Songs like The Nutcracker Dance of the Sugar Plum Fairy by Pyotr Ilyich Tchaikovsky
Based on a tempo of (+/- 10%) and a similar genre
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Wolfgang Amadeus Mozart
Symphony No. 40 in G Minor, K. 550: I. M...
119 bpm • G min • 07:15 • -12.97db
46% Popularity • 33% Danceability • 33% Energy • 13% Liveness
75% Instrumentalness • 28% Positiveness
46% Popularity • 33% Danceability • 33% Energy • 13% Liveness
75% Instrumentalness • 28% Positiveness
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Pyotr Ilyich Tchaikovsky
Tchaikovsky: Swan Lake, Op. 20, Act 1: N...
119 bpm • A# Maj • 09:58 • -19.66db
40% Popularity • 28% Danceability • 7% Energy • 6% Liveness
89% Instrumentalness • 11% Positiveness
40% Popularity • 28% Danceability • 7% Energy • 6% Liveness
89% Instrumentalness • 11% Positiveness
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Karoly Botvay
Sinfonia in C major, RV 112: I. Allegro
119 bpm • G Maj • 01:56 • -22db
59% Popularity • 43% Danceability • 16% Energy • 10% Liveness
90% Instrumentalness • 38% Positiveness
59% Popularity • 43% Danceability • 16% Energy • 10% Liveness
90% Instrumentalness • 38% Positiveness
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Camille Saint-Saëns
Carnival of the Animals, R. 125: The Swa...
118 bpm • G Maj • 03:04 • -33.12db
59% Popularity • 21% Danceability • 1% Energy • 7% Liveness
89% Instrumentalness • 4% Positiveness
59% Popularity • 21% Danceability • 1% Energy • 7% Liveness
89% Instrumentalness • 4% Positiveness
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Janos Sebestyen
Prelude In C Minor, BWV 999 : Prelude In...
120 bpm • G min • 01:08 • -27.43db
65% Popularity • 34% Danceability • 15% Energy • 11% Liveness
77% Instrumentalness • 78% Positiveness
65% Popularity • 34% Danceability • 15% Energy • 11% Liveness
77% Instrumentalness • 78% Positiveness
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London Philharmonic Orchestra
3rd Movement: Scherzo
118 bpm • C Maj • 08:14 • -22db
33% Popularity • 34% Danceability • 5% Energy • 14% Liveness
42% Instrumentalness • 10% Positiveness
33% Popularity • 34% Danceability • 5% Energy • 14% Liveness
42% Instrumentalness • 10% Positiveness
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Wolfgang Amadeus Mozart
Mozart: Horn Concerto No. 4 in E-Flat Ma...
120 bpm • D# Maj • 03:43 • -21.16db
30% Popularity • 37% Danceability • 15% Energy • 11% Liveness
92% Instrumentalness • 49% Positiveness
30% Popularity • 37% Danceability • 15% Energy • 11% Liveness
92% Instrumentalness • 49% Positiveness
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Ottorino Respighi
The Birds, P. 154: V. The Cuckoo (Il cuc...
118 bpm • A Maj • 04:17 • -24.23db
35% Popularity • 31% Danceability • 3% Energy • 28% Liveness
13% Instrumentalness • 10% Positiveness
35% Popularity • 31% Danceability • 3% Energy • 28% Liveness
13% Instrumentalness • 10% Positiveness
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Pyotr Ilyich Tchaikovsky
The Sleeping Beauty, Op. 66, TH.13 / Act...
118 bpm • G# Maj • 00:50 • -29db
41% Popularity • 64% Danceability • 9% Energy • 11% Liveness
96% Instrumentalness • 75% Positiveness
41% Popularity • 64% Danceability • 9% Energy • 11% Liveness
96% Instrumentalness • 75% Positiveness
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Felix Mendelssohn
Symphony No. 3 in A Minor, Op. 56, MWV N...
121 bpm • A min • 09:36 • -13db
47% Popularity • 33% Danceability • 28% Energy • 13% Liveness
92% Instrumentalness • 21% Positiveness
47% Popularity • 33% Danceability • 28% Energy • 13% Liveness
92% Instrumentalness • 21% Positiveness
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Lang Lang
Piano Sonata No. 16 in C Major, K. 545 "...
120 bpm • C Maj • 04:54 • -23db
52% Popularity • 31% Danceability • 21% Energy • 14% Liveness
93% Instrumentalness • 64% Positiveness
52% Popularity • 31% Danceability • 21% Energy • 14% Liveness
93% Instrumentalness • 64% Positiveness
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Nikolai Rimsky-Korsakov
Scheherazade: The Tale of the Kalendar P...
