Songs like The Mother of Jesus - Vocal by Chichester Cathedral Choir
Based on a tempo of (+/- 10%) and a similar genre
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Henry Thomas Smart
Nunc dimittis in G Major
85 bpm • G Maj • 03:54 • -23.25db
0% Popularity • 17% Danceability • 11% Energy • 8% Liveness
92% Instrumentalness • 4% Positiveness
0% Popularity • 17% Danceability • 11% Energy • 8% Liveness
92% Instrumentalness • 4% Positiveness
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Lennox Berkeley
The Lord Is My Shepherd, Op. 91 No. 1
85 bpm • C Maj • 04:25 • -28.5db
0% Popularity • 23% Danceability • 4% Energy • 8% Liveness
92% Instrumentalness • 3% Positiveness
0% Popularity • 23% Danceability • 4% Energy • 8% Liveness
92% Instrumentalness • 3% Positiveness
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Laestadian Lutheran Church
Risen Is Our Son in Vict'ry SHZ 119
85 bpm • D min • 03:29 • -22.17db
8% Popularity • 25% Danceability • 13% Energy • 12% Liveness
78% Instrumentalness • 13% Positiveness
8% Popularity • 25% Danceability • 13% Energy • 12% Liveness
78% Instrumentalness • 13% Positiveness
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Hugo Alfvén
Uti vår hage
85 bpm • F min • 02:34 • -31.99db
8% Popularity • 20% Danceability • 4% Energy • 9% Liveness
24% Instrumentalness • 9% Positiveness
8% Popularity • 20% Danceability • 4% Energy • 9% Liveness
24% Instrumentalness • 9% Positiveness
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John Stainer
The Crucifixion: Hymn. The Adoration of ...
85 bpm • D# Maj • 01:44 • -20.84db
9% Popularity • 21% Danceability • 16% Energy • 22% Liveness
81% Instrumentalness • 36% Positiveness
9% Popularity • 21% Danceability • 16% Energy • 22% Liveness
81% Instrumentalness • 36% Positiveness
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The Guilford Cathedral Choir
When All Thy Mercies
85 bpm • E Maj • 03:18 • -18.54db
13% Popularity • 11% Danceability • 18% Energy • 12% Liveness
78% Instrumentalness • 6% Positiveness
13% Popularity • 11% Danceability • 18% Energy • 12% Liveness
78% Instrumentalness • 6% Positiveness
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Percy Whitlock
Psalm 149
85 bpm • A# Maj • 02:28 • -24.81db
1% Popularity • 19% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
1% Popularity • 19% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Thomas Weelkes
Sixth Service: II. Nunc dimittis
85 bpm • A min • 02:28 • -31.78db
1% Popularity • 9% Danceability • 2% Energy • 12% Liveness
41% Instrumentalness • 8% Positiveness
1% Popularity • 9% Danceability • 2% Energy • 12% Liveness
41% Instrumentalness • 8% Positiveness
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George William Warren
God of our fathers
85 bpm • A# Maj • 01:36 • -20.95db
13% Popularity • 23% Danceability • 20% Energy • 31% Liveness
0% Instrumentalness • 12% Positiveness
13% Popularity • 23% Danceability • 20% Energy • 31% Liveness
0% Instrumentalness • 12% Positiveness
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Laestadian Lutheran Church
How Beautiful and Glorious SHZ 292
85 bpm • F Maj • 02:23 • -19.19db
14% Popularity • 15% Danceability • 18% Energy • 8% Liveness
96% Instrumentalness • 10% Positiveness
14% Popularity • 15% Danceability • 18% Energy • 8% Liveness
96% Instrumentalness • 10% Positiveness
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Lennox Berkeley
Magnificat & Nunc dimittis, Op. 99: II. ...
