Songs like The Ludlows (From "Legends Of The Fall") by James Horner
Based on a tempo of (+/- 10%) and a similar genre
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Jan A.P. Kaczmarek
This Is Neverland - Finding Neverland/So...
88 bpm • A min • 04:01 • -17.11db
28% Popularity • 20% Danceability • 15% Energy • 35% Liveness
71% Instrumentalness • 4% Positiveness
28% Popularity • 20% Danceability • 15% Energy • 35% Liveness
71% Instrumentalness • 4% Positiveness
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Michael Giacchino
The Park is Closed
88 bpm • A# Maj • 01:38 • -15db
42% Popularity • 19% Danceability • 24% Energy • 10% Liveness
81% Instrumentalness • 7% Positiveness
42% Popularity • 19% Danceability • 24% Energy • 10% Liveness
81% Instrumentalness • 7% Positiveness
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Nicholas Hooper
Journey To The Cave
88 bpm • D Maj • 03:08 • -22.55db
49% Popularity • 28% Danceability • 14% Energy • 10% Liveness
89% Instrumentalness • 4% Positiveness
49% Popularity • 28% Danceability • 14% Energy • 10% Liveness
89% Instrumentalness • 4% Positiveness
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Mychael Danna
Back to the World
88 bpm • C min • 08:20 • -27db
26% Popularity • 9% Danceability • 5% Energy • 12% Liveness
94% Instrumentalness • 4% Positiveness
26% Popularity • 9% Danceability • 5% Energy • 12% Liveness
94% Instrumentalness • 4% Positiveness
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Theodore Shapiro
Stationary Cycle
88 bpm • B min • 02:43 • -16.17db
41% Popularity • 49% Danceability • 18% Energy • 9% Liveness
89% Instrumentalness • 4% Positiveness
41% Popularity • 49% Danceability • 18% Energy • 9% Liveness
89% Instrumentalness • 4% Positiveness
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James Horner
I See You
87 bpm • A Maj • 04:40 • -17.15db
35% Popularity • 18% Danceability • 18% Energy • 7% Liveness
76% Instrumentalness • 4% Positiveness
35% Popularity • 18% Danceability • 18% Energy • 7% Liveness
76% Instrumentalness • 4% Positiveness
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Geoff Zanelli
My Name Is Barbossa
89 bpm • F Maj • 05:33 • -10.54db
49% Popularity • 10% Danceability • 33% Energy • 8% Liveness
88% Instrumentalness • 4% Positiveness
49% Popularity • 10% Danceability • 33% Energy • 8% Liveness
88% Instrumentalness • 4% Positiveness
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Traditional
Nearer My God to Thee
89 bpm • G Maj • 02:49 • -37db
33% Popularity • 15% Danceability • 2% Energy • 28% Liveness
33% Instrumentalness • 13% Positiveness
33% Popularity • 15% Danceability • 2% Energy • 28% Liveness
33% Instrumentalness • 13% Positiveness
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Jan A.P. Kaczmarek
The Promise of Things to Come
87 bpm • C Maj • 03:00 • -10db
38% Popularity • 9% Danceability • 37% Energy • 10% Liveness
95% Instrumentalness • 4% Positiveness
38% Popularity • 9% Danceability • 37% Energy • 10% Liveness
95% Instrumentalness • 4% Positiveness
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Steve Jablonsky
Sacrifice
89 bpm • D min • 06:46 • -18.58db
45% Popularity • 10% Danceability • 11% Energy • 8% Liveness
93% Instrumentalness • 4% Positiveness
45% Popularity • 10% Danceability • 11% Energy • 8% Liveness
93% Instrumentalness • 4% Positiveness
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Michael Giacchino
Labor Of Love
89 bpm • D Maj • 02:51 • -18.46db
33% Popularity • 18% Danceability • 6% Energy • 21% Liveness
90% Instrumentalness • 4% Positiveness
33% Popularity • 18% Danceability • 6% Energy • 21% Liveness
90% Instrumentalness • 4% Positiveness
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James Horner
Goodbyes
89 bpm • G Maj • 03:11 • -32.96db
31% Popularity • 16% Danceability • 2% Energy • 9% Liveness
52% Instrumentalness • 3% Positiveness
31% Popularity • 16% Danceability • 2% Energy • 9% Liveness
52% Instrumentalness • 3% Positiveness
