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The Men Behind the Wire
Songs like
The Men Behind the Wire
by
Barleycorn
Based on a tempo of (+/- 10%) and a similar genre
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Barleycorn
The Men Behind the Wire
105 bpm • G Maj • 02:28 • -9db
6% Popularity • 52% Danceability • 50% Energy • 6% Liveness
0% Instrumentalness • 90% Positiveness
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Wolfhound
London's Derry
105 bpm • A# Maj • 02:30 • -12.18db
15% Popularity • 58% Danceability • 64% Energy • 23% Liveness
0% Instrumentalness • 93% Positiveness
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Patsy Watchorn
The Rare Old Times
105 bpm • A# Maj • 04:48 • -13.47db
30% Popularity • 59% Danceability • 29% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
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Dermot O'Brien
Dublin Town in 1962
105 bpm • A Maj • 05:43 • -8db
19% Popularity • 50% Danceability • 58% Energy • 23% Liveness
0% Instrumentalness • 50% Positiveness
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Irish Lads Of Limerick
Muirsheen Durkin
105 bpm • G Maj • 02:08 • -11db
36% Popularity • 76% Danceability • 44% Energy • 18% Liveness
0% Instrumentalness • 70% Positiveness
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Bob Fox
Sally Wheatley
105 bpm • F Maj • 05:11 • -17db
16% Popularity • 56% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
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Barleycorn
Freedom Walk
105 bpm • B Maj • 03:54 • -12.02db
4% Popularity • 39% Danceability • 40% Energy • 38% Liveness
0% Instrumentalness • 34% Positiveness
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Michael Marra
Hermless
105 bpm • E min • 03:44 • -8.91db
18% Popularity • 63% Danceability • 21% Energy • 23% Liveness
0% Instrumentalness • 36% Positiveness
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Seán Keane
Home Away from Home
106 bpm • G min • 03:58 • -17db
24% Popularity • 65% Danceability • 34% Energy • 34% Liveness
0% Instrumentalness • 42% Positiveness
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Danny Doyle
Many Young Men Of Twenty
106 bpm • G Maj • 02:27 • -16db
10% Popularity • 62% Danceability • 42% Energy • 10% Liveness
46% Instrumentalness • 92% Positiveness
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Barnbrack
Will You Go Lassie Go
104 bpm • D Maj • 03:45 • -12.57db
11% Popularity • 29% Danceability • 28% Energy • 7% Liveness
24% Instrumentalness • 19% Positiveness
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Annmarie O'Riordan
The Boys of Barr Na Sráide
106 bpm • A# min • 04:45 • -6db
28% Popularity • 37% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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Barleycorn
Bring Them Home
105 bpm • C Maj • 03:12 • -10.91db
4% Popularity • 50% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
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The McCalmans
Scots Abroad
104 bpm • F# Maj • 03:11 • -4.57db
22% Popularity • 89% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 86% Positiveness
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Seanchai & the Unity Squad
The Ballad of Mairead Farrell
104 bpm • A min • 04:00 • -10.77db
23% Popularity • 46% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
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The Fighting Men From Crossmaglen
Irish Soldier Laddie
106 bpm • C Maj • 03:11 • -8db
35% Popularity • 59% Danceability • 53% Energy • 31% Liveness
0% Instrumentalness • 91% Positiveness
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Barnbrack
The Fields of Athenry
106 bpm • E Maj • 04:19 • -8.88db
19% Popularity • 45% Danceability • 37% Energy • 86% Liveness
0% Instrumentalness • 27% Positiveness
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Kitty Macfarlane
Glass Eel
104 bpm • D# Maj • 04:42 • -8.48db
22% Popularity • 52% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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Barleycorn
The Men Behind the Wire
105 bpm • G Maj • 02:25 • -9.12db
26% Popularity • 61% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 81% Positiveness
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Na Fianna
From Clare to Here - Live
106 bpm • D Maj • 03:37 • -8.92db
23% Popularity • 62% Danceability • 61% Energy • 15% Liveness
0% Instrumentalness • 79% Positiveness
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The Irish Ramblers
Come out Ye Black and Tans
