Songs like The moments we shared by Joseph Seabolt
Based on a tempo of (+/- 10%) and a similar genre
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Joseph Seabolt
The moments we shared
112 bpm • D min • 02:19 • -26db
21% Popularity • 46% Danceability • 6% Energy • 9% Liveness
94% Instrumentalness • 42% Positiveness
21% Popularity • 46% Danceability • 6% Energy • 9% Liveness
94% Instrumentalness • 42% Positiveness
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Renard Francis
Days Like These
112 bpm • F Maj • 04:09 • -32.5db
26% Popularity • 51% Danceability • 2% Energy • 12% Liveness
95% Instrumentalness • 18% Positiveness
26% Popularity • 51% Danceability • 2% Energy • 12% Liveness
95% Instrumentalness • 18% Positiveness
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Megan Wofford
Dear Mama
112 bpm • C# Maj • 03:16 • -17.21db
33% Popularity • 65% Danceability • 15% Energy • 11% Liveness
95% Instrumentalness • 35% Positiveness
33% Popularity • 65% Danceability • 15% Energy • 11% Liveness
95% Instrumentalness • 35% Positiveness
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Dominique Charpentier
Plume
112 bpm • A min • 01:58 • -24.51db
37% Popularity • 52% Danceability • 1% Energy • 6% Liveness
96% Instrumentalness • 36% Positiveness
37% Popularity • 52% Danceability • 1% Energy • 6% Liveness
96% Instrumentalness • 36% Positiveness
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Falerina Paquet
Fin de l'été
112 bpm • D# min • 01:53 • -24.29db
38% Popularity • 31% Danceability • 9% Energy • 10% Liveness
93% Instrumentalness • 33% Positiveness
38% Popularity • 31% Danceability • 9% Energy • 10% Liveness
93% Instrumentalness • 33% Positiveness
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Yao Chen
Open Heart
112 bpm • B Maj • 03:53 • -28db
25% Popularity • 51% Danceability • 2% Energy • 11% Liveness
94% Instrumentalness • 17% Positiveness
25% Popularity • 51% Danceability • 2% Energy • 11% Liveness
94% Instrumentalness • 17% Positiveness
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Shaunta Coburn
Grateful
112 bpm • C Maj • 02:25 • -26db
34% Popularity • 56% Danceability • 8% Energy • 10% Liveness
93% Instrumentalness • 17% Positiveness
34% Popularity • 56% Danceability • 8% Energy • 10% Liveness
93% Instrumentalness • 17% Positiveness
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Eric Badanti
Vals De Rodrigues
111 bpm • B min • 02:41 • -24.3db
46% Popularity • 42% Danceability • 4% Energy • 8% Liveness
94% Instrumentalness • 12% Positiveness
46% Popularity • 42% Danceability • 4% Energy • 8% Liveness
94% Instrumentalness • 12% Positiveness
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Henry Hume
When the Dust Clears
111 bpm • D min • 03:19 • -30.8db
14% Popularity • 44% Danceability • 2% Energy • 20% Liveness
91% Instrumentalness • 4% Positiveness
14% Popularity • 44% Danceability • 2% Energy • 20% Liveness
91% Instrumentalness • 4% Positiveness
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Laura Christie Wall
All I See
111 bpm • G# Maj • 02:59 • -31.67db
35% Popularity • 40% Danceability • 0% Energy • 12% Liveness
88% Instrumentalness • 18% Positiveness
35% Popularity • 40% Danceability • 0% Energy • 12% Liveness
88% Instrumentalness • 18% Positiveness
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Leroy Bolander
That day
113 bpm • E Maj • 01:58 • -25.71db
31% Popularity • 46% Danceability • 9% Energy • 10% Liveness
96% Instrumentalness • 25% Positiveness
31% Popularity • 46% Danceability • 9% Energy • 10% Liveness
96% Instrumentalness • 25% Positiveness
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Lennie Gardens
Winter's Ways
113 bpm • C min • 03:13 • -25.12db
11% Popularity • 44% Danceability • 2% Energy • 11% Liveness
87% Instrumentalness • 28% Positiveness
11% Popularity • 44% Danceability • 2% Energy • 11% Liveness
87% Instrumentalness • 28% Positiveness