121 bpm • B min • 03:20 • -24.4db
59% Popularity • 24% Danceability • 6% Energy • 47% Liveness
60% Instrumentalness • 8% Positiveness
59% Popularity • 24% Danceability • 6% Energy • 47% Liveness
60% Instrumentalness • 8% Positiveness
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Wolfgang Amadeus Mozart
Mozart / Arr. Grieg for Two Pianos: Pian...
120 bpm • C Maj • 04:42 • -24.76db
27% Popularity • 36% Danceability • 11% Energy • 9% Liveness
92% Instrumentalness • 30% Positiveness
27% Popularity • 36% Danceability • 11% Energy • 9% Liveness
92% Instrumentalness • 30% Positiveness
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AntonÃn Dvořák
Symphony No. 9 in E Minor, Op. 95 "From ...
121 bpm • C Maj • 07:50 • -21.45db
38% Popularity • 33% Danceability • 9% Energy • 10% Liveness
83% Instrumentalness • 19% Positiveness
38% Popularity • 33% Danceability • 9% Energy • 10% Liveness
83% Instrumentalness • 19% Positiveness
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Georges Bizet
Carmen Suite No. 1 (Arr. E. Guiraud): II...
117 bpm • D min • 02:18 • -26db
45% Popularity • 34% Danceability • 4% Energy • 28% Liveness
12% Instrumentalness • 46% Positiveness
45% Popularity • 34% Danceability • 4% Energy • 28% Liveness
12% Instrumentalness • 46% Positiveness
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Dmitri Shostakovich
Shostakovich: Cello Concerto No. 1 in E-...
117 bpm • G# Maj • 06:27 • -22.16db
36% Popularity • 47% Danceability • 18% Energy • 11% Liveness
87% Instrumentalness • 38% Positiveness
36% Popularity • 47% Danceability • 18% Energy • 11% Liveness
87% Instrumentalness • 38% Positiveness
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Ottorino Respighi
Gli uccelli (The Birds), P. 154: V. Il c...
117 bpm • A Maj • 04:22 • -20.39db
41% Popularity • 26% Danceability • 7% Energy • 33% Liveness
44% Instrumentalness • 14% Positiveness
41% Popularity • 26% Danceability • 7% Energy • 33% Liveness
44% Instrumentalness • 14% Positiveness
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Pyotr Ilyich Tchaikovsky
6 Pieces, Op. 21: II. Fugue à 4 voix
117 bpm • G# min • 03:42 • -31.32db
18% Popularity • 42% Danceability • 4% Energy • 8% Liveness
88% Instrumentalness • 24% Positiveness
18% Popularity • 42% Danceability • 4% Energy • 8% Liveness
88% Instrumentalness • 24% Positiveness
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Carl Maria von Weber
7 Variations on an original theme, Op. 9...
121 bpm • F Maj • 00:57 • -35db
59% Popularity • 36% Danceability • 2% Energy • 10% Liveness
96% Instrumentalness • 38% Positiveness
59% Popularity • 36% Danceability • 2% Energy • 10% Liveness
96% Instrumentalness • 38% Positiveness
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Igor Stravinsky
The Firebird: Scene 1: The Firebird's Lu...
117 bpm • B Maj • 02:46 • -33.6db
40% Popularity • 17% Danceability • 0% Energy • 10% Liveness
93% Instrumentalness • 7% Positiveness
40% Popularity • 17% Danceability • 0% Energy • 10% Liveness
93% Instrumentalness • 7% Positiveness
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Georges Bizet
Carmen Suite No. 1 (Arr. E. Guiraud): I....
122 bpm • C min • 01:28 • -25.02db
53% Popularity • 17% Danceability • 12% Energy • 7% Liveness
84% Instrumentalness • 4% Positiveness
53% Popularity • 17% Danceability • 12% Energy • 7% Liveness
84% Instrumentalness • 4% Positiveness
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London Philharmonic Orchestra
1st Movement: Adaggio / Allegro Molto
116 bpm • E min • 09:44 • -15.71db
36% Popularity • 28% Danceability • 11% Energy • 16% Liveness
83% Instrumentalness • 9% Positiveness
36% Popularity • 28% Danceability • 11% Energy • 16% Liveness
83% Instrumentalness • 9% Positiveness
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Camille Saint-Saëns
Danse macabre in G Minor, Op. 40
116 bpm • G min • 07:12 • -20.42db
53% Popularity • 44% Danceability • 18% Energy • 6% Liveness
66% Instrumentalness • 17% Positiveness
53% Popularity • 44% Danceability • 18% Energy • 6% Liveness
66% Instrumentalness • 17% Positiveness
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Pyotr Ilyich Tchaikovsky
Fee des Lilas (Variation VI)
116 bpm • C Maj • 01:20 • -15.03db
40% Popularity • 21% Danceability • 28% Energy • 36% Liveness
88% Instrumentalness • 40% Positiveness