104 bpm • G min • 02:09 • -14db
27% Popularity • 70% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 94% Positiveness
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The Fighting Men From Crossmaglen
Fighting Men From The Crossmaglen
104 bpm • G Maj • 02:04 • -16.48db
39% Popularity • 65% Danceability • 44% Energy • 16% Liveness
0% Instrumentalness • 74% Positiveness
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The Blarney Pilgrims
James Connolly Irish Citizen Army
106 bpm • C Maj • 06:41 • -12.4db
17% Popularity • 51% Danceability • 62% Energy • 96% Liveness
0% Instrumentalness • 44% Positiveness
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The McCalmans
Doon In the Wee Room
104 bpm • D Maj • 02:43 • -8.26db
18% Popularity • 71% Danceability • 59% Energy • 12% Liveness
0% Instrumentalness • 92% Positiveness
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Barleycorn
My Last Farewell
104 bpm • A Maj • 04:28 • -15db
24% Popularity • 48% Danceability • 25% Energy • 16% Liveness
0% Instrumentalness • 31% Positiveness
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Chris Ball
Catch Me If You Can
107 bpm • G Maj • 02:28 • -13db
37% Popularity • 64% Danceability • 52% Energy • 12% Liveness
67% Instrumentalness • 86% Positiveness
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Brier
The Fields Of Athenry
107 bpm • E Maj • 04:15 • -17db
25% Popularity • 49% Danceability • 21% Energy • 15% Liveness
0% Instrumentalness • 31% Positiveness
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The Fighting Men From Crossmaglen
Kelly The Boy From Killane
107 bpm • D Maj • 02:41 • -14.83db
25% Popularity • 66% Danceability • 49% Energy • 17% Liveness
2% Instrumentalness • 92% Positiveness
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Christie Hennessy
Messenger Boy
107 bpm • D min • 03:29 • -7.49db
30% Popularity • 66% Danceability • 65% Energy • 12% Liveness
1% Instrumentalness • 57% Positiveness
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Wolfhound
Over the Wall
107 bpm • A Maj • 02:37 • -8db
14% Popularity • 65% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 81% Positiveness
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Barleycorn
Grace
104 bpm • C Maj • 04:37 • -16.73db
17% Popularity • 65% Danceability • 13% Energy • 9% Liveness
0% Instrumentalness • 54% Positiveness
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The Clancy Brothers & Tommy Makem
Mr Moses Ri-Tooral-I-Ay
103 bpm • F min • 02:43 • -15.89db
13% Popularity • 69% Danceability • 42% Energy • 75% Liveness
0% Instrumentalness • 88% Positiveness
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Dolores Keane
Faraway in Australia
103 bpm • F Maj • 02:55 • -8.85db
42% Popularity • 54% Danceability • 31% Energy • 13% Liveness
0% Instrumentalness • 34% Positiveness
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Brendan McFarlane
O'Hara, Hughes, McCreesh and Sands
107 bpm • E min • 03:55 • -15db
16% Popularity • 36% Danceability • 28% Energy • 14% Liveness
0% Instrumentalness • 46% Positiveness
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The Irish Ramblers
Amhrán Na Bhfiann - Short Version (Voca...
107 bpm • A Maj • 01:15 • -12.1db
25% Popularity • 63% Danceability • 51% Energy • 33% Liveness
0% Instrumentalness • 59% Positiveness
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Seán Keane
Galway to Graceland
103 bpm • G# Maj • 04:44 • -15.48db
18% Popularity • 50% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
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Barleycorn
Over My Mountains
104 bpm • G Maj • 03:17 • -12.88db
3% Popularity • 61% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
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The Fighting Men From Crossmaglen
Henry Joy
102 bpm • C min • 02:42 • -15.85db
12% Popularity • 69% Danceability • 43% Energy • 30% Liveness
1% Instrumentalness • 69% Positiveness
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Terence O'Neill & Cormac O'Moore
The People's Own MP
107 bpm • D Maj • 04:23 • -16.44db
21% Popularity • 51% Danceability • 13% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
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The McCalmans
Twa Recruitin' Sergeants
102 bpm • F Maj • 03:19 • -10.69db
21% Popularity • 75% Danceability • 40% Energy • 22% Liveness
0% Instrumentalness • 76% Positiveness
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The Irish Ramblers
A Soldier's Song - Medium Version (Engli...