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Muriël Bostdorp
Lost In The Right Direction
113 bpm • B min • 02:55 • -27.02db
31% Popularity • 38% Danceability • 5% Energy • 7% Liveness
93% Instrumentalness • 16% Positiveness
31% Popularity • 38% Danceability • 5% Energy • 7% Liveness
93% Instrumentalness • 16% Positiveness
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Clara Nishimoto
Musing
113 bpm • D# min • 02:34 • -28db
20% Popularity • 33% Danceability • 5% Energy • 12% Liveness
93% Instrumentalness • 19% Positiveness
20% Popularity • 33% Danceability • 5% Energy • 12% Liveness
93% Instrumentalness • 19% Positiveness
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Steven Windhaug
Searching Everywhere
111 bpm • E min • 02:29 • -24.95db
24% Popularity • 46% Danceability • 2% Energy • 10% Liveness
95% Instrumentalness • 17% Positiveness
24% Popularity • 46% Danceability • 2% Energy • 10% Liveness
95% Instrumentalness • 17% Positiveness
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Geir Gudmundson
Just Us
114 bpm • C Maj • 03:35 • -32.95db
30% Popularity • 33% Danceability • 2% Energy • 10% Liveness
90% Instrumentalness • 28% Positiveness
30% Popularity • 33% Danceability • 2% Energy • 10% Liveness
90% Instrumentalness • 28% Positiveness
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Arelius
20/20
114 bpm • D# Maj • 01:46 • -24.84db
34% Popularity • 39% Danceability • 4% Energy • 11% Liveness
98% Instrumentalness • 11% Positiveness
34% Popularity • 39% Danceability • 4% Energy • 11% Liveness
98% Instrumentalness • 11% Positiveness
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Julien Thorsen
So Beautifully You
114 bpm • D Maj • 03:09 • -35.87db
19% Popularity • 41% Danceability • 0% Energy • 10% Liveness
94% Instrumentalness • 11% Positiveness
19% Popularity • 41% Danceability • 0% Energy • 10% Liveness
94% Instrumentalness • 11% Positiveness
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S.J Morgan
Collected
114 bpm • G# Maj • 02:31 • -32.9db
29% Popularity • 42% Danceability • 3% Energy • 10% Liveness
93% Instrumentalness • 18% Positiveness
29% Popularity • 42% Danceability • 3% Energy • 10% Liveness
93% Instrumentalness • 18% Positiveness
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Melanie Adler
Gratitude
114 bpm • C# Maj • 02:11 • -26.95db
36% Popularity • 40% Danceability • 1% Energy • 10% Liveness
93% Instrumentalness • 24% Positiveness
36% Popularity • 40% Danceability • 1% Energy • 10% Liveness
93% Instrumentalness • 24% Positiveness
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Vail Bizier
Ce n’est pas la mer à boire
110 bpm • D Maj • 02:31 • -22.47db
27% Popularity • 47% Danceability • 4% Energy • 10% Liveness
96% Instrumentalness • 38% Positiveness
27% Popularity • 47% Danceability • 4% Energy • 10% Liveness
96% Instrumentalness • 38% Positiveness
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SigrÃður
Interconnectivity
114 bpm • C Maj • 01:43 • -25.82db
37% Popularity • 29% Danceability • 3% Energy • 12% Liveness
81% Instrumentalness • 8% Positiveness
37% Popularity • 29% Danceability • 3% Energy • 12% Liveness
81% Instrumentalness • 8% Positiveness
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Milo Edale
Wisdom Valley
110 bpm • C Maj • 02:28 • -26.89db
22% Popularity • 45% Danceability • 3% Energy • 14% Liveness
93% Instrumentalness • 64% Positiveness
22% Popularity • 45% Danceability • 3% Energy • 14% Liveness
93% Instrumentalness • 64% Positiveness
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Les Rêveries
Tout à Fait
114 bpm • G# Maj • 02:52 • -20db
30% Popularity • 42% Danceability • 10% Energy • 10% Liveness
93% Instrumentalness • 29% Positiveness
30% Popularity • 42% Danceability • 10% Energy • 10% Liveness
93% Instrumentalness • 29% Positiveness
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Niall Byrne