40% Popularity • 21% Danceability • 28% Energy • 36% Liveness
88% Instrumentalness • 40% Positiveness
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Alexander Litvinovsky
Le grand cahier: X. L'incendie
122 bpm • B Maj • 02:20 • -17db
40% Popularity • 50% Danceability • 27% Energy • 57% Liveness
80% Instrumentalness • 21% Positiveness
40% Popularity • 50% Danceability • 27% Energy • 57% Liveness
80% Instrumentalness • 21% Positiveness
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Sergei Rachmaninoff
Prélude in C-Sharp Minor, Op. 3, No. 2
115 bpm • F# min • 03:43 • -19db
44% Popularity • 52% Danceability • 7% Energy • 10% Liveness
89% Instrumentalness • 5% Positiveness
44% Popularity • 52% Danceability • 7% Energy • 10% Liveness
89% Instrumentalness • 5% Positiveness
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Carl Philipp Emanuel Bach
Solfeggietto in C minor, Wq. 117/2
122 bpm • F min • 01:16 • -26.68db
56% Popularity • 34% Danceability • 20% Energy • 9% Liveness
92% Instrumentalness • 59% Positiveness
56% Popularity • 34% Danceability • 20% Energy • 9% Liveness
92% Instrumentalness • 59% Positiveness
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Gabriel Fauré
Sicilienne, Op. 78
123 bpm • D# Maj • 03:31 • -25db
51% Popularity • 29% Danceability • 7% Energy • 10% Liveness
94% Instrumentalness • 10% Positiveness
51% Popularity • 29% Danceability • 7% Energy • 10% Liveness
94% Instrumentalness • 10% Positiveness
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Paul Dukas
L'Apprenti Sorcier
123 bpm • C# Maj • 10:39 • -21db
37% Popularity • 32% Danceability • 25% Energy • 26% Liveness
63% Instrumentalness • 10% Positiveness
37% Popularity • 32% Danceability • 25% Energy • 26% Liveness
63% Instrumentalness • 10% Positiveness
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Pyotr Ilyich Tchaikovsky
Tchaikovsky: Swan Lake, Op. 20, Act 1: N...
122 bpm • E Maj • 05:04 • -15.49db
37% Popularity • 53% Danceability • 39% Energy • 14% Liveness
62% Instrumentalness • 46% Positiveness
37% Popularity • 53% Danceability • 39% Energy • 14% Liveness
62% Instrumentalness • 46% Positiveness
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Gustav Holst
Brook Green Suite: I. Prelude
123 bpm • F Maj • 01:35 • -20db
50% Popularity • 24% Danceability • 15% Energy • 9% Liveness
94% Instrumentalness • 21% Positiveness
50% Popularity • 24% Danceability • 15% Energy • 9% Liveness
94% Instrumentalness • 21% Positiveness
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Carl Orff
Orff: Carmina Burana, Introduction, Fort...
124 bpm • G Maj • 02:48 • -16.25db
38% Popularity • 35% Danceability • 24% Energy • 35% Liveness
31% Instrumentalness • 26% Positiveness
38% Popularity • 35% Danceability • 24% Energy • 35% Liveness
31% Instrumentalness • 26% Positiveness
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Wolfgang Amadeus Mozart
Sonata for Piano and Violin in E Minor, ...
124 bpm • E min • 05:37 • -21.19db
51% Popularity • 35% Danceability • 12% Energy • 12% Liveness
6% Instrumentalness • 26% Positiveness
51% Popularity • 35% Danceability • 12% Energy • 12% Liveness
6% Instrumentalness • 26% Positiveness
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Sergei Rachmaninoff
Prelude in G Minor, Op. 23, No. 5 - Live...
114 bpm • G min • 03:52 • -17db
42% Popularity • 39% Danceability • 22% Energy • 10% Liveness
90% Instrumentalness • 18% Positiveness
42% Popularity • 39% Danceability • 22% Energy • 10% Liveness
90% Instrumentalness • 18% Positiveness
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Hector Berlioz
Symphonie fantastique, Op. 14, H 48: II....
113 bpm • A Maj • 06:36 • -26db
35% Popularity • 27% Danceability • 5% Energy • 14% Liveness
76% Instrumentalness • 14% Positiveness
35% Popularity • 27% Danceability • 5% Energy • 14% Liveness
76% Instrumentalness • 14% Positiveness
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Pyotr Ilyich Tchaikovsky
Tchaikovsky: Swan Lake, Op. 20, Act 2: N...
124 bpm • D Maj • 03:19 • -19.08db
37% Popularity • 33% Danceability • 15% Energy • 11% Liveness
87% Instrumentalness • 16% Positiveness
37% Popularity • 33% Danceability • 15% Energy • 11% Liveness
87% Instrumentalness • 16% Positiveness
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AntonÃn Dvořák
Gypsy Melodies, Op. 55, B. 104: IV. Song...
