Songs like The Men Who Rule the World by Garbage
Based on a tempo of (+/- 10%) and a similar genre
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The Chemical Brothers
Let Forever Be
127 bpm • G# Maj • 03:56 • -4db
56% Popularity • 25% Danceability • 87% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
56% Popularity • 25% Danceability • 87% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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Dido
Take My Hand
127 bpm • G min • 06:42 • -7db
46% Popularity • 68% Danceability • 75% Energy • 17% Liveness
1% Instrumentalness • 48% Positiveness
46% Popularity • 68% Danceability • 75% Energy • 17% Liveness
1% Instrumentalness • 48% Positiveness
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The Smashing Pumpkins
1979 - Remastered 2012
127 bpm • D# Maj • 04:26 • -9.9db
77% Popularity • 77% Danceability • 79% Energy • 5% Liveness
58% Instrumentalness • 96% Positiveness
77% Popularity • 77% Danceability • 79% Energy • 5% Liveness
58% Instrumentalness • 96% Positiveness
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Madonna
Ray of Light
127 bpm • D# Maj • 05:22 • -7.88db
60% Popularity • 56% Danceability • 91% Energy • 7% Liveness
46% Instrumentalness • 71% Positiveness
60% Popularity • 56% Danceability • 91% Energy • 7% Liveness
46% Instrumentalness • 71% Positiveness
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New Order
60 Miles an Hour
127 bpm • A Maj • 04:34 • -5.43db
41% Popularity • 55% Danceability • 86% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
41% Popularity • 55% Danceability • 86% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
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Veruca Salt
Benjamin
128 bpm • F Maj • 04:05 • -5.29db
26% Popularity • 48% Danceability • 54% Energy • 49% Liveness
0% Instrumentalness • 49% Positiveness
26% Popularity • 48% Danceability • 54% Energy • 49% Liveness
0% Instrumentalness • 49% Positiveness
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Alanis Morissette
Uninvited
127 bpm • D Maj • 04:36 • -5.49db
59% Popularity • 38% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
59% Popularity • 38% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
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No Doubt
It's My Life
126 bpm • G# min • 03:46 • -5.07db
64% Popularity • 61% Danceability • 74% Energy • 33% Liveness
0% Instrumentalness • 78% Positiveness
64% Popularity • 61% Danceability • 74% Energy • 33% Liveness
0% Instrumentalness • 78% Positiveness
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The Smashing Pumpkins
Thirty-Three - Remastered 2012
127 bpm • F# Maj • 04:10 • -13db
51% Popularity • 61% Danceability • 33% Energy • 15% Liveness
40% Instrumentalness • 8% Positiveness
51% Popularity • 61% Danceability • 33% Energy • 15% Liveness
40% Instrumentalness • 8% Positiveness
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PJ Harvey
Good Fortune
126 bpm • G Maj • 03:20 • -4.46db
50% Popularity • 55% Danceability • 67% Energy • 8% Liveness
5% Instrumentalness • 56% Positiveness
50% Popularity • 55% Danceability • 67% Energy • 8% Liveness
5% Instrumentalness • 56% Positiveness
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Goldfrapp
Strict Machine
126 bpm • F# Maj • 03:51 • -7.66db
54% Popularity • 63% Danceability • 59% Energy • 11% Liveness
16% Instrumentalness • 45% Positiveness
54% Popularity • 63% Danceability • 59% Energy • 11% Liveness
16% Instrumentalness • 45% Positiveness
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Hole
Skinny Little Bitch
126 bpm • B Maj • 03:10 • -4db
43% Popularity • 46% Danceability • 97% Energy • 36% Liveness
0% Instrumentalness • 48% Positiveness
43% Popularity • 46% Danceability • 97% Energy • 36% Liveness
0% Instrumentalness • 48% Positiveness
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Gary Numan
Cars
128 bpm • D Maj • 03:58 • -8.75db
62% Popularity • 55% Danceability • 58% Energy • 7% Liveness
