Songs like The Moon Will Sing by The Crane Wives
Based on a tempo of (+/- 10%) and a similar genre
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Miracle Musical
The Mind Electric
77 bpm • G min • 06:13 • -9.53db
61% Popularity • 23% Danceability • 43% Energy • 13% Liveness
2% Instrumentalness • 57% Positiveness
61% Popularity • 23% Danceability • 43% Energy • 13% Liveness
2% Instrumentalness • 57% Positiveness
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Catie Turner
God Must Hate Me
77 bpm • D Maj • 02:29 • -10.11db
59% Popularity • 46% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
59% Popularity • 46% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
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Olivia Rodrigo
lacy
77 bpm • D# Maj • 02:57 • -7.63db
79% Popularity • 46% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
79% Popularity • 46% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
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The Crane Wives
The Moon Will Sing
77 bpm • C# min • 03:40 • -8.3db
67% Popularity • 49% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
67% Popularity • 49% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
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Laufey
Let You Break My Heart Again
77 bpm • D Maj • 04:29 • -15.13db
78% Popularity • 30% Danceability • 14% Energy • 11% Liveness
11% Instrumentalness • 12% Positiveness
78% Popularity • 30% Danceability • 14% Energy • 11% Liveness
11% Instrumentalness • 12% Positiveness
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Paris Paloma
notre dame
77 bpm • C# min • 04:18 • -12db
59% Popularity • 22% Danceability • 34% Energy • 29% Liveness
2% Instrumentalness • 8% Positiveness
59% Popularity • 22% Danceability • 34% Energy • 29% Liveness
2% Instrumentalness • 8% Positiveness
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Fish in a Birdcage
Rule #20 - Blessed by a Curse
78 bpm • B min • 02:29 • -14.69db
43% Popularity • 32% Danceability • 25% Energy • 9% Liveness
4% Instrumentalness • 14% Positiveness
43% Popularity • 32% Danceability • 25% Energy • 9% Liveness
4% Instrumentalness • 14% Positiveness
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Mitski
Liquid Smooth
76 bpm • G min • 02:49 • -9.47db
75% Popularity • 42% Danceability • 34% Energy • 14% Liveness
0% Instrumentalness • 12% Positiveness
75% Popularity • 42% Danceability • 34% Energy • 14% Liveness
0% Instrumentalness • 12% Positiveness
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Will Wood
Yes, to Err is Human, So Don't Be One. (...
76 bpm • D min • 02:45 • -7.65db
55% Popularity • 60% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 77% Positiveness
55% Popularity • 60% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 77% Positiveness
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Mother Mother
Verbatim
78 bpm • G Maj • 02:48 • -6.81db
74% Popularity • 83% Danceability • 58% Energy • 15% Liveness
0% Instrumentalness • 49% Positiveness
74% Popularity • 83% Danceability • 58% Energy • 15% Liveness
0% Instrumentalness • 49% Positiveness
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Laufey
Promise
76 bpm • F Maj • 03:54 • -16.55db
78% Popularity • 26% Danceability • 11% Energy • 6% Liveness
0% Instrumentalness • 9% Positiveness
78% Popularity • 26% Danceability • 11% Energy • 6% Liveness
0% Instrumentalness • 9% Positiveness
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Rio Romeo
Missus Piano
76 bpm • C Maj • 01:15 • -10.45db
58% Popularity • 49% Danceability • 49% Energy • 36% Liveness
0% Instrumentalness • 48% Positiveness
58% Popularity • 49% Danceability • 49% Energy • 36% Liveness
0% Instrumentalness • 48% Positiveness
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Paris Paloma
the fruits
78 bpm • G min • 03:29 • -22db
66% Popularity • 40% Danceability • 6% Energy • 28% Liveness
0% Instrumentalness • 8% Positiveness
