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The Merchant of Venice (adapted by Orson Wells; mu...
Songs like
The Merchant of Venice (adapted by Orson Wells; music by Elliott Carter): Act II Scene 2: Venice - A Public Place
by
William Shakespeare
Based on a tempo of (+/- 10%) and a similar genre
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Bibi and Tina
Chapter 13: The Fall Tournament
74 bpm • G Maj • 03:00 • -20.62db
10% Popularity • 57% Danceability • 42% Energy • 28% Liveness
0% Instrumentalness • 48% Positiveness
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Reclam Hörbücher
Romeo und Julia - II. Akt, 6. Szene
74 bpm • D# Maj • 02:12 • -15db
7% Popularity • 66% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
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Gottfried Keller
Kapitel 1.1 - Kleider machen Leute
74 bpm • G# Maj • 03:10 • -20db
8% Popularity • 66% Danceability • 39% Energy • 39% Liveness
0% Instrumentalness • 55% Positiveness
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Geschichten vom Franz
Kapitel 5.2 - Krankengeschichten vom Fra...
74 bpm • G# Maj • 03:11 • -16db
14% Popularity • 62% Danceability • 20% Energy • 24% Liveness
0% Instrumentalness • 22% Positiveness
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George Orwell
Chapter 22.8 - 1984
75 bpm • C Maj • 03:05 • -17.02db
10% Popularity • 74% Danceability • 32% Energy • 44% Liveness
0% Instrumentalness • 49% Positiveness
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William Shakespeare
Chapter 8 - As You Like It
75 bpm • E Maj • 03:39 • -11.46db
0% Popularity • 62% Danceability • 30% Energy • 48% Liveness
0% Instrumentalness • 34% Positiveness
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Geronimo Stilton
Chapter 18 - Geronimo Stilton, Book 11: ...
75 bpm • A# min • 03:05 • -12.81db
9% Popularity • 71% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Joy Saunders Lundberg
Narration: Mary
76 bpm • B Maj • 03:09 • -24.79db
13% Popularity • 66% Danceability • 4% Energy • 19% Liveness
0% Instrumentalness • 17% Positiveness
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Sean William
Glucksey's Secret Garden
75 bpm • A Maj • 02:24 • -13db
20% Popularity • 70% Danceability • 34% Energy • 26% Liveness
0% Instrumentalness • 70% Positiveness
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Luzifer junior
Kapitel 14 - Luzifer junior (Band 13) - ...
72 bpm • C# min • 03:20 • -13.8db
8% Popularity • 68% Danceability • 30% Energy • 17% Liveness
0% Instrumentalness • 55% Positiveness
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A. L. Knorr - Audiobooks
Chapter 7 - Born of Water - Audiobook: E...
76 bpm • C Maj • 03:17 • -18.46db
10% Popularity • 64% Danceability • 20% Energy • 13% Liveness
0% Instrumentalness • 55% Positiveness
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William Shakespeare
Chapter 5 - Hamlet
76 bpm • F min • 03:19 • -14.2db
13% Popularity • 73% Danceability • 24% Energy • 21% Liveness
0% Instrumentalness • 50% Positiveness
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George Orwell
Chapter 7 - Animal Farm
71 bpm • G# Maj • 03:01 • -20db
9% Popularity • 68% Danceability • 25% Energy • 16% Liveness
0% Instrumentalness • 48% Positiveness
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Brüder Grimm
Kapitel 1.2 - Schneeweißchen und Rosenr...
77 bpm • D Maj • 03:10 • -24.4db
10% Popularity • 62% Danceability • 18% Energy • 31% Liveness
0% Instrumentalness • 24% Positiveness
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Max Kruse
Kapitel 42 - Urmel aus dem Eis
77 bpm • C# Maj • 03:09 • -21.51db
10% Popularity • 71% Danceability • 21% Energy • 21% Liveness
0% Instrumentalness • 46% Positiveness
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Chris Barrie
Four And A Half Years
77 bpm • F min • 06:25 • -16db
14% Popularity • 61% Danceability • 44% Energy • 33% Liveness
0% Instrumentalness • 34% Positiveness
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Stallgänget på Tuva
Vem kan rädda Artemis? - Del 29
70 bpm • A Maj • 04:17 • -18db
9% Popularity • 62% Danceability • 17% Energy • 36% Liveness
0% Instrumentalness • 47% Positiveness
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William Shakespeare
Chapter 11 - Romeo and Juliet
76 bpm • D Maj • 03:09 • -12.12db
2% Popularity • 62% Danceability • 35% Energy • 42% Liveness
0% Instrumentalness • 51% Positiveness
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Lies & Whiskey Duet
Chapter 1 - Book 1: Lies in Ink and Whis...