125 bpm • D Maj • 02:31 • -25.5db
43% Popularity • 24% Danceability • 5% Energy • 13% Liveness
82% Instrumentalness • 6% Positiveness
43% Popularity • 24% Danceability • 5% Energy • 13% Liveness
82% Instrumentalness • 6% Positiveness
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Carl Philipp Emanuel Bach
Solfeggio, H. 220
125 bpm • C min • 01:13 • -24.08db
65% Popularity • 31% Danceability • 21% Energy • 9% Liveness
93% Instrumentalness • 82% Positiveness
65% Popularity • 31% Danceability • 21% Energy • 9% Liveness
93% Instrumentalness • 82% Positiveness
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Wolfgang Amadeus Mozart
Mozart: Symphony No. 40 in G Minor, K. 5...
114 bpm • G min • 07:12 • -18.09db
52% Popularity • 36% Danceability • 19% Energy • 12% Liveness
86% Instrumentalness • 21% Positiveness
52% Popularity • 36% Danceability • 19% Energy • 12% Liveness
86% Instrumentalness • 21% Positiveness
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Karoly Botvay
Sinfonia for Strings in G major, RV 149:...
125 bpm • D Maj • 01:50 • -21db
59% Popularity • 44% Danceability • 23% Energy • 14% Liveness
97% Instrumentalness • 93% Positiveness
59% Popularity • 44% Danceability • 23% Energy • 14% Liveness
97% Instrumentalness • 93% Positiveness
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Max Bruch
Bruch: Violin Concerto No. 1 in G Minor,...
113 bpm • D# Maj • 08:09 • -18.67db
38% Popularity • 24% Danceability • 14% Energy • 12% Liveness
16% Instrumentalness • 11% Positiveness
38% Popularity • 24% Danceability • 14% Energy • 12% Liveness
16% Instrumentalness • 11% Positiveness
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Pyotr Ilyich Tchaikovsky
The Nutcracker, Op. 71, TH 14: Pas de de...
124 bpm • G Maj • 05:10 • -21db
24% Popularity • 26% Danceability • 13% Energy • 8% Liveness
62% Instrumentalness • 4% Positiveness
24% Popularity • 26% Danceability • 13% Energy • 8% Liveness
62% Instrumentalness • 4% Positiveness
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AntonÃn Dvořák
Symphony No. 9 in E Minor, Op. 95 "From ...
125 bpm • E min • 09:41 • -19.15db
43% Popularity • 25% Danceability • 11% Energy • 9% Liveness
91% Instrumentalness • 9% Positiveness
43% Popularity • 25% Danceability • 11% Energy • 9% Liveness
91% Instrumentalness • 9% Positiveness
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Edward Elgar
Enigma Variations, Op. 36: Theme. Andant...
113 bpm • G min • 01:58 • -33db
49% Popularity • 18% Danceability • 1% Energy • 12% Liveness
84% Instrumentalness • 3% Positiveness
49% Popularity • 18% Danceability • 1% Energy • 12% Liveness
84% Instrumentalness • 3% Positiveness
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Johann Sebastian Bach
Violin Partita No. 3 in E Major, BWV 100...
126 bpm • A Maj • 03:34 • -17db
47% Popularity • 46% Danceability • 32% Energy • 6% Liveness
60% Instrumentalness • 95% Positiveness
47% Popularity • 46% Danceability • 32% Energy • 6% Liveness
60% Instrumentalness • 95% Positiveness
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Janos Sebestyen
Prelude In D Minor, BWV 926 : Prelude In...
126 bpm • G min • 01:15 • -25.58db
64% Popularity • 35% Danceability • 18% Energy • 12% Liveness
90% Instrumentalness • 53% Positiveness
64% Popularity • 35% Danceability • 18% Energy • 12% Liveness
90% Instrumentalness • 53% Positiveness
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Niccolò Paganini
Violin Concerto No. 2 In B Minor, Op. 7,...
113 bpm • B min • 01:32 • -14.6db
42% Popularity • 60% Danceability • 28% Energy • 16% Liveness
27% Instrumentalness • 61% Positiveness
42% Popularity • 60% Danceability • 28% Energy • 16% Liveness
27% Instrumentalness • 61% Positiveness
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Pyotr Ilyich Tchaikovsky
Swan Lake, Op. 20: No. 13 Danses Des Cyg...
114 bpm • F# min • 01:25 • -32db
32% Popularity • 58% Danceability • 4% Energy • 8% Liveness
98% Instrumentalness • 76% Positiveness
32% Popularity • 58% Danceability • 4% Energy • 8% Liveness
98% Instrumentalness • 76% Positiveness
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Wolfgang Amadeus Mozart
Fantasia in D Minor, K. 397
126 bpm • D Maj • 05:16 • -25.26db
57% Popularity • 38% Danceability • 5% Energy • 11% Liveness
91% Instrumentalness • 8% Positiveness
57% Popularity • 38% Danceability • 5% Energy • 11% Liveness
91% Instrumentalness • 8% Positiveness
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Sergei Prokofiev
Romeo and Juliet, Op. 64: Introduction
112 bpm • E Maj • 02:38 • -25db
32% Popularity • 19% Danceability • 6% Energy • 11% Liveness
80% Instrumentalness • 11% Positiveness
32% Popularity • 19% Danceability • 6% Energy • 11% Liveness
80% Instrumentalness • 11% Positiveness
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Nikolai Rimsky-Korsakov
Spanish Capriccio in A Major, Op. 34: II...