85 bpm • A# Maj • 03:28 • -26.76db
0% Popularity • 11% Danceability • 4% Energy • 9% Liveness
94% Instrumentalness • 3% Positiveness
0% Popularity • 11% Danceability • 4% Energy • 9% Liveness
94% Instrumentalness • 3% Positiveness
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Nicolas Fayolle
Best Room
85 bpm • A# Maj • 02:48 • -22.92db
27% Popularity • 18% Danceability • 6% Energy • 9% Liveness
23% Instrumentalness • 5% Positiveness
27% Popularity • 18% Danceability • 6% Energy • 9% Liveness
23% Instrumentalness • 5% Positiveness
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Tomas l. Victoria
Salvete Flores
84 bpm • E Maj • 02:50 • -22.57db
18% Popularity • 26% Danceability • 7% Energy • 38% Liveness
79% Instrumentalness • 13% Positiveness
18% Popularity • 26% Danceability • 7% Energy • 38% Liveness
79% Instrumentalness • 13% Positiveness
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Frank Martin
Mass for Double Choir: Gloria
86 bpm • D min • 06:10 • -27db
12% Popularity • 12% Danceability • 6% Energy • 6% Liveness
30% Instrumentalness • 4% Positiveness
12% Popularity • 12% Danceability • 6% Energy • 6% Liveness
30% Instrumentalness • 4% Positiveness
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Gittan Glans
When Breathing like a Bird
84 bpm • D Maj • 01:55 • -18.7db
8% Popularity • 19% Danceability • 20% Energy • 12% Liveness
63% Instrumentalness • 22% Positiveness
8% Popularity • 19% Danceability • 20% Energy • 12% Liveness
63% Instrumentalness • 22% Positiveness
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John Ireland
Communion Service in C Major: Agnus Dei
84 bpm • A min • 02:09 • -33.91db
19% Popularity • 15% Danceability • 0% Energy • 10% Liveness
6% Instrumentalness • 4% Positiveness
19% Popularity • 15% Danceability • 0% Energy • 10% Liveness
6% Instrumentalness • 4% Positiveness
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Richard Lloyd
Chichester Mass: I. Kyrie eleison
84 bpm • D# Maj • 02:40 • -29.32db
0% Popularity • 18% Danceability • 3% Energy • 10% Liveness
82% Instrumentalness • 4% Positiveness
0% Popularity • 18% Danceability • 3% Energy • 10% Liveness
82% Instrumentalness • 4% Positiveness
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Harmonious Chorale Ghana
Angels Voices, Ever Singing
86 bpm • D Maj • 03:31 • -12.17db
15% Popularity • 14% Danceability • 32% Energy • 35% Liveness
0% Instrumentalness • 21% Positiveness
15% Popularity • 14% Danceability • 32% Energy • 35% Liveness
0% Instrumentalness • 21% Positiveness
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Charles Villiers Stanford
Morning, Evening & Communion Service in ...
84 bpm • F Maj • 02:36 • -36.4db
0% Popularity • 16% Danceability • 2% Energy • 7% Liveness
96% Instrumentalness • 4% Positiveness
0% Popularity • 16% Danceability • 2% Energy • 7% Liveness
96% Instrumentalness • 4% Positiveness
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Anton Bruckner
Tantum ergo, WAB 32
86 bpm • D Maj • 03:07 • -26.68db
18% Popularity • 14% Danceability • 7% Energy • 8% Liveness
42% Instrumentalness • 8% Positiveness
18% Popularity • 14% Danceability • 7% Energy • 8% Liveness
42% Instrumentalness • 8% Positiveness
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Stellan Sagvik
Missa Maria Magdalena: Agnus Dei
86 bpm • D Maj • 04:21 • -22.89db
8% Popularity • 10% Danceability • 7% Energy • 13% Liveness
10% Instrumentalness • 3% Positiveness
8% Popularity • 10% Danceability • 7% Energy • 13% Liveness
10% Instrumentalness • 3% Positiveness
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Thomas Ravenscroft
Bristol "Hark, the Glad Sound"
86 bpm • G Maj • 01:53 • -24db
9% Popularity • 11% Danceability • 13% Energy • 20% Liveness
7% Instrumentalness • 19% Positiveness
9% Popularity • 11% Danceability • 13% Energy • 20% Liveness
7% Instrumentalness • 19% Positiveness
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George Lloyd
Requiem for counter-tenor, choir & organ...
