Songs like The Miner by Grace Potter
Based on a tempo of (+/- 10%) and a similar genre
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Delta Rae
All Good People
81 bpm • F min • 02:16 • -5.53db
21% Popularity • 53% Danceability • 46% Energy • 26% Liveness
0% Instrumentalness • 36% Positiveness
21% Popularity • 53% Danceability • 46% Energy • 26% Liveness
0% Instrumentalness • 36% Positiveness
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Shakey Graves
"Dearly Departed" - Live from Spotify Sx...
81 bpm • G Maj • 04:12 • -8.81db
30% Popularity • 56% Danceability • 49% Energy • 68% Liveness
0% Instrumentalness • 58% Positiveness
30% Popularity • 56% Danceability • 49% Energy • 68% Liveness
0% Instrumentalness • 58% Positiveness
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Grace Potter
The Miner
81 bpm • D min • 04:01 • -6.48db
18% Popularity • 61% Danceability • 69% Energy • 35% Liveness
0% Instrumentalness • 46% Positiveness
18% Popularity • 61% Danceability • 69% Energy • 35% Liveness
0% Instrumentalness • 46% Positiveness
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Taylor Brown Band
Morning Sunshine
80 bpm • C Maj • 02:38 • -8.82db
16% Popularity • 65% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
16% Popularity • 65% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
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Dan Wilson
Love Without Fear
80 bpm • G# Maj • 03:31 • -5.22db
9% Popularity • 56% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
9% Popularity • 56% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
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Daphne and the Mystery Machines
Learn to Fall
80 bpm • C min • 03:20 • -8.13db
13% Popularity • 25% Danceability • 57% Energy • 8% Liveness
1% Instrumentalness • 32% Positiveness
13% Popularity • 25% Danceability • 57% Energy • 8% Liveness
1% Instrumentalness • 32% Positiveness
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Sarah Potenza
The Mountain
82 bpm • G# Maj • 03:54 • -7.44db
9% Popularity • 62% Danceability • 50% Energy • 10% Liveness
2% Instrumentalness • 34% Positiveness
9% Popularity • 62% Danceability • 50% Energy • 10% Liveness
2% Instrumentalness • 34% Positiveness
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Lauren Shera
Hell's Bells
82 bpm • D min • 04:47 • -7.27db
20% Popularity • 46% Danceability • 42% Energy • 15% Liveness
6% Instrumentalness • 22% Positiveness
20% Popularity • 46% Danceability • 42% Energy • 15% Liveness
6% Instrumentalness • 22% Positiveness
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Jillette Johnson
Torpedo
80 bpm • C Maj • 03:41 • -5db
15% Popularity • 48% Danceability • 82% Energy • 33% Liveness
0% Instrumentalness • 39% Positiveness
15% Popularity • 48% Danceability • 82% Energy • 33% Liveness
0% Instrumentalness • 39% Positiveness
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Caroline Glaser
Rosalee
80 bpm • A Maj • 03:56 • -11.38db
8% Popularity • 38% Danceability • 50% Energy • 11% Liveness
1% Instrumentalness • 35% Positiveness
8% Popularity • 38% Danceability • 50% Energy • 11% Liveness
1% Instrumentalness • 35% Positiveness
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The Belle Brigade
My Goodness
82 bpm • E Maj • 02:58 • -8.72db
11% Popularity • 44% Danceability • 52% Energy • 13% Liveness
0% Instrumentalness • 44% Positiveness
11% Popularity • 44% Danceability • 52% Energy • 13% Liveness
0% Instrumentalness • 44% Positiveness
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Lennon & Maisy
Ain't No Rest for the Wicked
80 bpm • A min • 03:09 • -8.18db
30% Popularity • 38% Danceability • 68% Energy • 14% Liveness
0% Instrumentalness • 58% Positiveness
30% Popularity • 38% Danceability • 68% Energy • 14% Liveness
0% Instrumentalness • 58% Positiveness
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Anna Nalick
Drive Him Home
82 bpm • E min • 04:27 • -9.69db
17% Popularity • 46% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
17% Popularity • 46% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
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Sara Watkins
Move Me
80 bpm • C min • 05:46 • -8.38db
20% Popularity • 49% Danceability • 54% Energy • 10% Liveness
1% Instrumentalness • 47% Positiveness