78 bpm • E Maj • 03:02 • -18.86db
13% Popularity • 71% Danceability • 19% Energy • 46% Liveness
0% Instrumentalness • 39% Positiveness
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Classic Books
Cinderella Page 09
78 bpm • D Maj • 00:52 • -16.64db
18% Popularity • 79% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 76% Positiveness
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Geschichten vom Franz
Kapitel 2.2 - Geschichten vom Franz
78 bpm • G Maj • 03:16 • -22.59db
10% Popularity • 72% Danceability • 19% Energy • 27% Liveness
0% Instrumentalness • 41% Positiveness
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Gordon Korman
Chapter 6 - The Abduction - Kidnapped, B...
78 bpm • G# Maj • 03:03 • -20.52db
8% Popularity • 63% Danceability • 18% Energy • 42% Liveness
0% Instrumentalness • 62% Positiveness
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Chris Barrie
Revision Timetable
78 bpm • F Maj • 06:36 • -18db
14% Popularity • 62% Danceability • 40% Energy • 35% Liveness
0% Instrumentalness • 53% Positiveness
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William Shakespeare
Chapter 40 - Twelfth Night
77 bpm • C Maj • 04:59 • -19.64db
0% Popularity • 62% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
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George Orwell
Chapter 23.5 & Chapter 24.1 - 1984
69 bpm • G# Maj • 03:34 • -16.11db
9% Popularity • 65% Danceability • 22% Energy • 17% Liveness
0% Instrumentalness • 36% Positiveness
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Johnny Gruelle
Chapter 1 - The Raggedy Ann Stories
79 bpm • G min • 03:01 • -22.5db
16% Popularity • 74% Danceability • 8% Energy • 18% Liveness
0% Instrumentalness • 24% Positiveness
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Discipline and Determination
Trust & Cooperation - pt1
79 bpm • A Maj • 01:02 • -15.4db
33% Popularity • 63% Danceability • 33% Energy • 53% Liveness
0% Instrumentalness • 77% Positiveness
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Carry Slee
Hoofdstuk 105 - Juf Braaksel en de myste...
80 bpm • D Maj • 03:04 • -22.35db
10% Popularity • 62% Danceability • 10% Energy • 16% Liveness
0% Instrumentalness • 29% Positiveness
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Chris Barrie
Feline Evolution
81 bpm • C Maj • 06:53 • -20.1db
14% Popularity • 63% Danceability • 40% Energy • 34% Liveness
0% Instrumentalness • 69% Positiveness
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Robin Hood
Teil 6 - Der Schwur
81 bpm • F Maj • 03:30 • -19db
12% Popularity • 71% Danceability • 26% Energy • 60% Liveness
0% Instrumentalness • 33% Positiveness
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William Shakespeare
Chapter 20 - Twelfth Night
78 bpm • F# min • 03:04 • -17.44db
1% Popularity • 72% Danceability • 33% Energy • 36% Liveness
0% Instrumentalness • 62% Positiveness
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Emma Topping
Fear No More the Heat O' The Sun
81 bpm • A min • 00:53 • -17.68db
14% Popularity • 79% Danceability • 19% Energy • 16% Liveness
0% Instrumentalness • 40% Positiveness
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Geronimo Stilton
Chapter 26 - Geronimo Stilton, Book 11: ...
81 bpm • F Maj • 03:06 • -12.78db
9% Popularity • 63% Danceability • 36% Energy • 13% Liveness
0% Instrumentalness • 36% Positiveness
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Reclam Hörbücher
Romeo und Julia - II. Akt, 5. Szene, Tei...
