 54% Danceability • 80% Energy • 93% Liveness
0% Instrumentalness • 27% Positiveness
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Craig Ferguson
Great Day for America
86 bpm • D Maj • 07:06 • -3.23db
16% Popularity • 56% Danceability • 99% Energy • 97% Liveness
0% Instrumentalness • 25% Positiveness
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Shane Mauss
Take Our Jobs
86 bpm • A Maj • 01:58 • -8.41db
29% Popularity • 53% Danceability • 74% Energy • 95% Liveness
0% Instrumentalness • 52% Positiveness
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Sam Morril
Sam Eases in with a Sex Joke
86 bpm • G min • 02:43 • -12db
28% Popularity • 49% Danceability • 87% Energy • 92% Liveness
0% Instrumentalness • 34% Positiveness
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Christopher Titus
When I Die
86 bpm • F min • 08:27 • -6.73db
18% Popularity • 51% Danceability • 84% Energy • 97% Liveness
0% Instrumentalness • 24% Positiveness
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Mike Birbiglia
Strong, Independent Woman
87 bpm • A# Maj • 03:55 • -7.08db
29% Popularity • 57% Danceability • 70% Energy • 84% Liveness
0% Instrumentalness • 50% Positiveness
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Pablo Francisco
The Sans (Jose & Francisco)
87 bpm • C# min • 02:42 • -19.9db
14% Popularity • 49% Danceability • 71% Energy • 96% Liveness
0% Instrumentalness • 16% Positiveness
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Louis C.K.
Marriage and Morality
85 bpm • F min • 05:32 • -19.64db
31% Popularity • 39% Danceability • 71% Energy • 50% Liveness
0% Instrumentalness • 14% Positiveness
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John Pinette
Extreme Sports
85 bpm • C# Maj • 05:15 • -8.69db
29% Popularity • 54% Danceability • 81% Energy • 89% Liveness
0% Instrumentalness • 25% Positiveness
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Jo Koy
My Lola Tina
85 bpm • A min • 03:38 • -11.37db
24% Popularity • 63% Danceability • 74% Energy • 68% Liveness
0% Instrumentalness • 31% Positiveness
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Patton Oswalt
The Invisible Anus
85 bpm • D min • 01:11 • -5.06db
39% Popularity • 68% Danceability • 89% Energy • 31% Liveness
0% Instrumentalness • 50% Positiveness
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Al Madrigal
Golden Corral
85 bpm • C# Maj • 03:36 • -4.87db
18% Popularity • 50% Danceability • 95% Energy • 93% Liveness
0% Instrumentalness • 26% Positiveness
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Tom Segura
Stop Pretending
87 bpm • E Maj • 01:15 • -14.35db
44% Popularity • 63% Danceability • 57% Energy • 68% Liveness
0% Instrumentalness • 48% Positiveness
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Matt Kirshen
Magic and Hope
85 bpm • G# Maj • 05:23 • -6.28db
21% Popularity • 52% Danceability • 88% Energy • 91% Liveness
0% Instrumentalness • 59% Positiveness
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Dana Gould
Simple Advice
85 bpm • A min • 01:05 • -8.3db
42% Popularity • 66% Danceability • 86% Energy • 91% Liveness
0% Instrumentalness • 19% Positiveness
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Jo Koy
You Got Ruppied
85 bpm • A Maj • 02:11 • -8.39db
33% Popularity • 48% Danceability • 95% Energy • 74% Liveness
0% Instrumentalness • 14% Positiveness
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Sam Morril
Sam's Airline Troubles
85 bpm • B min • 02:53 • -12.19db
22% Popularity • 57% Danceability • 93% Energy • 45% Liveness
0% Instrumentalness • 14% Positiveness
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Bob Saget
Women and Dogs I Used to Know
87 bpm • E Maj • 02:46 • -5db
27% Popularity • 48% Danceability • 96% Energy • 56% Liveness
0% Instrumentalness • 28% Positiveness
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Chad Daniels
Scratching Privates
87 bpm • F# Maj • 02:27 • -8.2db
35% Popularity • 45% Danceability • 85% Energy • 45% Liveness
0% Instrumentalness • 41% Positiveness
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Louis C.K.