126 bpm • A# Maj • 01:13 • -21.83db
49% Popularity • 55% Danceability • 16% Energy • 52% Liveness
83% Instrumentalness • 68% Positiveness
49% Popularity • 55% Danceability • 16% Energy • 52% Liveness
83% Instrumentalness • 68% Positiveness
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Antonio Vivaldi
The Four Seasons: Concerto No. 1 in E Ma...
112 bpm • E Maj • 03:22 • -17db
50% Popularity • 49% Danceability • 14% Energy • 25% Liveness
74% Instrumentalness • 23% Positiveness
50% Popularity • 49% Danceability • 14% Energy • 25% Liveness
74% Instrumentalness • 23% Positiveness
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Camille Saint-Saëns
Carnival of the Animals, R. 125: XIII. T...
127 bpm • G Maj • 03:06 • -41.41db
32% Popularity • 17% Danceability • 0% Energy • 8% Liveness
0% Instrumentalness • 5% Positiveness
32% Popularity • 17% Danceability • 0% Energy • 8% Liveness
0% Instrumentalness • 5% Positiveness
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Georges Bizet
Carmen Suite No. 2 (Arr. E. Guiraud): II...
127 bpm • D Maj • 02:06 • -33.29db
53% Popularity • 35% Danceability • 0% Energy • 10% Liveness
32% Instrumentalness • 48% Positiveness
53% Popularity • 35% Danceability • 0% Energy • 10% Liveness
32% Instrumentalness • 48% Positiveness
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AntonÃn Dvořák
Symphony No. 9 in E minor, Op. 95 "From ...
127 bpm • E min • 07:52 • -16.82db
35% Popularity • 32% Danceability • 14% Energy • 9% Liveness
78% Instrumentalness • 20% Positiveness
35% Popularity • 32% Danceability • 14% Energy • 9% Liveness
78% Instrumentalness • 20% Positiveness
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Edvard Grieg
Lyric Pieces, Book 9, Op. 68: Badnlat (C...
112 bpm • E Maj • 02:11 • -35.63db
59% Popularity • 38% Danceability • 2% Energy • 8% Liveness
87% Instrumentalness • 20% Positiveness
59% Popularity • 38% Danceability • 2% Energy • 8% Liveness
87% Instrumentalness • 20% Positiveness
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Niccolò Paganini
Paganini: 24 Caprices, Op. 1: No. 24 in ...
111 bpm • A min • 04:28 • -17.63db
57% Popularity • 46% Danceability • 13% Energy • 4% Liveness
27% Instrumentalness • 43% Positiveness
57% Popularity • 46% Danceability • 13% Energy • 4% Liveness
27% Instrumentalness • 43% Positiveness
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Léo Delibes
Sylvia: Act III: Divertissement: Pizzica...
127 bpm • D# Maj • 02:13 • -41.14db
44% Popularity • 38% Danceability • 1% Energy • 8% Liveness
93% Instrumentalness • 24% Positiveness
44% Popularity • 38% Danceability • 1% Energy • 8% Liveness
93% Instrumentalness • 24% Positiveness
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Gabriel Fauré
Pelléas et Mélisande, Op. 80: 3. Sicil...