86 bpm • C# Maj • 03:30 • -16.55db
7% Popularity • 27% Danceability • 24% Energy • 34% Liveness
90% Instrumentalness • 5% Positiveness
7% Popularity • 27% Danceability • 24% Energy • 34% Liveness
90% Instrumentalness • 5% Positiveness
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University of King's College Chapel Choir
Alma Redemptoris
84 bpm • D# Maj • 04:05 • -21db
10% Popularity • 9% Danceability • 12% Energy • 10% Liveness
24% Instrumentalness • 4% Positiveness
10% Popularity • 9% Danceability • 12% Energy • 10% Liveness
24% Instrumentalness • 4% Positiveness
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Daniel Purcell
Nunc dimittis in E Minor
86 bpm • F min • 02:18 • -29.31db
2% Popularity • 19% Danceability • 3% Energy • 13% Liveness
30% Instrumentalness • 4% Positiveness
2% Popularity • 19% Danceability • 3% Energy • 13% Liveness
30% Instrumentalness • 4% Positiveness
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Tobias Lowry
A Seed of Wheat
84 bpm • D# Maj • 01:42 • -24db
10% Popularity • 20% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
10% Popularity • 20% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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Laestadian Lutheran Church
I Truly Lack for Nothing
86 bpm • G Maj • 02:09 • -22db
14% Popularity • 14% Danceability • 16% Energy • 10% Liveness
95% Instrumentalness • 13% Positiveness
14% Popularity • 14% Danceability • 16% Energy • 10% Liveness
95% Instrumentalness • 13% Positiveness
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The Palestrina Choir
Hail, Queen of Heaven
87 bpm • D Maj • 04:13 • -25.67db
12% Popularity • 15% Danceability • 7% Energy • 16% Liveness
88% Instrumentalness • 8% Positiveness
12% Popularity • 15% Danceability • 7% Energy • 16% Liveness
88% Instrumentalness • 8% Positiveness
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Charles Villiers Stanford
Morning, Evening & Communion Service in ...
87 bpm • F Maj • 01:32 • -32.02db
0% Popularity • 20% Danceability • 6% Energy • 7% Liveness
51% Instrumentalness • 4% Positiveness
0% Popularity • 20% Danceability • 6% Energy • 7% Liveness
51% Instrumentalness • 4% Positiveness
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Felix Mendelssohn
Die deutsche Liturgie: Heilig, heilig is...
87 bpm • D Maj • 02:00 • -24db
11% Popularity • 23% Danceability • 17% Energy • 6% Liveness
80% Instrumentalness • 4% Positiveness
11% Popularity • 23% Danceability • 17% Energy • 6% Liveness
80% Instrumentalness • 4% Positiveness
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Cantores in Ecclesia
Recordare, Domine
83 bpm • A Maj • 02:57 • -17db
15% Popularity • 15% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 6% Positiveness
15% Popularity • 15% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 6% Positiveness
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Þorvaldur Blöndal
Nú sefur jörðin sumargræn
87 bpm • F Maj • 02:42 • -33.06db
10% Popularity • 17% Danceability • 1% Energy • 7% Liveness
97% Instrumentalness • 14% Positiveness
10% Popularity • 17% Danceability • 1% Energy • 7% Liveness
97% Instrumentalness • 14% Positiveness
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John Ireland
Evening Service in F Major: Nunc dimitti...
87 bpm • F Maj • 02:31 • -20.1db
13% Popularity • 18% Danceability • 12% Energy • 9% Liveness
9% Instrumentalness • 4% Positiveness
13% Popularity • 18% Danceability • 12% Energy • 9% Liveness
9% Instrumentalness • 4% Positiveness
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Filipe de Magalhães
Missa Veni Domine: IIb. Qui tollis pecca...
83 bpm • A min • 02:09 • -23.42db
15% Popularity • 13% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
15% Popularity • 13% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
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Robert Walker
Here, O My Lord, I See Thee Face to Face
83 bpm • C Maj • 04:52 • -25.63db
0% Popularity • 16% Danceability • 4% Energy • 8% Liveness
77% Instrumentalness • 4% Positiveness
0% Popularity • 16% Danceability • 4% Energy • 8% Liveness
77% Instrumentalness • 4% Positiveness
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John Bell
Love One Another
83 bpm • D Maj • 02:18 • -18.52db
14% Popularity • 29% Danceability • 22% Energy • 30% Liveness
0% Instrumentalness • 42% Positiveness
14% Popularity • 29% Danceability • 22% Energy • 30% Liveness
0% Instrumentalness • 42% Positiveness
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Sven-Erik Bäck
Sven Erik Bäck: Våren
87 bpm • G Maj • 01:19 • -32.85db
11% Popularity • 10% Danceability • 3% Energy • 7% Liveness
10% Instrumentalness • 3% Positiveness
11% Popularity • 10% Danceability • 3% Energy • 7% Liveness
10% Instrumentalness • 3% Positiveness
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Roland Ford Palmer
Sing of Mary, Pure and Lowly (Arr. R. Pr...