81 bpm • A# min • 01:27 • -11.34db
7% Popularity • 69% Danceability • 50% Energy • 59% Liveness
0% Instrumentalness • 53% Positiveness
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A. L. Knorr - Audiobooks
Chapter 9 - Born of Water - Audiobook: E...
81 bpm • C Maj • 03:15 • -17.18db
10% Popularity • 69% Danceability • 17% Energy • 19% Liveness
0% Instrumentalness • 56% Positiveness
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Jan Tenner
Kapitel 18: Landung der Giganten (Folge ...
81 bpm • G Maj • 01:30 • -22.69db
13% Popularity • 66% Danceability • 22% Energy • 40% Liveness
0% Instrumentalness • 60% Positiveness
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William Shakespeare
Chapter 14 - A Midsummer Night's Dream
78 bpm • C Maj • 03:39 • -12.53db
1% Popularity • 62% Danceability • 33% Energy • 83% Liveness
0% Instrumentalness • 48% Positiveness
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George Orwell
Chapter 17 - Animal Farm
81 bpm • F min • 03:03 • -18.81db
9% Popularity • 69% Danceability • 22% Energy • 13% Liveness
0% Instrumentalness • 42% Positiveness
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Christopher Glyn
Genesis - The Old Testament 1, Chapter 1...
81 bpm • C# Maj • 03:05 • -13.44db
9% Popularity • 74% Danceability • 29% Energy • 30% Liveness
0% Instrumentalness • 52% Positiveness
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Reclam Hörbücher
Romeo und Julia - III. Akt, 1. Szene, Te...
81 bpm • D min • 01:40 • -11.6db
7% Popularity • 68% Danceability • 55% Energy • 53% Liveness
0% Instrumentalness • 85% Positiveness
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Thomas Nelson Bibles
Exodus 19.2 & Exodus 20.1 - Voice Only A...
82 bpm • A# min • 04:13 • -25.52db
13% Popularity • 70% Danceability • 12% Energy • 26% Liveness
0% Instrumentalness • 33% Positiveness
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Sherlock Holmes und Dr. Watson
Sherlock Holmes und Dr. Watson Teil 8 - ...
81 bpm • C# Maj • 03:39 • -21.1db
13% Popularity • 70% Danceability • 23% Energy • 44% Liveness
0% Instrumentalness • 52% Positiveness
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William Shakespeare
Chapter 26 - Twelfth Night
78 bpm • G# min • 03:13 • -19.15db
1% Popularity • 62% Danceability • 30% Energy • 44% Liveness
0% Instrumentalness • 63% Positiveness
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P. G. Wodehouse
Chapter 35 - Right Ho, Jeeves
82 bpm • G# Maj • 03:08 • -15db
12% Popularity • 71% Danceability • 26% Energy • 39% Liveness
0% Instrumentalness • 49% Positiveness
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Bertie Carvel
The Sonnets*: Sonnet 9: Is it for fear t...
67 bpm • F# Maj • 00:56 • -18.57db
12% Popularity • 75% Danceability • 27% Energy • 7% Liveness
0% Instrumentalness • 56% Positiveness
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DB Love NOTE
Happiness
82 bpm • F Maj • 01:02 • -18.31db
32% Popularity • 74% Danceability • 14% Energy • 28% Liveness
0% Instrumentalness • 74% Positiveness
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Thomas Nelson Bibles
Isaiah 19.2 & Isaiah 20.1 - Voice Only A...
82 bpm • F min • 04:11 • -21.98db
9% Popularity • 71% Danceability • 17% Energy • 14% Liveness
0% Instrumentalness • 21% Positiveness
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Herb Nabigon
Chapter 1 - The Hollow Tree - Fighting A...
