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The Mole
Songs like
The Mole
by
Harry James
Based on a tempo of (+/- 10%) and a similar genre
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Andy Kirk
Wednesday Night Hop
168 bpm • G min • 03:08 • -7.81db
23% Popularity • 70% Danceability • 52% Energy • 10% Liveness
5% Instrumentalness • 79% Positiveness
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Harry James
Jubilee
168 bpm • C Maj • 02:46 • -11.26db
10% Popularity • 64% Danceability • 31% Energy • 48% Liveness
22% Instrumentalness • 70% Positiveness
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Harry Babbitt
On A Slow Boat To China
168 bpm • G Maj • 03:17 • -9.45db
29% Popularity • 48% Danceability • 22% Energy • 17% Liveness
0% Instrumentalness • 58% Positiveness
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Glen Gray
Opus No. 1
169 bpm • D# Maj • 02:58 • -12.72db
8% Popularity • 45% Danceability • 37% Energy • 29% Liveness
81% Instrumentalness • 66% Positiveness
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Bobby Darin
East of the Rockies
169 bpm • C Maj • 02:47 • -6.95db
18% Popularity • 56% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 86% Positiveness
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Cab Calloway & His Orchestra
Take the 'A' Train
167 bpm • C# Maj • 03:01 • -11.8db
11% Popularity • 49% Danceability • 24% Energy • 32% Liveness
76% Instrumentalness • 60% Positiveness
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Jimmy Dorsey & His Orchestra
Parade Of The Milk Bottle Caps
167 bpm • C Maj • 03:07 • -11.78db
17% Popularity • 61% Danceability • 39% Energy • 19% Liveness
93% Instrumentalness • 65% Positiveness
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Harry James
The Mole
168 bpm • D min • 02:42 • -16.8db
10% Popularity • 36% Danceability • 20% Energy • 23% Liveness
87% Instrumentalness • 72% Positiveness
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Duke Ellington Orchestra
Take the a Train
167 bpm • C Maj • 02:56 • -20.7db
29% Popularity • 53% Danceability • 22% Energy • 13% Liveness
73% Instrumentalness • 64% Positiveness
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Johnny Hodges & His Orchestra
You Need to Rock
169 bpm • C# Maj • 05:52 • -14.2db
21% Popularity • 50% Danceability • 34% Energy • 12% Liveness
7% Instrumentalness • 78% Positiveness
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Larry Clinton & His Orchestra
Hollywood Pastime
170 bpm • D# Maj • 03:05 • -21.27db
21% Popularity • 50% Danceability • 15% Energy • 12% Liveness
77% Instrumentalness • 82% Positiveness
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Louis Armstrong & His Hot Five
Cornet Chop Suey
170 bpm • D# Maj • 03:14 • -14.62db
18% Popularity • 56% Danceability • 19% Energy • 11% Liveness
57% Instrumentalness • 69% Positiveness
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Jimmy Dorsey & His Orchestra
Don't Be That Way
170 bpm • C min • 03:00 • -10.24db
25% Popularity • 62% Danceability • 48% Energy • 53% Liveness
73% Instrumentalness • 57% Positiveness
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Les Brown
'S Wonderful
170 bpm • A Maj • 03:05 • -9.77db
11% Popularity • 57% Danceability • 36% Energy • 3% Liveness
0% Instrumentalness • 54% Positiveness
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Jimmie Lunceford & His Orchestra
My Blue Heaven
171 bpm • F Maj • 03:17 • -8.8db
12% Popularity • 63% Danceability • 40% Energy • 30% Liveness
21% Instrumentalness • 77% Positiveness
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Muggsy Spanier
Livery Stable Blues (Barnyard Blues)
170 bpm • G# Maj • 03:01 • -9.19db
15% Popularity • 55% Danceability • 47% Energy • 6% Liveness
96% Instrumentalness • 95% Positiveness
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Fred Astaire (performer), The MGM Studio Chorus