111 bpm • G min • 03:54 • -30db
37% Popularity • 18% Danceability • 5% Energy • 10% Liveness
92% Instrumentalness • 5% Positiveness
37% Popularity • 18% Danceability • 5% Energy • 10% Liveness
92% Instrumentalness • 5% Positiveness
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Georges Bizet
Carmen Suite No. 1: 5. Les toréadors
127 bpm • F Maj • 02:18 • -16.13db
52% Popularity • 34% Danceability • 37% Energy • 14% Liveness
0% Instrumentalness • 82% Positiveness
52% Popularity • 34% Danceability • 37% Energy • 14% Liveness
0% Instrumentalness • 82% Positiveness
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Pyotr Ilyich Tchaikovsky
Marche slave, Op. 31, TH 45
111 bpm • A# min • 09:24 • -14db
34% Popularity • 36% Danceability • 38% Energy • 11% Liveness
89% Instrumentalness • 18% Positiveness
34% Popularity • 36% Danceability • 38% Energy • 11% Liveness
89% Instrumentalness • 18% Positiveness
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Edvard Grieg
Lyric Pieces, Book 1, Op. 12: Arietta
111 bpm • D# Maj • 01:23 • -31db
63% Popularity • 43% Danceability • 2% Energy • 27% Liveness
94% Instrumentalness • 35% Positiveness
63% Popularity • 43% Danceability • 2% Energy • 27% Liveness
94% Instrumentalness • 35% Positiveness
► Preview
Modest Mussorgsky
Sorochintsi Fair, Act I: Gopak (Hopak)
127 bpm • G Maj • 01:49 • -16.84db
47% Popularity • 49% Danceability • 22% Energy • 30% Liveness
67% Instrumentalness • 45% Positiveness
47% Popularity • 49% Danceability • 22% Energy • 30% Liveness
67% Instrumentalness • 45% Positiveness
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Clara Schumann
3 Romances, Op. 11: No. 1, Andante
127 bpm • D# min • 03:02 • -29db
54% Popularity • 31% Danceability • 3% Energy • 10% Liveness
92% Instrumentalness • 5% Positiveness
54% Popularity • 31% Danceability • 3% Energy • 10% Liveness
92% Instrumentalness • 5% Positiveness
► Preview
Gustav Holst
Brook Green Suite: II. Air
127 bpm • F Maj • 02:05 • -22.64db
52% Popularity • 18% Danceability • 10% Energy • 10% Liveness
91% Instrumentalness • 9% Positiveness
52% Popularity • 18% Danceability • 10% Energy • 10% Liveness
91% Instrumentalness • 9% Positiveness
► Preview
Robert Schumann
Kinderszenen, Op. 15: 1. Von fremden Lä...
128 bpm • G Maj • 01:53 • -41.93db
61% Popularity • 28% Danceability • 0% Energy • 6% Liveness
91% Instrumentalness • 32% Positiveness
61% Popularity • 28% Danceability • 0% Energy • 6% Liveness
91% Instrumentalness • 32% Positiveness
► Preview
Georges Bizet
Carmen Suite No. 1 (Arr. E. Guiraud): V....
111 bpm • G Maj • 01:44 • -40.56db
44% Popularity • 47% Danceability • 1% Energy • 10% Liveness
35% Instrumentalness • 28% Positiveness
44% Popularity • 47% Danceability • 1% Energy • 10% Liveness
35% Instrumentalness • 28% Positiveness
► Preview
Pyotr Ilyich Tchaikovsky
Tchaikovsky: Swan Lake, Op. 20, Act 4: N...
111 bpm • B Maj • 02:23 • -25.33db
31% Popularity • 47% Danceability • 3% Energy • 11% Liveness
98% Instrumentalness • 4% Positiveness
31% Popularity • 47% Danceability • 3% Energy • 11% Liveness
98% Instrumentalness • 4% Positiveness
► Preview
Aram Khachaturian
Children's Album No. 1 "Pictures of Chil...
111 bpm • F min • 01:27 • -22db
49% Popularity • 41% Danceability • 16% Energy • 17% Liveness
93% Instrumentalness • 36% Positiveness
49% Popularity • 41% Danceability • 16% Energy • 17% Liveness
93% Instrumentalness • 36% Positiveness
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Edward Elgar
Variations on an Original Theme, Op. 36,...
110 bpm • G min • 01:27 • -33db
52% Popularity • 16% Danceability • 1% Energy • 14% Liveness
76% Instrumentalness • 4% Positiveness
52% Popularity • 16% Danceability • 1% Energy • 14% Liveness
76% Instrumentalness • 4% Positiveness
► Preview
Felix Mendelssohn
A Midsummer Night's Dream, Op. 61: Scher...
129 bpm • C min • 04:40 • -25db
36% Popularity • 41% Danceability • 16% Energy • 14% Liveness
91% Instrumentalness • 76% Positiveness
36% Popularity • 41% Danceability • 16% Energy • 14% Liveness
91% Instrumentalness • 76% Positiveness
► Preview
Alexander Borodin
Prince Igor (Knyaz Igor): Act II: Polovt...
110 bpm • D Maj • 10:42 • -15db
49% Popularity • 29% Danceability • 25% Energy • 11% Liveness
52% Instrumentalness • 9% Positiveness
49% Popularity • 29% Danceability • 25% Energy • 11% Liveness
52% Instrumentalness • 9% Positiveness
► Preview
Georges Bizet
Carmen Suite No. 1 (Arr. E. Guiraud): VI...