66% Popularity • 40% Danceability • 6% Energy • 28% Liveness
0% Instrumentalness • 8% Positiveness
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Mitski
Strawberry Blond
78 bpm • C Maj • 01:54 • -8.3db
69% Popularity • 51% Danceability • 55% Energy • 6% Liveness
0% Instrumentalness • 94% Positiveness
69% Popularity • 51% Danceability • 55% Energy • 6% Liveness
0% Instrumentalness • 94% Positiveness
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Fish in a Birdcage
Rule #9 - Child of the Stars
76 bpm • G Maj • 03:01 • -9.26db
53% Popularity • 64% Danceability • 66% Energy • 27% Liveness
42% Instrumentalness • 89% Positiveness
53% Popularity • 64% Danceability • 66% Energy • 27% Liveness
42% Instrumentalness • 89% Positiveness
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Bo Burnham
That Funny Feeling
76 bpm • E Maj • 05:01 • -12db
58% Popularity • 55% Danceability • 28% Energy • 37% Liveness
0% Instrumentalness • 39% Positiveness
58% Popularity • 55% Danceability • 28% Energy • 37% Liveness
0% Instrumentalness • 39% Positiveness
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Cody Fry
I Hear a Symphony
76 bpm • D# Maj • 03:05 • -8.54db
70% Popularity • 20% Danceability • 25% Energy • 11% Liveness
2% Instrumentalness • 41% Positiveness
70% Popularity • 20% Danceability • 25% Energy • 11% Liveness
2% Instrumentalness • 41% Positiveness
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Madds Buckley
The Red Means I Love You
79 bpm • D Maj • 03:53 • -12db
68% Popularity • 28% Danceability • 30% Energy • 7% Liveness
0% Instrumentalness • 19% Positiveness
68% Popularity • 28% Danceability • 30% Energy • 7% Liveness
0% Instrumentalness • 19% Positiveness
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The Oh Hellos
Dear Wormwood
79 bpm • B min • 05:16 • -10.42db
51% Popularity • 52% Danceability • 59% Energy • 11% Liveness
1% Instrumentalness • 18% Positiveness
51% Popularity • 52% Danceability • 59% Energy • 11% Liveness
1% Instrumentalness • 18% Positiveness
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Laufey
Goddess
79 bpm • F Maj • 04:27 • -13db
77% Popularity • 37% Danceability • 13% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
77% Popularity • 37% Danceability • 13% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
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Cosmo Sheldrake
Does The Swallow Dream Of Flying
75 bpm • G min • 02:58 • -16.27db
56% Popularity • 50% Danceability • 22% Energy • 9% Liveness
45% Instrumentalness • 20% Positiveness
56% Popularity • 50% Danceability • 22% Energy • 9% Liveness
45% Instrumentalness • 20% Positiveness
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Ratwyfe
Cryptid (Mothman)
79 bpm • C# Maj • 03:05 • -13.22db
43% Popularity • 47% Danceability • 37% Energy • 10% Liveness
1% Instrumentalness • 79% Positiveness
43% Popularity • 47% Danceability • 37% Energy • 10% Liveness
1% Instrumentalness • 79% Positiveness
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Dominic Fike
Mama's Boy
79 bpm • A Maj • 02:35 • -7.55db
74% Popularity • 81% Danceability • 35% Energy • 19% Liveness
71% Instrumentalness • 60% Positiveness
74% Popularity • 81% Danceability • 35% Energy • 19% Liveness
71% Instrumentalness • 60% Positiveness
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Sir Chloe
Sedona
75 bpm • B Maj • 03:03 • -5.41db
61% Popularity • 54% Danceability • 55% Energy • 13% Liveness
0% Instrumentalness • 37% Positiveness
61% Popularity • 54% Danceability • 55% Energy • 13% Liveness
0% Instrumentalness • 37% Positiveness
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The Crane Wives
Metaphor
79 bpm • G# Maj • 03:05 • -9.27db
51% Popularity • 64% Danceability • 51% Energy • 25% Liveness
0% Instrumentalness • 44% Positiveness
51% Popularity • 64% Danceability • 51% Energy • 25% Liveness
0% Instrumentalness • 44% Positiveness
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Blake Roman
Poison - Hazbin Hotel Original Soundtrac...