20% Popularity • 49% Danceability • 54% Energy • 10% Liveness
1% Instrumentalness • 47% Positiveness
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Katie Pruitt
Loving Her (OurVinyl Live EP)
79 bpm • A# Maj • 06:04 • -13.04db
24% Popularity • 46% Danceability • 49% Energy • 21% Liveness
0% Instrumentalness • 46% Positiveness
24% Popularity • 46% Danceability • 49% Energy • 21% Liveness
0% Instrumentalness • 46% Positiveness
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Grace Potter
Everyday Love
79 bpm • G# Maj • 03:01 • -6.51db
36% Popularity • 61% Danceability • 71% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
36% Popularity • 61% Danceability • 71% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
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Aubrie Sellers
Liar Liar
83 bpm • A# min • 03:42 • -7.23db
11% Popularity • 45% Danceability • 49% Energy • 11% Liveness
1% Instrumentalness • 29% Positiveness
11% Popularity • 45% Danceability • 49% Energy • 11% Liveness
1% Instrumentalness • 29% Positiveness
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Rozzi
Space & Time
79 bpm • C# Maj • 03:58 • -8.71db
9% Popularity • 45% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
9% Popularity • 45% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
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Taylor Swift
But Daddy I Love Him
79 bpm • E Maj • 05:40 • -7.64db
83% Popularity • 41% Danceability • 72% Energy • 14% Liveness
0% Instrumentalness • 45% Positiveness
83% Popularity • 41% Danceability • 72% Energy • 14% Liveness
0% Instrumentalness • 45% Positiveness
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Delta Rae
Morning Comes - Acoustic
79 bpm • C Maj • 04:19 • -9.39db
15% Popularity • 46% Danceability • 24% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
15% Popularity • 46% Danceability • 24% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
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Odessa
My Match
79 bpm • G Maj • 04:38 • -12.44db
22% Popularity • 38% Danceability • 42% Energy • 13% Liveness
5% Instrumentalness • 29% Positiveness
22% Popularity • 38% Danceability • 42% Energy • 13% Liveness
5% Instrumentalness • 29% Positiveness
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Anna Nalick
Pegs
79 bpm • G# Maj • 04:49 • -8db
14% Popularity • 30% Danceability • 35% Energy • 28% Liveness
0% Instrumentalness • 26% Positiveness
14% Popularity • 30% Danceability • 35% Energy • 28% Liveness
0% Instrumentalness • 26% Positiveness
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The Head And The Heart
Rhythm & Blues
83 bpm • E Maj • 04:00 • -4.45db
47% Popularity • 43% Danceability • 86% Energy • 35% Liveness
0% Instrumentalness • 54% Positiveness
47% Popularity • 43% Danceability • 86% Energy • 35% Liveness
0% Instrumentalness • 54% Positiveness
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Hannah Huston
I Alone Have Loved You
79 bpm • A min • 04:01 • -6.56db
15% Popularity • 55% Danceability • 52% Energy • 7% Liveness
0% Instrumentalness • 31% Positiveness
15% Popularity • 55% Danceability • 52% Energy • 7% Liveness
0% Instrumentalness • 31% Positiveness
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Ethel and the Chordtones
Serious Craving
83 bpm • C min • 04:04 • -4db
16% Popularity • 62% Danceability • 62% Energy • 20% Liveness
0% Instrumentalness • 56% Positiveness
16% Popularity • 62% Danceability • 62% Energy • 20% Liveness
0% Instrumentalness • 56% Positiveness
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Joy Williams
Sweet Love of Mine
83 bpm • F# min • 03:53 • -9.31db
14% Popularity • 63% Danceability • 40% Energy • 14% Liveness
0% Instrumentalness • 11% Positiveness
14% Popularity • 63% Danceability • 40% Energy • 14% Liveness
0% Instrumentalness • 11% Positiveness
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Caroline Smith
Walking Off Strong
79 bpm • C Maj • 04:00 • -8.24db
13% Popularity • 77% Danceability • 50% Energy • 14% Liveness
1% Instrumentalness • 40% Positiveness
13% Popularity • 77% Danceability • 50% Energy • 14% Liveness
1% Instrumentalness • 40% Positiveness
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Daphne Willis
Dopamine
79 bpm • A Maj • 03:30 • -5.22db
7% Popularity • 64% Danceability • 71% Energy • 31% Liveness