128 bpm • A Maj • 02:20 • -18.99db
35% Popularity • 32% Danceability • 31% Energy • 31% Liveness
97% Instrumentalness • 41% Positiveness
35% Popularity • 32% Danceability • 31% Energy • 31% Liveness
97% Instrumentalness • 41% Positiveness
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Pyotr Ilyich Tchaikovsky
Slavonic March, Op. 31, TH 45
110 bpm • A# min • 09:15 • -19.16db
36% Popularity • 32% Danceability • 21% Energy • 12% Liveness
92% Instrumentalness • 8% Positiveness
36% Popularity • 32% Danceability • 21% Energy • 12% Liveness
92% Instrumentalness • 8% Positiveness
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Camille Saint-Saëns
Samson et Dalila: Bacchanale
109 bpm • A min • 08:02 • -23db
31% Popularity • 30% Danceability • 11% Energy • 13% Liveness
85% Instrumentalness • 12% Positiveness
31% Popularity • 30% Danceability • 11% Energy • 13% Liveness
85% Instrumentalness • 12% Positiveness
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Arcangelo Corelli
Concerto Grosso In D Major, Op. 6, No. 1...
129 bpm • D Maj • 01:13 • -16.72db
61% Popularity • 49% Danceability • 26% Energy • 40% Liveness
37% Instrumentalness • 50% Positiveness
61% Popularity • 49% Danceability • 26% Energy • 40% Liveness
37% Instrumentalness • 50% Positiveness
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Wolfgang Amadeus Mozart
Symphony No. 40 in G Minor, K. 550: I. A...
109 bpm • G min • 07:31 • -17db
54% Popularity • 42% Danceability • 17% Energy • 12% Liveness
92% Instrumentalness • 20% Positiveness
54% Popularity • 42% Danceability • 17% Energy • 12% Liveness
92% Instrumentalness • 20% Positiveness
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Johann Strauss II
Die Fledermaus: Overture
109 bpm • D Maj • 07:40 • -14.49db
42% Popularity • 39% Danceability • 24% Energy • 5% Liveness
78% Instrumentalness • 20% Positiveness
42% Popularity • 39% Danceability • 24% Energy • 5% Liveness
78% Instrumentalness • 20% Positiveness
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Georges Bizet
L'Arlésienne Suite No. 2: Menuet
128 bpm • D# Maj • 04:27 • -31.31db
42% Popularity • 27% Danceability • 2% Energy • 10% Liveness
58% Instrumentalness • 25% Positiveness
42% Popularity • 27% Danceability • 2% Energy • 10% Liveness
58% Instrumentalness • 25% Positiveness
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Dmitri Shostakovich
Jazz Suite No. 2: IV. Waltz 1
109 bpm • A# Maj • 02:47 • -19db
35% Popularity • 24% Danceability • 21% Energy • 15% Liveness
93% Instrumentalness • 39% Positiveness
35% Popularity • 24% Danceability • 21% Energy • 15% Liveness
93% Instrumentalness • 39% Positiveness
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Pyotr Ilyich Tchaikovsky
Romance in F Minor, Op. 5: Andante canta...
128 bpm • F min • 06:08 • -26db
32% Popularity • 42% Danceability • 1% Energy • 7% Liveness
91% Instrumentalness • 7% Positiveness
32% Popularity • 42% Danceability • 1% Energy • 7% Liveness
91% Instrumentalness • 7% Positiveness
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Camille Saint-Saëns
Le Carnaval des Animaux, R. 125: 13. Le ...
130 bpm • G Maj • 02:45 • -31.63db
58% Popularity • 17% Danceability • 2% Energy • 7% Liveness
93% Instrumentalness • 4% Positiveness
58% Popularity • 17% Danceability • 2% Energy • 7% Liveness
93% Instrumentalness • 4% Positiveness
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AntonÃn Dvořák
Symphony No. 8 in G Minor, Op. 88, B. 16...
130 bpm • G Maj • 06:59 • -25db
33% Popularity • 22% Danceability • 6% Energy • 34% Liveness
75% Instrumentalness • 29% Positiveness
33% Popularity • 22% Danceability • 6% Energy • 34% Liveness
75% Instrumentalness • 29% Positiveness
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Robert Schumann
Kinderszenen, Op. 15: 7. Träumerei
130 bpm • F Maj • 02:55 • -42.24db
55% Popularity • 41% Danceability • 0% Energy • 6% Liveness
90% Instrumentalness • 32% Positiveness
55% Popularity • 41% Danceability • 0% Energy • 6% Liveness
90% Instrumentalness • 32% Positiveness
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Georges Bizet
Carmen Suite No. 2 (Arr. E. Guiraud): IV...
109 bpm • F Maj • 02:48 • -22db
44% Popularity • 40% Danceability • 6% Energy • 6% Liveness
92% Instrumentalness • 21% Positiveness
44% Popularity • 40% Danceability • 6% Energy • 6% Liveness
92% Instrumentalness • 21% Positiveness
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Frédéric Chopin
Preludes, Op. 28: No. 4, Largo
109 bpm • A min • 02:11 • -25.93db
60% Popularity • 38% Danceability • 2% Energy • 12% Liveness
87% Instrumentalness • 4% Positiveness
60% Popularity • 38% Danceability • 2% Energy • 12% Liveness
87% Instrumentalness • 4% Positiveness
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Pyotr Ilyich Tchaikovsky
String Sextet in D Minor, Op. 70, "Souve...