75 bpm • G# Maj • 02:07 • -5.02db
83% Popularity • 66% Danceability • 78% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
83% Popularity • 66% Danceability • 78% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
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Steven Universe
Escapism
80 bpm • C Maj • 02:01 • -17db
65% Popularity • 48% Danceability • 8% Energy • 10% Liveness
1% Instrumentalness • 31% Positiveness
65% Popularity • 48% Danceability • 8% Energy • 10% Liveness
1% Instrumentalness • 31% Positiveness
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The Oh Hellos
Boreas
80 bpm • D Maj • 03:30 • -12db
44% Popularity • 46% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
44% Popularity • 46% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Sparkbird
November
80 bpm • C# Maj • 04:02 • -7.61db
55% Popularity • 63% Danceability • 54% Energy • 40% Liveness
0% Instrumentalness • 73% Positiveness
55% Popularity • 63% Danceability • 54% Energy • 40% Liveness
0% Instrumentalness • 73% Positiveness
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Penelope Scott
Lavender
80 bpm • D min • 02:16 • -6db
47% Popularity • 43% Danceability • 41% Energy • 19% Liveness
0% Instrumentalness • 43% Positiveness
47% Popularity • 43% Danceability • 41% Energy • 19% Liveness
0% Instrumentalness • 43% Positiveness
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Teddy Hyde
Sex with a Ghost
80 bpm • B min • 04:00 • -12.49db
65% Popularity • 48% Danceability • 33% Energy • 24% Liveness
0% Instrumentalness • 38% Positiveness
65% Popularity • 48% Danceability • 33% Energy • 24% Liveness
0% Instrumentalness • 38% Positiveness
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Rio Romeo
Bet
74 bpm • F# Maj • 04:13 • -9.19db
44% Popularity • 35% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
44% Popularity • 35% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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Lord Huron
Meet Me In The Woods
81 bpm • F# min • 04:22 • -6.76db
63% Popularity • 54% Danceability • 93% Energy • 7% Liveness
46% Instrumentalness • 60% Positiveness
63% Popularity • 54% Danceability • 93% Energy • 7% Liveness
46% Instrumentalness • 60% Positiveness
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Alex G
Treehouse
73 bpm • G min • 02:38 • -19.49db
76% Popularity • 61% Danceability • 20% Energy • 11% Liveness
32% Instrumentalness • 14% Positiveness
76% Popularity • 61% Danceability • 20% Energy • 11% Liveness
32% Instrumentalness • 14% Positiveness
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Reinaeiry
When The Sun Loves The Moon
81 bpm • A min • 01:49 • -15.64db
50% Popularity • 23% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
50% Popularity • 23% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Conan Gray
The Exit
82 bpm • C Maj • 03:41 • -9.59db
70% Popularity • 58% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 45% Positiveness
70% Popularity • 58% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 45% Positiveness
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Laufey
From The Start
82 bpm • C# Maj • 02:49 • -7.41db
81% Popularity • 66% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
81% Popularity • 66% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
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Rio Romeo
Butch 4 Butch
72 bpm • B Maj • 02:58 • -9.29db
68% Popularity • 43% Danceability • 46% Energy • 29% Liveness
0% Instrumentalness • 43% Positiveness
68% Popularity • 43% Danceability • 46% Energy • 29% Liveness
0% Instrumentalness • 43% Positiveness
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Shayfer James
Weight of the World
82 bpm • A min • 03:13 • -6.34db
50% Popularity • 42% Danceability • 81% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
50% Popularity • 42% Danceability • 81% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
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Mitski
I Bet on Losing Dogs
82 bpm • A Maj • 02:50 • -9.56db
80% Popularity • 40% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
80% Popularity • 40% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
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Vundabar
Alien Blues