0% Instrumentalness • 70% Positiveness
7% Popularity • 64% Danceability • 71% Energy • 31% Liveness
0% Instrumentalness • 70% Positiveness
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The Civil Wars
I Had Me a Girl - Acoustic
83 bpm • F Maj • 03:35 • -6.37db
13% Popularity • 41% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
13% Popularity • 41% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
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Alexandria Maillot
Lonely Soul
79 bpm • B min • 03:29 • -6.53db
17% Popularity • 56% Danceability • 67% Energy • 10% Liveness
21% Instrumentalness • 61% Positiveness
17% Popularity • 56% Danceability • 67% Energy • 10% Liveness
21% Instrumentalness • 61% Positiveness
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The Accidentals
Chekhov's Gun
84 bpm • D Maj • 03:48 • -12.24db
12% Popularity • 46% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
12% Popularity • 46% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Taylor Swift
How Did It End?
84 bpm • C Maj • 03:58 • -8.89db
84% Popularity • 48% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
84% Popularity • 48% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Suzanne Santo
Handshake
78 bpm • B min • 03:48 • -5.78db
21% Popularity • 30% Danceability • 75% Energy • 16% Liveness
0% Instrumentalness • 14% Positiveness
21% Popularity • 30% Danceability • 75% Energy • 16% Liveness
0% Instrumentalness • 14% Positiveness
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Grace Potter
I'd Rather Go Blind
84 bpm • A Maj • 05:04 • -7.02db
16% Popularity • 55% Danceability • 48% Energy • 56% Liveness
0% Instrumentalness • 42% Positiveness
16% Popularity • 55% Danceability • 48% Energy • 56% Liveness
0% Instrumentalness • 42% Positiveness
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Nicole Atkins
Listen Up
84 bpm • C min • 03:10 • -7db
27% Popularity • 66% Danceability • 69% Energy • 27% Liveness
0% Instrumentalness • 60% Positiveness
27% Popularity • 66% Danceability • 69% Energy • 27% Liveness
0% Instrumentalness • 60% Positiveness
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Natalie Hemby
Return
78 bpm • A# Maj • 03:59 • -7.33db
21% Popularity • 24% Danceability • 71% Energy • 27% Liveness
0% Instrumentalness • 49% Positiveness
21% Popularity • 24% Danceability • 71% Energy • 27% Liveness
0% Instrumentalness • 49% Positiveness
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Mary Lambert
Do Anything
78 bpm • C Maj • 03:49 • -10.33db
13% Popularity • 45% Danceability • 40% Energy • 9% Liveness
3% Instrumentalness • 14% Positiveness
13% Popularity • 45% Danceability • 40% Energy • 9% Liveness
3% Instrumentalness • 14% Positiveness
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Grace Mitchell
Broken Over You
78 bpm • G Maj • 03:17 • -9.47db
26% Popularity • 27% Danceability • 50% Energy • 15% Liveness
1% Instrumentalness • 21% Positiveness
26% Popularity • 27% Danceability • 50% Energy • 15% Liveness
1% Instrumentalness • 21% Positiveness
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Carsie Blanton
Backbone
84 bpm • B Maj • 04:16 • -10.54db
15% Popularity • 67% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 71% Positiveness
15% Popularity • 67% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 71% Positiveness
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Grace Potter
Every Heartbeat
84 bpm • G Maj • 04:12 • -6.04db
26% Popularity • 47% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
26% Popularity • 47% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
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John Paul White
Fight For You
85 bpm • F min • 03:55 • -12.3db
11% Popularity • 54% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
11% Popularity • 54% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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Taylor Swift
Fresh Out The Slammer
77 bpm • A Maj • 03:30 • -9.36db
81% Popularity • 30% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
81% Popularity • 30% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Muddy Magnolias
Take Me Home
77 bpm • G Maj • 03:50 • -9.75db
11% Popularity • 42% Danceability • 48% Energy • 15% Liveness
0% Instrumentalness • 28% Positiveness