107 bpm • A Maj • 01:49 • -12.3db
17% Popularity • 64% Danceability • 49% Energy • 24% Liveness
0% Instrumentalness • 52% Positiveness
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The Mary Wallopers
The Turfman From Ardee
102 bpm • D Maj • 01:52 • -10.79db
43% Popularity • 63% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 94% Positiveness
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Barleycorn
Portland Town
104 bpm • D# Maj • 04:00 • -14.1db
14% Popularity • 65% Danceability • 38% Energy • 6% Liveness
0% Instrumentalness • 80% Positiveness
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Pecker Dunne
Whiskey in the Jar
108 bpm • A# Maj • 02:34 • -9db
27% Popularity • 58% Danceability • 52% Energy • 6% Liveness
0% Instrumentalness • 88% Positiveness
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Barnbrack
Belfast
108 bpm • A# Maj • 03:27 • -11.66db
25% Popularity • 44% Danceability • 27% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
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Go Lucky Four
Up Went Nelson
108 bpm • A Maj • 02:35 • -7.13db
17% Popularity • 78% Danceability • 66% Energy • 44% Liveness
0% Instrumentalness • 52% Positiveness
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The Irish Ramblers
Amhrán Na Bhfiann - Long Version (Vocal...
107 bpm • A Maj • 03:12 • -12.58db
19% Popularity • 69% Danceability • 54% Energy • 16% Liveness
0% Instrumentalness • 86% Positiveness
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a lazarus soul
Long Balconies
108 bpm • B Maj • 03:42 • -9.04db
21% Popularity • 58% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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Barleycorn
Long Before Your Time
102 bpm • C# Maj • 03:49 • -12.08db
11% Popularity • 53% Danceability • 29% Energy • 14% Liveness
0% Instrumentalness • 31% Positiveness
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Hò-rò
Tom Paine’s Bones
102 bpm • D# Maj • 04:44 • -9db
22% Popularity • 62% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 69% Positiveness
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Kathleen MacInnes
Dh'erich Mi Moch Madainn Cheitein
109 bpm • C Maj • 02:59 • -13db
33% Popularity • 56% Danceability • 25% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
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Terry O' Neill
A Nation Once Again
109 bpm • A Maj • 03:10 • -13.73db
14% Popularity • 56% Danceability • 31% Energy • 16% Liveness
0% Instrumentalness • 42% Positiveness
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Na Fianna
Red Haired Mary - Live
108 bpm • F# Maj • 03:21 • -9.96db
24% Popularity • 66% Danceability • 42% Energy • 18% Liveness
0% Instrumentalness • 79% Positiveness
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Patsy Watchorn
Grace
109 bpm • A Maj • 04:19 • -7db
16% Popularity • 50% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
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Barleycorn
The Lakes of Coolfin
101 bpm • F Maj • 03:11 • -10.42db
14% Popularity • 45% Danceability • 36% Energy • 15% Liveness
0% Instrumentalness • 48% Positiveness
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Gunna Sound Ceilidh Band
The Lights Of Lochindaal
109 bpm • C Maj • 02:32 • -6.77db
26% Popularity • 58% Danceability • 79% Energy • 8% Liveness
0% Instrumentalness • 92% Positiveness
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Pangur Bán
Death Before Revenge
109 bpm • G# Maj • 05:54 • -12.81db
19% Popularity • 68% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 79% Positiveness
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Matt McGinn
The Dundee Ghost
101 bpm • F# min • 02:42 • -12.05db
15% Popularity • 72% Danceability • 33% Energy • 7% Liveness
0% Instrumentalness • 76% Positiveness
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Stockton's Wing
Take A Chance
101 bpm • A Maj • 05:33 • -16.14db
20% Popularity • 47% Danceability • 14% Energy • 15% Liveness
0% Instrumentalness • 26% Positiveness
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Bagatelle
Summer in Dublin
109 bpm • A min • 04:54 • -13db
48% Popularity • 54% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
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Barleycorn
