Songs like The Men In My Little Girl's Life by Mike Douglas
Based on a tempo of (+/- 10%) and a similar genre
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Kay Kyser
That's for Me
89 bpm • G Maj • 03:26 • -14.29db
0% Popularity • 41% Danceability • 8% Energy • 14% Liveness
5% Instrumentalness • 16% Positiveness
0% Popularity • 41% Danceability • 8% Energy • 14% Liveness
5% Instrumentalness • 16% Positiveness
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Carpenters
(They Long To Be) Close To You
89 bpm • G# Maj • 04:33 • -15.36db
68% Popularity • 53% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
68% Popularity • 53% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
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The Cast of Peter Pan
Your Mother and Mine - Original
89 bpm • F Maj • 01:58 • -18.71db
20% Popularity • 31% Danceability • 10% Energy • 13% Liveness
3% Instrumentalness • 31% Positiveness
20% Popularity • 31% Danceability • 10% Energy • 13% Liveness
3% Instrumentalness • 31% Positiveness
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Flanagan & Allen
Run, Rabbit Run!
89 bpm • D Maj • 02:44 • -14db
44% Popularity • 83% Danceability • 30% Energy • 18% Liveness
4% Instrumentalness • 68% Positiveness
44% Popularity • 83% Danceability • 30% Energy • 18% Liveness
4% Instrumentalness • 68% Positiveness
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Mike Douglas
The Men In My Little Girl's Life
89 bpm • B Maj • 04:00 • -16.61db
3% Popularity • 22% Danceability • 26% Energy • 15% Liveness
4% Instrumentalness • 21% Positiveness
3% Popularity • 22% Danceability • 26% Energy • 15% Liveness
4% Instrumentalness • 21% Positiveness
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The Flamingos
I Only Have Eyes for You
89 bpm • F Maj • 03:22 • -12.41db
67% Popularity • 55% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
67% Popularity • 55% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
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Ilene Woods
So This Is Love
89 bpm • E Maj • 01:32 • -18.72db
60% Popularity • 28% Danceability • 10% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
60% Popularity • 28% Danceability • 10% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
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Dalida
Love In Portofino
89 bpm • G# min • 03:02 • -10.13db
60% Popularity • 42% Danceability • 29% Energy • 17% Liveness
0% Instrumentalness • 50% Positiveness
60% Popularity • 42% Danceability • 29% Energy • 17% Liveness
0% Instrumentalness • 50% Positiveness
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The Pied Pipers
Dream
88 bpm • G Maj • 02:48 • -10.59db
58% Popularity • 20% Danceability • 28% Energy • 21% Liveness
0% Instrumentalness • 7% Positiveness
58% Popularity • 20% Danceability • 28% Energy • 21% Liveness
0% Instrumentalness • 7% Positiveness
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Peggy Lee (performer), Oliver Wallace (comductor), Walt Disney Studio Orchestra
The Siamese Cat Song / What's Going On D...
88 bpm • A# Maj • 02:37 • -17db
23% Popularity • 58% Danceability • 22% Energy • 8% Liveness
1% Instrumentalness • 47% Positiveness
23% Popularity • 58% Danceability • 22% Energy • 8% Liveness
1% Instrumentalness • 47% Positiveness
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Over the Garden Wall
Send Me a Peach
90 bpm • G min • 02:02 • -12.03db
48% Popularity • 50% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
48% Popularity • 50% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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Emily Watts
La Vie En Rose
88 bpm • F# Maj • 02:37 • -17.54db
66% Popularity • 42% Danceability • 8% Energy • 28% Liveness
0% Instrumentalness • 25% Positiveness
66% Popularity • 42% Danceability • 8% Energy • 28% Liveness
0% Instrumentalness • 25% Positiveness
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Charmian Carr
The Sound Of Music
88 bpm • F Maj • 02:13 • -22db
52% Popularity • 27% Danceability • 5% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
52% Popularity • 27% Danceability • 5% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
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David Tobin
You Are
90 bpm • C Maj • 03:37 • -14.42db
16% Popularity • 44% Danceability • 30% Energy • 28% Liveness
7% Instrumentalness • 33% Positiveness
16% Popularity • 44% Danceability • 30% Energy • 28% Liveness
7% Instrumentalness • 33% Positiveness
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Christy Altomare
Once Upon a December
90 bpm • B min • 02:59 • -12db
64% Popularity • 22% Danceability • 29% Energy • 9% Liveness
0% Instrumentalness • 7% Positiveness