82 bpm • D# Maj • 02:35 • -5.09db
80% Popularity • 47% Danceability • 76% Energy • 9% Liveness
91% Instrumentalness • 43% Positiveness
80% Popularity • 47% Danceability • 76% Energy • 9% Liveness
91% Instrumentalness • 43% Positiveness
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The Amazing Devil
Battle Cries
72 bpm • C Maj • 05:51 • -9.17db
45% Popularity • 33% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
45% Popularity • 33% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
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Genevieve Stokes
Habits
82 bpm • A Maj • 02:14 • -9.47db
68% Popularity • 66% Danceability • 29% Energy • 35% Liveness
0% Instrumentalness • 44% Positiveness
68% Popularity • 66% Danceability • 29% Energy • 35% Liveness
0% Instrumentalness • 44% Positiveness
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Laufey
Valentine
83 bpm • D# Maj • 02:48 • -13.07db
79% Popularity • 47% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
79% Popularity • 47% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Madds Buckley
DogBird
83 bpm • D Maj • 04:10 • -8.38db
36% Popularity • 36% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
36% Popularity • 36% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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Sir Chloe
Animal
83 bpm • G Maj • 02:40 • -6.07db
69% Popularity • 50% Danceability • 46% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
69% Popularity • 50% Danceability • 46% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
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Jack Stauber's Micropop
Cupid
83 bpm • D# Maj • 03:40 • -6.61db
67% Popularity • 57% Danceability • 51% Energy • 42% Liveness
81% Instrumentalness • 44% Positiveness
67% Popularity • 57% Danceability • 51% Energy • 42% Liveness
81% Instrumentalness • 44% Positiveness
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Penelope Scott
Cigarette Ahegao
83 bpm • F min • 03:03 • -13.38db
60% Popularity • 65% Danceability • 28% Energy • 10% Liveness
2% Instrumentalness • 15% Positiveness
60% Popularity • 65% Danceability • 28% Energy • 10% Liveness
2% Instrumentalness • 15% Positiveness
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Tally Hall
A Lady
83 bpm • A Maj • 01:04 • -15.27db
62% Popularity • 50% Danceability • 18% Energy • 11% Liveness
10% Instrumentalness • 10% Positiveness
62% Popularity • 50% Danceability • 18% Energy • 11% Liveness
10% Instrumentalness • 10% Positiveness
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The Oh Hellos
Soap
83 bpm • E Maj • 03:34 • -8.3db
46% Popularity • 36% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 61% Positiveness
46% Popularity • 36% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 61% Positiveness
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Adrianne Lenker
anything
84 bpm • D# Maj • 03:22 • -12.95db
72% Popularity • 39% Danceability • 29% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
72% Popularity • 39% Danceability • 29% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
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Egg
anarchy
84 bpm • G Maj • 02:47 • -21.64db
49% Popularity • 55% Danceability • 9% Energy • 14% Liveness
0% Instrumentalness • 60% Positiveness
49% Popularity • 55% Danceability • 9% Energy • 14% Liveness
0% Instrumentalness • 60% Positiveness
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Paris Paloma
labour
84 bpm • B min • 03:57 • -10.3db
77% Popularity • 65% Danceability • 57% Energy • 35% Liveness
0% Instrumentalness • 44% Positiveness
77% Popularity • 65% Danceability • 57% Energy • 35% Liveness
0% Instrumentalness • 44% Positiveness
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Madds Buckley
I Wanna Be in Love Again
84 bpm • D# Maj • 04:37 • -9.14db
33% Popularity • 27% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
33% Popularity • 27% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
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Tally Hall
Ruler of Everything
83 bpm • B min • 03:42 • -7.6db
63% Popularity • 58% Danceability • 79% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
63% Popularity • 58% Danceability • 79% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
