Songs like The One I Remember by The Fortress of Solitude Original Cast Ensemble
Based on a tempo of (+/- 10%) and a similar genre
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Hunter Bell
Then Comes You
115 bpm • G Maj • 02:42 • -8.32db
8% Popularity • 68% Danceability • 29% Energy • 8% Liveness
0% Instrumentalness • 29% Positiveness
8% Popularity • 68% Danceability • 29% Energy • 8% Liveness
0% Instrumentalness • 29% Positiveness
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Hannah Waddingham
A Modest Modiste
115 bpm • D Maj • 04:23 • -9.97db
15% Popularity • 54% Danceability • 39% Energy • 50% Liveness
0% Instrumentalness • 56% Positiveness
15% Popularity • 54% Danceability • 39% Energy • 50% Liveness
0% Instrumentalness • 56% Positiveness
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Jeremy Shamos
Second Prologue
115 bpm • E min • 01:37 • -15.85db
10% Popularity • 61% Danceability • 13% Energy • 70% Liveness
0% Instrumentalness • 28% Positiveness
10% Popularity • 61% Danceability • 13% Energy • 70% Liveness
0% Instrumentalness • 28% Positiveness
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Denée Benton
Natasha & Bolkonskys
115 bpm • B min • 03:28 • -11.2db
36% Popularity • 79% Danceability • 36% Energy • 20% Liveness
0% Instrumentalness • 11% Positiveness
36% Popularity • 79% Danceability • 36% Energy • 20% Liveness
0% Instrumentalness • 11% Positiveness
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Jeff Blumenkrantz
Protocol Says
115 bpm • D Maj • 04:04 • -13.98db
8% Popularity • 73% Danceability • 26% Energy • 7% Liveness
0% Instrumentalness • 57% Positiveness
8% Popularity • 73% Danceability • 26% Energy • 7% Liveness
0% Instrumentalness • 57% Positiveness
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Noah Galvin
Your Shell of Grief
115 bpm • E min • 02:11 • -11.83db
33% Popularity • 66% Danceability • 29% Energy • 36% Liveness
0% Instrumentalness • 35% Positiveness
33% Popularity • 66% Danceability • 29% Energy • 36% Liveness
0% Instrumentalness • 35% Positiveness
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A Gentleman's Guide To Love And Murder Original Broadway Cast
Overture / Prologue: A Warning to the Au...
115 bpm • A Maj • 01:20 • -8db
24% Popularity • 72% Danceability • 27% Energy • 6% Liveness
0% Instrumentalness • 40% Positiveness
24% Popularity • 72% Danceability • 27% Energy • 6% Liveness
0% Instrumentalness • 40% Positiveness
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The Fortress of Solitude Original Cast Ensemble
The One I Remember
115 bpm • F Maj • 05:48 • -8.29db
6% Popularity • 69% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
6% Popularity • 69% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
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Jeremy Shamos
"OK! Here We Go!"