64% Popularity • 22% Danceability • 29% Energy • 9% Liveness
0% Instrumentalness • 7% Positiveness
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Amy Lou Barnes
Little April Shower
90 bpm • C Maj • 03:53 • -18db
45% Popularity • 44% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
45% Popularity • 44% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
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Mary Costa
Blue Bird / I Wonder
88 bpm • C# Maj • 02:43 • -19.97db
37% Popularity • 28% Danceability • 16% Energy • 8% Liveness
82% Instrumentalness • 9% Positiveness
37% Popularity • 28% Danceability • 16% Energy • 8% Liveness
82% Instrumentalness • 9% Positiveness
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Billie Holiday
I'll Be Seeing You
90 bpm • C# Maj • 03:31 • -20.48db
68% Popularity • 36% Danceability • 3% Energy • 12% Liveness
6% Instrumentalness • 19% Positiveness
68% Popularity • 36% Danceability • 3% Energy • 12% Liveness
6% Instrumentalness • 19% Positiveness
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Mike Douglas
Sunrise, Sunset
87 bpm • G min • 02:38 • -12.81db
1% Popularity • 26% Danceability • 28% Energy • 27% Liveness
0% Instrumentalness • 26% Positiveness
1% Popularity • 26% Danceability • 28% Energy • 27% Liveness
0% Instrumentalness • 26% Positiveness
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Etta James
At Last
87 bpm • F Maj • 02:59 • -8.63db
78% Popularity • 27% Danceability • 35% Energy • 33% Liveness
1% Instrumentalness • 33% Positiveness
78% Popularity • 27% Danceability • 35% Energy • 33% Liveness
1% Instrumentalness • 33% Positiveness
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Laufey
Like the Movies
87 bpm • C Maj • 02:42 • -10.24db
72% Popularity • 57% Danceability • 27% Energy • 15% Liveness
0% Instrumentalness • 21% Positiveness
72% Popularity • 57% Danceability • 27% Energy • 15% Liveness
0% Instrumentalness • 21% Positiveness
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Ilene Woods
If I Love Again
91 bpm • G Maj • 03:16 • -13.29db
28% Popularity • 26% Danceability • 13% Energy • 17% Liveness
0% Instrumentalness • 15% Positiveness
28% Popularity • 26% Danceability • 13% Energy • 17% Liveness
0% Instrumentalness • 15% Positiveness
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Steven Universe
Here Comes a Thought
91 bpm • C Maj • 03:22 • -9.58db
63% Popularity • 75% Danceability • 51% Energy • 8% Liveness
0% Instrumentalness • 47% Positiveness
63% Popularity • 75% Danceability • 51% Energy • 8% Liveness
0% Instrumentalness • 47% Positiveness
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Piero Piccioni
Luna, amore e no
87 bpm • D# Maj • 02:02 • -13.99db
57% Popularity • 17% Danceability • 26% Energy • 29% Liveness
93% Instrumentalness • 19% Positiveness
57% Popularity • 17% Danceability • 26% Energy • 29% Liveness
93% Instrumentalness • 19% Positiveness
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Mike Douglas
The Men in My Little Girls Life
91 bpm • C Maj • 03:44 • -16.2db
8% Popularity • 34% Danceability • 26% Energy • 56% Liveness
0% Instrumentalness • 26% Positiveness
8% Popularity • 34% Danceability • 26% Energy • 56% Liveness
0% Instrumentalness • 26% Positiveness
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Jerry Herman
It Only Takes A Moment
87 bpm • C# Maj • 04:12 • -17db
42% Popularity • 25% Danceability • 15% Energy • 36% Liveness
0% Instrumentalness • 16% Positiveness
42% Popularity • 25% Danceability • 15% Energy • 36% Liveness
0% Instrumentalness • 16% Positiveness
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Danny Elfman
Tears to Shed
92 bpm • G min • 02:45 • -15.44db
47% Popularity • 40% Danceability • 28% Energy • 15% Liveness
0% Instrumentalness • 42% Positiveness
47% Popularity • 40% Danceability • 28% Energy • 15% Liveness
0% Instrumentalness • 42% Positiveness
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Judy Kuhn
Colors of the Wind
92 bpm • C# Maj • 03:32 • -11.81db
59% Popularity • 28% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
59% Popularity • 28% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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Albert Hammond
Creep
92 bpm • G Maj • 01:20 • -10.84db
49% Popularity • 50% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
49% Popularity • 50% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
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The Cast of Mary Poppins
Feed The Birds (Tuppence A Bag)
86 bpm • F# Maj • 03:51 • -23.51db
21% Popularity • 30% Danceability • 7% Energy • 8% Liveness
0% Instrumentalness • 16% Positiveness
21% Popularity • 30% Danceability • 7% Energy • 8% Liveness
0% Instrumentalness • 16% Positiveness