Felt Improv No. 7
110 bpm • D min • 02:26 • -36.74db
22% Popularity • 42% Danceability • 4% Energy • 8% Liveness
87% Instrumentalness • 33% Positiveness
22% Popularity • 42% Danceability • 4% Energy • 8% Liveness
87% Instrumentalness • 33% Positiveness
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Olivia Belli
The Faun's Dream
114 bpm • D min • 02:50 • -31.96db
17% Popularity • 45% Danceability • 4% Energy • 8% Liveness
91% Instrumentalness • 9% Positiveness
17% Popularity • 45% Danceability • 4% Energy • 8% Liveness
91% Instrumentalness • 9% Positiveness
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Eliah Strasser
Matterhorn
115 bpm • E Maj • 02:05 • -21.41db
15% Popularity • 49% Danceability • 1% Energy • 10% Liveness
96% Instrumentalness • 23% Positiveness
15% Popularity • 49% Danceability • 1% Energy • 10% Liveness
96% Instrumentalness • 23% Positiveness
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Elise Lindahl
Alt jeg tør
109 bpm • A# Maj • 02:22 • -33.76db
43% Popularity • 42% Danceability • 0% Energy • 13% Liveness
94% Instrumentalness • 8% Positiveness
43% Popularity • 42% Danceability • 0% Energy • 13% Liveness
94% Instrumentalness • 8% Positiveness
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Felted Mind
Joy Cycle
109 bpm • A Maj • 03:00 • -22.35db
35% Popularity • 43% Danceability • 2% Energy • 10% Liveness
92% Instrumentalness • 43% Positiveness
35% Popularity • 43% Danceability • 2% Energy • 10% Liveness
92% Instrumentalness • 43% Positiveness
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Vincent Sparro
Endings
115 bpm • F Maj • 01:37 • -25.06db
36% Popularity • 51% Danceability • 14% Energy • 11% Liveness
96% Instrumentalness • 39% Positiveness
36% Popularity • 51% Danceability • 14% Energy • 11% Liveness
96% Instrumentalness • 39% Positiveness
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Matthew Mor
Normandy
115 bpm • G min • 02:27 • -27.62db
16% Popularity • 43% Danceability • 3% Energy • 9% Liveness
92% Instrumentalness • 12% Positiveness
16% Popularity • 43% Danceability • 3% Energy • 9% Liveness
92% Instrumentalness • 12% Positiveness
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Blissful Radiance
A Soft Lullaby
109 bpm • A# Maj • 02:11 • -24.8db
30% Popularity • 46% Danceability • 5% Energy • 10% Liveness
96% Instrumentalness • 11% Positiveness
30% Popularity • 46% Danceability • 5% Energy • 10% Liveness
96% Instrumentalness • 11% Positiveness
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Alexander Motovilov
Little Prince
115 bpm • C Maj • 02:14 • -23.95db
30% Popularity • 44% Danceability • 14% Energy • 10% Liveness
96% Instrumentalness • 24% Positiveness
30% Popularity • 44% Danceability • 14% Energy • 10% Liveness
96% Instrumentalness • 24% Positiveness
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Norman Dueck
Forever
109 bpm • F min • 02:10 • -29.6db
20% Popularity • 47% Danceability • 2% Energy • 10% Liveness
81% Instrumentalness • 64% Positiveness
20% Popularity • 47% Danceability • 2% Energy • 10% Liveness
81% Instrumentalness • 64% Positiveness
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Jacob LaVallee
Marginal Way
116 bpm • A Maj • 02:58 • -23.33db
26% Popularity • 36% Danceability • 7% Energy • 10% Liveness
93% Instrumentalness • 20% Positiveness
26% Popularity • 36% Danceability • 7% Energy • 10% Liveness
93% Instrumentalness • 20% Positiveness
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S.J Morgan
Onega
116 bpm • A# Maj • 02:31 • -30.21db
16% Popularity • 43% Danceability • 8% Energy • 11% Liveness
94% Instrumentalness • 67% Positiveness
16% Popularity • 43% Danceability • 8% Energy • 11% Liveness
94% Instrumentalness • 67% Positiveness
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Arelius
Carillon
116 bpm • F# Maj • 02:14 • -24.7db
31% Popularity • 41% Danceability • 4% Energy • 11% Liveness