The Ritz Roll and Rock
171 bpm • F Maj • 03:35 • -11.7db
26% Popularity • 48% Danceability • 55% Energy • 7% Liveness
0% Instrumentalness • 61% Positiveness
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The Big 18
Ton O'Rock Bump
165 bpm • G# Maj • 05:29 • -12.45db
10% Popularity • 50% Danceability • 44% Energy • 14% Liveness
1% Instrumentalness • 70% Positiveness
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Glen Gray
Sometimes I'm Happy
172 bpm • F Maj • 02:34 • -12.77db
14% Popularity • 46% Danceability • 26% Energy • 10% Liveness
46% Instrumentalness • 60% Positiveness
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Bix Beiderbecke
Royal Garden Blues
172 bpm • A# Maj • 03:05 • -11.61db
19% Popularity • 58% Danceability • 54% Energy • 22% Liveness
88% Instrumentalness • 87% Positiveness
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Walter Donaldson
My Blue Heaven
172 bpm • G# Maj • 02:52 • -4.4db
15% Popularity • 54% Danceability • 71% Energy • 7% Liveness
1% Instrumentalness • 87% Positiveness
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Charlie Barnet & His Orchestra
Cherokee
172 bpm • A# Maj • 03:21 • -14.14db
32% Popularity • 56% Danceability • 28% Energy • 22% Liveness
46% Instrumentalness • 78% Positiveness
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Jimmie Lunceford
Annie Laurie
164 bpm • D# Maj • 03:15 • -1.62db
7% Popularity • 58% Danceability • 72% Energy • 8% Liveness
76% Instrumentalness • 71% Positiveness
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Members Of The Glenn Miller Orchestra
Swingin' At the Ritz
173 bpm • G# Maj • 02:44 • -20.46db
22% Popularity • 41% Danceability • 19% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
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Gene Krupa & His Orchestra
Bolero At The Savoy
163 bpm • A min • 03:09 • -10.16db
15% Popularity • 49% Danceability • 55% Energy • 22% Liveness
0% Instrumentalness • 52% Positiveness
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Johnny Hodges
Hodge Podge
173 bpm • C Maj • 02:39 • -13.55db
10% Popularity • 73% Danceability • 20% Energy • 10% Liveness
84% Instrumentalness • 82% Positiveness
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Larry Clinton
Remember
174 bpm • C min • 02:46 • -9.78db
32% Popularity • 55% Danceability • 36% Energy • 12% Liveness
2% Instrumentalness • 77% Positiveness
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Larry Clinton & His Orchestra
Dipsy Doodle
174 bpm • A# Maj • 03:02 • -21.07db
26% Popularity • 55% Danceability • 20% Energy • 28% Liveness
0% Instrumentalness • 89% Positiveness
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Lester Lanin
Just In Time - Moderate Society
162 bpm • F Maj • 02:06 • -14.87db
34% Popularity • 69% Danceability • 32% Energy • 5% Liveness
50% Instrumentalness • 81% Positiveness
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Johnny Hodges & His Orchestra
Something To Pat Your Foot To
175 bpm • C# Maj • 02:50 • -11.66db
32% Popularity • 39% Danceability • 50% Energy • 9% Liveness
37% Instrumentalness • 84% Positiveness
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Cab Calloway & His Orchestra
A Chicken Ain't Nothing but a Bird
162 bpm • D# Maj • 02:54 • -10.14db
16% Popularity • 59% Danceability • 39% Energy • 3% Liveness
0% Instrumentalness • 88% Positiveness
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Johnny Hodges
Early Morning Rock
174 bpm • A# Maj • 03:36 • -16.43db
10% Popularity • 46% Danceability • 26% Energy • 8% Liveness
0% Instrumentalness • 84% Positiveness
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Charlie Barnet & His Orchestra
The Gal From Joe's
162 bpm • A# min • 03:22 • -12db
31% Popularity • 68% Danceability • 17% Energy • 8% Liveness
25% Instrumentalness • 84% Positiveness
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The Fabulous Equinox Orchestra