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London Music Works
Tale as Old as Time
92 bpm • G# Maj • 02:46 • -13.17db
36% Popularity • 24% Danceability • 18% Energy • 10% Liveness
1% Instrumentalness • 30% Positiveness
36% Popularity • 24% Danceability • 18% Energy • 10% Liveness
1% Instrumentalness • 30% Positiveness
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Herb Alpert & The Tijuana Brass
Ladyfingers
86 bpm • G# Maj • 02:46 • -13.19db
62% Popularity • 37% Danceability • 35% Energy • 17% Liveness
94% Instrumentalness • 56% Positiveness
62% Popularity • 37% Danceability • 35% Energy • 17% Liveness
94% Instrumentalness • 56% Positiveness
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Steven Universe
Peace and Love on the Planet Earth
92 bpm • D min • 01:52 • -11.05db
62% Popularity • 75% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 75% Positiveness
62% Popularity • 75% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 75% Positiveness
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Ilene Woods
If I Love Again
92 bpm • G Maj • 03:13 • -14.57db
16% Popularity • 27% Danceability • 14% Energy • 27% Liveness
0% Instrumentalness • 16% Positiveness
16% Popularity • 27% Danceability • 14% Energy • 27% Liveness
0% Instrumentalness • 16% Positiveness
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The Pied Pipers
In the Moon Mist
92 bpm • G# Maj • 02:44 • -10.32db
29% Popularity • 26% Danceability • 23% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
29% Popularity • 26% Danceability • 23% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
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Amy Adams
Happy Working Song
86 bpm • D Maj • 02:10 • -6.42db
48% Popularity • 66% Danceability • 45% Energy • 31% Liveness
0% Instrumentalness • 63% Positiveness
48% Popularity • 66% Danceability • 45% Energy • 31% Liveness
0% Instrumentalness • 63% Positiveness
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Cole Porter (composer), The MGM Studio Orchestra
Silk Stockings
92 bpm • F Maj • 04:29 • -18db
11% Popularity • 16% Danceability • 14% Energy • 11% Liveness
49% Instrumentalness • 10% Positiveness
11% Popularity • 16% Danceability • 14% Energy • 11% Liveness
49% Instrumentalness • 10% Positiveness
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Laufey
Letter To My 13 Year Old Self
92 bpm • A# Maj • 04:22 • -14.92db
67% Popularity • 52% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
67% Popularity • 52% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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Andrew Lloyd Webber
All I Ask Of You
86 bpm • C# Maj • 04:54 • -20.93db
55% Popularity • 19% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
55% Popularity • 19% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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Charlie Spivak & His Orchestra
It's The Same Old Dream
92 bpm • G# Maj • 02:13 • -17.62db
30% Popularity • 31% Danceability • 18% Energy • 32% Liveness
89% Instrumentalness • 42% Positiveness
30% Popularity • 31% Danceability • 18% Energy • 32% Liveness
89% Instrumentalness • 42% Positiveness
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Etta James
A Sunday Kind Of Love
86 bpm • D min • 03:16 • -9.43db
73% Popularity • 42% Danceability • 28% Energy • 23% Liveness
0% Instrumentalness • 40% Positiveness
73% Popularity • 42% Danceability • 28% Energy • 23% Liveness
0% Instrumentalness • 40% Positiveness
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The Mamas & The Papas
Dream A Little Dream Of Me
93 bpm • G Maj • 03:14 • -13.14db
75% Popularity • 41% Danceability • 31% Energy • 7% Liveness
0% Instrumentalness • 35% Positiveness
75% Popularity • 41% Danceability • 31% Energy • 7% Liveness
0% Instrumentalness • 35% Positiveness
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Gael Garcia Bernal
Remember Me (Lullaby)
93 bpm • C Maj • 01:09 • -19.92db
67% Popularity • 53% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
67% Popularity • 53% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Ilene Woods
It's A Blue World
93 bpm • G Maj • 02:59 • -14db
22% Popularity • 32% Danceability • 18% Energy • 23% Liveness
0% Instrumentalness • 12% Positiveness
22% Popularity • 32% Danceability • 18% Energy • 23% Liveness
0% Instrumentalness • 12% Positiveness
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René Cloërec and His Orchestra
Amoureux
93 bpm • D Maj • 02:28 • -15.6db
1% Popularity • 21% Danceability • 24% Energy • 9% Liveness
80% Instrumentalness • 14% Positiveness
1% Popularity • 21% Danceability • 24% Energy • 9% Liveness
80% Instrumentalness • 14% Positiveness
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Mike Douglas
Kids!