90% Instrumentalness • 9% Positiveness
31% Popularity • 41% Danceability • 4% Energy • 11% Liveness
90% Instrumentalness • 9% Positiveness
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Julian Ellwood
Heart Questions
108 bpm • F# Maj • 02:21 • -29db
27% Popularity • 34% Danceability • 1% Energy • 11% Liveness
89% Instrumentalness • 59% Positiveness
27% Popularity • 34% Danceability • 1% Energy • 11% Liveness
89% Instrumentalness • 59% Positiveness
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Dominique Marais
D-Bus-Y
108 bpm • C# Maj • 02:50 • -25.53db
32% Popularity • 33% Danceability • 8% Energy • 10% Liveness
90% Instrumentalness • 6% Positiveness
32% Popularity • 33% Danceability • 8% Energy • 10% Liveness
90% Instrumentalness • 6% Positiveness
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Max Swan
Evanescent
108 bpm • B min • 03:01 • -21.32db
31% Popularity • 41% Danceability • 6% Energy • 8% Liveness
94% Instrumentalness • 4% Positiveness
31% Popularity • 41% Danceability • 6% Energy • 8% Liveness
94% Instrumentalness • 4% Positiveness
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Jacob LaVallee
Meander
116 bpm • G# Maj • 03:42 • -19.66db
19% Popularity • 47% Danceability • 6% Energy • 10% Liveness
94% Instrumentalness • 13% Positiveness
19% Popularity • 47% Danceability • 6% Energy • 10% Liveness
94% Instrumentalness • 13% Positiveness
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Projet Calmant
Impasse des Bourdonnais
117 bpm • G min • 01:07 • -23.64db
41% Popularity • 26% Danceability • 19% Energy • 11% Liveness
95% Instrumentalness • 35% Positiveness
41% Popularity • 26% Danceability • 19% Energy • 11% Liveness
95% Instrumentalness • 35% Positiveness
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James DiResta
Beneath Your Smile
117 bpm • F# Maj • 04:46 • -32.12db
31% Popularity • 37% Danceability • 2% Energy • 11% Liveness
94% Instrumentalness • 22% Positiveness
31% Popularity • 37% Danceability • 2% Energy • 11% Liveness
94% Instrumentalness • 22% Positiveness
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Mewael Yemane
In your eyes
117 bpm • D# min • 02:16 • -25.46db
30% Popularity • 29% Danceability • 9% Energy • 10% Liveness
94% Instrumentalness • 22% Positiveness
30% Popularity • 29% Danceability • 9% Energy • 10% Liveness
94% Instrumentalness • 22% Positiveness
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Joanna Haynes
Tristesse in D minor
118 bpm • D min • 02:04 • -22.14db
28% Popularity • 53% Danceability • 5% Energy • 13% Liveness
92% Instrumentalness • 15% Positiveness
28% Popularity • 53% Danceability • 5% Energy • 13% Liveness
92% Instrumentalness • 15% Positiveness
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Max Swan
Downstreams
107 bpm • A# min • 02:18 • -25.15db
37% Popularity • 40% Danceability • 4% Energy • 11% Liveness
96% Instrumentalness • 16% Positiveness
37% Popularity • 40% Danceability • 4% Energy • 11% Liveness
96% Instrumentalness • 16% Positiveness
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Kyran Martin
Brig O' Balgownie
106 bpm • F# min • 02:04 • -24.1db
31% Popularity • 39% Danceability • 6% Energy • 11% Liveness
95% Instrumentalness • 36% Positiveness
31% Popularity • 39% Danceability • 6% Energy • 11% Liveness
95% Instrumentalness • 36% Positiveness
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Arelius
Thrones
118 bpm • C Maj • 01:59 • -25.36db
29% Popularity • 50% Danceability • 0% Energy • 21% Liveness
93% Instrumentalness • 13% Positiveness
29% Popularity • 50% Danceability • 0% Energy • 21% Liveness
93% Instrumentalness • 13% Positiveness
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Leroy Bolander
Mrs.Kelley
118 bpm • G min • 02:28 • -23.26db
23% Popularity • 50% Danceability • 6% Energy • 9% Liveness
96% Instrumentalness • 22% Positiveness
23% Popularity • 50% Danceability • 6% Energy • 9% Liveness