109 bpm • D Maj • 10:26 • -16db
46% Popularity • 35% Danceability • 24% Energy • 40% Liveness
68% Instrumentalness • 33% Positiveness
46% Popularity • 35% Danceability • 24% Energy • 40% Liveness
68% Instrumentalness • 33% Positiveness
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Camille Saint-Saëns
Cello Concerto No. 1 in A Minor, Op. 33:...
131 bpm • F Maj • 05:13 • -20db
35% Popularity • 29% Danceability • 16% Energy • 9% Liveness
92% Instrumentalness • 14% Positiveness
35% Popularity • 29% Danceability • 16% Energy • 9% Liveness
92% Instrumentalness • 14% Positiveness
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Ottorino Respighi
Ancient Airs And Dances, Suite No. 3, P....
109 bpm • C min • 03:03 • -19.21db
43% Popularity • 20% Danceability • 16% Energy • 8% Liveness
89% Instrumentalness • 23% Positiveness
43% Popularity • 20% Danceability • 16% Energy • 8% Liveness
89% Instrumentalness • 23% Positiveness
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Robert Schumann
Kinderszenen, Op. 15: No. 7 in F Major, ...
130 bpm • F Maj • 03:06 • -30.17db
59% Popularity • 50% Danceability • 1% Energy • 7% Liveness
95% Instrumentalness • 31% Positiveness
59% Popularity • 50% Danceability • 1% Energy • 7% Liveness
95% Instrumentalness • 31% Positiveness
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Ludwig van Beethoven
Beethoven: Symphony No. 6 in F Major, Op...
108 bpm • F Maj • 12:38 • -22.76db
36% Popularity • 25% Danceability • 4% Energy • 11% Liveness
71% Instrumentalness • 14% Positiveness
36% Popularity • 25% Danceability • 4% Energy • 11% Liveness
71% Instrumentalness • 14% Positiveness
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Wolfgang Amadeus Mozart
Piano Concerto No. 23 in A Major, K. 488...
108 bpm • F# min • 05:33 • -28db
41% Popularity • 27% Danceability • 2% Energy • 11% Liveness
92% Instrumentalness • 6% Positiveness
41% Popularity • 27% Danceability • 2% Energy • 11% Liveness
92% Instrumentalness • 6% Positiveness
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Pyotr Ilyich Tchaikovsky
Six Pieces, Op. 51, TH 143: VI. Valse se...
108 bpm • C# Maj • 02:21 • -26.18db
60% Popularity • 25% Danceability • 6% Energy • 7% Liveness
2% Instrumentalness • 4% Positiveness
60% Popularity • 25% Danceability • 6% Energy • 7% Liveness
2% Instrumentalness • 4% Positiveness
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Johann Sebastian Bach
Overture (Suite) No. 2 in B Minor, BWV 1...
131 bpm • B min • 01:30 • -21.86db
60% Popularity • 52% Danceability • 27% Energy • 8% Liveness
9% Instrumentalness • 96% Positiveness
60% Popularity • 52% Danceability • 27% Energy • 8% Liveness
9% Instrumentalness • 96% Positiveness
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Arcangelo Corelli
Concerto Grosso In D Major, Op. 6, No. 1...
131 bpm • A Maj • 01:21 • -15db
59% Popularity • 41% Danceability • 25% Energy • 29% Liveness
89% Instrumentalness • 26% Positiveness
59% Popularity • 41% Danceability • 25% Energy • 29% Liveness
89% Instrumentalness • 26% Positiveness
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Erno Rozsa
Violin Concerto No. 4 In D Minor, MS 60:...
108 bpm • D min • 10:49 • -20.74db
38% Popularity • 53% Danceability • 12% Energy • 45% Liveness
24% Instrumentalness • 43% Positiveness
38% Popularity • 53% Danceability • 12% Energy • 45% Liveness
24% Instrumentalness • 43% Positiveness
► Preview
Sergei Prokofiev
Prokofiev: Suite No. 2 from Romeo and Ju...
108 bpm • A min • 01:53 • -13.79db
41% Popularity • 40% Danceability • 32% Energy • 8% Liveness
95% Instrumentalness • 39% Positiveness
41% Popularity • 40% Danceability • 32% Energy • 8% Liveness
95% Instrumentalness • 39% Positiveness
► Preview
Dmitri Shostakovich
Jazz Suite No. 2: VI. Waltz 2
108 bpm • C min • 03:13 • -18.31db
63% Popularity • 32% Danceability • 18% Energy • 8% Liveness
90% Instrumentalness • 36% Positiveness
63% Popularity • 32% Danceability • 18% Energy • 8% Liveness
90% Instrumentalness • 36% Positiveness