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Ramin Djawadi
Jenny of Oldstones
87 bpm • C min • 02:30 • -17.53db
53% Popularity • 25% Danceability • 9% Energy • 10% Liveness
93% Instrumentalness • 7% Positiveness
53% Popularity • 25% Danceability • 9% Energy • 10% Liveness
93% Instrumentalness • 7% Positiveness
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Trevor Morris
The Tudors Main Title Theme
89 bpm • C Maj • 01:33 • -14.32db
36% Popularity • 20% Danceability • 42% Energy • 10% Liveness
94% Instrumentalness • 8% Positiveness
36% Popularity • 20% Danceability • 42% Energy • 10% Liveness
94% Instrumentalness • 8% Positiveness
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Stephen Warbeck
Alone
87 bpm • D Maj • 01:10 • -22.81db
55% Popularity • 10% Danceability • 7% Energy • 13% Liveness
97% Instrumentalness • 13% Positiveness
55% Popularity • 10% Danceability • 7% Energy • 13% Liveness
97% Instrumentalness • 13% Positiveness
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John Ottman
How Could You Leave Us
87 bpm • D min • 05:47 • -19db
24% Popularity • 12% Danceability • 8% Energy • 11% Liveness
67% Instrumentalness • 3% Positiveness
24% Popularity • 12% Danceability • 8% Energy • 11% Liveness
67% Instrumentalness • 3% Positiveness
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Marc Streitenfeld
Honoring the Dead
87 bpm • G min • 02:43 • -16db
45% Popularity • 9% Danceability • 27% Energy • 12% Liveness
93% Instrumentalness • 6% Positiveness
45% Popularity • 9% Danceability • 27% Energy • 12% Liveness
93% Instrumentalness • 6% Positiveness
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The Chamber Orchestra Of London
Story Of My Life
86 bpm • F min • 01:57 • -18.17db
45% Popularity • 10% Danceability • 14% Energy • 12% Liveness
2% Instrumentalness • 3% Positiveness
45% Popularity • 10% Danceability • 14% Energy • 12% Liveness
2% Instrumentalness • 3% Positiveness
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Ramin Djawadi
A Lannister Always Pays His Debts
86 bpm • D min • 02:50 • -16.52db
60% Popularity • 29% Danceability • 29% Energy • 17% Liveness
95% Instrumentalness • 10% Positiveness
60% Popularity • 29% Danceability • 29% Energy • 17% Liveness
95% Instrumentalness • 10% Positiveness
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Alan Menken
Main Titles - The Little Mermaid
86 bpm • G Maj • 01:26 • -16db
53% Popularity • 9% Danceability • 20% Energy • 27% Liveness
79% Instrumentalness • 16% Positiveness
53% Popularity • 9% Danceability • 20% Energy • 27% Liveness
79% Instrumentalness • 16% Positiveness
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Nicholas Hooper
Harry & Hermione
90 bpm • C Maj • 02:52 • -29.09db
55% Popularity • 32% Danceability • 4% Energy • 16% Liveness
92% Instrumentalness • 4% Positiveness
55% Popularity • 32% Danceability • 4% Energy • 16% Liveness
92% Instrumentalness • 4% Positiveness
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Roque Baños
El Collar
90 bpm • F# min • 03:35 • -28db
23% Popularity • 14% Danceability • 3% Energy • 11% Liveness
91% Instrumentalness • 5% Positiveness
23% Popularity • 14% Danceability • 3% Energy • 11% Liveness
91% Instrumentalness • 5% Positiveness
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Harald Kloser
You Came For Me
90 bpm • F Maj • 02:06 • -19db
36% Popularity • 10% Danceability • 15% Energy • 15% Liveness
98% Instrumentalness • 3% Positiveness
36% Popularity • 10% Danceability • 15% Energy • 15% Liveness
98% Instrumentalness • 3% Positiveness
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Guy Farley
Alice Studies
86 bpm • G min • 01:46 • -24.92db
45% Popularity • 28% Danceability • 7% Energy • 10% Liveness
84% Instrumentalness • 12% Positiveness
45% Popularity • 28% Danceability • 7% Energy • 10% Liveness
84% Instrumentalness • 12% Positiveness
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Anne Dudley
The Longest Walk
90 bpm • G min • 02:42 • -14.91db
22% Popularity • 10% Danceability • 18% Energy • 10% Liveness