11% Popularity • 42% Danceability • 48% Energy • 15% Liveness
0% Instrumentalness • 28% Positiveness
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Paper Bird
Blood & Bones
77 bpm • B Maj • 03:57 • -8.99db
17% Popularity • 52% Danceability • 52% Energy • 21% Liveness
0% Instrumentalness • 26% Positiveness
17% Popularity • 52% Danceability • 52% Energy • 21% Liveness
0% Instrumentalness • 26% Positiveness
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Jill Andrews
Cannibal
77 bpm • F min • 03:30 • -8.22db
17% Popularity • 49% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
17% Popularity • 49% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
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Arum Rae
Warranted Queen
77 bpm • F min • 03:13 • -10.18db
26% Popularity • 63% Danceability • 41% Energy • 10% Liveness
72% Instrumentalness • 44% Positiveness
26% Popularity • 63% Danceability • 41% Energy • 10% Liveness
72% Instrumentalness • 44% Positiveness
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Parker Millsap
Wherever You Are
76 bpm • G Maj • 03:02 • -7.37db
29% Popularity • 64% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
29% Popularity • 64% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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Joy Williams
You Loved Me
86 bpm • G Maj • 03:13 • -11.55db
14% Popularity • 34% Danceability • 38% Energy • 16% Liveness
0% Instrumentalness • 12% Positiveness
14% Popularity • 34% Danceability • 38% Energy • 16% Liveness
0% Instrumentalness • 12% Positiveness
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Grace Potter
Empty Heart
86 bpm • C Maj • 03:15 • -5.48db
41% Popularity • 69% Danceability • 82% Energy • 21% Liveness
0% Instrumentalness • 89% Positiveness
41% Popularity • 69% Danceability • 82% Energy • 21% Liveness
0% Instrumentalness • 89% Positiveness
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Chantal Kreviazuk
Hard Sail
76 bpm • C Maj • 03:49 • -4.42db
8% Popularity • 51% Danceability • 65% Energy • 8% Liveness
0% Instrumentalness • 54% Positiveness
8% Popularity • 51% Danceability • 65% Energy • 8% Liveness
0% Instrumentalness • 54% Positiveness
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Nuela Charles
Crumbling Down
87 bpm • G Maj • 03:44 • -6.86db
9% Popularity • 61% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
9% Popularity • 61% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Paul McDonald & Nikki Reed
Now That I've Found You (Version 2)
86 bpm • C# Maj • 03:44 • -8.21db
13% Popularity • 55% Danceability • 62% Energy • 27% Liveness
0% Instrumentalness • 75% Positiveness
13% Popularity • 55% Danceability • 62% Energy • 27% Liveness
0% Instrumentalness • 75% Positiveness
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Sugar & The Hi Lows
Tennessee Quick
75 bpm • F# Maj • 04:05 • -10.95db
13% Popularity • 55% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
13% Popularity • 55% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Joy Williams
Till Forever
75 bpm • A Maj • 03:57 • -10.44db
11% Popularity • 27% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 4% Positiveness
11% Popularity • 27% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 4% Positiveness
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Paul McDonald
Once You Were Mine (Demo)
75 bpm • D# Maj • 04:09 • -7.63db
16% Popularity • 64% Danceability • 45% Energy • 36% Liveness
0% Instrumentalness • 31% Positiveness
16% Popularity • 64% Danceability • 45% Energy • 36% Liveness
0% Instrumentalness • 31% Positiveness
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Clairy Browne & The Bangin' Rackettes
You Don't Owe Me Nothing
87 bpm • G min • 03:31 • -8.64db
9% Popularity • 28% Danceability • 36% Energy • 11% Liveness
1% Instrumentalness • 13% Positiveness
9% Popularity • 28% Danceability • 36% Energy • 11% Liveness
1% Instrumentalness • 13% Positiveness
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Gabrielle Aplin
Slip Away
88 bpm • G min • 03:52 • -7.68db
22% Popularity • 68% Danceability • 48% Energy • 13% Liveness
0% Instrumentalness • 31% Positiveness
22% Popularity • 68% Danceability • 48% Energy • 13% Liveness
0% Instrumentalness • 31% Positiveness
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Girl Blue