82 bpm • D min • 03:03 • -19.19db
12% Popularity • 74% Danceability • 25% Energy • 21% Liveness
0% Instrumentalness • 30% Positiveness
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William Shakespeare
Chapter 12 - Macbeth
78 bpm • F min • 03:06 • -16.81db
6% Popularity • 63% Danceability • 32% Energy • 46% Liveness
0% Instrumentalness • 62% Positiveness
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BRASAS English Course
L3 Homework IV: Oral Comprehension
82 bpm • G# min • 01:12 • -16db
12% Popularity • 74% Danceability • 15% Energy • 33% Liveness
0% Instrumentalness • 14% Positiveness
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Classic Books
Cinderella Page 11
82 bpm • F min • 00:57 • -16.47db
20% Popularity • 77% Danceability • 25% Energy • 35% Liveness
0% Instrumentalness • 46% Positiveness
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Fool's Gold
Birkenhead (Intro) - Live
82 bpm • C# min • 04:10 • -19.96db
11% Popularity • 60% Danceability • 39% Energy • 36% Liveness
0% Instrumentalness • 40% Positiveness
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Children's Bedtime Stories
Park Town
82 bpm • G# Maj • 01:17 • -26.33db
14% Popularity • 75% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
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AtonalPoetry
Corks Of Laughter
67 bpm • F# Maj • 00:59 • -29.96db
19% Popularity • 79% Danceability • 9% Energy • 13% Liveness
0% Instrumentalness • 70% Positiveness
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William Shakespeare
Chapter 15 - A Midsummer Night's Dream
69 bpm • G Maj • 03:10 • -10.93db
1% Popularity • 71% Danceability • 31% Energy • 15% Liveness
0% Instrumentalness • 41% Positiveness
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A. L. Knorr - Audiobooks
Chapter 8 - Born of Water - Audiobook: E...
83 bpm • A# Maj • 03:08 • -18.28db
11% Popularity • 63% Danceability • 18% Energy • 13% Liveness
0% Instrumentalness • 61% Positiveness
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H.P. Lovecraft
Chapter 31 - At the Mountains of Madness
83 bpm • A Maj • 03:07 • -20.11db
8% Popularity • 70% Danceability • 29% Energy • 42% Liveness
0% Instrumentalness • 48% Positiveness
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Pablo Hagemeyer
Kapitel 13.4 & Kapitel 14.1 - Die perfid...
83 bpm • G# Maj • 04:31 • -20.43db
9% Popularity • 64% Danceability • 25% Energy • 17% Liveness
0% Instrumentalness • 59% Positiveness
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Jojo's ASMR
Gus Fring Trains You At Los Pollos Herma...
83 bpm • C# Maj • 03:50 • -34.71db
8% Popularity • 51% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Reclam Hörbücher
Romeo und Julia - II. Akt, 3. Szene, Tei...
83 bpm • F# Maj • 01:52 • -12.69db
7% Popularity • 71% Danceability • 47% Energy • 41% Liveness
0% Instrumentalness • 63% Positiveness
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William Shakespeare
Chapter 17 - Twelfth Night
70 bpm • C# min • 03:08 • -18.96db
1% Popularity • 71% Danceability • 34% Energy • 16% Liveness
0% Instrumentalness • 38% Positiveness
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Glenn Gould
Birth Of A Legend
65 bpm • G Maj • 02:26 • -20.62db
8% Popularity • 67% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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Robert Louis Stevenson, Anke Beckert
Teil 7 - Die Schatzinsel
84 bpm • C# Maj • 03:03 • -15.75db
8% Popularity • 74% Danceability • 27% Energy • 18% Liveness
0% Instrumentalness • 54% Positiveness
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H.P. Lovecraft
Chapter 30 - At the Mountains of Madness
84 bpm • C Maj • 03:05 • -20.16db
10% Popularity • 69% Danceability • 26% Energy • 38% Liveness
0% Instrumentalness • 69% Positiveness
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BDL Mafia
BBC Skit
84 bpm • A Maj • 01:33 • -19.21db
12% Popularity • 64% Danceability • 22% Energy • 15% Liveness
0% Instrumentalness • 46% Positiveness
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Thomas Nelson Bibles
Exodus 26.2 - Voice Only Audio Bible - N...