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Madilyn Mei
At The Cemetery
84 bpm • B Maj • 03:32 • -12.68db
45% Popularity • 58% Danceability • 20% Energy • 8% Liveness
0% Instrumentalness • 42% Positiveness
45% Popularity • 58% Danceability • 20% Energy • 8% Liveness
0% Instrumentalness • 42% Positiveness
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Mitski
A Pearl
85 bpm • G# Maj • 02:36 • -4.04db
73% Popularity • 30% Danceability • 64% Energy • 11% Liveness
2% Instrumentalness • 22% Positiveness
73% Popularity • 30% Danceability • 64% Energy • 11% Liveness
2% Instrumentalness • 22% Positiveness
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The Mountain Goats
No Children
85 bpm • C# Maj • 02:48 • -7.57db
60% Popularity • 61% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
60% Popularity • 61% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
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Hozier
Like Real People Do
70 bpm • G Maj • 03:18 • -14.37db
70% Popularity • 57% Danceability • 18% Energy • 11% Liveness
40% Instrumentalness • 13% Positiveness
70% Popularity • 57% Danceability • 18% Energy • 11% Liveness
40% Instrumentalness • 13% Positiveness
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The Oh Hellos
Constellations
85 bpm • F# Maj • 03:47 • -10.53db
57% Popularity • 56% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
57% Popularity • 56% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
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Bo Burnham
Art Is Dead
86 bpm • E Maj • 02:32 • -6.17db
62% Popularity • 52% Danceability • 62% Energy • 94% Liveness
0% Instrumentalness • 70% Positiveness
62% Popularity • 52% Danceability • 62% Energy • 94% Liveness
0% Instrumentalness • 70% Positiveness
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Adventure Time
Everything Stays
85 bpm • G Maj • 01:35 • -17.59db
68% Popularity • 48% Danceability • 10% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
68% Popularity • 48% Danceability • 10% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
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Lucy Dacus
Night Shift
86 bpm • A Maj • 06:31 • -7.89db
69% Popularity • 48% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
69% Popularity • 48% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Everybody's Worried About Owen
Mawce
69 bpm • G# min • 03:02 • -9db
51% Popularity • 33% Danceability • 47% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
51% Popularity • 33% Danceability • 47% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
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Kaden MacKay
Passing Through (Can't the Future Just W...
86 bpm • F# min • 03:13 • -16.93db
66% Popularity • 54% Danceability • 15% Energy • 20% Liveness
0% Instrumentalness • 67% Positiveness
66% Popularity • 54% Danceability • 15% Energy • 20% Liveness
0% Instrumentalness • 67% Positiveness
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The Crane Wives
Here I Am
86 bpm • A min • 03:47 • -8.87db
39% Popularity • 46% Danceability • 54% Energy • 11% Liveness
1% Instrumentalness • 53% Positiveness
39% Popularity • 46% Danceability • 54% Energy • 11% Liveness
1% Instrumentalness • 53% Positiveness
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Leith Ross
We'll Never Have Sex
87 bpm • D Maj • 01:40 • -16.37db
67% Popularity • 43% Danceability • 10% Energy • 12% Liveness
1% Instrumentalness • 28% Positiveness
67% Popularity • 43% Danceability • 10% Energy • 12% Liveness
1% Instrumentalness • 28% Positiveness
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Penelope Scott
Feel Better
87 bpm • E min • 04:12 • -13.42db
65% Popularity • 59% Danceability • 34% Energy • 10% Liveness
1% Instrumentalness • 34% Positiveness
65% Popularity • 59% Danceability • 34% Energy • 10% Liveness
1% Instrumentalness • 34% Positiveness
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Kholby Wardell
Noel's Lament
87 bpm • A min • 04:59 • -13.72db
64% Popularity • 38% Danceability • 27% Energy • 8% Liveness
0% Instrumentalness • 47% Positiveness
64% Popularity • 38% Danceability • 27% Energy • 8% Liveness
0% Instrumentalness • 47% Positiveness
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Madds Buckley