98% Instrumentalness • 4% Positiveness
22% Popularity • 10% Danceability • 18% Energy • 10% Liveness
98% Instrumentalness • 4% Positiveness
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Michael Kamen
The Mission Begins - Instrumental
86 bpm • D Maj • 05:49 • -15db
27% Popularity • 9% Danceability • 20% Energy • 12% Liveness
93% Instrumentalness • 6% Positiveness
27% Popularity • 9% Danceability • 20% Energy • 12% Liveness
93% Instrumentalness • 6% Positiveness
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Nicholas Hooper
Loved Ones and Leaving
90 bpm • D Maj • 03:15 • -22.28db
46% Popularity • 22% Danceability • 7% Energy • 9% Liveness
94% Instrumentalness • 3% Positiveness
46% Popularity • 22% Danceability • 7% Energy • 9% Liveness
94% Instrumentalness • 3% Positiveness
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James Horner
Climbing up "Iknimaya - The Path to Heav...
90 bpm • A Maj • 03:18 • -22.69db
47% Popularity • 10% Danceability • 30% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
47% Popularity • 10% Danceability • 30% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
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Harry Gregson-Williams
Burning the Past
85 bpm • F Maj • 02:45 • -27db
41% Popularity • 16% Danceability • 14% Energy • 11% Liveness
85% Instrumentalness • 4% Positiveness
41% Popularity • 16% Danceability • 14% Energy • 11% Liveness
85% Instrumentalness • 4% Positiveness
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Mark McKenzie
Of My Heart To Thee I Give
85 bpm • C Maj • 01:43 • -18.2db
17% Popularity • 18% Danceability • 19% Energy • 7% Liveness
89% Instrumentalness • 4% Positiveness
17% Popularity • 18% Danceability • 19% Energy • 7% Liveness
89% Instrumentalness • 4% Positiveness
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Stephen Warbeck
The Shells
85 bpm • G min • 02:18 • -18.67db
44% Popularity • 9% Danceability • 10% Energy • 20% Liveness
91% Instrumentalness • 4% Positiveness
44% Popularity • 9% Danceability • 10% Energy • 20% Liveness
91% Instrumentalness • 4% Positiveness
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Michael Kamen
Austria - Instrumental
86 bpm • A# Maj • 01:59 • -22db
36% Popularity • 16% Danceability • 12% Energy • 18% Liveness
94% Instrumentalness • 8% Positiveness
36% Popularity • 16% Danceability • 12% Energy • 18% Liveness
94% Instrumentalness • 8% Positiveness
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Steven Price
A Game of Strategy
85 bpm • B min • 03:17 • -18db
32% Popularity • 27% Danceability • 37% Energy • 14% Liveness
96% Instrumentalness • 20% Positiveness
32% Popularity • 27% Danceability • 37% Energy • 14% Liveness
96% Instrumentalness • 20% Positiveness
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Marc Streitenfeld
Fate Has Smiled Upon Us
91 bpm • E min • 02:02 • -13.98db
60% Popularity • 28% Danceability • 39% Energy • 22% Liveness
89% Instrumentalness • 4% Positiveness
60% Popularity • 28% Danceability • 39% Energy • 22% Liveness
89% Instrumentalness • 4% Positiveness
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Harry Gregson-Williams
A Narnia Lullaby
91 bpm • F Maj • 01:12 • -16.72db
55% Popularity • 23% Danceability • 17% Energy • 23% Liveness
84% Instrumentalness • 3% Positiveness
55% Popularity • 23% Danceability • 17% Energy • 23% Liveness
84% Instrumentalness • 3% Positiveness
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Roque Baños
Abandon Ship
92 bpm • F min • 06:09 • -15.38db
32% Popularity • 14% Danceability • 31% Energy • 11% Liveness
83% Instrumentalness • 4% Positiveness
32% Popularity • 14% Danceability • 31% Energy • 11% Liveness
83% Instrumentalness • 4% Positiveness
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John Lunn
Duneagle
92 bpm • F# min • 02:06 • -14.23db
47% Popularity • 31% Danceability • 20% Energy • 9% Liveness
91% Instrumentalness • 28% Positiveness
47% Popularity • 31% Danceability • 20% Energy • 9% Liveness