115 bpm • F Maj • 02:10 • -15.9db
13% Popularity • 72% Danceability • 25% Energy • 50% Liveness
0% Instrumentalness • 41% Positiveness
13% Popularity • 72% Danceability • 25% Energy • 50% Liveness
0% Instrumentalness • 41% Positiveness
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Susan Blackwell
Give Me Your Attention
114 bpm • A# min • 04:47 • -8db
8% Popularity • 62% Danceability • 37% Energy • 16% Liveness
0% Instrumentalness • 20% Positiveness
8% Popularity • 62% Danceability • 37% Energy • 16% Liveness
0% Instrumentalness • 20% Positiveness
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Ryan Scott Oliver
Bleed You Dry
116 bpm • B Maj • 03:22 • -7.83db
13% Popularity • 70% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
13% Popularity • 70% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
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Charlie Pollack
Rich People
114 bpm • G# Maj • 02:26 • -6.77db
9% Popularity • 68% Danceability • 69% Energy • 16% Liveness
0% Instrumentalness • 54% Positiveness
9% Popularity • 68% Danceability • 69% Energy • 16% Liveness
0% Instrumentalness • 54% Positiveness
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Brad Alexander & Adam Mathias
Rock City
114 bpm • D Maj • 02:54 • -9db
10% Popularity • 70% Danceability • 25% Energy • 6% Liveness
0% Instrumentalness • 37% Positiveness
10% Popularity • 70% Danceability • 25% Energy • 6% Liveness
0% Instrumentalness • 37% Positiveness
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Kevin Mambo
The Time Keeps Changing
116 bpm • F Maj • 03:36 • -12.15db
4% Popularity • 60% Danceability • 23% Energy • 16% Liveness
0% Instrumentalness • 30% Positiveness
4% Popularity • 60% Danceability • 23% Energy • 16% Liveness
0% Instrumentalness • 30% Positiveness
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Gaby Alter
Get It Together
116 bpm • C# min • 05:28 • -7.16db
9% Popularity • 67% Danceability • 61% Energy • 28% Liveness
0% Instrumentalness • 77% Positiveness
9% Popularity • 67% Danceability • 61% Energy • 28% Liveness
0% Instrumentalness • 77% Positiveness
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Rosalie Craig
Make It All Good
116 bpm • D Maj • 04:35 • -10.42db
8% Popularity • 37% Danceability • 27% Energy • 8% Liveness
0% Instrumentalness • 11% Positiveness
8% Popularity • 37% Danceability • 27% Energy • 8% Liveness
0% Instrumentalness • 11% Positiveness
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Preludes Original Cast
Ho-Ho
116 bpm • F Maj • 00:53 • -9.82db
10% Popularity • 79% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
10% Popularity • 79% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
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Paul Williams
Bikini Beauty
116 bpm • D Maj • 00:54 • -6.01db
14% Popularity • 57% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 91% Positiveness
14% Popularity • 57% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 91% Positiveness
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Krystal Joy Brown
More Than Meets the Eye
116 bpm • C# Maj • 03:14 • -8.21db
9% Popularity • 60% Danceability • 26% Energy • 5% Liveness
0% Instrumentalness • 49% Positiveness
9% Popularity • 60% Danceability • 26% Energy • 5% Liveness
0% Instrumentalness • 49% Positiveness
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Will Reynolds
A Machine, Pt. 2 (End of Act One)
117 bpm • G Maj • 01:27 • -9.09db
21% Popularity • 53% Danceability • 32% Energy • 14% Liveness
0% Instrumentalness • 60% Positiveness
21% Popularity • 53% Danceability • 32% Energy • 14% Liveness
0% Instrumentalness • 60% Positiveness
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Tony Danza
Out Of The Sun - Honeymoon In Vegas Broa...
114 bpm • A# min • 03:21 • -9db
15% Popularity • 46% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
15% Popularity • 46% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
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'Twelfth Night' Company
Eyes Of Another
113 bpm • F min • 02:58 • -5db
16% Popularity • 63% Danceability • 77% Energy • 5% Liveness
0% Instrumentalness • 85% Positiveness
16% Popularity • 63% Danceability • 77% Energy • 5% Liveness
0% Instrumentalness • 85% Positiveness
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Jeremy Shamos
Festival!