96% Instrumentalness • 22% Positiveness
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Mewael Yemane
Wishes
118 bpm • A min • 01:38 • -27.06db
44% Popularity • 47% Danceability • 8% Energy • 10% Liveness
96% Instrumentalness • 34% Positiveness
44% Popularity • 47% Danceability • 8% Energy • 10% Liveness
96% Instrumentalness • 34% Positiveness
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Zygmunt Czarnecki
Kazimierz Dolny
118 bpm • G min • 01:47 • -21.15db
29% Popularity • 33% Danceability • 14% Energy • 14% Liveness
96% Instrumentalness • 46% Positiveness
29% Popularity • 33% Danceability • 14% Energy • 14% Liveness
96% Instrumentalness • 46% Positiveness
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Jorulf
Myrdal-Flam
106 bpm • A Maj • 01:58 • -23.13db
33% Popularity • 38% Danceability • 4% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
33% Popularity • 38% Danceability • 4% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
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Annebelle Coenraad
TatÃnek
106 bpm • F# min • 02:13 • -24.16db
14% Popularity • 32% Danceability • 12% Energy • 11% Liveness
93% Instrumentalness • 29% Positiveness
14% Popularity • 32% Danceability • 12% Energy • 11% Liveness
93% Instrumentalness • 29% Positiveness
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Ezequiel Johnson
A New Year's Walk
106 bpm • C# Maj • 01:57 • -23.2db
29% Popularity • 41% Danceability • 12% Energy • 10% Liveness
94% Instrumentalness • 44% Positiveness
29% Popularity • 41% Danceability • 12% Energy • 10% Liveness
94% Instrumentalness • 44% Positiveness
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Allysium
Reversal
105 bpm • A Maj • 03:40 • -29.17db
25% Popularity • 35% Danceability • 4% Energy • 7% Liveness
91% Instrumentalness • 9% Positiveness
25% Popularity • 35% Danceability • 4% Energy • 7% Liveness
91% Instrumentalness • 9% Positiveness
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Jef Martens
Wolf and Her
120 bpm • G# Maj • 02:07 • -31db
33% Popularity • 49% Danceability • 10% Energy • 11% Liveness
89% Instrumentalness • 24% Positiveness
33% Popularity • 49% Danceability • 10% Energy • 11% Liveness
89% Instrumentalness • 24% Positiveness
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Manuel Zito
On Hold
119 bpm • G min • 02:14 • -25.96db
32% Popularity • 47% Danceability • 4% Energy • 11% Liveness
94% Instrumentalness • 58% Positiveness
32% Popularity • 47% Danceability • 4% Energy • 11% Liveness
94% Instrumentalness • 58% Positiveness
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Alida Sørby
Seljalandsfoss
120 bpm • A# min • 02:56 • -23db
26% Popularity • 32% Danceability • 9% Energy • 11% Liveness
93% Instrumentalness • 14% Positiveness
26% Popularity • 32% Danceability • 9% Energy • 11% Liveness
93% Instrumentalness • 14% Positiveness
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Pataki Gisella
Veszprém
121 bpm • B Maj • 03:01 • -24.16db
20% Popularity • 31% Danceability • 14% Energy • 11% Liveness
96% Instrumentalness • 31% Positiveness
20% Popularity • 31% Danceability • 14% Energy • 11% Liveness
96% Instrumentalness • 31% Positiveness
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Eric Cadogan
Cloudy Waltz
104 bpm • G min • 02:01 • -23.54db
34% Popularity • 38% Danceability • 14% Energy • 11% Liveness
97% Instrumentalness • 40% Positiveness
34% Popularity • 38% Danceability • 14% Energy • 11% Liveness
97% Instrumentalness • 40% Positiveness
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Valerija Novosel
Mali Lošinj
104 bpm • G# Maj • 02:01 • -24.15db
30% Popularity • 44% Danceability • 9% Energy • 11% Liveness
95% Instrumentalness • 33% Positiveness
30% Popularity • 44% Danceability • 9% Energy • 11% Liveness
95% Instrumentalness • 33% Positiveness
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Zuzana Kudová