87 bpm • D# Maj • 02:59 • -18.64db
9% Popularity • 21% Danceability • 13% Energy • 12% Liveness
94% Instrumentalness • 23% Positiveness
9% Popularity • 21% Danceability • 13% Energy • 12% Liveness
94% Instrumentalness • 23% Positiveness
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St Edmundsbury Cathedral Choir
The race that long in darkness pined
83 bpm • D# Maj • 02:10 • -30db
9% Popularity • 18% Danceability • 3% Energy • 13% Liveness
96% Instrumentalness • 10% Positiveness
9% Popularity • 18% Danceability • 3% Energy • 13% Liveness
96% Instrumentalness • 10% Positiveness
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Chichester Cathedral Choir
The Prayer of St. Richard
83 bpm • A Maj • 01:50 • -30.59db
0% Popularity • 24% Danceability • 5% Energy • 13% Liveness
54% Instrumentalness • 3% Positiveness
0% Popularity • 24% Danceability • 5% Energy • 13% Liveness
54% Instrumentalness • 3% Positiveness
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Salt Lake Vocal Artists
Spaseniye Sodelal
83 bpm • D Maj • 03:22 • -19.2db
10% Popularity • 20% Danceability • 19% Energy • 9% Liveness
71% Instrumentalness • 4% Positiveness
10% Popularity • 20% Danceability • 19% Energy • 9% Liveness
71% Instrumentalness • 4% Positiveness
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Frank Martin
Mass for unaccompanied double choir: V. ...
83 bpm • E min • 05:09 • -28.39db
12% Popularity • 8% Danceability • 4% Energy • 7% Liveness
50% Instrumentalness • 3% Positiveness
12% Popularity • 8% Danceability • 4% Energy • 7% Liveness
50% Instrumentalness • 3% Positiveness
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Charles Gounod
Les Sept paroles de Notre Seigneur Jésu...
83 bpm • G min • 03:31 • -23.49db
7% Popularity • 18% Danceability • 4% Energy • 10% Liveness
34% Instrumentalness • 4% Positiveness
7% Popularity • 18% Danceability • 4% Energy • 10% Liveness
34% Instrumentalness • 4% Positiveness
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Paul Hellmuth
Dypt heller året
87 bpm • G# Maj • 03:08 • -28.56db
8% Popularity • 24% Danceability • 4% Energy • 19% Liveness
0% Instrumentalness • 8% Positiveness
8% Popularity • 24% Danceability • 4% Energy • 19% Liveness
0% Instrumentalness • 8% Positiveness
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Robert Schumann
Romanzen, Book 1, Op. 69: No. 6. Die Kap...
87 bpm • F Maj • 03:29 • -34.86db
18% Popularity • 21% Danceability • 2% Energy • 6% Liveness
86% Instrumentalness • 8% Positiveness
18% Popularity • 21% Danceability • 2% Energy • 6% Liveness
86% Instrumentalness • 8% Positiveness
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George Dyson
Magnificat in F Major (1)
88 bpm • G min • 03:42 • -33db
9% Popularity • 12% Danceability • 2% Energy • 11% Liveness
1% Instrumentalness • 7% Positiveness
9% Popularity • 12% Danceability • 2% Energy • 11% Liveness
1% Instrumentalness • 7% Positiveness
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Richard Lloyd
Chichester Mass: II. Gloria in excelsis
88 bpm • C# min • 05:24 • -23.78db
0% Popularity • 16% Danceability • 6% Energy • 31% Liveness
80% Instrumentalness • 4% Positiveness
0% Popularity • 16% Danceability • 6% Energy • 31% Liveness
80% Instrumentalness • 4% Positiveness
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St. Thomas Choir Of Men And Boys
Psalm 150: O Praise God In His Holiness ...