113 bpm • F Maj • 04:06 • -11.59db
10% Popularity • 69% Danceability • 26% Energy • 25% Liveness
0% Instrumentalness • 49% Positiveness
10% Popularity • 69% Danceability • 26% Energy • 25% Liveness
0% Instrumentalness • 49% Positiveness
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Lisa Howard
I Never Wanted This
113 bpm • G Maj • 02:11 • -8.97db
8% Popularity • 54% Danceability • 41% Energy • 16% Liveness
0% Instrumentalness • 13% Positiveness
8% Popularity • 54% Danceability • 41% Energy • 16% Liveness
0% Instrumentalness • 13% Positiveness
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Brian D'Arcy James
Let Me Drown
113 bpm • D Maj • 04:11 • -5db
23% Popularity • 51% Danceability • 74% Energy • 54% Liveness
0% Instrumentalness • 56% Positiveness
23% Popularity • 51% Danceability • 74% Energy • 54% Liveness
0% Instrumentalness • 56% Positiveness
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Andy Mientus
When You're Near
113 bpm • G Maj • 03:02 • -7.87db
9% Popularity • 43% Danceability • 31% Energy • 23% Liveness
0% Instrumentalness • 34% Positiveness
9% Popularity • 43% Danceability • 31% Energy • 23% Liveness
0% Instrumentalness • 34% Positiveness
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Operation Mincemeat
Dead in the Water
117 bpm • C Maj • 02:32 • -7.36db
35% Popularity • 67% Danceability • 64% Energy • 7% Liveness
0% Instrumentalness • 69% Positiveness
35% Popularity • 67% Danceability • 64% Energy • 7% Liveness
0% Instrumentalness • 69% Positiveness
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Kelly McIntyre
The Three Failed Escape Attempts Of Shei...
117 bpm • F min • 07:01 • -7.2db
12% Popularity • 58% Danceability • 50% Energy • 62% Liveness
0% Instrumentalness • 49% Positiveness
12% Popularity • 58% Danceability • 50% Energy • 62% Liveness
0% Instrumentalness • 49% Positiveness
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Stuart Matthew Price
Coming Back
117 bpm • B min • 02:35 • -12.49db
9% Popularity • 42% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
9% Popularity • 42% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
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Jeremy Morse
Jeff
117 bpm • D Maj • 05:19 • -8.65db
9% Popularity • 75% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
9% Popularity • 75% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
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Claire Moore
Babs' Lament
117 bpm • F# Maj • 03:26 • -6.95db
10% Popularity • 52% Danceability • 51% Energy • 29% Liveness
0% Instrumentalness • 61% Positiveness
10% Popularity • 52% Danceability • 51% Energy • 29% Liveness
0% Instrumentalness • 61% Positiveness
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Love's Labour's Lost Original Cast
The Tuba Song
118 bpm • C Maj • 03:35 • -9db
9% Popularity • 60% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
9% Popularity • 60% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
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Lauren Marcus
Break Out the Booze
117 bpm • G Maj • 03:42 • -7.26db
7% Popularity • 48% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
7% Popularity • 48% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Hunter Foster
Human Drama Kind of Thing
118 bpm • G Maj • 06:07 • -9.74db
12% Popularity • 56% Danceability • 54% Energy • 30% Liveness
0% Instrumentalness • 63% Positiveness
12% Popularity • 56% Danceability • 54% Energy • 30% Liveness
0% Instrumentalness • 63% Positiveness
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Will Reynolds
As Fast As I Can
112 bpm • G# Maj • 02:32 • -9.98db
13% Popularity • 44% Danceability • 43% Energy • 34% Liveness
0% Instrumentalness • 37% Positiveness
13% Popularity • 44% Danceability • 43% Energy • 34% Liveness
0% Instrumentalness • 37% Positiveness
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Michael Mater
Not a Chance in Hell
118 bpm • A# Maj • 03:20 • -7.82db
8% Popularity • 70% Danceability • 46% Energy • 19% Liveness
0% Instrumentalness • 8% Positiveness
8% Popularity • 70% Danceability • 46% Energy • 19% Liveness
0% Instrumentalness • 8% Positiveness
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Conor Tague
Chevy Silverado
112 bpm • G Maj • 00:56 • -6.79db
17% Popularity • 76% Danceability • 56% Energy • 4% Liveness
0% Instrumentalness • 76% Positiveness
17% Popularity • 76% Danceability • 56% Energy • 4% Liveness
0% Instrumentalness • 76% Positiveness