Vpředu
121 bpm • D min • 02:15 • -25db
16% Popularity • 37% Danceability • 17% Energy • 12% Liveness
93% Instrumentalness • 31% Positiveness
16% Popularity • 37% Danceability • 17% Energy • 12% Liveness
93% Instrumentalness • 31% Positiveness
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Martin Greenbaum
Cloud Walk
122 bpm • C# Maj • 02:42 • -29db
28% Popularity • 33% Danceability • 3% Energy • 13% Liveness
95% Instrumentalness • 6% Positiveness
28% Popularity • 33% Danceability • 3% Energy • 13% Liveness
95% Instrumentalness • 6% Positiveness
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Charles Weathersby
Balett
103 bpm • A min • 04:38 • -25.83db
19% Popularity • 36% Danceability • 1% Energy • 11% Liveness
93% Instrumentalness • 29% Positiveness
19% Popularity • 36% Danceability • 1% Energy • 11% Liveness
93% Instrumentalness • 29% Positiveness
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Henri Bentley
The Little Dancer
122 bpm • F min • 02:15 • -26.23db
35% Popularity • 46% Danceability • 5% Energy • 11% Liveness
93% Instrumentalness • 9% Positiveness
35% Popularity • 46% Danceability • 5% Energy • 11% Liveness
93% Instrumentalness • 9% Positiveness
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Carluccio
Divisio
103 bpm • G# Maj • 03:14 • -26.48db
11% Popularity • 28% Danceability • 3% Energy • 11% Liveness
91% Instrumentalness • 14% Positiveness
11% Popularity • 28% Danceability • 3% Energy • 11% Liveness
91% Instrumentalness • 14% Positiveness
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Ryu Ito
Elderflowers
103 bpm • C# Maj • 02:09 • -28.38db
39% Popularity • 51% Danceability • 3% Energy • 11% Liveness
94% Instrumentalness • 49% Positiveness
39% Popularity • 51% Danceability • 3% Energy • 11% Liveness
94% Instrumentalness • 49% Positiveness
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Jaidy Thissen
schemering
103 bpm • G# Maj • 02:04 • -24.52db
39% Popularity • 30% Danceability • 10% Energy • 11% Liveness
96% Instrumentalness • 28% Positiveness
39% Popularity • 30% Danceability • 10% Energy • 11% Liveness
96% Instrumentalness • 28% Positiveness
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Ragnar Seaholm
Small Steps
103 bpm • G# min • 02:45 • -29db
34% Popularity • 40% Danceability • 2% Energy • 10% Liveness
92% Instrumentalness • 20% Positiveness
34% Popularity • 40% Danceability • 2% Energy • 10% Liveness
92% Instrumentalness • 20% Positiveness
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Sabine Paulet
flâner
103 bpm • C# Maj • 03:15 • -19.55db
27% Popularity • 41% Danceability • 16% Energy • 10% Liveness
87% Instrumentalness • 34% Positiveness
27% Popularity • 41% Danceability • 16% Energy • 10% Liveness
87% Instrumentalness • 34% Positiveness
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Slow Fade Sailors
A Journey of a Thousand Miles
123 bpm • G Maj • 03:36 • -22.29db
15% Popularity • 37% Danceability • 23% Energy • 11% Liveness
93% Instrumentalness • 16% Positiveness
15% Popularity • 37% Danceability • 23% Energy • 11% Liveness
93% Instrumentalness • 16% Positiveness
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Ingegerd Margaux
Une Valse à Anna
123 bpm • A min • 03:00 • -26db
22% Popularity • 32% Danceability • 5% Energy • 8% Liveness
94% Instrumentalness • 16% Positiveness
22% Popularity • 32% Danceability • 5% Energy • 8% Liveness
94% Instrumentalness • 16% Positiveness
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Lennon McKenna
Perspectives
123 bpm • D# Maj • 02:44 • -18.99db
16% Popularity • 38% Danceability • 17% Energy • 11% Liveness
95% Instrumentalness • 40% Positiveness
16% Popularity • 38% Danceability • 17% Energy • 11% Liveness
95% Instrumentalness • 40% Positiveness
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Rick Hagen
Worlds Apart
102 bpm • A min • 01:39 • -24.55db