84 bpm • F# Maj • 04:11 • -24.15db
12% Popularity • 64% Danceability • 18% Energy • 18% Liveness
0% Instrumentalness • 41% Positiveness
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William Shakespeare
Chapter 19 - As You Like It
80 bpm • C# Maj • 03:05 • -12.29db
0% Popularity • 73% Danceability • 37% Energy • 23% Liveness
0% Instrumentalness • 41% Positiveness
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D. H. Lawrence
Gloire De Dijon
84 bpm • C Maj • 01:08 • -32db
15% Popularity • 66% Danceability • 14% Energy • 13% Liveness
3% Instrumentalness • 50% Positiveness
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Fyodor Dostoyevsky
Chapter 1 - The Brothers Karamazov
65 bpm • F min • 03:02 • -19.9db
9% Popularity • 76% Danceability • 34% Energy • 15% Liveness
0% Instrumentalness • 49% Positiveness
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Gottfried Keller
Kapitel 3.2 - Kleider machen Leute
84 bpm • B Maj • 03:10 • -20db
11% Popularity • 66% Danceability • 40% Energy • 21% Liveness
0% Instrumentalness • 41% Positiveness
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Bibi and Tina
Chapter 03: Alex at Boarding School
84 bpm • F# Maj • 03:05 • -21db
9% Popularity • 70% Danceability • 26% Energy • 23% Liveness
0% Instrumentalness • 53% Positiveness
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Mary Cosby
Mary's Appreciation Notes
84 bpm • D# min • 01:29 • -31.6db
28% Popularity • 69% Danceability • 5% Energy • 23% Liveness
0% Instrumentalness • 15% Positiveness
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William Shakespeare
Chapter 6 - Twelfth Night
69 bpm • D Maj • 03:01 • -17.74db
2% Popularity • 72% Danceability • 24% Energy • 42% Liveness
0% Instrumentalness • 54% Positiveness
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Jane Austen
01.1 - Stolz und Vorurteil
85 bpm • E min • 03:14 • -20.37db
9% Popularity • 72% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
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George Orwell
Part 1 - Chapter 1.1 - 1984
85 bpm • D Maj • 03:01 • -20.31db
12% Popularity • 64% Danceability • 20% Energy • 33% Liveness
0% Instrumentalness • 62% Positiveness
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Maggie Stiefvater
Chapter 238 - The Dream Thieves - The Ra...
86 bpm • A Maj • 03:02 • -16.12db
9% Popularity • 63% Danceability • 25% Energy • 62% Liveness
0% Instrumentalness • 51% Positiveness
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Gordon Korman
Chapter 2 - The Abduction - Kidnapped, B...
85 bpm • F# Maj • 03:08 • -19.96db
7% Popularity • 71% Danceability • 25% Energy • 39% Liveness
0% Instrumentalness • 33% Positiveness
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Pumuckl
De Pumuckl und d Angscht: Szene 5
86 bpm • F Maj • 03:10 • -18.04db
19% Popularity • 64% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
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William Shakespeare
Chapter 17 - Macbeth
69 bpm • C Maj • 03:03 • -18.04db
5% Popularity • 70% Danceability • 24% Energy • 18% Liveness
0% Instrumentalness • 55% Positiveness
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DB Love NOTE
Courage for a new day
86 bpm • F Maj • 01:04 • -15.79db
25% Popularity • 70% Danceability • 10% Energy • 69% Liveness
0% Instrumentalness • 61% Positiveness
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Mimi Rutherfurt
Teil 2 - Mimi Rutherfurt ermittelt ..., ...