85 bpm • D Maj • 02:25 • -11.34db
0% Popularity • 59% Danceability • 46% Energy • 43% Liveness
0% Instrumentalness • 82% Positiveness
0% Popularity • 59% Danceability • 46% Energy • 43% Liveness
0% Instrumentalness • 82% Positiveness
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The Cast of Alice in Wonderland
Pay Attention/In A World Of My Own - Ori...
93 bpm • F min • 02:12 • -18db
16% Popularity • 38% Danceability • 7% Energy • 43% Liveness
0% Instrumentalness • 26% Positiveness
16% Popularity • 38% Danceability • 7% Energy • 43% Liveness
0% Instrumentalness • 26% Positiveness
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Kay Starr
So Tired
93 bpm • F# Maj • 02:49 • -12.49db
44% Popularity • 41% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
44% Popularity • 41% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Shelley Duvall
He Needs Me
85 bpm • B Maj • 03:34 • -10.4db
47% Popularity • 60% Danceability • 19% Energy • 21% Liveness
0% Instrumentalness • 36% Positiveness
47% Popularity • 60% Danceability • 19% Energy • 21% Liveness
0% Instrumentalness • 36% Positiveness
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Richard Rodgers
State Fair 1945: It Might As Well Be Spr...
85 bpm • D Maj • 03:05 • -15.03db
21% Popularity • 33% Danceability • 15% Energy • 18% Liveness
0% Instrumentalness • 25% Positiveness
21% Popularity • 33% Danceability • 15% Energy • 18% Liveness
0% Instrumentalness • 25% Positiveness
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Adventure Time
Everything Stays
85 bpm • G Maj • 01:35 • -17.59db
68% Popularity • 48% Danceability • 10% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
68% Popularity • 48% Danceability • 10% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
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The Platters
Goodnight Sweetheart (It's Time To Go)
93 bpm • G min • 02:17 • -12db
38% Popularity • 76% Danceability • 39% Energy • 22% Liveness
0% Instrumentalness • 87% Positiveness
38% Popularity • 76% Danceability • 39% Energy • 22% Liveness
0% Instrumentalness • 87% Positiveness
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Matt Maltese
Intolewd
85 bpm • G min • 01:19 • -16.99db
77% Popularity • 76% Danceability • 20% Energy • 10% Liveness
19% Instrumentalness • 64% Positiveness
77% Popularity • 76% Danceability • 20% Energy • 10% Liveness
19% Instrumentalness • 64% Positiveness
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The Poni-Tails
Born Too Late
85 bpm • E Maj • 02:19 • -10.48db
55% Popularity • 55% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 79% Positiveness
55% Popularity • 55% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 79% Positiveness
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Justin Hurwitz
City Of Stars (Humming)
93 bpm • E min • 02:42 • -24.79db
57% Popularity • 56% Danceability • 1% Energy • 11% Liveness
2% Instrumentalness • 40% Positiveness
57% Popularity • 56% Danceability • 1% Energy • 11% Liveness
2% Instrumentalness • 40% Positiveness
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Mary Costa
I Wonder
93 bpm • C# Maj • 01:31 • -18db
35% Popularity • 33% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
35% Popularity • 33% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Adam Mitchell
Days In The Sun
94 bpm • A# Maj • 02:40 • -10db
53% Popularity • 30% Danceability • 27% Energy • 16% Liveness
0% Instrumentalness • 16% Positiveness
53% Popularity • 30% Danceability • 27% Energy • 16% Liveness
0% Instrumentalness • 16% Positiveness
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Adriana Caselotti
With a Smile and a Song
94 bpm • A# Maj • 01:42 • -15.87db
29% Popularity • 34% Danceability • 17% Energy • 21% Liveness
0% Instrumentalness • 49% Positiveness
29% Popularity • 34% Danceability • 17% Energy • 21% Liveness
0% Instrumentalness • 49% Positiveness
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Gael Garcia Bernal