91% Instrumentalness • 28% Positiveness
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Rupert Gregson-Williams
Pain, Loss & Love
85 bpm • F Maj • 05:27 • -25.51db
34% Popularity • 8% Danceability • 3% Energy • 8% Liveness
82% Instrumentalness • 3% Positiveness
34% Popularity • 8% Danceability • 3% Energy • 8% Liveness
82% Instrumentalness • 3% Positiveness
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Alan Silvestri
Suite from Forrest Gump
85 bpm • F Maj • 06:34 • -18.36db
47% Popularity • 11% Danceability • 10% Energy • 16% Liveness
82% Instrumentalness • 4% Positiveness
47% Popularity • 11% Danceability • 10% Energy • 16% Liveness
82% Instrumentalness • 4% Positiveness
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Marc Streitenfeld
Sherwood Forest
91 bpm • A min • 02:19 • -21db
58% Popularity • 27% Danceability • 13% Energy • 12% Liveness
95% Instrumentalness • 7% Positiveness
58% Popularity • 27% Danceability • 13% Energy • 12% Liveness
95% Instrumentalness • 7% Positiveness
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Trevor Morris
The Execution Ballet
84 bpm • F Maj • 04:36 • -14.62db
19% Popularity • 8% Danceability • 22% Energy • 6% Liveness
95% Instrumentalness • 3% Positiveness
19% Popularity • 8% Danceability • 22% Energy • 6% Liveness
95% Instrumentalness • 3% Positiveness
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Anne Dudley
Suite from Poldark
84 bpm • A min • 05:31 • -17db
33% Popularity • 12% Danceability • 18% Energy • 32% Liveness
76% Instrumentalness • 6% Positiveness
33% Popularity • 12% Danceability • 18% Energy • 32% Liveness
76% Instrumentalness • 6% Positiveness
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Michael Kamen
Main Titles from the HBO Miniseries Band...
84 bpm • F Maj • 02:24 • -17.62db
46% Popularity • 8% Danceability • 18% Energy • 10% Liveness
97% Instrumentalness • 4% Positiveness
46% Popularity • 8% Danceability • 18% Energy • 10% Liveness
97% Instrumentalness • 4% Positiveness
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William Ross
A King's Sadness
84 bpm • C min • 02:00 • -36.4db
57% Popularity • 18% Danceability • 1% Energy • 6% Liveness
96% Instrumentalness • 4% Positiveness
57% Popularity • 18% Danceability • 1% Energy • 6% Liveness
96% Instrumentalness • 4% Positiveness
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Roque Baños
The Story Is Told
92 bpm • G# Maj • 06:41 • -24db
28% Popularity • 11% Danceability • 3% Energy • 12% Liveness
91% Instrumentalness • 3% Positiveness
28% Popularity • 11% Danceability • 3% Energy • 12% Liveness
91% Instrumentalness • 3% Positiveness
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James Horner
Unable to Stay, Unwilling to Leave
84 bpm • F Maj • 03:56 • -22.35db
39% Popularity • 9% Danceability • 17% Energy • 8% Liveness
6% Instrumentalness • 5% Positiveness
39% Popularity • 9% Danceability • 17% Energy • 8% Liveness
6% Instrumentalness • 5% Positiveness
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Nicholas Hooper
When Ginny Kissed Harry
84 bpm • E min • 02:38 • -28.26db
56% Popularity • 48% Danceability • 6% Energy • 4% Liveness
96% Instrumentalness • 8% Positiveness
56% Popularity • 48% Danceability • 6% Energy • 4% Liveness
96% Instrumentalness • 8% Positiveness
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Harry Gregson-Williams
Lucy Meets Mr. Tumnus
92 bpm • F Maj • 04:10 • -27db
45% Popularity • 16% Danceability • 4% Energy • 5% Liveness
86% Instrumentalness • 4% Positiveness
45% Popularity • 16% Danceability • 4% Energy • 5% Liveness
86% Instrumentalness • 4% Positiveness
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Harald Kloser
Evolet
84 bpm • A min • 02:43 • -27db
26% Popularity • 8% Danceability • 5% Energy • 9% Liveness
96% Instrumentalness • 4% Positiveness
26% Popularity • 8% Danceability • 5% Energy • 9% Liveness
96% Instrumentalness • 4% Positiveness
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Howard Shore
The Council of Elrond [Theme for Aragor...