0% Instrumentalness • 82% Positiveness
62% Popularity • 55% Danceability • 58% Energy • 7% Liveness
0% Instrumentalness • 82% Positiveness
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The White Stripes
The Hardest Button to Button
128 bpm • E min • 03:32 • -8.66db
63% Popularity • 69% Danceability • 52% Energy • 9% Liveness
62% Instrumentalness • 57% Positiveness
63% Popularity • 69% Danceability • 52% Energy • 9% Liveness
62% Instrumentalness • 57% Positiveness
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The Smashing Pumpkins
Zero - Remastered 2012
128 bpm • G# Maj • 02:40 • -7.11db
70% Popularity • 44% Danceability • 73% Energy • 5% Liveness
57% Instrumentalness • 70% Positiveness
70% Popularity • 44% Danceability • 73% Energy • 5% Liveness
57% Instrumentalness • 70% Positiveness
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Veruca Salt
With David Bowie
128 bpm • A min • 02:25 • -2.44db
30% Popularity • 49% Danceability • 95% Energy • 66% Liveness
0% Instrumentalness • 93% Positiveness
30% Popularity • 49% Danceability • 95% Energy • 66% Liveness
0% Instrumentalness • 93% Positiveness
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Nine Inch Nails
Sin
128 bpm • B Maj • 04:06 • -10.8db
50% Popularity • 63% Danceability • 86% Energy • 87% Liveness
70% Instrumentalness • 74% Positiveness
50% Popularity • 63% Danceability • 86% Energy • 87% Liveness
70% Instrumentalness • 74% Positiveness
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Hole
Rock Star
126 bpm • E Maj • 02:42 • -6db
46% Popularity • 31% Danceability • 87% Energy • 27% Liveness
0% Instrumentalness • 25% Positiveness
46% Popularity • 31% Danceability • 87% Energy • 27% Liveness
0% Instrumentalness • 25% Positiveness
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Weezer
Hash Pipe
126 bpm • G Maj • 03:06 • -6.35db
68% Popularity • 58% Danceability • 88% Energy • 28% Liveness
48% Instrumentalness • 62% Positiveness
68% Popularity • 58% Danceability • 88% Energy • 28% Liveness
48% Instrumentalness • 62% Positiveness
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PJ Harvey
Rid Of Me
125 bpm • A min • 04:28 • -20.68db
47% Popularity • 72% Danceability • 9% Energy • 16% Liveness
1% Instrumentalness • 54% Positiveness
47% Popularity • 72% Danceability • 9% Energy • 16% Liveness
1% Instrumentalness • 54% Positiveness
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The Cranberries
Dreams
129 bpm • E Maj • 04:31 • -13.09db
80% Popularity • 55% Danceability • 64% Energy • 42% Liveness
0% Instrumentalness • 51% Positiveness
80% Popularity • 55% Danceability • 64% Energy • 42% Liveness
0% Instrumentalness • 51% Positiveness
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Depeche Mode
Behind the Wheel
125 bpm • D min • 05:19 • -9.4db
56% Popularity • 62% Danceability • 82% Energy • 29% Liveness
80% Instrumentalness • 62% Positiveness
56% Popularity • 62% Danceability • 82% Energy • 29% Liveness
80% Instrumentalness • 62% Positiveness
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L7
Shitlist
129 bpm • C# Maj • 02:55 • -8.37db
53% Popularity • 42% Danceability • 92% Energy • 8% Liveness
18% Instrumentalness • 50% Positiveness
53% Popularity • 42% Danceability • 92% Energy • 8% Liveness
18% Instrumentalness • 50% Positiveness
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Hole
Miss World
126 bpm • G Maj • 03:00 • -8db
54% Popularity • 33% Danceability • 72% Energy • 26% Liveness
0% Instrumentalness • 35% Positiveness
54% Popularity • 33% Danceability • 72% Energy • 26% Liveness
0% Instrumentalness • 35% Positiveness
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Goldfrapp
Number 1
125 bpm • C# Maj • 03:25 • -9.84db
46% Popularity • 68% Danceability • 47% Energy • 12% Liveness
17% Instrumentalness • 50% Positiveness
46% Popularity • 68% Danceability • 47% Energy • 12% Liveness
17% Instrumentalness • 50% Positiveness
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PJ Harvey
Down By The Water
125 bpm • D Maj • 03:14 • -12.26db