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Bryce Pinkham
Longaville's Sonnet
118 bpm • C min • 01:58 • -8.98db
9% Popularity • 62% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
9% Popularity • 62% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
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Brian D'Arcy James
Make Me Happy
118 bpm • G Maj • 04:14 • -6db
27% Popularity • 56% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
27% Popularity • 56% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
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Liv Andrusier
The World's Greatest Story
118 bpm • G Maj • 02:05 • -8.86db
18% Popularity • 68% Danceability • 38% Energy • 27% Liveness
0% Instrumentalness • 34% Positiveness
18% Popularity • 68% Danceability • 38% Energy • 27% Liveness
0% Instrumentalness • 34% Positiveness
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Nunsense 30th Anniversary Cast
I Just Want to Be a Star
112 bpm • F Maj • 02:53 • -12.29db
18% Popularity • 65% Danceability • 21% Energy • 26% Liveness
0% Instrumentalness • 56% Positiveness
18% Popularity • 65% Danceability • 21% Energy • 26% Liveness
0% Instrumentalness • 56% Positiveness
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Will Reynolds
You Want Time
112 bpm • C Maj • 03:23 • -12.29db
14% Popularity • 35% Danceability • 27% Energy • 22% Liveness
0% Instrumentalness • 22% Positiveness
14% Popularity • 35% Danceability • 27% Energy • 22% Liveness
0% Instrumentalness • 22% Positiveness
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Ashley Wool
Butterflies
112 bpm • G# Maj • 02:47 • -7.5db
18% Popularity • 73% Danceability • 40% Energy • 6% Liveness
0% Instrumentalness • 61% Positiveness
18% Popularity • 73% Danceability • 40% Energy • 6% Liveness
0% Instrumentalness • 61% Positiveness
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Paul Alexander Nolan
The Man I'll Never Be
112 bpm • G# Maj • 01:34 • -13.72db
20% Popularity • 46% Danceability • 15% Energy • 15% Liveness
0% Instrumentalness • 39% Positiveness
20% Popularity • 46% Danceability • 15% Energy • 15% Liveness
0% Instrumentalness • 39% Positiveness
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The Original Broadway Cast Of 'Curtains'
What Kind Of Man?
112 bpm • C Maj • 03:14 • -15.88db
21% Popularity • 71% Danceability • 21% Energy • 6% Liveness
0% Instrumentalness • 35% Positiveness
21% Popularity • 71% Danceability • 21% Energy • 6% Liveness
0% Instrumentalness • 35% Positiveness
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Sean Bell
How Can I Serve You Madam?
112 bpm • C Maj • 03:57 • -8.08db
17% Popularity • 42% Danceability • 36% Energy • 7% Liveness
0% Instrumentalness • 37% Positiveness
17% Popularity • 42% Danceability • 36% Energy • 7% Liveness
0% Instrumentalness • 37% Positiveness
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Nunsense 30th Anniversary Cast
A Difficult Transition
118 bpm • D Maj • 04:52 • -12.54db
13% Popularity • 79% Danceability • 38% Energy • 7% Liveness
0% Instrumentalness • 86% Positiveness
13% Popularity • 79% Danceability • 38% Energy • 7% Liveness
0% Instrumentalness • 86% Positiveness
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Krysta Rodriguez
Down The Stairs
118 bpm • F Maj • 02:40 • -8.95db
9% Popularity • 40% Danceability • 28% Energy • 6% Liveness
0% Instrumentalness • 27% Positiveness
9% Popularity • 40% Danceability • 28% Energy • 6% Liveness
0% Instrumentalness • 27% Positiveness
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Rosemary Ashe
Evil
112 bpm • A min • 03:57 • -12.23db
12% Popularity • 61% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
12% Popularity • 61% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
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Stuart Matthew Price
For the First Time
111 bpm • F Maj • 04:28 • -9.29db
8% Popularity • 60% Danceability • 40% Energy • 14% Liveness
0% Instrumentalness • 57% Positiveness
8% Popularity • 60% Danceability • 40% Energy • 14% Liveness
0% Instrumentalness • 57% Positiveness
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Ryan Silverman
Private Conversation
111 bpm • A# Maj • 07:05 • -10.76db
9% Popularity • 39% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
9% Popularity • 39% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
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Marla Mindelle
My Simple Request