84 bpm • C# Maj • 03:49 • -20.03db
62% Popularity • 10% Danceability • 11% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
62% Popularity • 10% Danceability • 11% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
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Michael Kamen
Band Of Brothers Suite One - Instrumenta...
92 bpm • D Maj • 06:31 • -15.19db
30% Popularity • 15% Danceability • 25% Energy • 10% Liveness
81% Instrumentalness • 7% Positiveness
30% Popularity • 15% Danceability • 25% Energy • 10% Liveness
81% Instrumentalness • 7% Positiveness
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Steven Price
Gravity
93 bpm • G# min • 04:35 • -15.36db
50% Popularity • 12% Danceability • 26% Energy • 20% Liveness
98% Instrumentalness • 6% Positiveness
50% Popularity • 12% Danceability • 26% Energy • 20% Liveness
98% Instrumentalness • 6% Positiveness
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Rupert Gregson-Williams
Praying
83 bpm • A min • 05:49 • -13.18db
43% Popularity • 8% Danceability • 37% Energy • 11% Liveness
95% Instrumentalness • 3% Positiveness
43% Popularity • 8% Danceability • 37% Energy • 11% Liveness
95% Instrumentalness • 3% Positiveness
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Jan A.P. Kaczmarek
Video On The Bed
83 bpm • A min • 01:21 • -26.69db
40% Popularity • 13% Danceability • 5% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
40% Popularity • 13% Danceability • 5% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
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Harald Kloser
10,000 BC/End Credits
84 bpm • E min • 02:55 • -12.92db
36% Popularity • 9% Danceability • 53% Energy • 9% Liveness
61% Instrumentalness • 15% Positiveness
36% Popularity • 9% Danceability • 53% Energy • 9% Liveness
61% Instrumentalness • 15% Positiveness
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Geoff Zanelli
Evelyn Goes It Alone
83 bpm • F# min • 02:33 • -25.17db
43% Popularity • 21% Danceability • 5% Energy • 15% Liveness
88% Instrumentalness • 11% Positiveness
43% Popularity • 21% Danceability • 5% Energy • 15% Liveness
88% Instrumentalness • 11% Positiveness
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Carlos Rafael Rivera
Main Title
93 bpm • C Maj • 01:49 • -10.98db
51% Popularity • 47% Danceability • 61% Energy • 41% Liveness
82% Instrumentalness • 49% Positiveness
51% Popularity • 47% Danceability • 61% Energy • 41% Liveness
82% Instrumentalness • 49% Positiveness
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Boston Pops Orchestra
Theme
83 bpm • C Maj • 08:13 • -15.93db
30% Popularity • 29% Danceability • 23% Energy • 10% Liveness
74% Instrumentalness • 22% Positiveness
30% Popularity • 29% Danceability • 23% Energy • 10% Liveness
74% Instrumentalness • 22% Positiveness
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Mark McKenzie
What's Your Dream?