88 bpm • A# Maj • 02:00 • -36.45db
10% Popularity • 11% Danceability • 3% Energy • 28% Liveness
0% Instrumentalness • 9% Positiveness
10% Popularity • 11% Danceability • 3% Energy • 28% Liveness
0% Instrumentalness • 9% Positiveness
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John Goss
Praise, my soul, the King of Heaven
82 bpm • D Maj • 02:43 • -20db
17% Popularity • 14% Danceability • 12% Energy • 8% Liveness
8% Instrumentalness • 8% Positiveness
17% Popularity • 14% Danceability • 12% Energy • 8% Liveness
8% Instrumentalness • 8% Positiveness
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Thomas Weelkes
Sixth Service: I. Magnificat
82 bpm • A min • 04:53 • -31.56db
2% Popularity • 8% Danceability • 2% Energy • 9% Liveness
5% Instrumentalness • 5% Positiveness
2% Popularity • 8% Danceability • 2% Energy • 9% Liveness
5% Instrumentalness • 5% Positiveness
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Robert Schumann
Romanzen und Balladen, Book 2, Op. 75: N...
82 bpm • G min • 03:22 • -35.35db
14% Popularity • 19% Danceability • 2% Energy • 7% Liveness
88% Instrumentalness • 3% Positiveness
14% Popularity • 19% Danceability • 2% Energy • 7% Liveness
88% Instrumentalness • 3% Positiveness
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George Dyson
Nunc Dimittis in F Major (1)
82 bpm • F Maj • 02:19 • -35.79db
12% Popularity • 15% Danceability • 2% Energy • 12% Liveness
0% Instrumentalness • 7% Positiveness
12% Popularity • 15% Danceability • 2% Energy • 12% Liveness
0% Instrumentalness • 7% Positiveness
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Edward Hopkins
Psalm 15 "Lord Who Shall Dwell in Thy Ta...
88 bpm • F Maj • 02:20 • -29.43db
9% Popularity • 19% Danceability • 4% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
9% Popularity • 19% Danceability • 4% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
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John Stainer
How beautiful upon the mountains
88 bpm • D Maj • 02:48 • -32.86db
3% Popularity • 22% Danceability • 4% Energy • 22% Liveness
97% Instrumentalness • 4% Positiveness
3% Popularity • 22% Danceability • 4% Energy • 22% Liveness
97% Instrumentalness • 4% Positiveness
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Giovanni Croce
Exaudi Deus
88 bpm • D# Maj • 01:22 • -23.41db
21% Popularity • 24% Danceability • 6% Energy • 14% Liveness
24% Instrumentalness • 14% Positiveness
21% Popularity • 24% Danceability • 6% Energy • 14% Liveness
24% Instrumentalness • 14% Positiveness
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University Of Pretoria Camerata
Nkosi Sikelel iAfrika
82 bpm • D Maj • 01:55 • -15.39db
18% Popularity • 15% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
18% Popularity • 15% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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Chichester Cathedral Choir
Behold, I Make All Things New
82 bpm • D min • 03:32 • -23db
0% Popularity • 14% Danceability • 7% Energy • 8% Liveness
71% Instrumentalness • 3% Positiveness
0% Popularity • 14% Danceability • 7% Energy • 8% Liveness
71% Instrumentalness • 3% Positiveness
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19th Century Welsh
Hymn: Llanfair "Welsh Hymn Melody"
88 bpm • G Maj • 03:45 • -22.04db
11% Popularity • 24% Danceability • 16% Energy • 37% Liveness
65% Instrumentalness • 12% Positiveness
11% Popularity • 24% Danceability • 16% Energy • 37% Liveness
65% Instrumentalness • 12% Positiveness
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Thomas Tallis
If Ye Love Me
82 bpm • F Maj • 01:59 • -30db
8% Popularity • 22% Danceability • 4% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