Brother
88 bpm • C# Maj • 03:46 • -10.7db
52% Popularity • 49% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
52% Popularity • 49% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Andrew Underberg
Loser, Baby
88 bpm • E Maj • 02:55 • -6.18db
82% Popularity • 48% Danceability • 53% Energy • 13% Liveness
0% Instrumentalness • 63% Positiveness
82% Popularity • 48% Danceability • 53% Energy • 13% Liveness
0% Instrumentalness • 63% Positiveness
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The Crane Wives
Ribs
88 bpm • A Maj • 04:31 • -9db
47% Popularity • 45% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
47% Popularity • 45% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Cowboy Malfoy
How I'd Kill
89 bpm • F min • 02:23 • -10db
61% Popularity • 51% Danceability • 37% Energy • 20% Liveness
0% Instrumentalness • 44% Positiveness
61% Popularity • 51% Danceability • 37% Energy • 20% Liveness
0% Instrumentalness • 44% Positiveness
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The Paper Kites
Woodland
89 bpm • C Maj • 03:51 • -9.5db
52% Popularity • 55% Danceability • 53% Energy • 16% Liveness
0% Instrumentalness • 37% Positiveness
52% Popularity • 55% Danceability • 53% Energy • 16% Liveness
0% Instrumentalness • 37% Positiveness
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Adventure Time
I'm Just Your Problem
90 bpm • G Maj • 01:56 • -16.22db
62% Popularity • 48% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
62% Popularity • 48% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
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Miracle Musical
Introduction to the Snow
66 bpm • C Maj • 01:41 • -10.8db
63% Popularity • 34% Danceability • 23% Energy • 35% Liveness
0% Instrumentalness • 11% Positiveness
63% Popularity • 34% Danceability • 23% Energy • 35% Liveness
0% Instrumentalness • 11% Positiveness
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Rabbitology
CANDLEBURN - Dorm Demo
90 bpm • G Maj • 03:11 • -9.61db
49% Popularity • 86% Danceability • 54% Energy • 18% Liveness
0% Instrumentalness • 60% Positiveness
49% Popularity • 86% Danceability • 54% Energy • 18% Liveness
0% Instrumentalness • 60% Positiveness
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The Crane Wives
The Well
87 bpm • F# min • 03:57 • -8.34db
50% Popularity • 51% Danceability • 50% Energy • 29% Liveness
0% Instrumentalness • 19% Positiveness
50% Popularity • 51% Danceability • 50% Energy • 29% Liveness
0% Instrumentalness • 19% Positiveness
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Penelope Scott
Dead Girls
90 bpm • F Maj • 03:19 • -12db
52% Popularity • 58% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
52% Popularity • 58% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
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The Cardigans
Step On Me
90 bpm • D Maj • 03:50 • -5.63db
74% Popularity • 33% Danceability • 47% Energy • 7% Liveness
0% Instrumentalness • 14% Positiveness
74% Popularity • 33% Danceability • 47% Energy • 7% Liveness
0% Instrumentalness • 14% Positiveness
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The Oh Hellos
Hello My Old Heart
90 bpm • C Maj • 04:16 • -10.63db
61% Popularity • 56% Danceability • 30% Energy • 9% Liveness
3% Instrumentalness • 30% Positiveness
61% Popularity • 56% Danceability • 30% Energy • 9% Liveness
3% Instrumentalness • 30% Positiveness
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The Stupendium
The Fine Print
91 bpm • C Maj • 04:34 • -4.11db
63% Popularity • 76% Danceability • 90% Energy • 58% Liveness
0% Instrumentalness • 77% Positiveness
63% Popularity • 76% Danceability • 90% Energy • 58% Liveness
0% Instrumentalness • 77% Positiveness
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Madds Buckley
Ambrosia Wine
91 bpm • E min • 03:26 • -7db
44% Popularity • 54% Danceability • 57% Energy • 5% Liveness
0% Instrumentalness • 32% Positiveness
44% Popularity • 54% Danceability • 57% Energy • 5% Liveness
0% Instrumentalness • 32% Positiveness
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Steven Universe
Here Comes a Thought
91 bpm • C Maj • 03:22 • -9.58db
63% Popularity • 75% Danceability • 51% Energy • 8% Liveness