God
85 bpm • G# Maj • 02:08 • -18db
38% Popularity • 38% Danceability • 83% Energy • 36% Liveness
0% Instrumentalness • 15% Positiveness
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Dana Gould
This Cut Is Too Evil To Name
87 bpm • B min • 01:41 • -14db
36% Popularity • 52% Danceability • 59% Energy • 83% Liveness
0% Instrumentalness • 87% Positiveness
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Amy Schumer
Maury
87 bpm • G# min • 02:25 • -8.34db
20% Popularity • 48% Danceability • 84% Energy • 74% Liveness
0% Instrumentalness • 51% Positiveness
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Iliza Shlesinger
#raptorvag
85 bpm • G Maj • 05:59 • -10.33db
17% Popularity • 59% Danceability • 81% Energy • 92% Liveness
0% Instrumentalness • 45% Positiveness
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Tom Segura
Red Eye
85 bpm • G# Maj • 02:51 • -11.02db
35% Popularity • 44% Danceability • 81% Energy • 74% Liveness
0% Instrumentalness • 25% Positiveness
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Jim Jefferies
Day Care
85 bpm • G Maj • 03:39 • -7.33db
33% Popularity • 58% Danceability • 88% Energy • 93% Liveness
0% Instrumentalness • 32% Positiveness
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Anthony Jeselnik
Baby Go Bye Bye
85 bpm • F# min • 05:30 • -9.74db
29% Popularity • 52% Danceability • 92% Energy • 79% Liveness
0% Instrumentalness • 20% Positiveness
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Christopher Titus
My Wife
87 bpm • C# Maj • 10:42 • -15.77db
14% Popularity • 53% Danceability • 66% Energy • 90% Liveness
0% Instrumentalness • 18% Positiveness
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Matt Braunger
A Dream Inside a Dream
87 bpm • C# Maj • 01:11 • -5.79db
32% Popularity • 67% Danceability • 76% Energy • 67% Liveness
0% Instrumentalness • 67% Positiveness
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Rachel Feinstein
My Cheap Dad (Sorry, Dad)
87 bpm • C# Maj • 01:57 • -6db
32% Popularity • 54% Danceability • 84% Energy • 65% Liveness
0% Instrumentalness • 81% Positiveness
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David Spade
The Backflip
87 bpm • E Maj • 03:37 • -6.73db
21% Popularity • 59% Danceability • 85% Energy • 81% Liveness
0% Instrumentalness • 43% Positiveness
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Pete Holmes
Good Time Mcdonald's
85 bpm • F# min • 02:16 • -5.4db
31% Popularity • 44% Danceability • 98% Energy • 94% Liveness
0% Instrumentalness • 15% Positiveness
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Chris D'Elia
Super Period
88 bpm • G Maj • 01:48 • -2.8db
29% Popularity • 44% Danceability • 100% Energy • 93% Liveness
0% Instrumentalness • 5% Positiveness
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Christopher Titus
Text Nation
87 bpm • D Maj • 03:15 • -12.1db
14% Popularity • 54% Danceability • 56% Energy • 69% Liveness
0% Instrumentalness • 46% Positiveness
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Iliza Shlesinger
Second-Hand Cattery
88 bpm • D Maj • 05:06 • -5.7db
25% Popularity • 63% Danceability • 92% Energy • 72% Liveness
0% Instrumentalness • 29% Positiveness
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Bert Kreischer
Bert! Bert! Bert!