8% Popularity • 22% Danceability • 4% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
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Geoffrey Burgon
Nunc dimittis
88 bpm • A min • 02:58 • -27.15db
0% Popularity • 20% Danceability • 6% Energy • 9% Liveness
99% Instrumentalness • 4% Positiveness
0% Popularity • 20% Danceability • 6% Energy • 9% Liveness
99% Instrumentalness • 4% Positiveness
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John Stainer
The Appeal Of The Crucified
88 bpm • G Maj • 05:02 • -21.54db
10% Popularity • 16% Danceability • 12% Energy • 20% Liveness
58% Instrumentalness • 10% Positiveness
10% Popularity • 16% Danceability • 12% Energy • 20% Liveness
58% Instrumentalness • 10% Positiveness
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Heinrich Kaminski
Psalm 130: Israel hoffet auf den Herren
88 bpm • D min • 01:45 • -20db
16% Popularity • 23% Danceability • 18% Energy • 6% Liveness
96% Instrumentalness • 4% Positiveness
16% Popularity • 23% Danceability • 18% Energy • 6% Liveness
96% Instrumentalness • 4% Positiveness
► Preview
Philip Armes
Psalm 142
88 bpm • A# min • 03:07 • -31.46db
1% Popularity • 20% Danceability • 5% Energy • 23% Liveness
1% Instrumentalness • 5% Positiveness
1% Popularity • 20% Danceability • 5% Energy • 23% Liveness
1% Instrumentalness • 5% Positiveness
► Preview
The Schola Cantorum of St. Peter's in the Loop
By All Your Saints In Warfare
88 bpm • D min • 02:22 • -20.82db
9% Popularity • 13% Danceability • 15% Energy • 11% Liveness
92% Instrumentalness • 16% Positiveness
9% Popularity • 13% Danceability • 15% Energy • 11% Liveness
92% Instrumentalness • 16% Positiveness
► Preview
Pierre de Manchicourt
Regina caeli: I. Regina caeli laetare
82 bpm • G# Maj • 02:30 • -18.19db
10% Popularity • 19% Danceability • 27% Energy • 10% Liveness
71% Instrumentalness • 18% Positiveness
10% Popularity • 19% Danceability • 27% Energy • 10% Liveness
71% Instrumentalness • 18% Positiveness
► Preview
Thomas Weelkes
Weelkes: All People Clap Your Hands (A F...
82 bpm • A# Maj • 01:50 • -21.36db
0% Popularity • 17% Danceability • 25% Energy • 8% Liveness
92% Instrumentalness • 17% Positiveness
0% Popularity • 17% Danceability • 25% Energy • 8% Liveness
92% Instrumentalness • 17% Positiveness
► Preview
Thomas Kelway
Nunc dimittis in B Minor
89 bpm • D Maj • 02:13 • -31.43db
0% Popularity • 21% Danceability • 4% Energy • 12% Liveness
89% Instrumentalness • 8% Positiveness
0% Popularity • 21% Danceability • 4% Energy • 12% Liveness
89% Instrumentalness • 8% Positiveness
► Preview
Girl Choristers
アヴェマリア(エルガー) 作品2...
82 bpm • A# Maj • 02:41 • -29db
9% Popularity • 22% Danceability • 5% Energy • 12% Liveness
89% Instrumentalness • 4% Positiveness
9% Popularity • 22% Danceability • 5% Energy • 12% Liveness
89% Instrumentalness • 4% Positiveness
► Preview
Philip Marshall
Psalm 143
88 bpm • G# Maj • 05:04 • -29.73db
0% Popularity • 16% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
0% Popularity • 16% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
► Preview
James MacMillan
St Anne’s Mass: I. Kyrie
82 bpm • D min • 00:52 • -28db
17% Popularity • 19% Danceability • 1% Energy • 10% Liveness
4% Instrumentalness • 3% Positiveness
17% Popularity • 19% Danceability • 1% Energy • 10% Liveness
4% Instrumentalness • 3% Positiveness
► Preview
Thomas Attwood Walmisley
Psalm 9 "I Will Give Thanks unto Thee, O...
82 bpm • A Maj • 05:38 • -25db
13% Popularity • 20% Danceability • 14% Energy • 13% Liveness
1% Instrumentalness • 6% Positiveness
13% Popularity • 20% Danceability • 14% Energy • 13% Liveness
1% Instrumentalness • 6% Positiveness
► Preview
Komitas
Divine Liturgy (Arr. V. Sharafyan for Mi...