93 bpm • G Maj • 02:37 • -20.66db
31% Popularity • 14% Danceability • 7% Energy • 13% Liveness
88% Instrumentalness • 6% Positiveness
31% Popularity • 14% Danceability • 7% Energy • 13% Liveness
88% Instrumentalness • 6% Positiveness
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Harry Gregson-Williams
Only The Beginning of The Adventure
83 bpm • G# Maj • 05:32 • -18.08db
53% Popularity • 19% Danceability • 17% Energy • 10% Liveness
62% Instrumentalness • 4% Positiveness
53% Popularity • 19% Danceability • 17% Energy • 10% Liveness
62% Instrumentalness • 4% Positiveness
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Jóhann Jóhannsson
Cambridge, 1963
83 bpm • A# Maj • 01:41 • -16.91db
59% Popularity • 36% Danceability • 9% Energy • 10% Liveness
98% Instrumentalness • 65% Positiveness
59% Popularity • 36% Danceability • 9% Energy • 10% Liveness
98% Instrumentalness • 65% Positiveness
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James Horner
Briseis and Achilles
94 bpm • G min • 05:19 • -37.82db
30% Popularity • 11% Danceability • 0% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
30% Popularity • 11% Danceability • 0% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
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Zbigniew Preisner
Happily Ever After
83 bpm • E Maj • 02:25 • -15.66db
33% Popularity • 17% Danceability • 18% Energy • 12% Liveness
62% Instrumentalness • 6% Positiveness
33% Popularity • 17% Danceability • 18% Energy • 12% Liveness
62% Instrumentalness • 6% Positiveness
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Ramin Djawadi
Truth
83 bpm • D min • 03:31 • -13db
47% Popularity • 8% Danceability • 22% Energy • 11% Liveness
83% Instrumentalness • 3% Positiveness
47% Popularity • 8% Danceability • 22% Energy • 11% Liveness
83% Instrumentalness • 3% Positiveness
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Harald Kloser
Body Heat
83 bpm • A min • 01:50 • -27.42db
28% Popularity • 8% Danceability • 7% Energy • 11% Liveness
91% Instrumentalness • 3% Positiveness
28% Popularity • 8% Danceability • 7% Energy • 11% Liveness
91% Instrumentalness • 3% Positiveness
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The Chamber Orchestra Of London
Downton Abbey - The Suite
82 bpm • A min • 07:08 • -14db
44% Popularity • 14% Danceability • 28% Energy • 10% Liveness
89% Instrumentalness • 11% Positiveness
44% Popularity • 14% Danceability • 28% Energy • 10% Liveness
89% Instrumentalness • 11% Positiveness
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Carter Burwell
My Dear Anne
82 bpm • A min • 02:37 • -20.64db
41% Popularity • 14% Danceability • 4% Energy • 11% Liveness
84% Instrumentalness • 6% Positiveness
41% Popularity • 14% Danceability • 4% Energy • 11% Liveness
84% Instrumentalness • 6% Positiveness
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Regency Players
North and South Title Theme [2004 Versi...
82 bpm • D min • 02:44 • -11.32db
27% Popularity • 13% Danceability • 23% Energy • 7% Liveness
82% Instrumentalness • 12% Positiveness
27% Popularity • 13% Danceability • 23% Energy • 7% Liveness
82% Instrumentalness • 12% Positiveness
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Mark Isham
A River Runs Through It
82 bpm • G Maj • 02:23 • -16db
36% Popularity • 18% Danceability • 13% Energy • 19% Liveness
27% Instrumentalness • 12% Positiveness
36% Popularity • 18% Danceability • 13% Energy • 19% Liveness
27% Instrumentalness • 12% Positiveness
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James Horner
Saying Goodbye To Those You So Love
82 bpm • D# Maj • 06:43 • -28.65db
26% Popularity • 13% Danceability • 4% Energy • 9% Liveness
94% Instrumentalness • 3% Positiveness
26% Popularity • 13% Danceability • 4% Energy • 9% Liveness
94% Instrumentalness • 3% Positiveness
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Trevor Morris
A Howling Wilderness / The Death Of Jane...