111 bpm • D Maj • 03:30 • -4.8db
9% Popularity • 42% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 65% Positiveness
9% Popularity • 42% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 65% Positiveness
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Mia Pak
Underground
111 bpm • A# Maj • 01:52 • -12.05db
14% Popularity • 74% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
14% Popularity • 74% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Jeremy Shamos
The Press Song
111 bpm • G Maj • 03:27 • -12.87db
13% Popularity • 64% Danceability • 26% Energy • 26% Liveness
0% Instrumentalness • 51% Positiveness
13% Popularity • 64% Danceability • 26% Energy • 26% Liveness
0% Instrumentalness • 51% Positiveness
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Preludes Original Cast
Tchaikovsky's Child's Song
111 bpm • G Maj • 01:39 • -10.89db
9% Popularity • 58% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
9% Popularity • 58% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
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Peter Polycarpou
Joe
120 bpm • D Maj • 05:16 • -15.13db
9% Popularity • 60% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
9% Popularity • 60% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Mark Linn-Baker
Toad to the Rescue
120 bpm • G Maj • 02:04 • -9.39db
15% Popularity • 80% Danceability • 48% Energy • 13% Liveness
0% Instrumentalness • 66% Positiveness
15% Popularity • 80% Danceability • 48% Energy • 13% Liveness
0% Instrumentalness • 66% Positiveness
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Amina Faye
The Other One
120 bpm • E Maj • 04:24 • -7.98db
11% Popularity • 73% Danceability • 55% Energy • 30% Liveness
0% Instrumentalness • 42% Positiveness
11% Popularity • 73% Danceability • 55% Energy • 30% Liveness
0% Instrumentalness • 42% Positiveness
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Matt Sax
Wings
120 bpm • E Maj • 02:58 • -9.61db
9% Popularity • 57% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
9% Popularity • 57% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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David Byrne & Fatboy Slim
Rose of Tacloban
110 bpm • B Maj • 02:55 • -9.23db
14% Popularity • 53% Danceability • 27% Energy • 13% Liveness
0% Instrumentalness • 23% Positiveness
14% Popularity • 53% Danceability • 27% Energy • 13% Liveness
0% Instrumentalness • 23% Positiveness
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Tamsin Carroll
In the Middle
110 bpm • E min • 04:10 • -11.42db
8% Popularity • 39% Danceability • 25% Energy • 22% Liveness
0% Instrumentalness • 14% Positiveness
8% Popularity • 39% Danceability • 25% Energy • 22% Liveness
0% Instrumentalness • 14% Positiveness
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Brynn O'Malley
Betsy's Getting Married / The Game - Hon...
110 bpm • F min • 05:00 • -6.81db
16% Popularity • 54% Danceability • 53% Energy • 14% Liveness
0% Instrumentalness • 42% Positiveness
16% Popularity • 54% Danceability • 53% Energy • 14% Liveness
0% Instrumentalness • 42% Positiveness
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Jeremy Jordan
History
120 bpm • F Maj • 02:45 • -10.61db
15% Popularity • 52% Danceability • 30% Energy • 20% Liveness
0% Instrumentalness • 46% Positiveness
15% Popularity • 52% Danceability • 30% Energy • 20% Liveness
0% Instrumentalness • 46% Positiveness
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Hunter Foster
Home Before You Know It
120 bpm • E Maj • 04:19 • -6.24db
19% Popularity • 55% Danceability • 48% Energy • 13% Liveness
0% Instrumentalness • 51% Positiveness
19% Popularity • 55% Danceability • 48% Energy • 13% Liveness
0% Instrumentalness • 51% Positiveness
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Working: A Musical (Original London Cast)
If I Could've Been
110 bpm • E Maj • 03:52 • -12.69db
12% Popularity • 39% Danceability • 29% Energy • 7% Liveness
0% Instrumentalness • 38% Positiveness
12% Popularity • 39% Danceability • 29% Energy • 7% Liveness
0% Instrumentalness • 38% Positiveness
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Michael K. Lee
Paradise
110 bpm • B min • 03:23 • -8.52db
8% Popularity • 86% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
8% Popularity • 86% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
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Nicholas Belton
The Private and Intimate Life of the Hou...