89 bpm • A Maj • 01:07 • -27.45db
16% Popularity • 26% Danceability • 6% Energy • 17% Liveness
27% Instrumentalness • 28% Positiveness
16% Popularity • 26% Danceability • 6% Energy • 17% Liveness
27% Instrumentalness • 28% Positiveness
► Preview
Independent Presbyterian Church Savannah
Psalm 134 (All Saints Old)
81 bpm • C Maj • 01:24 • -16.25db
19% Popularity • 19% Danceability • 32% Energy • 13% Liveness
37% Instrumentalness • 27% Positiveness
19% Popularity • 19% Danceability • 32% Energy • 13% Liveness
37% Instrumentalness • 27% Positiveness
► Preview
John Ireland
Adam lay ybounden
81 bpm • C min • 01:36 • -28db
15% Popularity • 20% Danceability • 8% Energy • 19% Liveness
0% Instrumentalness • 35% Positiveness
15% Popularity • 20% Danceability • 8% Energy • 19% Liveness
0% Instrumentalness • 35% Positiveness
► Preview
Alan Mellors
Psalm 146
89 bpm • G# Maj • 03:42 • -25.83db
0% Popularity • 23% Danceability • 8% Energy • 10% Liveness
21% Instrumentalness • 5% Positiveness
0% Popularity • 23% Danceability • 8% Energy • 10% Liveness
21% Instrumentalness • 5% Positiveness
► Preview
Margaret Rizza
Life of Christ, Renew Me
89 bpm • A Maj • 03:46 • -19.52db
16% Popularity • 18% Danceability • 10% Energy • 9% Liveness
52% Instrumentalness • 6% Positiveness
16% Popularity • 18% Danceability • 10% Energy • 9% Liveness
52% Instrumentalness • 6% Positiveness
► Preview
Harmonious Chorale Ghana
Christ Is Made the Sure Foundation
81 bpm • G Maj • 04:21 • -13.29db
12% Popularity • 12% Danceability • 31% Energy • 44% Liveness
1% Instrumentalness • 16% Positiveness
12% Popularity • 12% Danceability • 31% Energy • 44% Liveness
1% Instrumentalness • 16% Positiveness
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Orlande de Lassus
In monte Oliveti II
81 bpm • B min • 03:20 • -24.19db
7% Popularity • 25% Danceability • 10% Energy • 13% Liveness
70% Instrumentalness • 4% Positiveness
7% Popularity • 25% Danceability • 10% Energy • 13% Liveness
70% Instrumentalness • 4% Positiveness
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The National Lutheran Choir
Christ lag in Todesbanden (Christ Jesus ...
89 bpm • A min • 02:05 • -21.76db
8% Popularity • 20% Danceability • 17% Energy • 10% Liveness
13% Instrumentalness • 28% Positiveness
8% Popularity • 20% Danceability • 17% Energy • 10% Liveness
13% Instrumentalness • 28% Positiveness
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Laestadian Lutheran Church
Sheep May Safely Graze
89 bpm • G Maj • 04:35 • -21.34db
11% Popularity • 25% Danceability • 12% Energy • 9% Liveness
93% Instrumentalness • 12% Positiveness
11% Popularity • 25% Danceability • 12% Energy • 9% Liveness
93% Instrumentalness • 12% Positiveness
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Frank Martin
Mass for unaccompanied double choir: IV....
81 bpm • D Maj • 04:28 • -24db
12% Popularity • 11% Danceability • 13% Energy • 6% Liveness
6% Instrumentalness • 4% Positiveness
12% Popularity • 11% Danceability • 13% Energy • 6% Liveness
6% Instrumentalness • 4% Positiveness
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Chichester Cathedral Choir
Holy is the True Light
81 bpm • A# Maj • 01:57 • -29.69db
0% Popularity • 19% Danceability • 3% Energy • 9% Liveness
92% Instrumentalness • 3% Positiveness
0% Popularity • 19% Danceability • 3% Energy • 9% Liveness
92% Instrumentalness • 3% Positiveness
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Andrew Smith
An Old Irish Blessing
89 bpm • C# Maj • 02:44 • -23.17db
16% Popularity • 20% Danceability • 16% Energy • 36% Liveness
89% Instrumentalness • 11% Positiveness
16% Popularity • 20% Danceability • 16% Energy • 36% Liveness
89% Instrumentalness • 11% Positiveness
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Stuart Beatch
The Debate
89 bpm • G# min • 01:36 • -19.48db
13% Popularity • 24% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
13% Popularity • 24% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
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Laudate Mennonite Ensemble
The Beatitudes
89 bpm • A# Maj • 03:38 • -21.69db
15% Popularity • 16% Danceability • 11% Energy • 10% Liveness
1% Instrumentalness • 6% Positiveness
15% Popularity • 16% Danceability • 11% Energy • 10% Liveness
1% Instrumentalness • 6% Positiveness
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Amy Beach
With Prayer and Supplicaton
81 bpm • C min • 01:20 • -32db
21% Popularity • 21% Danceability • 5% Energy • 12% Liveness
39% Instrumentalness • 4% Positiveness
21% Popularity • 21% Danceability • 5% Energy • 12% Liveness
39% Instrumentalness • 4% Positiveness
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Laestadian Lutheran Church
In Your Mercy Alone SHZ 299
89 bpm • E min • 04:08 • -17.62db
16% Popularity • 11% Danceability • 22% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
16% Popularity • 11% Danceability • 22% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
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Jane Hawes
Cross of Christ - the Fourth Word
90 bpm • G min • 01:21 • -12.54db
3% Popularity • 23% Danceability • 36% Energy • 13% Liveness
0% Instrumentalness • 12% Positiveness
3% Popularity • 23% Danceability • 36% Energy • 13% Liveness
0% Instrumentalness • 12% Positiveness
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Andreas Peter Berggreen
Kraften fra det høje (Pinse)
81 bpm • A Maj • 02:14 • -16.82db
8% Popularity • 13% Danceability • 16% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
8% Popularity • 13% Danceability • 16% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
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Heinrich Kaminski
Psalm 130: Aus der Tiefe reufe ich, Herr...