61% Popularity • 62% Danceability • 62% Energy • 34% Liveness
18% Instrumentalness • 32% Positiveness
61% Popularity • 62% Danceability • 62% Energy • 34% Liveness
18% Instrumentalness • 32% Positiveness
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Interpol
Evil
129 bpm • F Maj • 03:35 • -3.52db
65% Popularity • 49% Danceability • 77% Energy • 7% Liveness
56% Instrumentalness • 64% Positiveness
65% Popularity • 49% Danceability • 77% Energy • 7% Liveness
56% Instrumentalness • 64% Positiveness
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Yeah Yeah Yeahs
Soft Shock
125 bpm • G Maj • 03:53 • -5.91db
44% Popularity • 60% Danceability • 81% Energy • 10% Liveness
60% Instrumentalness • 74% Positiveness
44% Popularity • 60% Danceability • 81% Energy • 10% Liveness
60% Instrumentalness • 74% Positiveness
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L7
Andres
129 bpm • A Maj • 03:03 • -7db
38% Popularity • 52% Danceability • 87% Energy • 9% Liveness
63% Instrumentalness • 71% Positiveness
38% Popularity • 52% Danceability • 87% Energy • 9% Liveness
63% Instrumentalness • 71% Positiveness
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Hole
Plump
129 bpm • A Maj • 02:34 • -5.88db
51% Popularity • 49% Danceability • 85% Energy • 10% Liveness
6% Instrumentalness • 75% Positiveness
51% Popularity • 49% Danceability • 85% Energy • 10% Liveness
6% Instrumentalness • 75% Positiveness
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Paula Cole
Where Have All the Cowboys Gone?
129 bpm • B min • 04:23 • -6.18db
50% Popularity • 59% Danceability • 83% Energy • 45% Liveness
0% Instrumentalness • 62% Positiveness
50% Popularity • 59% Danceability • 83% Energy • 45% Liveness
0% Instrumentalness • 62% Positiveness
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New Order
Temptation
125 bpm • C Maj • 06:59 • -9.48db
58% Popularity • 60% Danceability • 88% Energy • 22% Liveness
85% Instrumentalness • 94% Positiveness
58% Popularity • 60% Danceability • 88% Energy • 22% Liveness
85% Instrumentalness • 94% Positiveness
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Sonic Youth
Bull In The Heather
129 bpm • G Maj • 03:04 • -12.73db
51% Popularity • 64% Danceability • 62% Energy • 24% Liveness
32% Instrumentalness • 42% Positiveness
51% Popularity • 64% Danceability • 62% Energy • 24% Liveness
32% Instrumentalness • 42% Positiveness
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Duran Duran
Electric Barbarella
129 bpm • C Maj • 05:19 • -8.7db
30% Popularity • 55% Danceability • 88% Energy • 4% Liveness
4% Instrumentalness • 64% Positiveness
30% Popularity • 55% Danceability • 88% Energy • 4% Liveness
4% Instrumentalness • 64% Positiveness
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Melissa Auf der Maur
Taste You
125 bpm • E min • 04:39 • -6.33db
28% Popularity • 58% Danceability • 58% Energy • 9% Liveness
19% Instrumentalness • 45% Positiveness
28% Popularity • 58% Danceability • 58% Energy • 9% Liveness
19% Instrumentalness • 45% Positiveness
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Republica
Bitch
125 bpm • D Maj • 05:15 • -5.41db
19% Popularity • 60% Danceability • 94% Energy • 31% Liveness
2% Instrumentalness • 75% Positiveness
19% Popularity • 60% Danceability • 94% Energy • 31% Liveness
2% Instrumentalness • 75% Positiveness
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Pixies
Velouria
125 bpm • F# Maj • 03:40 • -12.6db
55% Popularity • 49% Danceability • 63% Energy • 8% Liveness
24% Instrumentalness • 51% Positiveness
55% Popularity • 49% Danceability • 63% Energy • 8% Liveness
24% Instrumentalness • 51% Positiveness
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The Smashing Pumpkins
Disarm - 2011 Remaster
130 bpm • E min • 03:16 • -10.21db
70% Popularity • 53% Danceability • 42% Energy • 14% Liveness
78% Instrumentalness • 22% Positiveness
70% Popularity • 53% Danceability • 42% Energy • 14% Liveness
78% Instrumentalness • 22% Positiveness