Come Fly with Me (Live)
162 bpm • C Maj • 03:06 • -5.03db
26% Popularity • 35% Danceability • 67% Energy • 87% Liveness
0% Instrumentalness • 61% Positiveness
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Harry James
Two Oclock Jump
175 bpm • C# Maj • 02:56 • -13.96db
11% Popularity • 44% Danceability • 54% Energy • 7% Liveness
9% Instrumentalness • 78% Positiveness
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Bix Beiderbecke
In a Mist
175 bpm • C Maj • 02:43 • -19.27db
26% Popularity • 39% Danceability • 29% Energy • 11% Liveness
96% Instrumentalness • 48% Positiveness
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Members Of The Glenn Miller Orchestra
Habanera
175 bpm • C Maj • 01:58 • -13.7db
43% Popularity • 36% Danceability • 35% Energy • 12% Liveness
86% Instrumentalness • 56% Positiveness
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Edmond Hall
Walkin' the Dog
175 bpm • C Maj • 04:34 • -7.73db
19% Popularity • 54% Danceability • 49% Energy • 8% Liveness
96% Instrumentalness • 92% Positiveness
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Stan Kenton & His Orchestra
Intermission Riff
161 bpm • C# Maj • 03:16 • -11.64db
14% Popularity • 47% Danceability • 40% Energy • 9% Liveness
93% Instrumentalness • 78% Positiveness
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Jimmy Dorsey & His Orchestra
Begin The Beguine
161 bpm • C Maj • 02:50 • -7.92db
20% Popularity • 51% Danceability • 40% Energy • 19% Liveness
88% Instrumentalness • 89% Positiveness
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Glen Gray
Tuxedo Junction
176 bpm • F Maj • 03:05 • -12.43db
14% Popularity • 54% Danceability • 42% Energy • 10% Liveness
94% Instrumentalness • 92% Positiveness
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Cootie Williams
It Don't Mean a Thing If It Ain't Got Th...
176 bpm • G# Maj • 03:45 • -8.77db
12% Popularity • 52% Danceability • 57% Energy • 25% Liveness
0% Instrumentalness • 81% Positiveness
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Ray Anthony & His Orchestra
Mr. Anthony's Boogie
160 bpm • C# Maj • 02:31 • -10db
18% Popularity • 40% Danceability • 52% Energy • 32% Liveness
10% Instrumentalness • 80% Positiveness
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Jimmie Lunceford
Honeydripper
160 bpm • A# min • 02:48 • -11.78db
16% Popularity • 64% Danceability • 39% Energy • 7% Liveness
0% Instrumentalness • 84% Positiveness
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Andy Kirk
A Mellow Bit Of Rhythm
160 bpm • D# Maj • 03:19 • -5.15db
23% Popularity • 68% Danceability • 54% Energy • 7% Liveness
80% Instrumentalness • 89% Positiveness
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Jimmy Dorsey & His Orchestra
Stompin' At The Savoy
160 bpm • C# Maj • 03:10 • -12db
31% Popularity • 67% Danceability • 45% Energy • 7% Liveness
86% Instrumentalness • 70% Positiveness
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King Oliver
Don't You Think I Love You
177 bpm • A# Maj • 02:45 • -4.26db
27% Popularity • 68% Danceability • 54% Energy • 14% Liveness
93% Instrumentalness • 95% Positiveness
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Johnny Hodges & His Orchestra
Jeep Is Jumpin'
177 bpm • A# Maj • 02:46 • -13.32db
29% Popularity • 60% Danceability • 36% Energy • 38% Liveness
86% Instrumentalness • 92% Positiveness
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Si Zentner
Little Jazz
159 bpm • G# Maj • 03:07 • -13.01db
16% Popularity • 49% Danceability • 31% Energy • 8% Liveness
5% Instrumentalness • 64% Positiveness
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Bix Beiderbecke
Clementine
177 bpm • D# Maj • 03:02 • -10.87db
20% Popularity • 65% Danceability • 33% Energy • 30% Liveness
89% Instrumentalness • 93% Positiveness
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Harry James
'Tain't What You Do (It's the Way That Y...