Call Me Home
75 bpm • A Maj • 05:10 • -14.46db
13% Popularity • 56% Danceability • 13% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
13% Popularity • 56% Danceability • 13% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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Delta Rae
If I Loved You
88 bpm • G Maj • 03:36 • -4.67db
32% Popularity • 61% Danceability • 68% Energy • 16% Liveness
0% Instrumentalness • 17% Positiveness
32% Popularity • 61% Danceability • 68% Energy • 16% Liveness
0% Instrumentalness • 17% Positiveness
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Grace Potter
Masterpiece
74 bpm • F Maj • 04:46 • -5.79db
26% Popularity • 68% Danceability • 72% Energy • 19% Liveness
0% Instrumentalness • 67% Positiveness
26% Popularity • 68% Danceability • 72% Energy • 19% Liveness
0% Instrumentalness • 67% Positiveness
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Sara Watkins
You and Me
89 bpm • F Maj • 03:23 • -6db
33% Popularity • 69% Danceability • 79% Energy • 14% Liveness
0% Instrumentalness • 54% Positiveness
33% Popularity • 69% Danceability • 79% Energy • 14% Liveness
0% Instrumentalness • 54% Positiveness
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Whitehorse
Trophy Wife
88 bpm • G Maj • 03:14 • -7.15db
15% Popularity • 60% Danceability • 65% Energy • 34% Liveness
0% Instrumentalness • 72% Positiveness
15% Popularity • 60% Danceability • 65% Energy • 34% Liveness
0% Instrumentalness • 72% Positiveness
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Allen Stone
Voodoo - Bonus Track
74 bpm • E min • 03:09 • -7.18db
25% Popularity • 84% Danceability • 50% Energy • 81% Liveness
0% Instrumentalness • 83% Positiveness
25% Popularity • 84% Danceability • 50% Energy • 81% Liveness
0% Instrumentalness • 83% Positiveness
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Suzanne Santo
Better Than That
90 bpm • A# Maj • 04:38 • -9.4db
16% Popularity • 33% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
16% Popularity • 33% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
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Bob Schneider
Best Day Ever
74 bpm • F Maj • 03:19 • -12.14db
16% Popularity • 62% Danceability • 45% Energy • 8% Liveness
7% Instrumentalness • 78% Positiveness
16% Popularity • 62% Danceability • 45% Energy • 8% Liveness
7% Instrumentalness • 78% Positiveness
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Muddy Magnolias
Got It Goin' On
90 bpm • G# min • 04:15 • -6.92db
9% Popularity • 49% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
9% Popularity • 49% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
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Indigo Girls
Learned It On Me
90 bpm • G Maj • 04:12 • -6.62db
12% Popularity • 64% Danceability • 69% Energy • 8% Liveness
0% Instrumentalness • 64% Positiveness
12% Popularity • 64% Danceability • 69% Energy • 8% Liveness
0% Instrumentalness • 64% Positiveness
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Anna Nalick
At Now
90 bpm • E min • 04:25 • -6.39db
20% Popularity • 53% Danceability • 61% Energy • 11% Liveness
26% Instrumentalness • 33% Positiveness
20% Popularity • 53% Danceability • 61% Energy • 11% Liveness
26% Instrumentalness • 33% Positiveness
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Eric Hutchinson
I Got the Feelin' Now
90 bpm • D Maj • 04:12 • -5.49db
15% Popularity • 61% Danceability • 87% Energy • 6% Liveness
0% Instrumentalness • 60% Positiveness
15% Popularity • 61% Danceability • 87% Energy • 6% Liveness
0% Instrumentalness • 60% Positiveness
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Yola
Fly Away
72 bpm • E Maj • 05:38 • -3db
31% Popularity • 42% Danceability • 66% Energy • 28% Liveness
0% Instrumentalness • 61% Positiveness
31% Popularity • 42% Danceability • 66% Energy • 28% Liveness
0% Instrumentalness • 61% Positiveness
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Caitlyn Smith
Contact High
91 bpm • F Maj • 04:12 • -4.85db
14% Popularity • 58% Danceability • 79% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
14% Popularity • 58% Danceability • 79% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
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Muddy Magnolias
Brother, What Happened?