120 bpm • G# Maj • 05:38 • -9.97db
36% Popularity • 56% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
36% Popularity • 56% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Aisha Jackson
Behind Closed Doors
120 bpm • A min • 05:39 • -8.46db
10% Popularity • 63% Danceability • 46% Energy • 15% Liveness
0% Instrumentalness • 51% Positiveness
10% Popularity • 63% Danceability • 46% Energy • 15% Liveness
0% Instrumentalness • 51% Positiveness
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Daphne Rubin-Vega
Baggage
120 bpm • B Maj • 04:00 • -7.24db
7% Popularity • 43% Danceability • 56% Energy • 6% Liveness
0% Instrumentalness • 26% Positiveness
7% Popularity • 43% Danceability • 56% Energy • 6% Liveness
0% Instrumentalness • 26% Positiveness
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Tari Kelly
Punxsutawney Rock
110 bpm • G Maj • 01:38 • -5.56db
26% Popularity • 58% Danceability • 83% Energy • 69% Liveness
1% Instrumentalness • 38% Positiveness
26% Popularity • 58% Danceability • 83% Energy • 69% Liveness
1% Instrumentalness • 38% Positiveness
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Heidi Blickenstaff
This Time
110 bpm • B Maj • 03:58 • -9db
14% Popularity • 36% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
14% Popularity • 36% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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Jay Goede
Alone
110 bpm • D# Maj • 02:22 • -16db
17% Popularity • 46% Danceability • 22% Energy • 20% Liveness
0% Instrumentalness • 39% Positiveness
17% Popularity • 46% Danceability • 22% Energy • 20% Liveness
0% Instrumentalness • 39% Positiveness
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Madison Kopec
Unlikely Animals
120 bpm • D Maj • 02:59 • -10.59db
20% Popularity • 47% Danceability • 27% Energy • 24% Liveness
0% Instrumentalness • 16% Positiveness
20% Popularity • 47% Danceability • 27% Energy • 24% Liveness
0% Instrumentalness • 16% Positiveness
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Matt Doyle
Goodbye Jasper
110 bpm • D Maj • 06:07 • -7.8db
11% Popularity • 57% Danceability • 53% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
11% Popularity • 57% Danceability • 53% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
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Sean Bell
We're Goin' Loco!