40% Popularity • 47% Danceability • 5% Energy • 11% Liveness
97% Instrumentalness • 23% Positiveness
40% Popularity • 47% Danceability • 5% Energy • 11% Liveness
97% Instrumentalness • 23% Positiveness
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Kristen Nichols
Affirmation
123 bpm • C min • 02:03 • -29db
27% Popularity • 31% Danceability • 5% Energy • 11% Liveness
90% Instrumentalness • 26% Positiveness
27% Popularity • 31% Danceability • 5% Energy • 11% Liveness
90% Instrumentalness • 26% Positiveness
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William Heller
Unbroken
102 bpm • C# Maj • 02:34 • -26.82db
31% Popularity • 40% Danceability • 6% Energy • 11% Liveness
94% Instrumentalness • 21% Positiveness
31% Popularity • 40% Danceability • 6% Energy • 11% Liveness
94% Instrumentalness • 21% Positiveness
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Rick Jolt
One With You
124 bpm • D Maj • 02:13 • -26db
40% Popularity • 27% Danceability • 8% Energy • 11% Liveness
86% Instrumentalness • 28% Positiveness
40% Popularity • 27% Danceability • 8% Energy • 11% Liveness
86% Instrumentalness • 28% Positiveness
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Pio Roque
Peninsula
102 bpm • C# Maj • 02:08 • -26.19db
31% Popularity • 32% Danceability • 1% Energy • 11% Liveness
90% Instrumentalness • 14% Positiveness
31% Popularity • 32% Danceability • 1% Energy • 11% Liveness
90% Instrumentalness • 14% Positiveness
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Pied-Ã -Terre
Memoir
124 bpm • C Maj • 03:22 • -22.99db
37% Popularity • 54% Danceability • 6% Energy • 9% Liveness
96% Instrumentalness • 29% Positiveness
37% Popularity • 54% Danceability • 6% Energy • 9% Liveness
96% Instrumentalness • 29% Positiveness
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Ingeborg
Rivulets
101 bpm • D min • 03:17 • -27.45db
19% Popularity • 48% Danceability • 2% Energy • 12% Liveness
96% Instrumentalness • 29% Positiveness
19% Popularity • 48% Danceability • 2% Energy • 12% Liveness
96% Instrumentalness • 29% Positiveness
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Doris Casella
Anwyll
125 bpm • G min • 02:28 • -25.1db
31% Popularity • 41% Danceability • 4% Energy • 11% Liveness
94% Instrumentalness • 29% Positiveness
31% Popularity • 41% Danceability • 4% Energy • 11% Liveness
94% Instrumentalness • 29% Positiveness
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Blissful Radiance
Future Self
125 bpm • E Maj • 01:51 • -26.61db
36% Popularity • 66% Danceability • 2% Energy • 10% Liveness
96% Instrumentalness • 47% Positiveness
36% Popularity • 66% Danceability • 2% Energy • 10% Liveness
96% Instrumentalness • 47% Positiveness
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Ana Olgica
The Remedy
125 bpm • G min • 02:54 • -25db
35% Popularity • 31% Danceability • 3% Energy • 13% Liveness
90% Instrumentalness • 10% Positiveness
35% Popularity • 31% Danceability • 3% Energy • 13% Liveness
90% Instrumentalness • 10% Positiveness
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Sumsar
Amorous Rebound Pt 2
100 bpm • A# min • 02:22 • -20.54db
29% Popularity • 36% Danceability • 12% Energy • 11% Liveness
90% Instrumentalness • 23% Positiveness
29% Popularity • 36% Danceability • 12% Energy • 11% Liveness
90% Instrumentalness • 23% Positiveness
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Mary Billiot
Everything's about to change
125 bpm • D min • 02:22 • -21.29db
18% Popularity • 54% Danceability • 16% Energy • 11% Liveness
96% Instrumentalness • 26% Positiveness
18% Popularity • 54% Danceability • 16% Energy • 11% Liveness
96% Instrumentalness • 26% Positiveness
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Daniel Hueber
Ticino
125 bpm • F# min • 01:44 • -20.36db
32% Popularity • 34% Danceability • 18% Energy • 11% Liveness
95% Instrumentalness • 28% Positiveness
32% Popularity • 34% Danceability • 18% Energy • 11% Liveness