Everyone Knows Juanita
85 bpm • A Maj • 01:15 • -19.41db
50% Popularity • 60% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
50% Popularity • 60% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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Clinton Ford
Daisy Bell
85 bpm • C Maj • 01:55 • -14.1db
34% Popularity • 58% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
34% Popularity • 58% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
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Sophia Loren
Almost in Your Arms
84 bpm • D# Maj • 02:51 • -10db
42% Popularity • 29% Danceability • 28% Energy • 22% Liveness
0% Instrumentalness • 12% Positiveness
42% Popularity • 29% Danceability • 28% Energy • 22% Liveness
0% Instrumentalness • 12% Positiveness
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Cody Fry
If Only My Heart Could Speak
84 bpm • C# Maj • 02:48 • -9db
43% Popularity • 37% Danceability • 28% Energy • 20% Liveness
0% Instrumentalness • 15% Positiveness
43% Popularity • 37% Danceability • 28% Energy • 20% Liveness
0% Instrumentalness • 15% Positiveness
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The Cast of Peter Pan
You Can Fly! You Can Fly! You Can Fly! (...
94 bpm • F Maj • 04:24 • -14.43db
30% Popularity • 46% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
30% Popularity • 46% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
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Bobby Vinton
Mr. Lonely
84 bpm • E Maj • 02:40 • -14.34db
47% Popularity • 37% Danceability • 18% Energy • 29% Liveness
0% Instrumentalness • 31% Positiveness
47% Popularity • 37% Danceability • 18% Energy • 29% Liveness
0% Instrumentalness • 31% Positiveness
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Gustavo Santaolalla
The Apology Song Demo
94 bpm • D min • 02:51 • -16.63db
27% Popularity • 70% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
27% Popularity • 70% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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Fox Academy
Choking on Flowers
84 bpm • C# min • 03:28 • -11.8db
61% Popularity • 18% Danceability • 59% Energy • 17% Liveness
91% Instrumentalness • 28% Positiveness
61% Popularity • 18% Danceability • 59% Energy • 17% Liveness
91% Instrumentalness • 28% Positiveness
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Kitty Kallen
Little Things Mean a Lot
84 bpm • G# Maj • 02:59 • -12.79db
37% Popularity • 32% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
37% Popularity • 32% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Al Bowlly
Heartaches
94 bpm • D# Maj • 03:31 • -10.66db
49% Popularity • 56% Danceability • 32% Energy • 22% Liveness
31% Instrumentalness • 42% Positiveness
49% Popularity • 56% Danceability • 32% Energy • 22% Liveness
31% Instrumentalness • 42% Positiveness
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Mike Douglas
Real Love
94 bpm • B Maj • 02:20 • -12.63db
0% Popularity • 44% Danceability • 36% Energy • 16% Liveness
0% Instrumentalness • 67% Positiveness
0% Popularity • 44% Danceability • 36% Energy • 16% Liveness
0% Instrumentalness • 67% Positiveness
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Camarata Chorus and Orchestra
All in the Golden Afternoon
94 bpm • C Maj • 02:39 • -15db
26% Popularity • 22% Danceability • 15% Energy • 8% Liveness
0% Instrumentalness • 22% Positiveness
26% Popularity • 22% Danceability • 15% Energy • 8% Liveness
0% Instrumentalness • 22% Positiveness
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Gustavo Santaolalla
The Apology Song
94 bpm • D min • 02:52 • -11.4db
55% Popularity • 55% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
55% Popularity • 55% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Laufey
Beautiful Stranger
84 bpm • C# Maj • 03:21 • -12.35db
68% Popularity • 61% Danceability • 23% Energy • 32% Liveness
0% Instrumentalness • 35% Positiveness
68% Popularity • 61% Danceability • 23% Energy • 32% Liveness