177 bpm • C Maj • 02:44 • -10.14db
5% Popularity • 55% Danceability • 64% Energy • 21% Liveness
56% Instrumentalness • 80% Positiveness
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Larry Clinton & His Orchestra
I Want To Rock
177 bpm • G min • 02:35 • -21.57db
21% Popularity • 51% Danceability • 12% Energy • 16% Liveness
16% Instrumentalness • 78% Positiveness
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Joe Loss & His Orchestra
At the Woodchoppers Ball
178 bpm • F min • 03:21 • -15db
15% Popularity • 52% Danceability • 31% Energy • 13% Liveness
64% Instrumentalness • 86% Positiveness
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Stan Kenton & His Orchestra
Tampico
159 bpm • G# Maj • 02:43 • -10.08db
35% Popularity • 66% Danceability • 43% Energy • 44% Liveness
0% Instrumentalness • 96% Positiveness
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Guy Lombardo
For Me and My Gal
159 bpm • G Maj • 02:43 • -14.04db
16% Popularity • 70% Danceability • 13% Energy • 8% Liveness
65% Instrumentalness • 70% Positiveness
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Glenn Miller & The Army Air Force Band
Sun Valley Jump - Remastered 2001
178 bpm • G Maj • 02:21 • -8.48db
10% Popularity • 53% Danceability • 81% Energy • 12% Liveness
65% Instrumentalness • 44% Positiveness
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Harry James
Texas Chatter
178 bpm • G min • 02:51 • -12.34db
6% Popularity • 61% Danceability • 36% Energy • 50% Liveness
81% Instrumentalness • 84% Positiveness
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Bob Crosby & The Bob Cats
Cecilia
178 bpm • C min • 03:15 • -9db
26% Popularity • 49% Danceability • 45% Energy • 10% Liveness
31% Instrumentalness • 87% Positiveness
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Larry Clinton & His Orchestra
Martha
178 bpm • F Maj • 03:21 • -21db
23% Popularity • 47% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Andy Kirk
Christopher Columbus
179 bpm • D Maj • 02:43 • -13.69db
19% Popularity • 67% Danceability • 23% Energy • 9% Liveness
93% Instrumentalness • 91% Positiveness
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Larry Clinton
Dipsy Doodle
179 bpm • B Maj • 02:58 • -13db
17% Popularity • 53% Danceability • 40% Energy • 38% Liveness
0% Instrumentalness • 86% Positiveness
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Glen Gray & The Casa Loma Orchestra
What's the Matter with Me
179 bpm • D# Maj • 02:28 • -10db
14% Popularity • 52% Danceability • 38% Energy • 8% Liveness
3% Instrumentalness • 85% Positiveness
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The Charleston Chasers
Delirium
179 bpm • C# Maj • 03:14 • -13.69db
16% Popularity • 60% Danceability • 27% Energy • 6% Liveness
32% Instrumentalness • 91% Positiveness
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Earl Hines
Jelly Roll
157 bpm • G# Maj • 02:51 • -9.04db
37% Popularity • 64% Danceability • 32% Energy • 14% Liveness
0% Instrumentalness • 76% Positiveness
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Bud Freeman
Three Little Words
180 bpm • C Maj • 03:04 • -9db
15% Popularity • 61% Danceability • 51% Energy • 13% Liveness
88% Instrumentalness • 94% Positiveness
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The Merry Macs
Breezin' Along with the Breeze
157 bpm • F min • 03:01 • -14.54db
22% Popularity • 55% Danceability • 20% Energy • 4% Liveness
2% Instrumentalness • 34% Positiveness
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Larry Clinton
Study In Blue
158 bpm • C# Maj • 03:36 • -7.26db
17% Popularity • 62% Danceability • 52% Energy • 13% Liveness
85% Instrumentalness • 63% Positiveness
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Woody Herman & His Orchestra
Woodchopper's Ball
180 bpm • F min • 03:14 • -8.67db
25% Popularity • 61% Danceability • 44% Energy • 16% Liveness