95% Instrumentalness • 28% Positiveness
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Alexander Molina
Ogni giorno pensando a te
125 bpm • F Maj • 02:18 • -23db
19% Popularity • 43% Danceability • 2% Energy • 12% Liveness
95% Instrumentalness • 19% Positiveness
19% Popularity • 43% Danceability • 2% Energy • 12% Liveness
95% Instrumentalness • 19% Positiveness
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Minnie Scolanti
Timelapse
125 bpm • E min • 02:02 • -26db
32% Popularity • 46% Danceability • 1% Energy • 10% Liveness
96% Instrumentalness • 12% Positiveness
32% Popularity • 46% Danceability • 1% Energy • 10% Liveness
96% Instrumentalness • 12% Positiveness
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Finn Hovdal
Striving
100 bpm • B Maj • 01:30 • -19.45db
25% Popularity • 42% Danceability • 18% Energy • 11% Liveness
93% Instrumentalness • 31% Positiveness
25% Popularity • 42% Danceability • 18% Energy • 11% Liveness
93% Instrumentalness • 31% Positiveness
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Lôrinc Tzigane
Hiányérzet
125 bpm • B Maj • 02:30 • -24.15db
29% Popularity • 31% Danceability • 3% Energy • 10% Liveness
90% Instrumentalness • 20% Positiveness
29% Popularity • 31% Danceability • 3% Energy • 10% Liveness
90% Instrumentalness • 20% Positiveness
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Charly Martin
Autumn Rains
100 bpm • C Maj • 03:43 • -33.94db
28% Popularity • 37% Danceability • 2% Energy • 8% Liveness
90% Instrumentalness • 20% Positiveness
28% Popularity • 37% Danceability • 2% Energy • 8% Liveness
90% Instrumentalness • 20% Positiveness
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Mauro Cangemi
Continuo
100 bpm • C Maj • 02:14 • -21.15db
41% Popularity • 43% Danceability • 11% Energy • 11% Liveness
90% Instrumentalness • 22% Positiveness
41% Popularity • 43% Danceability • 11% Energy • 11% Liveness
90% Instrumentalness • 22% Positiveness
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Jacob Higgins
Farewell
126 bpm • A# min • 02:14 • -25.6db
28% Popularity • 34% Danceability • 8% Energy • 10% Liveness
93% Instrumentalness • 6% Positiveness
28% Popularity • 34% Danceability • 8% Energy • 10% Liveness
93% Instrumentalness • 6% Positiveness
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Caroline Collette
Rues de Flavigny
126 bpm • C Maj • 02:57 • -19.23db
14% Popularity • 57% Danceability • 10% Energy • 11% Liveness
93% Instrumentalness • 16% Positiveness
14% Popularity • 57% Danceability • 10% Energy • 11% Liveness
93% Instrumentalness • 16% Positiveness
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Ella Stark
Field Spirits
126 bpm • E min • 02:46 • -20.69db
29% Popularity • 44% Danceability • 12% Energy • 10% Liveness
92% Instrumentalness • 38% Positiveness
29% Popularity • 44% Danceability • 12% Energy • 10% Liveness
92% Instrumentalness • 38% Positiveness
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Léon Branche
Maestro Dell'Invisibile
126 bpm • D# min • 02:29 • -20.55db
30% Popularity • 36% Danceability • 2% Energy • 10% Liveness
96% Instrumentalness • 7% Positiveness
30% Popularity • 36% Danceability • 2% Energy • 10% Liveness
96% Instrumentalness • 7% Positiveness
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Lea Lewis
Time Will Tell
126 bpm • G# Maj • 02:07 • -28.21db
36% Popularity • 42% Danceability • 5% Energy • 10% Liveness
93% Instrumentalness • 26% Positiveness
36% Popularity • 42% Danceability • 5% Energy • 10% Liveness
93% Instrumentalness • 26% Positiveness
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Isabelle Taylor
Higher Powers
127 bpm • E min • 02:55 • -22.53db
17% Popularity • 45% Danceability • 8% Energy • 11% Liveness
85% Instrumentalness • 32% Positiveness
17% Popularity • 45% Danceability • 8% Energy • 11% Liveness
85% Instrumentalness • 32% Positiveness