82 bpm • C Maj • 02:45 • -13.33db
33% Popularity • 8% Danceability • 20% Energy • 7% Liveness
99% Instrumentalness • 3% Positiveness
33% Popularity • 8% Danceability • 20% Energy • 7% Liveness
99% Instrumentalness • 3% Positiveness
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Anne Dudley
Resurgam
82 bpm • F min • 03:24 • -13.24db
30% Popularity • 12% Danceability • 23% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
30% Popularity • 12% Danceability • 23% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
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Nicholas Hooper
Farewell Aragog
82 bpm • G Maj • 02:08 • -25db
46% Popularity • 12% Danceability • 3% Energy • 8% Liveness
6% Instrumentalness • 5% Positiveness
46% Popularity • 12% Danceability • 3% Energy • 8% Liveness
6% Instrumentalness • 5% Positiveness
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Rupert Gregson-Williams
Climbing For A Kiss
82 bpm • A min • 03:47 • -22.6db
32% Popularity • 14% Danceability • 5% Energy • 8% Liveness
95% Instrumentalness • 4% Positiveness
32% Popularity • 14% Danceability • 5% Energy • 8% Liveness
95% Instrumentalness • 4% Positiveness
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Mark Isham
I Built Myself A Life
82 bpm • G# Maj • 05:48 • -19.93db
21% Popularity • 10% Danceability • 7% Energy • 9% Liveness
64% Instrumentalness • 4% Positiveness
21% Popularity • 10% Danceability • 7% Energy • 9% Liveness
64% Instrumentalness • 4% Positiveness
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James Horner
The Wedding
82 bpm • G Maj • 03:06 • -27.18db
37% Popularity • 13% Danceability • 5% Energy • 18% Liveness
94% Instrumentalness • 4% Positiveness
37% Popularity • 13% Danceability • 5% Energy • 18% Liveness
94% Instrumentalness • 4% Positiveness
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Stephen Warbeck
The Letter
82 bpm • D Maj • 01:18 • -21.08db
45% Popularity • 17% Danceability • 17% Energy • 9% Liveness
93% Instrumentalness • 4% Positiveness
45% Popularity • 17% Danceability • 17% Energy • 9% Liveness
93% Instrumentalness • 4% Positiveness
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Harald Kloser
Sea Of Sand
82 bpm • C# Maj • 02:41 • -13.85db
39% Popularity • 15% Danceability • 39% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
39% Popularity • 15% Danceability • 39% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
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Royal Philharmonic Orchestra
Star Wars: Attack of the Clones: Across ...
82 bpm • C min • 05:44 • -15db
20% Popularity • 12% Danceability • 23% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
20% Popularity • 12% Danceability • 23% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
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Rupert Gregson-Williams
The Legend Of Tarzan
95 bpm • A min • 02:36 • -13.25db
29% Popularity • 12% Danceability • 44% Energy • 15% Liveness
97% Instrumentalness • 6% Positiveness
29% Popularity • 12% Danceability • 44% Energy • 15% Liveness
97% Instrumentalness • 6% Positiveness
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Atli Örvarsson
Clary's Theme
95 bpm • D min • 03:22 • -18db
25% Popularity • 14% Danceability • 14% Energy • 9% Liveness
95% Instrumentalness • 4% Positiveness
25% Popularity • 14% Danceability • 14% Energy • 9% Liveness
95% Instrumentalness • 4% Positiveness
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Lisa Gerrard
The Wheat
82 bpm • B min • 01:03 • -33.48db
54% Popularity • 19% Danceability • 3% Energy • 10% Liveness
83% Instrumentalness • 9% Positiveness
54% Popularity • 19% Danceability • 3% Energy • 10% Liveness
83% Instrumentalness • 9% Positiveness
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James Horner
A Life So Changed
81 bpm • D Maj • 02:12 • -32.93db
45% Popularity • 18% Danceability • 1% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
45% Popularity • 18% Danceability • 1% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
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Harald Kloser
Hall's Plan
95 bpm • D# Maj • 00:53 • -26.62db
38% Popularity • 12% Danceability • 5% Energy • 11% Liveness
99% Instrumentalness • 4% Positiveness
38% Popularity • 12% Danceability • 5% Energy • 11% Liveness
99% Instrumentalness • 4% Positiveness
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Harry Gregson-Williams
The Wardrobe