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Babylon Zoo
Zodiac Sign
130 bpm • A Maj • 04:57 • -9.34db
19% Popularity • 44% Danceability • 56% Energy • 8% Liveness
26% Instrumentalness • 40% Positiveness
19% Popularity • 44% Danceability • 56% Energy • 8% Liveness
26% Instrumentalness • 40% Positiveness
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Blur
Song 2 - 2012 Remaster
130 bpm • G# Maj • 02:01 • -6.9db
81% Popularity • 67% Danceability • 79% Energy • 8% Liveness
1% Instrumentalness • 92% Positiveness
81% Popularity • 67% Danceability • 79% Energy • 8% Liveness
1% Instrumentalness • 92% Positiveness
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Orgy
Blue Monday
130 bpm • G# Maj • 04:27 • -8.11db
63% Popularity • 59% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 94% Positiveness
63% Popularity • 59% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 94% Positiveness
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New Order
Regret - 2015 Remaster
130 bpm • F Maj • 04:08 • -5.64db
56% Popularity • 51% Danceability • 93% Energy • 27% Liveness
2% Instrumentalness • 86% Positiveness
56% Popularity • 51% Danceability • 93% Energy • 27% Liveness
2% Instrumentalness • 86% Positiveness
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Pixies
Here Comes Your Man
125 bpm • D Maj • 03:21 • -10.87db
72% Popularity • 67% Danceability • 80% Energy • 40% Liveness
8% Instrumentalness • 88% Positiveness
72% Popularity • 67% Danceability • 80% Energy • 40% Liveness
8% Instrumentalness • 88% Positiveness
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Echo & the Bunnymen
The Killing Moon
124 bpm • G Maj • 05:48 • -7.07db
62% Popularity • 57% Danceability • 83% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
62% Popularity • 57% Danceability • 83% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
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Republica
Ready to Go - Original UK Mix
130 bpm • A# Maj • 05:03 • -5db
28% Popularity • 55% Danceability • 99% Energy • 6% Liveness
5% Instrumentalness • 16% Positiveness
28% Popularity • 55% Danceability • 99% Energy • 6% Liveness
5% Instrumentalness • 16% Positiveness
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The B-52's
Funplex
130 bpm • C# Maj • 04:07 • -4.49db
25% Popularity • 67% Danceability • 92% Energy • 20% Liveness
0% Instrumentalness • 88% Positiveness
25% Popularity • 67% Danceability • 92% Energy • 20% Liveness
0% Instrumentalness • 88% Positiveness
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Morrissey
You Have Killed Me
130 bpm • G# min • 03:08 • -4.72db
48% Popularity • 50% Danceability • 85% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
48% Popularity • 50% Danceability • 85% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Goldfrapp
Train
130 bpm • A# Maj • 04:11 • -6.07db
38% Popularity • 63% Danceability • 71% Energy • 7% Liveness
9% Instrumentalness • 35% Positiveness
38% Popularity • 63% Danceability • 71% Energy • 7% Liveness
9% Instrumentalness • 35% Positiveness
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Depeche Mode
John the Revelator
130 bpm • F# min • 03:41 • -2db
50% Popularity • 64% Danceability • 96% Energy • 36% Liveness
1% Instrumentalness • 53% Positiveness
50% Popularity • 64% Danceability • 96% Energy • 36% Liveness
1% Instrumentalness • 53% Positiveness
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Melissa Auf der Maur
Meet Me on the Dark Side
124 bpm • D min • 04:06 • -6.35db
14% Popularity • 59% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 51% Positiveness
14% Popularity • 59% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 51% Positiveness
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Republica
Don't You Ever
130 bpm • A min • 04:01 • -5.73db
15% Popularity • 58% Danceability • 98% Energy • 14% Liveness
1% Instrumentalness • 53% Positiveness
15% Popularity • 58% Danceability • 98% Energy • 14% Liveness
1% Instrumentalness • 53% Positiveness