84 bpm • A# Maj • 02:15 • -11.92db
29% Popularity • 49% Danceability • 67% Energy • 71% Liveness
0% Instrumentalness • 48% Positiveness
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Matt Kirshen
Abstinence
84 bpm • A# min • 03:07 • -6.31db
26% Popularity • 57% Danceability • 84% Energy • 75% Liveness
0% Instrumentalness • 50% Positiveness
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Myq Kaplan
Meats and Robots
84 bpm • F min • 03:10 • -6.18db
25% Popularity • 57% Danceability • 80% Energy • 51% Liveness
0% Instrumentalness • 64% Positiveness
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Ben Bailey
Accidental Ornithologist
88 bpm • F min • 04:51 • -18.35db
19% Popularity • 43% Danceability • 81% Energy • 85% Liveness
0% Instrumentalness • 7% Positiveness
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Christian Finnegan
Old-Timey
84 bpm • G min • 01:44 • -11.63db
33% Popularity • 62% Danceability • 74% Energy • 86% Liveness
0% Instrumentalness • 31% Positiveness
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Iliza Shlesinger
Shave the Big Toe
88 bpm • B Maj • 04:36 • -5.37db
25% Popularity • 64% Danceability • 92% Energy • 96% Liveness
0% Instrumentalness • 55% Positiveness
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Michael Ian Black
Character Actor
84 bpm • A# min • 01:29 • -12.72db
22% Popularity • 70% Danceability • 59% Energy • 26% Liveness
0% Instrumentalness • 36% Positiveness
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Ron White
Bachelorette Party
88 bpm • C# Maj • 04:08 • -14.69db
27% Popularity • 49% Danceability • 81% Energy • 78% Liveness
0% Instrumentalness • 15% Positiveness
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Louis Katz
Being Healthy Sucks
88 bpm • G Maj • 03:05 • -5.14db
21% Popularity • 50% Danceability • 87% Energy • 71% Liveness
0% Instrumentalness • 51% Positiveness
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Bob Saget
Titanic 3d
88 bpm • C Maj • 01:45 • -4.92db
39% Popularity • 64% Danceability • 92% Energy • 83% Liveness
0% Instrumentalness • 57% Positiveness
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Greg Giraldo
The Floater / Maury
84 bpm • C# Maj • 03:46 • -4.75db
22% Popularity • 53% Danceability • 88% Energy • 94% Liveness
0% Instrumentalness • 64% Positiveness
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Steve Rannazzisi
Pretty Dick
88 bpm • C# Maj • 01:46 • -4.34db
34% Popularity • 58% Danceability • 98% Energy • 84% Liveness
0% Instrumentalness • 31% Positiveness
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Jo Koy
Earthquakes
88 bpm • B Maj • 03:01 • -7.76db
26% Popularity • 52% Danceability • 95% Energy • 78% Liveness
0% Instrumentalness • 17% Positiveness
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Todd Glass
Infomercials
88 bpm • F# Maj • 06:09 • -5.69db
20% Popularity • 53% Danceability • 77% Energy • 80% Liveness
0% Instrumentalness • 65% Positiveness
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Chris Hardwick
Gramp Stamp
88 bpm • A# Maj • 02:19 • -4.68db
27% Popularity • 59% Danceability • 90% Energy • 71% Liveness
0% Instrumentalness • 51% Positiveness
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Myq Kaplan
Porn and Monsters
84 bpm • C# Maj • 02:42 • -6.29db
29% Popularity • 56% Danceability • 85% Energy • 88% Liveness
0% Instrumentalness • 61% Positiveness
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Michael Ian Black
The Worst Possible Conclusion
84 bpm • C# min • 04:25 • -10.01db
24% Popularity • 55% Danceability • 78% Energy • 93% Liveness
0% Instrumentalness • 29% Positiveness
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Josh Sneed
Death to Bob the Builder
84 bpm • F# min • 06:33 • -8.65db
23% Popularity • 47% Danceability • 70% Energy • 38% Liveness
0% Instrumentalness • 39% Positiveness
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Matt Kirshen
Dating
84 bpm • A# min • 02:28 • -6.32db
15% Popularity • 62% Danceability • 86% Energy • 72% Liveness
0% Instrumentalness • 62% Positiveness
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Matt Braunger
The Sound
84 bpm • F min • 07:09 • -5.2db
23% Popularity • 59% Danceability • 92% Energy • 76% Liveness
0% Instrumentalness • 30% Positiveness
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George Lopez
On Notice
89 bpm • F# min • 08:02 • -8.53db
28% Popularity • 38% Danceability • 96% Energy • 88% Liveness