86 bpm • F min • 03:01 • -18.9db
8% Popularity • 52% Danceability • 48% Energy • 49% Liveness
0% Instrumentalness • 49% Positiveness
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Thomas Nelson Bibles
1 Samuel 18.2 & 1 Samuel 19.1 - Voice On...
86 bpm • A# min • 04:13 • -24.49db
8% Popularity • 71% Danceability • 18% Energy • 47% Liveness
0% Instrumentalness • 27% Positiveness
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Children's Bedtime Stories
Jungle Town
87 bpm • C Maj • 01:16 • -25.7db
15% Popularity • 74% Danceability • 10% Energy • 13% Liveness
0% Instrumentalness • 48% Positiveness
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Virginia Woolf
CapÃtulo 3 - Una habitación propia
87 bpm • C# Maj • 03:00 • -17.5db
8% Popularity • 76% Danceability • 6% Energy • 15% Liveness
0% Instrumentalness • 42% Positiveness
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William Shakespeare
Chapter 6 - As You Like It
80 bpm • A Maj • 03:02 • -10.4db
0% Popularity • 69% Danceability • 33% Energy • 38% Liveness
0% Instrumentalness • 38% Positiveness
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H.P. Lovecraft
Chapter 51 - At the Mountains of Madness
63 bpm • D# Maj • 03:01 • -19.98db
8% Popularity • 61% Danceability • 26% Energy • 34% Liveness
0% Instrumentalness • 74% Positiveness
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Rugers561
Honor Roll Remastered
87 bpm • C Maj • 02:39 • -20.31db
16% Popularity • 59% Danceability • 3% Energy • 14% Liveness
0% Instrumentalness • 10% Positiveness
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Patricia McBride
Chapter 1 - The Library Girls of the Eas...
87 bpm • G# Maj • 03:03 • -21.89db
11% Popularity • 64% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
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Mimi Rutherfurt
Teil 26 - Mimi Rutherfurt ermittelt ...,...
88 bpm • C# min • 03:00 • -20.56db
10% Popularity • 58% Danceability • 34% Energy • 14% Liveness
0% Instrumentalness • 50% Positiveness
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Dani Cardoso-machuca
The audacity
88 bpm • C min • 01:04 • -31db
39% Popularity • 70% Danceability • 4% Energy • 21% Liveness
0% Instrumentalness • 30% Positiveness
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William Shakespeare
Chapter 10 - Romeo and Juliet
81 bpm • D Maj • 03:43 • -9.94db
3% Popularity • 66% Danceability • 42% Energy • 15% Liveness
0% Instrumentalness • 61% Positiveness
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Chris Barrie
Trixie La Bouche
88 bpm • F# min • 05:57 • -18db
12% Popularity • 64% Danceability • 34% Energy • 28% Liveness
0% Instrumentalness • 62% Positiveness
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Walter RedCross
super duper
88 bpm • B min • 00:56 • -18.04db
20% Popularity • 72% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 76% Positiveness
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AJS SONGS
Mindset in prospering
88 bpm • A min • 01:03 • -9.13db
22% Popularity • 75% Danceability • 67% Energy • 31% Liveness
0% Instrumentalness • 55% Positiveness
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Mike Rothmiller
Chapter 1 - Frank Sinatra and the Mafia ...
89 bpm • G# min • 03:04 • -18.6db
16% Popularity • 68% Danceability • 25% Energy • 15% Liveness
0% Instrumentalness • 34% Positiveness
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Jennifer A. Nielsen
Chapter 51 - The Traitor's Game - The Tr...
89 bpm • A Maj • 03:02 • -21.12db
8% Popularity • 66% Danceability • 16% Energy • 21% Liveness
0% Instrumentalness • 54% Positiveness
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William Shakespeare
The Sonnets: Sonnet 33: Full Many A Glor...
81 bpm • A min • 01:06 • -27.13db
15% Popularity • 68% Danceability • 15% Energy • 36% Liveness
0% Instrumentalness • 23% Positiveness
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Max Kruse
Kapitel 49 - Urmel aus dem Eis
89 bpm • D Maj • 03:03 • -24.69db
10% Popularity • 72% Danceability • 8% Energy • 17% Liveness
0% Instrumentalness • 16% Positiveness
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Francis Durbridge
Kapitel 1.4
89 bpm • F Maj • 03:09 • -24db
10% Popularity • 65% Danceability • 20% Energy • 40% Liveness
0% Instrumentalness • 25% Positiveness
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Fool's Gold
Doctor (Intro) - Live
90 bpm • C min • 02:36 • -13db
14% Popularity • 69% Danceability • 54% Energy • 32% Liveness
0% Instrumentalness • 48% Positiveness
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The Merchant of Venice (adapted by Orson Wells; mu...