A Song for Ireland
101 bpm • G Maj • 04:29 • -13.02db
20% Popularity • 46% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
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Wolfe Tones
The Boys of Fair Hill
101 bpm • G Maj • 01:39 • -15.41db
14% Popularity • 70% Danceability • 48% Energy • 33% Liveness
0% Instrumentalness • 92% Positiveness
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Patsy Watchorn
The Ferryman
110 bpm • A Maj • 02:49 • -5db
36% Popularity • 61% Danceability • 74% Energy • 32% Liveness
0% Instrumentalness • 74% Positiveness
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The Fighting Men From Crossmaglen
Rifles Of The I.R.A
110 bpm • A# Maj • 03:13 • -14.96db
17% Popularity • 72% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 84% Positiveness
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The Irish Ramblers
The Boys of the Old Brigade
110 bpm • G Maj • 02:55 • -12.3db
11% Popularity • 62% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
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The McCalmans
Farewell to Nova Scotia
110 bpm • E Maj • 03:00 • -8.37db
18% Popularity • 68% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
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Barleycorn
Carrickfergus
101 bpm • D Maj • 05:07 • -15.26db
9% Popularity • 20% Danceability • 15% Energy • 15% Liveness
29% Instrumentalness • 20% Positiveness
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Wolfhound
Boys of the Old Brigade
100 bpm • G Maj • 03:23 • -10.74db
15% Popularity • 43% Danceability • 41% Energy • 34% Liveness
1% Instrumentalness • 66% Positiveness
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Shebeen
Come out You Black and Tans
110 bpm • E min • 03:58 • -9.71db
25% Popularity • 71% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 83% Positiveness
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Patsy Watchorn
Dublin In My Tears
110 bpm • F Maj • 05:08 • -5.42db
13% Popularity • 58% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
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The Irish Ramblers
The Irish Soldier Laddie
110 bpm • D Maj • 02:55 • -14db
36% Popularity • 60% Danceability • 48% Energy • 9% Liveness
1% Instrumentalness • 82% Positiveness
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The Dicey Rileys
The Black Velvet Band
100 bpm • G Maj • 03:48 • -7.93db
30% Popularity • 66% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
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Barleycorn
Cavan Girl
101 bpm • E Maj • 03:18 • -13.09db
25% Popularity • 53% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Aoife Scott
The Hills of South Armagh
110 bpm • D Maj • 04:47 • -15.7db
13% Popularity • 66% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
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North Sea Gas
Twa Recruiting Sergeants
110 bpm • G Maj • 03:46 • -6.67db
17% Popularity • 66% Danceability • 58% Energy • 28% Liveness
0% Instrumentalness • 59% Positiveness
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Patsy Watchorn
Dublin Town In 1962
110 bpm • C Maj • 04:56 • -6db
12% Popularity • 51% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
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The Mary Wallopers
As I Roved Out
110 bpm • A min • 02:47 • -9.87db
42% Popularity • 73% Danceability • 59% Energy • 13% Liveness
0% Instrumentalness • 86% Positiveness
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Matt McGinn
The Ballad of John McLean
110 bpm • B min • 03:40 • -13.86db
13% Popularity • 59% Danceability • 38% Energy • 70% Liveness
0% Instrumentalness • 96% Positiveness
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Barleycorn
Tie Me Down
101 bpm • F Maj • 03:17 • -12.42db
1% Popularity • 58% Danceability • 51% Energy • 30% Liveness
50% Instrumentalness • 66% Positiveness
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George Murphy
Dublin In The Rare Auld Times
110 bpm • C Maj • 05:14 • -6.74db
18% Popularity • 53% Danceability • 37% Energy • 7% Liveness
0% Instrumentalness • 44% Positiveness
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The Men of No Property
The Bogside Doodle Bug