81 bpm • C# min • 02:54 • -26.4db
52% Popularity • 8% Danceability • 4% Energy • 11% Liveness
84% Instrumentalness • 3% Positiveness
52% Popularity • 8% Danceability • 4% Energy • 11% Liveness
84% Instrumentalness • 3% Positiveness
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Michael Giacchino
John Carter of Mars
81 bpm • A min • 08:53 • -17db
20% Popularity • 8% Danceability • 11% Energy • 7% Liveness
81% Instrumentalness • 4% Positiveness
20% Popularity • 8% Danceability • 11% Energy • 7% Liveness
81% Instrumentalness • 4% Positiveness
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Kevin Kiner
Anakin and Padmé
81 bpm • G min • 01:48 • -14.36db
47% Popularity • 16% Danceability • 24% Energy • 10% Liveness
82% Instrumentalness • 4% Positiveness
47% Popularity • 16% Danceability • 24% Energy • 10% Liveness
82% Instrumentalness • 4% Positiveness
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Ennio Morricone
Falls
81 bpm • G Maj • 01:55 • -19db
47% Popularity • 11% Danceability • 12% Energy • 10% Liveness
98% Instrumentalness • 5% Positiveness
47% Popularity • 11% Danceability • 12% Energy • 10% Liveness
98% Instrumentalness • 5% Positiveness
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Steven Price
A Greater Resilience
96 bpm • F# Maj • 04:02 • -16.01db
25% Popularity • 24% Danceability • 25% Energy • 9% Liveness
92% Instrumentalness • 5% Positiveness
25% Popularity • 24% Danceability • 25% Energy • 9% Liveness
92% Instrumentalness • 5% Positiveness
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John Lunn
One Hundred Years Of Downton
81 bpm • A min • 05:13 • -17db
32% Popularity • 16% Danceability • 21% Energy • 7% Liveness
90% Instrumentalness • 6% Positiveness
32% Popularity • 16% Danceability • 21% Energy • 7% Liveness
90% Instrumentalness • 6% Positiveness
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Philip Glass
Dreaming of Fiji
96 bpm • G min • 01:54 • -29.75db
42% Popularity • 15% Danceability • 4% Energy • 10% Liveness
98% Instrumentalness • 4% Positiveness
42% Popularity • 15% Danceability • 4% Energy • 10% Liveness
98% Instrumentalness • 4% Positiveness
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Royal Philharmonic Orchestra
The Lord of The Rings: The Fellowship of...
81 bpm • D Maj • 05:29 • -15.53db
36% Popularity • 9% Danceability • 16% Energy • 11% Liveness
95% Instrumentalness • 4% Positiveness
36% Popularity • 9% Danceability • 16% Energy • 11% Liveness
95% Instrumentalness • 4% Positiveness
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Fernando Velázquez
Edith's Theme
81 bpm • G min • 01:56 • -14.8db
42% Popularity • 22% Danceability • 15% Energy • 10% Liveness
90% Instrumentalness • 5% Positiveness
42% Popularity • 22% Danceability • 15% Energy • 10% Liveness
90% Instrumentalness • 5% Positiveness
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Mychael Danna
See You Again
96 bpm • E Maj • 05:41 • -18.69db
19% Popularity • 13% Danceability • 12% Energy • 11% Liveness
88% Instrumentalness • 4% Positiveness
19% Popularity • 13% Danceability • 12% Energy • 11% Liveness
88% Instrumentalness • 4% Positiveness
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Benjamin Wallfisch
Variation 15
96 bpm • D# Maj • 05:51 • -17db
46% Popularity • 12% Danceability • 19% Energy • 10% Liveness
94% Instrumentalness • 3% Positiveness
46% Popularity • 12% Danceability • 19% Energy • 10% Liveness
94% Instrumentalness • 3% Positiveness
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Rupert Gregson-Williams
Amazons Of Themyscira
80 bpm • E min • 06:47 • -21db
38% Popularity • 8% Danceability • 22% Energy • 8% Liveness
93% Instrumentalness • 4% Positiveness
38% Popularity • 8% Danceability • 22% Energy • 8% Liveness
93% Instrumentalness • 4% Positiveness
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Rael Jones
Precious to Me
80 bpm • E min • 01:49 • -27.77db
39% Popularity • 19% Danceability • 6% Energy • 8% Liveness
94% Instrumentalness • 4% Positiveness
39% Popularity • 19% Danceability • 6% Energy • 8% Liveness
94% Instrumentalness • 4% Positiveness
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Ennio Morricone
On Earth As It Is In Heaven
96 bpm • D Maj • 03:50 • -20db
49% Popularity • 42% Danceability • 21% Energy • 5% Liveness
96% Instrumentalness • 18% Positiveness
49% Popularity • 42% Danceability • 21% Energy • 5% Liveness
96% Instrumentalness • 18% Positiveness