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Yeah Yeah Yeahs
Zero
124 bpm • B Maj • 04:25 • -4.11db
47% Popularity • 50% Danceability • 95% Energy • 38% Liveness
31% Instrumentalness • 15% Positiveness
47% Popularity • 50% Danceability • 95% Energy • 38% Liveness
31% Instrumentalness • 15% Positiveness
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Poe
Wild
124 bpm • B min • 09:00 • -8.1db
27% Popularity • 57% Danceability • 85% Energy • 35% Liveness
1% Instrumentalness • 29% Positiveness
27% Popularity • 57% Danceability • 85% Energy • 35% Liveness
1% Instrumentalness • 29% Positiveness
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Goldfrapp
Twist
130 bpm • C Maj • 03:32 • -5.29db
29% Popularity • 63% Danceability • 94% Energy • 15% Liveness
57% Instrumentalness • 84% Positiveness
29% Popularity • 63% Danceability • 94% Energy • 15% Liveness
57% Instrumentalness • 84% Positiveness
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Depeche Mode
Personal Jesus
130 bpm • B Maj • 04:54 • -7.6db
60% Popularity • 68% Danceability • 74% Energy • 10% Liveness
21% Instrumentalness • 36% Positiveness
60% Popularity • 68% Danceability • 74% Energy • 10% Liveness
21% Instrumentalness • 36% Positiveness
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Filter
The Best Things
124 bpm • D Maj • 04:26 • -6db
40% Popularity • 52% Danceability • 96% Energy • 17% Liveness
3% Instrumentalness • 33% Positiveness
40% Popularity • 52% Danceability • 96% Energy • 17% Liveness
3% Instrumentalness • 33% Positiveness
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Republica
Ready to Go
130 bpm • D Maj • 05:01 • -4.67db
54% Popularity • 55% Danceability • 95% Energy • 19% Liveness
15% Instrumentalness • 24% Positiveness
54% Popularity • 55% Danceability • 95% Energy • 19% Liveness
15% Instrumentalness • 24% Positiveness
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The Cranberries
Promises
130 bpm • E min • 05:27 • -3.23db
59% Popularity • 50% Danceability • 86% Energy • 17% Liveness
0% Instrumentalness • 25% Positiveness
59% Popularity • 50% Danceability • 86% Energy • 17% Liveness
0% Instrumentalness • 25% Positiveness
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Veruca Salt
Straight
124 bpm • B min • 02:32 • -2.76db
34% Popularity • 53% Danceability • 96% Energy • 6% Liveness
0% Instrumentalness • 58% Positiveness
34% Popularity • 53% Danceability • 96% Energy • 6% Liveness
0% Instrumentalness • 58% Positiveness
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Sinéad O'Connor
Mandinka
130 bpm • A Maj • 03:47 • -8.43db
57% Popularity • 62% Danceability • 77% Energy • 9% Liveness
0% Instrumentalness • 87% Positiveness
57% Popularity • 62% Danceability • 77% Energy • 9% Liveness
0% Instrumentalness • 87% Positiveness
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Beck
Devils Haircut
124 bpm • G Maj • 03:12 • -4.85db
50% Popularity • 69% Danceability • 73% Energy • 14% Liveness
0% Instrumentalness • 79% Positiveness
50% Popularity • 69% Danceability • 73% Energy • 14% Liveness
0% Instrumentalness • 79% Positiveness
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Liz Phair
Supernova
131 bpm • A Maj • 02:48 • -10.46db
47% Popularity • 52% Danceability • 76% Energy • 33% Liveness
72% Instrumentalness • 70% Positiveness
47% Popularity • 52% Danceability • 76% Energy • 33% Liveness
72% Instrumentalness • 70% Positiveness
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Hole
Heaven Tonight
131 bpm • C Maj • 03:31 • -6.95db
39% Popularity • 49% Danceability • 86% Energy • 34% Liveness
0% Instrumentalness • 57% Positiveness
39% Popularity • 49% Danceability • 86% Energy • 34% Liveness
0% Instrumentalness • 57% Positiveness
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The Cranberries
I Can't Be With You
131 bpm • A# Maj • 03:07 • -10.43db
59% Popularity • 47% Danceability • 75% Energy • 12% Liveness
0% Instrumentalness • 71% Positiveness
59% Popularity • 47% Danceability • 75% Energy • 12% Liveness