0% Instrumentalness • 35% Positiveness
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The Platters
Only You (And You Alone)
84 bpm • D# Maj • 02:46 • -10.81db
62% Popularity • 39% Danceability • 31% Energy • 14% Liveness
0% Instrumentalness • 29% Positiveness
62% Popularity • 39% Danceability • 31% Energy • 14% Liveness
0% Instrumentalness • 29% Positiveness
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Al Bowlly
The Very Thought of You
95 bpm • F min • 03:33 • -22db
44% Popularity • 38% Danceability • 3% Energy • 12% Liveness
87% Instrumentalness • 36% Positiveness
44% Popularity • 38% Danceability • 3% Energy • 12% Liveness
87% Instrumentalness • 36% Positiveness
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Mike Douglas
People
84 bpm • A# Maj • 02:39 • -12.99db
0% Popularity • 32% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
0% Popularity • 32% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Cast of Sleeping Beauty
Finale
84 bpm • A# Maj • 01:41 • -13.45db
36% Popularity • 18% Danceability • 30% Energy • 44% Liveness
34% Instrumentalness • 57% Positiveness
36% Popularity • 18% Danceability • 30% Energy • 44% Liveness
34% Instrumentalness • 57% Positiveness
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Mandy Moore
I See the Light
95 bpm • F Maj • 03:44 • -10.09db
58% Popularity • 25% Danceability • 22% Energy • 7% Liveness
0% Instrumentalness • 20% Positiveness
58% Popularity • 25% Danceability • 22% Energy • 7% Liveness
0% Instrumentalness • 20% Positiveness
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Santo & Johnny
Sleep Walk
95 bpm • A# min • 02:25 • -9.76db
65% Popularity • 78% Danceability • 21% Energy • 24% Liveness
96% Instrumentalness • 44% Positiveness
65% Popularity • 78% Danceability • 21% Energy • 24% Liveness
96% Instrumentalness • 44% Positiveness
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Sebastian Yatra
Two Oruguitas
95 bpm • C Maj • 03:34 • -8.89db
60% Popularity • 56% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
60% Popularity • 56% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
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Lesley Gore
You Don't Own Me
95 bpm • D Maj • 02:30 • -10.02db
73% Popularity • 47% Danceability • 43% Energy • 63% Liveness
0% Instrumentalness • 71% Positiveness
73% Popularity • 47% Danceability • 43% Energy • 63% Liveness
0% Instrumentalness • 71% Positiveness
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Air Quotes
Oh, Sing Sweet Nightingale
83 bpm • D# min • 01:46 • -10.34db
24% Popularity • 36% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
24% Popularity • 36% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
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Irwin Kostal
Prelude / The Sound Of Music - Medley
95 bpm • F Maj • 02:46 • -16db
47% Popularity • 24% Danceability • 21% Energy • 36% Liveness
0% Instrumentalness • 15% Positiveness
47% Popularity • 24% Danceability • 21% Energy • 36% Liveness
0% Instrumentalness • 15% Positiveness
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Laufey
Best Friend
83 bpm • D# Maj • 02:44 • -10.4db
68% Popularity • 76% Danceability • 40% Energy • 14% Liveness
0% Instrumentalness • 33% Positiveness
68% Popularity • 76% Danceability • 40% Energy • 14% Liveness
0% Instrumentalness • 33% Positiveness
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Ann-Margret
One Boy
83 bpm • A Maj • 05:06 • -16.02db
22% Popularity • 17% Danceability • 22% Energy • 14% Liveness
0% Instrumentalness • 23% Positiveness
22% Popularity • 17% Danceability • 22% Energy • 14% Liveness
0% Instrumentalness • 23% Positiveness
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Stephen Sanchez
Until I Found You - Piano Version
95 bpm • G Maj • 03:04 • -10.45db
67% Popularity • 60% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
67% Popularity • 60% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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The Pied Pipers