0% Instrumentalness • 47% Positiveness
63% Popularity • 75% Danceability • 51% Energy • 8% Liveness
0% Instrumentalness • 47% Positiveness
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Wasia Project
ur so pretty
91 bpm • E Maj • 02:12 • -13db
70% Popularity • 32% Danceability • 23% Energy • 15% Liveness
0% Instrumentalness • 23% Positiveness
70% Popularity • 32% Danceability • 23% Energy • 15% Liveness
0% Instrumentalness • 23% Positiveness
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The Crane Wives
Shallow River
91 bpm • G# min • 03:21 • -10db
43% Popularity • 71% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
43% Popularity • 71% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
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Pigeon Pit
Nights Like These
92 bpm • D Maj • 02:01 • -13.94db
55% Popularity • 63% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 88% Positiveness
55% Popularity • 63% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 88% Positiveness
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Sea Wolf
Dear Fellow Traveller
92 bpm • A# min • 03:41 • -8.93db
51% Popularity • 67% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
51% Popularity • 67% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
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Madds Buckley
The Red Means I Love You (Album Version)
92 bpm • G Maj • 04:20 • -8.04db
44% Popularity • 31% Danceability • 39% Energy • 69% Liveness
0% Instrumentalness • 27% Positiveness
44% Popularity • 31% Danceability • 39% Energy • 69% Liveness
0% Instrumentalness • 27% Positiveness
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Mother Mother
Ghosting
92 bpm • B Maj • 04:45 • -5.1db
62% Popularity • 61% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
62% Popularity • 61% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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dodie
She
92 bpm • D Maj • 03:33 • -15.05db
61% Popularity • 48% Danceability • 15% Energy • 11% Liveness
3% Instrumentalness • 23% Positiveness
61% Popularity • 48% Danceability • 15% Energy • 11% Liveness
3% Instrumentalness • 23% Positiveness
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Hozier
Angel Of Small Death & The Codeine Scene
93 bpm • E Maj • 03:39 • -5.75db
67% Popularity • 38% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
67% Popularity • 38% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
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Aidoneus
Persephone in the Garden
93 bpm • F Maj • 04:26 • -16.85db
50% Popularity • 25% Danceability • 16% Energy • 13% Liveness
0% Instrumentalness • 10% Positiveness
50% Popularity • 25% Danceability • 16% Energy • 13% Liveness
0% Instrumentalness • 10% Positiveness
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Rio Romeo
Inarticulation
93 bpm • B Maj • 02:43 • -8.04db
62% Popularity • 44% Danceability • 41% Energy • 15% Liveness
0% Instrumentalness • 58% Positiveness
62% Popularity • 44% Danceability • 41% Energy • 15% Liveness
0% Instrumentalness • 58% Positiveness
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bôa
Duvet
93 bpm • B min • 03:23 • -9.41db
83% Popularity • 58% Danceability • 89% Energy • 9% Liveness
0% Instrumentalness • 71% Positiveness
83% Popularity • 58% Danceability • 89% Energy • 9% Liveness
0% Instrumentalness • 71% Positiveness
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Paris Paloma
It's Called: Freefall
94 bpm • F# Maj • 02:38 • -15.01db
66% Popularity • 68% Danceability • 13% Energy • 18% Liveness
0% Instrumentalness • 30% Positiveness
66% Popularity • 68% Danceability • 13% Energy • 18% Liveness
0% Instrumentalness • 30% Positiveness
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Sparkbird
Sparkbird
94 bpm • B Maj • 02:52 • -10.3db
41% Popularity • 64% Danceability • 44% Energy • 26% Liveness
0% Instrumentalness • 62% Positiveness
41% Popularity • 64% Danceability • 44% Energy • 26% Liveness
0% Instrumentalness • 62% Positiveness
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TEMPOREX
Numbers
94 bpm • F# Maj • 02:07 • -10.76db
69% Popularity • 42% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
69% Popularity • 42% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness