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The Magic
Songs like
The Magic
by
Joan As Police Woman
Based on a tempo of (+/- 10%) and a similar genre
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Jono McCleery
Garden
155 bpm • C# min • 03:13 • -12.04db
17% Popularity • 53% Danceability • 57% Energy • 27% Liveness
73% Instrumentalness • 23% Positiveness
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Joan As Police Woman
The Magic
155 bpm • C# Maj • 04:09 • -6db
46% Popularity • 64% Danceability • 81% Energy • 13% Liveness
19% Instrumentalness • 83% Positiveness
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Morcheeba
Part of the Process
156 bpm • C Maj • 04:25 • -7.41db
53% Popularity • 62% Danceability • 52% Energy • 12% Liveness
1% Instrumentalness • 40% Positiveness
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Gaz Coombes
Walk The Walk
156 bpm • D Maj • 03:56 • -6.6db
43% Popularity • 55% Danceability • 89% Energy • 18% Liveness
75% Instrumentalness • 81% Positiveness
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The National
Bloodbuzz Ohio
157 bpm • A Maj • 04:35 • -6.37db
58% Popularity • 40% Danceability • 84% Energy • 10% Liveness
18% Instrumentalness • 69% Positiveness
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Mattiel
Send It on Over
156 bpm • A# min • 03:24 • -3.25db
24% Popularity • 33% Danceability • 90% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Feist
The Limit To Your Love
152 bpm • F Maj • 04:20 • -8db
46% Popularity • 56% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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Joan As Police Woman
Geometry Of You
156 bpm • D min • 05:40 • -8.97db
22% Popularity • 62% Danceability • 62% Energy • 8% Liveness
1% Instrumentalness • 93% Positiveness
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Fever Ray
Keep the Streets Empty for Me
158 bpm • A Maj • 05:39 • -11db
49% Popularity • 58% Danceability • 29% Energy • 9% Liveness
89% Instrumentalness • 31% Positiveness
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Nouvelle Vague
Too Drunk to Fuck
160 bpm • G Maj • 02:16 • -6.93db
44% Popularity • 45% Danceability • 81% Energy • 47% Liveness
0% Instrumentalness • 79% Positiveness
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King Hannah
All Being Fine
160 bpm • F# min • 03:29 • -8.17db
21% Popularity • 56% Danceability • 58% Energy • 7% Liveness
56% Instrumentalness • 75% Positiveness
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Astronauts
Skydive
160 bpm • D# min • 04:31 • -11db
39% Popularity • 69% Danceability • 49% Energy • 10% Liveness
2% Instrumentalness • 50% Positiveness
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múm
The Colorful Stabwound
150 bpm • B min • 03:40 • -7.96db
35% Popularity • 65% Danceability • 91% Energy • 9% Liveness
79% Instrumentalness • 30% Positiveness
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Joan As Police Woman
What Was It Like
156 bpm • D min • 04:11 • -8.04db
14% Popularity • 72% Danceability • 48% Energy • 8% Liveness
77% Instrumentalness • 70% Positiveness
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Ratso
I Want Everything
160 bpm • A min • 05:59 • -10.15db
36% Popularity • 64% Danceability • 50% Energy • 8% Liveness
32% Instrumentalness • 50% Positiveness
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The Good, the Bad & the Queen
History Song
160 bpm • A min • 03:05 • -10db
42% Popularity • 42% Danceability • 64% Energy • 36% Liveness
15% Instrumentalness • 58% Positiveness
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The Beta Band
Squares
150 bpm • F min • 03:46 • -11.52db
46% Popularity • 68% Danceability • 45% Energy • 11% Liveness
4% Instrumentalness • 51% Positiveness
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Villagers
A Trick of the Light
150 bpm • B Maj • 04:08 • -8.16db
56% Popularity • 56% Danceability • 61% Energy • 13% Liveness
4% Instrumentalness • 42% Positiveness
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The Limp Twins
Sunday Driver
150 bpm • C min • 03:29 • -7.48db
53% Popularity • 79% Danceability • 54% Energy • 10% Liveness
28% Instrumentalness • 50% Positiveness
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Morcheeba
The Sea
150 bpm • B min • 05:47 • -7.59db
61% Popularity • 54% Danceability • 76% Energy • 5% Liveness
11% Instrumentalness • 25% Positiveness
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Cocosuma
The Servant - Remastered 2021
149 bpm • A Maj • 04:59 • -9.29db
35% Popularity • 62% Danceability • 59% Energy • 8% Liveness
83% Instrumentalness • 60% Positiveness
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Warhaus
Love's a Stranger
162 bpm • A min • 03:26 • -8.82db
59% Popularity • 56% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
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The The
I WANT 2 B U
148 bpm • G# Maj • 03:20 • -9.71db
37% Popularity • 47% Danceability • 69% Energy • 15% Liveness
82% Instrumentalness • 41% Positiveness
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Low
Congregation
162 bpm • G# Maj • 03:51 • -11.19db
43% Popularity • 59% Danceability • 45% Energy • 31% Liveness
15% Instrumentalness • 66% Positiveness
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The Divine Comedy
To the Rescue
150 bpm • C# min • 05:16 • -12db
34% Popularity • 51% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
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Morcheeba
Blindfold
162 bpm • G Maj • 04:38 • -6.74db
56% Popularity • 57% Danceability • 74% Energy • 6% Liveness
3% Instrumentalness • 22% Positiveness
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Joan As Police Woman
Chemmie
148 bpm • G Maj • 04:47 • -6.21db
14% Popularity • 38% Danceability • 71% Energy • 13% Liveness
0% Instrumentalness • 57% Positiveness
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Baxter Dury
Prince of Tears
148 bpm • G# min • 03:05 • -8db
36% Popularity • 53% Danceability • 66% Energy • 7% Liveness
0% Instrumentalness • 64% Positiveness
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PJ Harvey
Let England Shake
162 bpm • F Maj • 03:09 • -8.35db
39% Popularity • 36% Danceability • 57% Energy • 23% Liveness
0% Instrumentalness • 14% Positiveness
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King Creosote
You Just Want
162 bpm • A# min • 07:25 • -10.51db
32% Popularity • 41% Danceability • 54% Energy • 11% Liveness
28% Instrumentalness • 74% Positiveness
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Beyond The Wizards Sleeve
Black Crow
146 bpm • D min • 03:41 • -7.55db
33% Popularity • 40% Danceability • 67% Energy • 35% Liveness
0% Instrumentalness • 48% Positiveness
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Tindersticks
Can We Start Again?
148 bpm • B min • 03:51 • -12db
32% Popularity • 57% Danceability • 47% Energy • 9% Liveness
7% Instrumentalness • 85% Positiveness
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Melanie De Biasio
Let Me Love You
146 bpm • E min • 04:08 • -20db
29% Popularity • 61% Danceability • 28% Energy • 11% Liveness
89% Instrumentalness • 38% Positiveness
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Ghostpoet
Freakshow
146 bpm • C# Maj • 04:05 • -8db
31% Popularity • 62% Danceability • 76% Energy • 3% Liveness
1% Instrumentalness • 90% Positiveness
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Lou Doillon
Burn
165 bpm • C Maj • 02:58 • -7db
27% Popularity • 73% Danceability • 63% Energy • 14% Liveness
1% Instrumentalness • 71% Positiveness
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Mercury Rev
Goddess on a Hiway
145 bpm • A Maj • 03:45 • -5.89db
52% Popularity • 47% Danceability • 76% Energy • 7% Liveness
0% Instrumentalness • 26% Positiveness
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Other Lives
Lost Day
145 bpm • A min • 02:55 • -8db
45% Popularity • 45% Danceability • 71% Energy • 7% Liveness
5% Instrumentalness • 55% Positiveness
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Tindersticks
Another Night In
145 bpm • A# min • 05:12 • -13db
41% Popularity • 30% Danceability • 25% Energy • 39% Liveness
78% Instrumentalness • 33% Positiveness
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Turin Brakes
Long Distance
144 bpm • A Maj • 04:27 • -5.53db
34% Popularity • 26% Danceability • 47% Energy • 14% Liveness
0% Instrumentalness • 19% Positiveness
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Saint Saviour
Rock Pools
145 bpm • G Maj • 03:58 • -8.89db
42% Popularity • 80% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 73% Positiveness
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Joan As Police Woman
Tell Me
144 bpm • A# min • 03:37 • -6db
22% Popularity • 77% Danceability • 67% Energy • 13% Liveness
0% Instrumentalness • 74% Positiveness
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Little Dragon
Ritual Union
144 bpm • C# Maj • 03:30 • -4.4db
60% Popularity • 70% Danceability • 74% Energy • 22% Liveness
1% Instrumentalness • 80% Positiveness
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King Creosote
Melin Wynt
144 bpm • D# Maj • 05:16 • -9.35db
37% Popularity • 45% Danceability • 66% Energy • 16% Liveness
67% Instrumentalness • 47% Positiveness
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Laura Marling
Soothing
143 bpm • D min • 04:16 • -12db
39% Popularity • 68% Danceability • 30% Energy • 11% Liveness
8% Instrumentalness • 53% Positiveness
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Elbow
Fly Boy Blue / Lunette
143 bpm • D Maj • 06:23 • -9.06db
38% Popularity • 37% Danceability • 53% Energy • 20% Liveness
0% Instrumentalness • 18% Positiveness
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Zero 7
Today
168 bpm • D Maj • 04:05 • -11db
54% Popularity • 58% Danceability • 67% Energy • 11% Liveness
1% Instrumentalness • 57% Positiveness
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Nadine Shah
Dreary Town
169 bpm • C# Maj • 04:32 • -10.17db
34% Popularity • 30% Danceability • 35% Energy • 11% Liveness
39% Instrumentalness • 15% Positiveness
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Nick Cave & The Bad Seeds
Henry Lee
143 bpm • A min • 03:58 • -11.94db
52% Popularity • 32% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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Richard Hawley
The Ocean
142 bpm • A Maj • 05:36 • -9.28db
49% Popularity • 21% Danceability • 42% Energy • 9% Liveness
25% Instrumentalness • 17% Positiveness
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Ghostpoet
Shedding Skin
142 bpm • A min • 04:24 • -14.25db
29% Popularity • 50% Danceability • 28% Energy • 10% Liveness
58% Instrumentalness • 7% Positiveness
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Joan As Police Woman
Witness
142 bpm • B min • 04:43 • -8.66db
10% Popularity • 69% Danceability • 73% Energy • 15% Liveness
4% Instrumentalness • 67% Positiveness
► Preview
Zero 7
Futures
142 bpm • D min • 03:53 • -11db
50% Popularity • 60% Danceability • 52% Energy • 10% Liveness
7% Instrumentalness • 38% Positiveness
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Melissa Laveaux
Needle in the Hay
142 bpm • A min • 03:24 • -6.47db
51% Popularity • 75% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 69% Positiveness
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Nadine Shah
Ville morose
169 bpm • C# Maj • 03:23 • -10.22db
40% Popularity • 36% Danceability • 32% Energy • 11% Liveness
10% Instrumentalness • 13% Positiveness
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Public Service Broadcasting
Everest
142 bpm • D# Maj • 03:47 • -6db
48% Popularity • 58% Danceability • 84% Energy • 36% Liveness
40% Instrumentalness • 39% Positiveness
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Django Django
Firewater
142 bpm • A Maj • 04:49 • -5.31db
37% Popularity • 71% Danceability • 72% Energy • 18% Liveness
2% Instrumentalness • 70% Positiveness
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Cate Le Bon
Are You with Me Now?
142 bpm • C Maj • 04:20 • -8db
47% Popularity • 61% Danceability • 63% Energy • 8% Liveness
2% Instrumentalness • 72% Positiveness
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Rodrigo Leão
The Long Run
170 bpm • F min • 03:34 • -9.23db
24% Popularity • 36% Danceability • 38% Energy • 15% Liveness
1% Instrumentalness • 40% Positiveness
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Joan As Police Woman
Warning Bell
141 bpm • C Maj • 03:16 • -7.64db
20% Popularity • 60% Danceability • 57% Energy • 10% Liveness
16% Instrumentalness • 28% Positiveness
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Massive Attack
Karmacoma
141 bpm • B Maj • 05:16 • -14.33db
57% Popularity • 80% Danceability • 54% Energy • 20% Liveness
18% Instrumentalness • 67% Positiveness
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Karen O
Ministry
141 bpm • B Maj • 05:06 • -10.33db
47% Popularity • 46% Danceability • 65% Energy • 8% Liveness
10% Instrumentalness • 30% Positiveness
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Tindersticks
This Fire of Autumn
141 bpm • F# min • 04:17 • -6.11db
27% Popularity • 53% Danceability • 75% Energy • 10% Liveness
16% Instrumentalness • 82% Positiveness
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Melanie De Biasio
Gold Junkies
140 bpm • B min • 03:19 • -15db
38% Popularity • 67% Danceability • 39% Energy • 9% Liveness
1% Instrumentalness • 73% Positiveness
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Nouvelle Vague
Don't Go
140 bpm • B min • 03:43 • -7.37db
44% Popularity • 55% Danceability • 66% Energy • 29% Liveness
1% Instrumentalness • 49% Positiveness
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Curtis Harding
Need Your Love
140 bpm • G min • 02:57 • -5.94db
60% Popularity • 71% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 81% Positiveness
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Air
The Vagabond
140 bpm • G# Maj • 05:37 • -4.78db
42% Popularity • 61% Danceability • 51% Energy • 5% Liveness
23% Instrumentalness • 31% Positiveness
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Nick Cave & The Bad Seeds
Nature Boy
140 bpm • G Maj • 04:54 • -4.61db
46% Popularity • 43% Danceability • 85% Energy • 13% Liveness
0% Instrumentalness • 84% Positiveness
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Joan As Police Woman
Ringleader Man
139 bpm • D min • 03:33 • -7.09db
16% Popularity • 60% Danceability • 59% Energy • 12% Liveness
1% Instrumentalness • 80% Positiveness
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Waldeck
One of these Days
173 bpm • E min • 03:05 • -10db
42% Popularity • 56% Danceability • 67% Energy • 30% Liveness
1% Instrumentalness • 39% Positiveness
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Django Django
Life's a Beach
173 bpm • E Maj • 03:05 • -5.24db
52% Popularity • 52% Danceability • 85% Energy • 13% Liveness
0% Instrumentalness • 67% Positiveness
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Eels
I Like Birds
138 bpm • D Maj • 02:31 • -7db
50% Popularity • 67% Danceability • 65% Energy • 16% Liveness
38% Instrumentalness • 78% Positiveness
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Cocosuma
Charlotte's On Fire
137 bpm • E min • 04:59 • -10.24db
24% Popularity • 76% Danceability • 65% Energy • 12% Liveness
80% Instrumentalness • 44% Positiveness
► Preview
Caribou
Melody Day - Four Tet Remix
138 bpm • C# min • 04:47 • -13.95db
44% Popularity • 48% Danceability • 40% Energy • 9% Liveness
44% Instrumentalness • 15% Positiveness
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Fujiya & Miyagi
Ankle Injuries
137 bpm • B min • 05:05 • -9db
39% Popularity • 77% Danceability • 67% Energy • 8% Liveness
75% Instrumentalness • 48% Positiveness
► Preview
Waldeck
Shala-Lala-La
173 bpm • F min • 03:15 • -10db
57% Popularity • 65% Danceability • 61% Energy • 10% Liveness
12% Instrumentalness • 43% Positiveness
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William Shatner
Thunder and Fire
137 bpm • A min • 04:53 • -7.74db
2% Popularity • 62% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
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Anna Calvi
Strange Weather
137 bpm • A# min • 05:34 • -9.57db
46% Popularity • 28% Danceability • 33% Energy • 16% Liveness
4% Instrumentalness • 4% Positiveness
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The Chemical Brothers
Asleep From Day
137 bpm • E Maj • 04:47 • -9.8db
49% Popularity • 52% Danceability • 57% Energy • 18% Liveness
57% Instrumentalness • 27% Positiveness
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Zero 7
Crosses
136 bpm • G Maj • 06:45 • -10.38db
43% Popularity • 59% Danceability • 56% Energy • 13% Liveness
33% Instrumentalness • 62% Positiveness
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Neneh Cherry
Woman
136 bpm • D# min • 04:30 • -8.89db
56% Popularity • 54% Danceability • 54% Energy • 20% Liveness
3% Instrumentalness • 33% Positiveness
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Yann Tiersen
A Secret Place
176 bpm • F Maj • 03:26 • -12db
33% Popularity • 47% Danceability • 49% Energy • 25% Liveness
85% Instrumentalness • 64% Positiveness
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Balthazar
Blood Like Wine
136 bpm • D Maj • 05:03 • -7.24db
43% Popularity • 77% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 85% Positiveness
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Lou Doillon
Defiant
136 bpm • A# min • 03:15 • -6.91db
28% Popularity • 64% Danceability • 61% Energy • 8% Liveness
0% Instrumentalness • 64% Positiveness
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I Monster
Daydream in Blue - BBC Radio 2 Session
135 bpm • F min • 03:58 • -14.84db
52% Popularity • 85% Danceability • 18% Energy • 8% Liveness
46% Instrumentalness • 32% Positiveness
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Bat For Lashes
Daniel
135 bpm • G# min • 04:11 • -8.39db
53% Popularity • 59% Danceability • 66% Energy • 14% Liveness
2% Instrumentalness • 42% Positiveness
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Groove Armada
At The River
136 bpm • C# Maj • 06:34 • -7.16db
39% Popularity • 69% Danceability • 67% Energy • 35% Liveness
3% Instrumentalness • 57% Positiveness
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Gaz Coombes
20/20
135 bpm • G min • 04:14 • -5.68db
28% Popularity • 54% Danceability • 61% Energy • 17% Liveness
1% Instrumentalness • 16% Positiveness
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Joan As Police Woman
Holy City
135 bpm • G# Maj • 04:44 • -7.29db
33% Popularity • 68% Danceability • 77% Energy • 7% Liveness
20% Instrumentalness • 83% Positiveness
► Preview
Wild Beasts
Mecca
135 bpm • F min • 03:44 • -13db
39% Popularity • 55% Danceability • 45% Energy • 9% Liveness
2% Instrumentalness • 15% Positiveness
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Jesca Hoop
The Lost Sky
135 bpm • A# min • 03:50 • -11.08db
27% Popularity • 59% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
► Preview
Nick Cave & The Bad Seeds
Push the Sky Away
135 bpm • F min • 04:07 • -23db
46% Popularity • 29% Danceability • 10% Energy • 10% Liveness
61% Instrumentalness • 4% Positiveness
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Baxter Dury
Happy Soup
134 bpm • C min • 03:46 • -5db
27% Popularity • 47% Danceability • 79% Energy • 14% Liveness
94% Instrumentalness • 27% Positiveness
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Grinderman
Go Tell the Women
134 bpm • G Maj • 03:24 • -10.91db
38% Popularity • 74% Danceability • 39% Energy • 18% Liveness
0% Instrumentalness • 37% Positiveness
► Preview
Joan As Police Woman
Run for Love
134 bpm • G# min • 05:37 • -6.32db
11% Popularity • 49% Danceability • 79% Energy • 53% Liveness
58% Instrumentalness • 74% Positiveness
► Preview
Fever Ray
Triangle Walks
180 bpm • A# Maj • 04:23 • -6.18db
37% Popularity • 58% Danceability • 73% Energy • 14% Liveness
36% Instrumentalness • 78% Positiveness
► Preview
Alamo Race Track
Black Cat John Brown
180 bpm • G min • 03:38 • -5db
32% Popularity • 58% Danceability • 64% Energy • 11% Liveness
7% Instrumentalness • 36% Positiveness
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Beirut
Gallipoli
133 bpm • A# Maj • 04:06 • -8.1db
47% Popularity • 50% Danceability • 61% Energy • 8% Liveness
57% Instrumentalness • 34% Positiveness
► Preview
Michelle Gurevich
Party Girl
132 bpm • F# min • 04:26 • -14.53db
49% Popularity • 70% Danceability • 25% Energy • 10% Liveness
1% Instrumentalness • 42% Positiveness
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Soap&Skin
Spiracle
132 bpm • C min • 02:50 • -11db
33% Popularity • 63% Danceability • 21% Energy • 13% Liveness
1% Instrumentalness • 11% Positiveness
► Preview
Fink
Blueberry Pancakes
133 bpm • A# Maj • 04:22 • -10db
40% Popularity • 74% Danceability • 45% Energy • 10% Liveness
16% Instrumentalness • 55% Positiveness
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The Magic