81 bpm • D min • 01:50 • -27db
23% Popularity • 13% Danceability • 7% Energy • 12% Liveness
7% Instrumentalness • 5% Positiveness
23% Popularity • 13% Danceability • 7% Energy • 12% Liveness
7% Instrumentalness • 5% Positiveness
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Will C. MacFarlane
Open Our Eyes
80 bpm • F# Maj • 05:53 • -23.17db
11% Popularity • 9% Danceability • 3% Energy • 8% Liveness
1% Instrumentalness • 4% Positiveness
11% Popularity • 9% Danceability • 3% Energy • 8% Liveness
1% Instrumentalness • 4% Positiveness
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Philip Moore
Psalm 4 "Hear Me When I Call, O God of M...
90 bpm • E min • 02:35 • -30.58db
15% Popularity • 15% Danceability • 5% Energy • 9% Liveness
0% Instrumentalness • 7% Positiveness
15% Popularity • 15% Danceability • 5% Energy • 9% Liveness
0% Instrumentalness • 7% Positiveness
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Kenneth Tay
Ave Regina caelorum
80 bpm • A Maj • 03:19 • -23.95db
18% Popularity • 13% Danceability • 8% Energy • 9% Liveness
8% Instrumentalness • 4% Positiveness
18% Popularity • 13% Danceability • 8% Energy • 9% Liveness
8% Instrumentalness • 4% Positiveness
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Chorus Angelicus
Drop, Drop Slow Tears
80 bpm • G Maj • 01:28 • -30db
22% Popularity • 20% Danceability • 1% Energy • 15% Liveness
88% Instrumentalness • 7% Positiveness
22% Popularity • 20% Danceability • 1% Energy • 15% Liveness
88% Instrumentalness • 7% Positiveness
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Stanley Vann
Chichester Service: I. Magnificat
90 bpm • A# Maj • 04:30 • -25.66db
0% Popularity • 12% Danceability • 7% Energy • 26% Liveness
95% Instrumentalness • 3% Positiveness
0% Popularity • 12% Danceability • 7% Energy • 26% Liveness
95% Instrumentalness • 3% Positiveness
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The Choir of Tewkesbury Abbey School
Christe sanctorum "Father, We Praise The...
90 bpm • D# Maj • 02:23 • -19.92db
9% Popularity • 15% Danceability • 15% Energy • 14% Liveness
91% Instrumentalness • 6% Positiveness
9% Popularity • 15% Danceability • 15% Energy • 14% Liveness
91% Instrumentalness • 6% Positiveness
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Gareth Treseder
Bethle'm Baby (SATB)
80 bpm • F Maj • 03:16 • -27.67db
8% Popularity • 18% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
8% Popularity • 18% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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John Stainer
For The Love Of Jesus
90 bpm • E Maj • 02:06 • -18.66db
10% Popularity • 19% Danceability • 20% Energy • 15% Liveness
62% Instrumentalness • 31% Positiveness
10% Popularity • 19% Danceability • 20% Energy • 15% Liveness
62% Instrumentalness • 31% Positiveness