0% Instrumentalness • 4% Positiveness
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Steve Hofstetter
The War on Walmart
83 bpm • B Maj • 04:01 • -18.43db
24% Popularity • 50% Danceability • 44% Energy • 86% Liveness
0% Instrumentalness • 48% Positiveness
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Mike Birbiglia
I'm Right
89 bpm • G# Maj • 04:32 • -7.56db
22% Popularity • 58% Danceability • 75% Energy • 89% Liveness
0% Instrumentalness • 60% Positiveness
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Christopher Titus
Her Dad
89 bpm • F Maj • 07:10 • -11.89db
15% Popularity • 57% Danceability • 76% Energy • 84% Liveness
0% Instrumentalness • 25% Positiveness
► Preview
Matt Kirshen
Sunnyvale
89 bpm • A# min • 08:41 • -6.24db
14% Popularity • 58% Danceability • 87% Energy • 68% Liveness
0% Instrumentalness • 55% Positiveness
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Kumail Nanjiani
Crying
83 bpm • G# Maj • 01:39 • -6.23db
35% Popularity • 68% Danceability • 77% Energy • 85% Liveness
0% Instrumentalness • 55% Positiveness
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Shane Mauss
FCC Truck
89 bpm • G# Maj • 02:52 • -6.67db
24% Popularity • 58% Danceability • 77% Energy • 77% Liveness
0% Instrumentalness • 66% Positiveness
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Demetri Martin
Death
83 bpm • A# min • 05:29 • -9.52db
25% Popularity • 44% Danceability • 93% Energy • 88% Liveness
0% Instrumentalness • 28% Positiveness
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Ben Bailey
Thanks for Coming Back Out
89 bpm • C# Maj • 09:06 • -10.02db
20% Popularity • 43% Danceability • 91% Energy • 88% Liveness
0% Instrumentalness • 10% Positiveness
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Christopher Titus
Conceived
89 bpm • F Maj • 03:51 • -11.88db
16% Popularity • 61% Danceability • 79% Energy • 67% Liveness
0% Instrumentalness • 33% Positiveness
► Preview
Michael Ian Black
Ambien Racing
83 bpm • E Maj • 03:39 • -10.05db
20% Popularity • 54% Danceability • 79% Energy • 75% Liveness
0% Instrumentalness • 37% Positiveness
► Preview
Kyle Kinane
Sodium Erythortbate
83 bpm • C# min • 02:51 • -7.7db
31% Popularity • 63% Danceability • 72% Energy • 82% Liveness
0% Instrumentalness • 41% Positiveness
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Big Jay Oakerson
Everyone Is Special
83 bpm • C# Maj • 01:29 • -7.19db
34% Popularity • 48% Danceability • 93% Energy • 79% Liveness
0% Instrumentalness • 52% Positiveness
► Preview
Tom Segura
Catastrophic
89 bpm • C# min • 01:36 • -12.03db
44% Popularity • 50% Danceability • 82% Energy • 40% Liveness
0% Instrumentalness • 29% Positiveness
► Preview
Steve Rannazzisi
The Shitter or the Quitter
83 bpm • D Maj • 02:30 • -5db
31% Popularity • 62% Danceability • 94% Energy • 83% Liveness
0% Instrumentalness • 37% Positiveness
► Preview
Christopher Titus
Neverlutionary
89 bpm • F# Maj • 06:48 • -10.74db
14% Popularity • 56% Danceability • 52% Energy • 76% Liveness
0% Instrumentalness • 43% Positiveness
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Pablo Francisco
Las Vegas
89 bpm • C# Maj • 02:18 • -17.7db
20% Popularity • 46% Danceability • 60% Energy • 92% Liveness
0% Instrumentalness • 35% Positiveness
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George Lopez
Baby Proofing
89 bpm • D Maj • 03:01 • -6.66db
19% Popularity • 44% Danceability • 99% Energy • 87% Liveness
0% Instrumentalness • 3% Positiveness
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Joe Rogan
Fear Factor is Cancelled, Telemundo, and...
89 bpm • A# Maj • 01:42 • -11.19db
29% Popularity • 59% Danceability • 53% Energy • 68% Liveness
0% Instrumentalness • 56% Positiveness
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Mark Normand
God Hates Gags
83 bpm • C# min • 03:23 • -9.48db
31% Popularity • 52% Danceability • 86% Energy • 81% Liveness
0% Instrumentalness • 25% Positiveness
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Demetri Martin
Concerts
83 bpm • A# min • 05:22 • -9db
23% Popularity • 39% Danceability • 96% Energy • 80% Liveness
0% Instrumentalness • 25% Positiveness
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Christopher Titus
10 Year Bender
83 bpm • A Maj • 07:14 • -9.8db
25% Popularity • 53% Danceability • 60% Energy • 97% Liveness
0% Instrumentalness • 44% Positiveness
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Greg Giraldo
Room for Dessert / Death by Chocolate / ...