90 bpm • F# Maj • 04:34 • -7.32db
19% Popularity • 63% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
19% Popularity • 63% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
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Grace Potter & The Nocturnals
Paris (Ooh La La)
91 bpm • E Maj • 03:15 • -2.7db
47% Popularity • 60% Danceability • 87% Energy • 23% Liveness
0% Instrumentalness • 87% Positiveness
47% Popularity • 60% Danceability • 87% Energy • 23% Liveness
0% Instrumentalness • 87% Positiveness
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Indigo Girls
Texas Was Clean
90 bpm • D Maj • 04:11 • -10.55db
13% Popularity • 49% Danceability • 46% Energy • 8% Liveness
8% Instrumentalness • 27% Positiveness
13% Popularity • 49% Danceability • 46% Energy • 8% Liveness
8% Instrumentalness • 27% Positiveness
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Sheryl Crow
Grow Up
91 bpm • G# Maj • 03:26 • -9.19db
11% Popularity • 77% Danceability • 48% Energy • 4% Liveness
0% Instrumentalness • 93% Positiveness
11% Popularity • 77% Danceability • 48% Energy • 4% Liveness
0% Instrumentalness • 93% Positiveness
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Begonia
The Light
91 bpm • G# Maj • 03:36 • -7db
16% Popularity • 73% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
16% Popularity • 73% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Grace Potter
Little Hitchhiker
92 bpm • G Maj • 03:12 • -12.44db
27% Popularity • 51% Danceability • 39% Energy • 28% Liveness
0% Instrumentalness • 40% Positiveness
27% Popularity • 51% Danceability • 39% Energy • 28% Liveness
0% Instrumentalness • 40% Positiveness
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Muddy Magnolias
Broken People
91 bpm • B min • 03:46 • -8.56db
12% Popularity • 66% Danceability • 62% Energy • 23% Liveness
0% Instrumentalness • 45% Positiveness
12% Popularity • 66% Danceability • 62% Energy • 23% Liveness
0% Instrumentalness • 45% Positiveness
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Jessica Hernandez and the Deltas
Cry Cry Cry
91 bpm • C Maj • 03:14 • -7.76db
9% Popularity • 64% Danceability • 38% Energy • 16% Liveness
0% Instrumentalness • 12% Positiveness
9% Popularity • 64% Danceability • 38% Energy • 16% Liveness
0% Instrumentalness • 12% Positiveness
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Kree Harrison
This Old Thing
92 bpm • C# min • 03:41 • -5.65db
11% Popularity • 59% Danceability • 67% Energy • 28% Liveness
0% Instrumentalness • 74% Positiveness
11% Popularity • 59% Danceability • 67% Energy • 28% Liveness
0% Instrumentalness • 74% Positiveness
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Whitehorse
You Get Older
92 bpm • G# min • 03:03 • -7.56db
11% Popularity • 55% Danceability • 73% Energy • 18% Liveness
0% Instrumentalness • 32% Positiveness
11% Popularity • 55% Danceability • 73% Energy • 18% Liveness
0% Instrumentalness • 32% Positiveness
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Natalie Maines
Free Life
92 bpm • G Maj • 05:01 • -6.48db
10% Popularity • 55% Danceability • 45% Energy • 18% Liveness
0% Instrumentalness • 20% Positiveness
10% Popularity • 55% Danceability • 45% Energy • 18% Liveness
0% Instrumentalness • 20% Positiveness
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Lady Gaga
Sinner's Prayer
92 bpm • G Maj • 03:43 • -7.32db
48% Popularity • 60% Danceability • 71% Energy • 17% Liveness
0% Instrumentalness • 72% Positiveness
48% Popularity • 60% Danceability • 71% Energy • 17% Liveness
0% Instrumentalness • 72% Positiveness
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Karmin
Along The Road
92 bpm • A Maj • 03:12 • -8.28db
25% Popularity • 62% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
25% Popularity • 62% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
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Alice Smith
Woodstock
93 bpm • C Maj • 03:32 • -7.81db
21% Popularity • 70% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