48% Instrumentalness • 90% Positiveness
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Ella Fitzgerald and Her Savoy Eight
Darktown Strutters Ball
180 bpm • D# Maj • 03:03 • -9.24db
26% Popularity • 57% Danceability • 37% Energy • 14% Liveness
2% Instrumentalness • 92% Positiveness
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Harry James
Trumpet Blues
180 bpm • F# Maj • 02:57 • -8.49db
17% Popularity • 31% Danceability • 50% Energy • 9% Liveness
84% Instrumentalness • 70% Positiveness
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Stan Kenton & His Orchestra
Painted Rhythm
156 bpm • G min • 02:55 • -12.54db
8% Popularity • 49% Danceability • 39% Energy • 11% Liveness
92% Instrumentalness • 79% Positiveness
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Members Of The Glenn Miller Orchestra
American Patrol
181 bpm • G min • 02:35 • -20.57db
43% Popularity • 31% Danceability • 23% Energy • 7% Liveness
56% Instrumentalness • 65% Positiveness
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Larry Clinton
Whistle While You Work
180 bpm • D# Maj • 02:58 • -9.39db
24% Popularity • 55% Danceability • 47% Energy • 13% Liveness
0% Instrumentalness • 92% Positiveness
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Charlie Barnet
Spanish Kick
181 bpm • D# Maj • 02:49 • -11db
33% Popularity • 53% Danceability • 36% Energy • 10% Liveness
82% Instrumentalness • 92% Positiveness
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Andy Kirk
Bearcat Shuffle
155 bpm • A min • 03:02 • -15.12db
25% Popularity • 80% Danceability • 21% Energy • 5% Liveness
92% Instrumentalness • 78% Positiveness
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Erskine Hawkins
Tuxedo Junction (Re-Recorded)
155 bpm • B Maj • 05:50 • -15db
6% Popularity • 41% Danceability • 30% Energy • 12% Liveness
93% Instrumentalness • 80% Positiveness
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Jimmy Dorsey & His Orchestra
Tangerine
155 bpm • B min • 03:12 • -11.09db
40% Popularity • 48% Danceability • 20% Energy • 26% Liveness
0% Instrumentalness • 40% Positiveness
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Members Of The Glenn Miller Orchestra
Lovers Serenade
181 bpm • G min • 02:34 • -21.34db
41% Popularity • 32% Danceability • 19% Energy • 7% Liveness
92% Instrumentalness • 71% Positiveness
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Pee Wee Russell
Love Is Just Around The Corner
182 bpm • C Maj • 03:08 • -10.1db
27% Popularity • 52% Danceability • 50% Energy • 10% Liveness
15% Instrumentalness • 92% Positiveness
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Johnny Hodges & His Orchestra
Good Queen Bess
155 bpm • F min • 03:03 • -12.3db
32% Popularity • 69% Danceability • 18% Energy • 14% Liveness
56% Instrumentalness • 78% Positiveness
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Gene Krupa & His Orchestra
After You've Gone
183 bpm • A# Maj • 02:37 • -10db
9% Popularity • 40% Danceability • 68% Energy • 29% Liveness
93% Instrumentalness • 73% Positiveness
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Bob Crosby & The Bob Cats
Coquette
183 bpm • D# Maj • 03:08 • -10.13db
30% Popularity • 49% Danceability • 58% Energy • 23% Liveness
94% Instrumentalness • 96% Positiveness
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Woody Herman & His Orchestra
Dallas Blues
183 bpm • C# Maj • 02:58 • -11.31db
8% Popularity • 60% Danceability • 42% Energy • 35% Liveness
0% Instrumentalness • 70% Positiveness
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Les Brown
Floatin'
155 bpm • C# Maj • 03:00 • -9db
9% Popularity • 51% Danceability • 34% Energy • 7% Liveness
0% Instrumentalness • 65% Positiveness
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Muggsy Spanier
I Wish I Could Shimmy Like My Sister Kat...