83 bpm • D Maj • 02:39 • -4.34db
20% Popularity • 50% Danceability • 95% Energy • 93% Liveness
0% Instrumentalness • 60% Positiveness
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Al Madrigal
Inheritance
83 bpm • B min • 02:33 • -5.95db
23% Popularity • 46% Danceability • 93% Energy • 80% Liveness
0% Instrumentalness • 34% Positiveness
► Preview
Rachel Feinstein
Dick Pics
90 bpm • C min • 02:20 • -7db
30% Popularity • 53% Danceability • 85% Energy • 88% Liveness
0% Instrumentalness • 41% Positiveness
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Patton Oswalt
The Bugged Car
83 bpm • A Maj • 02:02 • -5db
36% Popularity • 56% Danceability • 91% Energy • 77% Liveness
0% Instrumentalness • 51% Positiveness
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John Pinette
Low Carb Diets and Dr. Phil
83 bpm • C# Maj • 02:14 • -7.44db
35% Popularity • 69% Danceability • 79% Energy • 84% Liveness
0% Instrumentalness • 46% Positiveness
► Preview
Christopher Titus
Even Worse Incidents
82 bpm • D Maj • 07:02 • -11.56db
14% Popularity • 56% Danceability • 88% Energy • 96% Liveness
0% Instrumentalness • 16% Positiveness
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Daniel Tosh
One
82 bpm • G# Maj • 04:41 • -5db
32% Popularity • 39% Danceability • 99% Energy • 86% Liveness
0% Instrumentalness • 8% Positiveness
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Marc Maron
I'm Not an Atheist
90 bpm • D Maj • 06:03 • -8.38db
22% Popularity • 55% Danceability • 71% Energy • 76% Liveness
0% Instrumentalness • 59% Positiveness
► Preview
Mitch Fatel
I Love Dogs and Cats
82 bpm • C# min • 05:20 • -11.18db
8% Popularity • 38% Danceability • 89% Energy • 62% Liveness
0% Instrumentalness • 41% Positiveness
► Preview
Rachel Feinstein
Joking After Sex
82 bpm • C# Maj • 03:17 • -6.86db
22% Popularity • 54% Danceability • 73% Energy • 40% Liveness
0% Instrumentalness • 38% Positiveness
► Preview
Demetri Martin
Some More Jokes
90 bpm • A Maj • 03:30 • -11.79db
23% Popularity • 43% Danceability • 84% Energy • 78% Liveness
0% Instrumentalness • 11% Positiveness
► Preview
Christian Finnegan
Happy Anniversary, Karen
90 bpm • E Maj • 02:22 • -11.02db
28% Popularity • 55% Danceability • 75% Energy • 57% Liveness
0% Instrumentalness • 38% Positiveness
► Preview
Nick Swardson
1580s
82 bpm • C Maj • 00:56 • -8.12db
28% Popularity • 60% Danceability • 92% Energy • 95% Liveness
0% Instrumentalness • 26% Positiveness
► Preview
Bert Kreischer
Blacks in a Subway
82 bpm • G# min • 03:43 • -12.7db
26% Popularity • 51% Danceability • 54% Energy • 89% Liveness
0% Instrumentalness • 66% Positiveness
► Preview
Gary Gulman
Elementary School
90 bpm • D min • 03:18 • -6.8db
24% Popularity • 50% Danceability • 88% Energy • 91% Liveness
0% Instrumentalness • 51% Positiveness
► Preview
John Pinette
Subway Diet
82 bpm • G# Maj • 01:03 • -10.48db
42% Popularity • 61% Danceability • 60% Energy • 66% Liveness
0% Instrumentalness • 47% Positiveness
► Preview
Christopher Titus
If You've Never Thought of Suicide
90 bpm • E Maj • 04:58 • -11.62db
23% Popularity • 62% Danceability • 77% Energy • 95% Liveness
0% Instrumentalness • 31% Positiveness
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The Loser Trophy