21% Popularity • 70% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Grace Potter
Look What We've Become
93 bpm • F# min • 03:11 • -5.66db
27% Popularity • 65% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 86% Positiveness
27% Popularity • 65% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 86% Positiveness
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Resynator
Honey Bee
93 bpm • A min • 03:57 • -6.5db
6% Popularity • 57% Danceability • 76% Energy • 9% Liveness
0% Instrumentalness • 43% Positiveness
6% Popularity • 57% Danceability • 76% Energy • 9% Liveness
0% Instrumentalness • 43% Positiveness
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Indigo Girls
Southern California Is Your Girlfriend
93 bpm • G Maj • 04:20 • -6.69db
12% Popularity • 52% Danceability • 81% Energy • 6% Liveness
0% Instrumentalness • 54% Positiveness
12% Popularity • 52% Danceability • 81% Energy • 6% Liveness
0% Instrumentalness • 54% Positiveness
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Jenny Lewis
She's Not Me
93 bpm • E Maj • 04:09 • -6.34db
36% Popularity • 45% Danceability • 77% Energy • 27% Liveness
0% Instrumentalness • 79% Positiveness
36% Popularity • 45% Danceability • 77% Energy • 27% Liveness
0% Instrumentalness • 79% Positiveness
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Nikki Lane
All Or Nothin'
93 bpm • C Maj • 03:56 • -9.87db
14% Popularity • 76% Danceability • 55% Energy • 9% Liveness
71% Instrumentalness • 44% Positiveness
14% Popularity • 76% Danceability • 55% Energy • 9% Liveness
71% Instrumentalness • 44% Positiveness
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Taylor Swift
Guilty as Sin?
95 bpm • D Maj • 04:14 • -8.3db
81% Popularity • 62% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 44% Positiveness
81% Popularity • 62% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 44% Positiveness
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Grace Potter
Back To Me [Feat Lucius]
95 bpm • F Maj • 04:45 • -7.07db
31% Popularity • 65% Danceability • 56% Energy • 32% Liveness
0% Instrumentalness • 40% Positiveness
31% Popularity • 65% Danceability • 56% Energy • 32% Liveness
0% Instrumentalness • 40% Positiveness
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Chelsea Shag
Us Kids
95 bpm • A# Maj • 03:59 • -6db
9% Popularity • 59% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
9% Popularity • 59% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
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Jade Bird
Cathedral
95 bpm • G# Maj • 02:50 • -6db
40% Popularity • 59% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
40% Popularity • 59% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
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Ashley Monroe
Hands on You
95 bpm • A min • 03:52 • -8.91db
42% Popularity • 59% Danceability • 42% Energy • 16% Liveness
0% Instrumentalness • 31% Positiveness
42% Popularity • 59% Danceability • 42% Energy • 16% Liveness
0% Instrumentalness • 31% Positiveness
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Nikki Lane
Can’t Get Enough
94 bpm • A Maj • 03:07 • -9.86db
10% Popularity • 50% Danceability • 49% Energy • 12% Liveness
60% Instrumentalness • 57% Positiveness
10% Popularity • 50% Danceability • 49% Energy • 12% Liveness
60% Instrumentalness • 57% Positiveness
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Tyler Lyle
Feel Free
95 bpm • D# Maj • 02:42 • -9db
9% Popularity • 75% Danceability • 45% Energy • 18% Liveness
0% Instrumentalness • 77% Positiveness
9% Popularity • 75% Danceability • 45% Energy • 18% Liveness
0% Instrumentalness • 77% Positiveness
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Bob Schneider
The Bringdown
95 bpm • G Maj • 03:41 • -7.88db
24% Popularity • 70% Danceability • 66% Energy • 12% Liveness
43% Instrumentalness • 66% Positiveness
24% Popularity • 70% Danceability • 66% Energy • 12% Liveness
43% Instrumentalness • 66% Positiveness