154 bpm • F min • 02:55 • -9.93db
26% Popularity • 70% Danceability • 48% Energy • 31% Liveness
57% Instrumentalness • 92% Positiveness
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Johnny Hodges & His Orchestra
Going Out The Back Way
154 bpm • A# min • 02:44 • -11db
27% Popularity • 69% Danceability • 34% Energy • 13% Liveness
92% Instrumentalness • 68% Positiveness
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Harry James
When You're Alone
154 bpm • C Maj • 02:40 • -7.39db
16% Popularity • 69% Danceability • 36% Energy • 11% Liveness
55% Instrumentalness • 78% Positiveness
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Jimmie Lunceford
For Dancers Only
154 bpm • C min • 02:43 • -13db
22% Popularity • 66% Danceability • 32% Energy • 14% Liveness
65% Instrumentalness • 77% Positiveness
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Artie Shaw
Softly, As In A Morning Sunrise
154 bpm • F Maj • 03:12 • -9.95db
35% Popularity • 68% Danceability • 33% Energy • 10% Liveness
48% Instrumentalness • 62% Positiveness
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Cab Calloway & His Orchestra
Wake up and Live
184 bpm • F Maj • 02:25 • -11.26db
9% Popularity • 59% Danceability • 35% Energy • 11% Liveness
34% Instrumentalness • 89% Positiveness
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Les Brown
Just One Of Those Things
184 bpm • C min • 02:40 • -9.65db
9% Popularity • 43% Danceability • 38% Energy • 21% Liveness
20% Instrumentalness • 58% Positiveness
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Glen Gray
Hindustan
185 bpm • D# Maj • 03:07 • -11.6db
20% Popularity • 45% Danceability • 28% Energy • 31% Liveness
73% Instrumentalness • 76% Positiveness
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Charlie Barnet
The Right Idea
185 bpm • G min • 03:15 • -7db
27% Popularity • 43% Danceability • 64% Energy • 16% Liveness
93% Instrumentalness • 89% Positiveness
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Gene Krupa and His Orchestra
Opus NO. 1
153 bpm • A min • 02:56 • -7.2db
21% Popularity • 60% Danceability • 47% Energy • 8% Liveness
0% Instrumentalness • 82% Positiveness
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Jimmy Dorsey & His Orchestra
Slap That Bass
186 bpm • G# Maj • 03:06 • -15.18db
18% Popularity • 64% Danceability • 30% Energy • 10% Liveness
68% Instrumentalness • 94% Positiveness
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Les Brown & His Orchestra
Flip Lid
186 bpm • D# Maj • 02:30 • -13.74db
13% Popularity • 53% Danceability • 32% Energy • 7% Liveness
0% Instrumentalness • 95% Positiveness
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Woody Herman & His Orchestra
Woodchopper's Ball
186 bpm • C# Maj • 03:10 • -11.36db
19% Popularity • 49% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 78% Positiveness
► Preview
Kitty Kallen
Yah-Ta-Ta, Yah-Ta-Ta (Talk, Talk, Talk)
151 bpm • D# Maj • 02:29 • -17.87db
3% Popularity • 53% Danceability • 13% Energy • 29% Liveness
1% Instrumentalness • 77% Positiveness
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Stan Kenton & His Orchestra
Eager Beaver
151 bpm • F min • 03:09 • -11db
28% Popularity • 53% Danceability • 33% Energy • 14% Liveness
87% Instrumentalness • 52% Positiveness
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Bill Elliott Swing Orchestra
Streamliner
150 bpm • D# min • 03:50 • -10.39db
21% Popularity • 53% Danceability • 37% Energy • 6% Liveness
0% Instrumentalness • 72% Positiveness
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The Mole