0% Instrumentalness • 71% Positiveness
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Poe
That Day
123 bpm • G# Maj • 02:41 • -17.02db
25% Popularity • 53% Danceability • 10% Energy • 15% Liveness
0% Instrumentalness • 41% Positiveness
25% Popularity • 53% Danceability • 10% Energy • 15% Liveness
0% Instrumentalness • 41% Positiveness
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Veruca Salt
Awesome
131 bpm • D Maj • 03:32 • -3.66db
27% Popularity • 48% Danceability • 92% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
27% Popularity • 48% Danceability • 92% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
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Sinéad O'Connor
The Emperor's New Clothes
123 bpm • D# min • 05:16 • -8db
51% Popularity • 74% Danceability • 71% Energy • 16% Liveness
0% Instrumentalness • 71% Positiveness
51% Popularity • 74% Danceability • 71% Energy • 16% Liveness
0% Instrumentalness • 71% Positiveness
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Garbage
Automatic Systematic Habit
131 bpm • A# min • 03:18 • -4.42db
13% Popularity • 44% Danceability • 91% Energy • 20% Liveness
1% Instrumentalness • 69% Positiveness
13% Popularity • 44% Danceability • 91% Energy • 20% Liveness
1% Instrumentalness • 69% Positiveness
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The B-52's
Juliet Of The Spirits
131 bpm • C# min • 04:22 • -5.95db
18% Popularity • 57% Danceability • 79% Energy • 21% Liveness
0% Instrumentalness • 61% Positiveness
18% Popularity • 57% Danceability • 79% Energy • 21% Liveness
0% Instrumentalness • 61% Positiveness
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She Wants Revenge
These Things
123 bpm • A# min • 05:12 • -8.51db
51% Popularity • 62% Danceability • 54% Energy • 12% Liveness
9% Instrumentalness • 36% Positiveness
51% Popularity • 62% Danceability • 54% Energy • 12% Liveness
9% Instrumentalness • 36% Positiveness
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Franz Ferdinand
Do You Want To
123 bpm • C Maj • 03:35 • -2.9db
62% Popularity • 41% Danceability • 94% Energy • 80% Liveness
0% Instrumentalness • 79% Positiveness
62% Popularity • 41% Danceability • 94% Energy • 80% Liveness
0% Instrumentalness • 79% Positiveness
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Republica
Wrapp
123 bpm • D Maj • 01:44 • -6.68db
16% Popularity • 78% Danceability • 99% Energy • 15% Liveness
0% Instrumentalness • 40% Positiveness
16% Popularity • 78% Danceability • 99% Energy • 15% Liveness
0% Instrumentalness • 40% Positiveness
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Depeche Mode
I Feel You
123 bpm • D Maj • 04:35 • -8.15db
54% Popularity • 44% Danceability • 90% Energy • 45% Liveness
2% Instrumentalness • 16% Positiveness
54% Popularity • 44% Danceability • 90% Energy • 45% Liveness
2% Instrumentalness • 16% Positiveness
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The Dandy Warhols
Bohemian Like You
131 bpm • B min • 03:31 • -6.16db
67% Popularity • 58% Danceability • 93% Energy • 13% Liveness
77% Instrumentalness • 70% Positiveness
67% Popularity • 58% Danceability • 93% Energy • 13% Liveness
77% Instrumentalness • 70% Positiveness
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Stone Temple Pilots
Big Bang Baby
123 bpm • E min • 03:22 • -4db
51% Popularity • 51% Danceability • 96% Energy • 30% Liveness
2% Instrumentalness • 70% Positiveness
51% Popularity • 51% Danceability • 96% Energy • 30% Liveness
2% Instrumentalness • 70% Positiveness
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The B-52's
Channel Z
131 bpm • C# Maj • 04:50 • -7.45db
42% Popularity • 65% Danceability • 75% Energy • 1% Liveness
0% Instrumentalness • 74% Positiveness
42% Popularity • 65% Danceability • 75% Energy • 1% Liveness
0% Instrumentalness • 74% Positiveness
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Madonna
Beautiful Stranger
122 bpm • B Maj • 04:20 • -3.91db
50% Popularity • 52% Danceability • 76% Energy • 39% Liveness