Mam'selle
83 bpm • D# Maj • 03:01 • -12.18db
29% Popularity • 31% Danceability • 20% Energy • 32% Liveness
0% Instrumentalness • 20% Positiveness
29% Popularity • 31% Danceability • 20% Energy • 32% Liveness
0% Instrumentalness • 20% Positiveness
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Diana Sowle
Cheer Up, Charlie
83 bpm • A Maj • 02:40 • -16db
37% Popularity • 30% Danceability • 15% Energy • 13% Liveness
1% Instrumentalness • 19% Positiveness
37% Popularity • 30% Danceability • 15% Energy • 13% Liveness
1% Instrumentalness • 19% Positiveness
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Amy Adams
True Love's Kiss
96 bpm • C Maj • 03:12 • -9.49db
49% Popularity • 24% Danceability • 35% Energy • 28% Liveness
0% Instrumentalness • 36% Positiveness
49% Popularity • 24% Danceability • 35% Energy • 28% Liveness
0% Instrumentalness • 36% Positiveness
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Patti Page
Let Me Call You Sweetheart
96 bpm • C# min • 01:57 • -13.42db
13% Popularity • 40% Danceability • 22% Energy • 11% Liveness
1% Instrumentalness • 53% Positiveness
13% Popularity • 40% Danceability • 22% Energy • 11% Liveness
1% Instrumentalness • 53% Positiveness
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Laufey
Valentine
83 bpm • D# Maj • 02:48 • -13.07db
80% Popularity • 47% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
80% Popularity • 47% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Camarata Chorus and Orchestra
Alice in Wonderland - Instrumental
82 bpm • G Maj • 02:31 • -11.54db
14% Popularity • 9% Danceability • 33% Energy • 18% Liveness
71% Instrumentalness • 21% Positiveness
14% Popularity • 9% Danceability • 33% Energy • 18% Liveness
71% Instrumentalness • 21% Positiveness
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Peggy Lee (performer), Oliver Wallace (comductor), Walt Disney Studio Orchestra
Baby's First Morning / What Is A Baby / ...
96 bpm • C# Maj • 03:11 • -22.07db
22% Popularity • 33% Danceability • 6% Energy • 11% Liveness
1% Instrumentalness • 20% Positiveness
22% Popularity • 33% Danceability • 6% Energy • 11% Liveness
1% Instrumentalness • 20% Positiveness
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Shirley Temple
Oh, My Goodness
82 bpm • A Maj • 03:49 • -8.46db
10% Popularity • 52% Danceability • 34% Energy • 41% Liveness
0% Instrumentalness • 71% Positiveness
10% Popularity • 52% Danceability • 34% Energy • 41% Liveness
0% Instrumentalness • 71% Positiveness
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Betty Noyes
Baby Mine
97 bpm • F# min • 02:07 • -10.69db
49% Popularity • 25% Danceability • 48% Energy • 31% Liveness
0% Instrumentalness • 24% Positiveness
49% Popularity • 25% Danceability • 48% Energy • 31% Liveness
0% Instrumentalness • 24% Positiveness
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Patti Page
Let Me Call You Sweetheart
97 bpm • D# Maj • 02:00 • -13.79db
28% Popularity • 29% Danceability • 26% Energy • 18% Liveness
1% Instrumentalness • 35% Positiveness
28% Popularity • 29% Danceability • 26% Energy • 18% Liveness
1% Instrumentalness • 35% Positiveness
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Laufey
Street by Street
82 bpm • C Maj • 03:44 • -10.87db
65% Popularity • 69% Danceability • 28% Energy • 14% Liveness
0% Instrumentalness • 22% Positiveness
65% Popularity • 69% Danceability • 28% Energy • 14% Liveness
0% Instrumentalness • 22% Positiveness
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Gregory Mann
Ciao Papa
82 bpm • A# Maj • 02:48 • -12db
34% Popularity • 58% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
34% Popularity • 58% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Mike Douglas
What Kind of Fool am I?
97 bpm • C Maj • 02:20 • -12.92db
0% Popularity • 34% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
0% Popularity • 34% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