110 bpm • D# Maj • 02:44 • -17.21db
13% Popularity • 81% Danceability • 20% Energy • 19% Liveness
0% Instrumentalness • 95% Positiveness
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Danny Doyle
Irish Soldier Laddie
111 bpm • D# Maj • 02:32 • -8db
20% Popularity • 57% Danceability • 55% Energy • 23% Liveness
0% Instrumentalness • 82% Positiveness
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The Irish Ramblers
Only Our Rivers Run Free
100 bpm • B min • 03:30 • -17.15db
16% Popularity • 44% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
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Brier
Las Vegas (In The Hill Of Donegal)
111 bpm • G# Maj • 02:49 • -15db
21% Popularity • 71% Danceability • 41% Energy • 13% Liveness
0% Instrumentalness • 58% Positiveness
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Barleycorn
Fields of Athenry
109 bpm • A Maj • 04:56 • -14.33db
7% Popularity • 45% Danceability • 16% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
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Barnbrack
Whiskey in the Jar / I'll Tell Me Ma
111 bpm • A Maj • 01:58 • -7db
36% Popularity • 48% Danceability • 86% Energy • 91% Liveness
0% Instrumentalness • 93% Positiveness
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Pangur Bán
Ballad of George and Pop
111 bpm • D# Maj • 04:08 • -10.91db
22% Popularity • 66% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
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IspÃnà na hÉireann
Bash Bash Bash
99 bpm • B min • 02:21 • -9.57db
24% Popularity • 62% Danceability • 71% Energy • 13% Liveness
64% Instrumentalness • 95% Positiveness
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De Dannan
Rambling Irishman
111 bpm • A# Maj • 03:36 • -14.47db
26% Popularity • 62% Danceability • 27% Energy • 35% Liveness
0% Instrumentalness • 71% Positiveness
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Brier
I Used To Love Her
111 bpm • A Maj • 02:31 • -20db
17% Popularity • 50% Danceability • 24% Energy • 41% Liveness
0% Instrumentalness • 54% Positiveness
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Barleycorn
Mary Ellen Carter
110 bpm • D Maj • 04:41 • -12.56db
11% Popularity • 69% Danceability • 35% Energy • 8% Liveness
0% Instrumentalness • 64% Positiveness
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Danú
Easy And Free
111 bpm • C Maj • 04:43 • -17db
12% Popularity • 39% Danceability • 19% Energy • 17% Liveness
1% Instrumentalness • 26% Positiveness
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The Fighting Men From Crossmaglen
Little Armalite
111 bpm • E Maj • 03:21 • -17.6db
19% Popularity • 69% Danceability • 39% Energy • 33% Liveness
4% Instrumentalness • 96% Positiveness
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The Countrymen
Cornish Lads Are Fishermen
99 bpm • F# Maj • 03:35 • -6.92db
23% Popularity • 61% Danceability • 22% Energy • 7% Liveness
0% Instrumentalness • 75% Positiveness
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Calum Kennedy
The Dark Island
99 bpm • A# Maj • 04:01 • -15.26db
17% Popularity • 21% Danceability • 35% Energy • 96% Liveness
6% Instrumentalness • 20% Positiveness
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Paddy Reilly
Deportees
99 bpm • D Maj • 05:45 • -13.34db
22% Popularity • 54% Danceability • 26% Energy • 96% Liveness
0% Instrumentalness • 38% Positiveness
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Barleycorn
The Day of the Clipper
99 bpm • C Maj • 03:48 • -12.62db
4% Popularity • 61% Danceability • 48% Energy • 22% Liveness
0% Instrumentalness • 72% Positiveness
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Pecker Dunne
Mcalpine's Fusiliers
112 bpm • A Maj • 05:39 • -15db
11% Popularity • 65% Danceability • 32% Energy • 79% Liveness
0% Instrumentalness • 64% Positiveness
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ElÃr
If I Was a Blackbird
112 bpm • D Maj • 04:38 • -11.25db
20% Popularity • 55% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Ray McAreavey
Erin's Flag
112 bpm • G Maj • 02:38 • -11.23db
13% Popularity • 54% Danceability • 44% Energy • 14% Liveness
0% Instrumentalness • 77% Positiveness
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The Men Behind the Wire