0% Instrumentalness • 29% Positiveness
50% Popularity • 52% Danceability • 76% Energy • 39% Liveness
0% Instrumentalness • 29% Positiveness
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Hole
Asking For It
122 bpm • C Maj • 03:29 • -9db
50% Popularity • 44% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
50% Popularity • 44% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
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Veruca Salt
Volcano Girls
131 bpm • E Maj • 03:18 • -2.75db
55% Popularity • 54% Danceability • 96% Energy • 43% Liveness
0% Instrumentalness • 57% Positiveness
55% Popularity • 54% Danceability • 96% Energy • 43% Liveness
0% Instrumentalness • 57% Positiveness
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Pulp
Do You Remember The First Time?
132 bpm • G min • 04:22 • -5.69db
56% Popularity • 40% Danceability • 90% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
56% Popularity • 40% Danceability • 90% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
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Depeche Mode
World In My Eyes
122 bpm • A# min • 04:27 • -7.8db
58% Popularity • 66% Danceability • 88% Energy • 5% Liveness
83% Instrumentalness • 96% Positiveness
58% Popularity • 66% Danceability • 88% Energy • 5% Liveness
83% Instrumentalness • 96% Positiveness
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Yeah Yeah Yeahs
Y Control
132 bpm • C Maj • 04:00 • -4.28db
52% Popularity • 43% Danceability • 96% Energy • 37% Liveness
0% Instrumentalness • 7% Positiveness
52% Popularity • 43% Danceability • 96% Energy • 37% Liveness
0% Instrumentalness • 7% Positiveness
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Supergrass
Pumping on Your Stereo
132 bpm • D Maj • 03:20 • -4.79db
48% Popularity • 44% Danceability • 90% Energy • 84% Liveness
9% Instrumentalness • 24% Positiveness
48% Popularity • 44% Danceability • 90% Energy • 84% Liveness
9% Instrumentalness • 24% Positiveness
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Hole
Malibu
122 bpm • D Maj • 03:50 • -5.85db
63% Popularity • 53% Danceability • 90% Energy • 17% Liveness
0% Instrumentalness • 68% Positiveness
63% Popularity • 53% Danceability • 90% Energy • 17% Liveness
0% Instrumentalness • 68% Positiveness
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The Cranberries
Animal Instinct
132 bpm • E min • 03:31 • -5.41db
65% Popularity • 61% Danceability • 85% Energy • 26% Liveness
0% Instrumentalness • 60% Positiveness
65% Popularity • 61% Danceability • 85% Energy • 26% Liveness
0% Instrumentalness • 60% Positiveness
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Live
All Over You
132 bpm • C# Maj • 03:59 • -5.9db
64% Popularity • 32% Danceability • 84% Energy • 29% Liveness
0% Instrumentalness • 35% Positiveness
64% Popularity • 32% Danceability • 84% Energy • 29% Liveness
0% Instrumentalness • 35% Positiveness
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Nine Inch Nails
Discipline
122 bpm • F# Maj • 04:19 • -6.65db
56% Popularity • 61% Danceability • 79% Energy • 25% Liveness
28% Instrumentalness • 82% Positiveness
56% Popularity • 61% Danceability • 79% Energy • 25% Liveness
28% Instrumentalness • 82% Positiveness
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Yeah Yeah Yeahs
Heads Will Roll
132 bpm • G# min • 03:41 • -4.46db
69% Popularity • 56% Danceability • 90% Energy • 30% Liveness
9% Instrumentalness • 79% Positiveness
69% Popularity • 56% Danceability • 90% Energy • 30% Liveness
9% Instrumentalness • 79% Positiveness
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Goldfrapp
Ride a White Horse
122 bpm • C Maj • 04:41 • -6.89db
42% Popularity • 67% Danceability • 52% Energy • 8% Liveness
14% Instrumentalness • 36% Positiveness
42% Popularity • 67% Danceability • 52% Energy • 8% Liveness
14% Instrumentalness • 36% Positiveness
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The Smashing Pumpkins
Bullet With Butterfly Wings - Remastered...
122 bpm • A# min • 04:18 • -9.18db
74% Popularity • 40% Danceability • 72% Energy • 5% Liveness
84% Instrumentalness • 48% Positiveness
74% Popularity • 40% Danceability • 72% Energy • 5% Liveness
84% Instrumentalness • 48% Positiveness
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Pixies
Wave Of Mutilation
133 bpm • F Maj • 02:03 • -10.82db
61% Popularity • 59% Danceability • 81% Energy • 9% Liveness
47% Instrumentalness • 75% Positiveness
61% Popularity • 59% Danceability • 81% Energy • 9% Liveness
47% Instrumentalness • 75% Positiveness
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Blur
Coffee & TV
122 bpm • D Maj • 05:58 • -10.12db
65% Popularity • 74% Danceability • 74% Energy • 10% Liveness
23% Instrumentalness • 71% Positiveness
65% Popularity • 74% Danceability • 74% Energy • 10% Liveness
23% Instrumentalness • 71% Positiveness
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Elastica
Connection
121 bpm • D# Maj • 02:20 • -5.78db
58% Popularity • 68% Danceability • 69% Energy • 5% Liveness
70% Instrumentalness • 88% Positiveness
58% Popularity • 68% Danceability • 69% Energy • 5% Liveness
70% Instrumentalness • 88% Positiveness
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Republica
Bloke
133 bpm • E min • 04:51 • -4.56db
23% Popularity • 67% Danceability • 87% Energy • 26% Liveness
6% Instrumentalness • 10% Positiveness
23% Popularity • 67% Danceability • 87% Energy • 26% Liveness
6% Instrumentalness • 10% Positiveness
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Placebo
Every You Every Me
133 bpm • A# Maj • 03:33 • -7.55db
69% Popularity • 48% Danceability • 92% Energy • 32% Liveness
72% Instrumentalness • 16% Positiveness
69% Popularity • 48% Danceability • 92% Energy • 32% Liveness
72% Instrumentalness • 16% Positiveness
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Pulp
Disco 2000
133 bpm • G min • 04:33 • -7.58db
64% Popularity • 56% Danceability • 90% Energy • 6% Liveness
0% Instrumentalness • 54% Positiveness
64% Popularity • 56% Danceability • 90% Energy • 6% Liveness
0% Instrumentalness • 54% Positiveness
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The Dandy Warhols
The Last High
121 bpm • B min • 04:46 • -6.74db
47% Popularity • 69% Danceability • 86% Energy • 13% Liveness
39% Instrumentalness • 93% Positiveness
47% Popularity • 69% Danceability • 86% Energy • 13% Liveness
39% Instrumentalness • 93% Positiveness
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CAKE
Comfort Eagle
121 bpm • B Maj • 03:40 • -6.17db
53% Popularity • 74% Danceability • 78% Energy • 21% Liveness
0% Instrumentalness • 90% Positiveness
53% Popularity • 74% Danceability • 78% Energy • 21% Liveness
0% Instrumentalness • 90% Positiveness