121 bpm • C Maj • 03:18 • -5.61db
15% Popularity • 58% Danceability • 66% Energy • 13% Liveness
0% Instrumentalness • 39% Positiveness
15% Popularity • 58% Danceability • 66% Energy • 13% Liveness
0% Instrumentalness • 39% Positiveness
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ARLO HILL
Marching Orders
121 bpm • A# min • 03:48 • -6.72db
12% Popularity • 64% Danceability • 58% Energy • 60% Liveness
0% Instrumentalness • 73% Positiveness
12% Popularity • 64% Danceability • 58% Energy • 60% Liveness
0% Instrumentalness • 73% Positiveness
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Corey Cott
Just Like It Was Before
121 bpm • F min • 08:06 • -8db
20% Popularity • 51% Danceability • 50% Energy • 13% Liveness
0% Instrumentalness • 49% Positiveness
20% Popularity • 51% Danceability • 50% Energy • 13% Liveness
0% Instrumentalness • 49% Positiveness
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Patti Murin
Daphne Dreams
121 bpm • C Maj • 03:03 • -6.74db
15% Popularity • 57% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
15% Popularity • 57% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
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Kristen Sieh
Something
110 bpm • G Maj • 06:10 • -12.34db
3% Popularity • 69% Danceability • 18% Energy • 8% Liveness
0% Instrumentalness • 23% Positiveness
3% Popularity • 69% Danceability • 18% Energy • 8% Liveness
0% Instrumentalness • 23% Positiveness
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Andy Mientus
Back Home
109 bpm • F Maj • 02:05 • -15.7db
8% Popularity • 50% Danceability • 12% Energy • 20% Liveness
0% Instrumentalness • 44% Positiveness
8% Popularity • 50% Danceability • 12% Energy • 20% Liveness
0% Instrumentalness • 44% Positiveness
► Preview
Tony Danza
Come To An Agreement - Honeymoon In Vega...
121 bpm • C# min • 03:12 • -8.54db
14% Popularity • 51% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
14% Popularity • 51% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
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Channel Karimkhani
Cryptic Triptych
121 bpm • A min • 04:14 • -7.23db
12% Popularity • 63% Danceability • 50% Energy • 4% Liveness
0% Instrumentalness • 65% Positiveness
12% Popularity • 63% Danceability • 50% Energy • 4% Liveness
0% Instrumentalness • 65% Positiveness
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Amina Faye
Susannah's Song
121 bpm • F Maj • 02:58 • -8.45db
10% Popularity • 64% Danceability • 29% Energy • 58% Liveness
0% Instrumentalness • 63% Positiveness
10% Popularity • 64% Danceability • 29% Energy • 58% Liveness
0% Instrumentalness • 63% Positiveness
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Jeff Bowen
Part of It All
109 bpm • A# Maj • 03:04 • -8db
18% Popularity • 53% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
18% Popularity • 53% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
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André De Shields
Take Me to the Bridge
109 bpm • G Maj • 04:50 • -6.81db
7% Popularity • 48% Danceability • 48% Energy • 46% Liveness
0% Instrumentalness • 60% Positiveness
7% Popularity • 48% Danceability • 48% Energy • 46% Liveness
0% Instrumentalness • 60% Positiveness
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Kate Wetherhead
Dear Professor Thompson (Pt. 1)
121 bpm • G Maj • 02:01 • -13.31db
22% Popularity • 72% Danceability • 18% Energy • 6% Liveness
0% Instrumentalness • 52% Positiveness
22% Popularity • 72% Danceability • 18% Energy • 6% Liveness
0% Instrumentalness • 52% Positiveness
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Will Reynolds
Ease
109 bpm • G Maj • 02:21 • -7.32db
23% Popularity • 60% Danceability • 59% Energy • 37% Liveness
0% Instrumentalness • 74% Positiveness
23% Popularity • 60% Danceability • 59% Energy • 37% Liveness
0% Instrumentalness • 74% Positiveness
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Heidi Blickenstaff
I'm Your Man
109 bpm • C min • 02:45 • -7.63db
21% Popularity • 74% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
21% Popularity • 74% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
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Andrew Kober
Fell in Love with Crazy
122 bpm • F# Maj • 02:54 • -9.61db
15% Popularity • 71% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
15% Popularity • 71% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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Keith Carradine
Keep Your Hands on It
109 bpm • D Maj • 05:17 • -8.52db
8% Popularity • 62% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
8% Popularity • 62% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
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Jeremy Shamos
Stop the Press
122 bpm • F Maj • 02:16 • -10.76db
13% Popularity • 61% Danceability • 27% Energy • 30% Liveness
0% Instrumentalness • 64% Positiveness
13% Popularity • 61% Danceability • 27% Energy • 30% Liveness
0% Instrumentalness • 64% Positiveness
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The Clockmaker's Daughter Studio Cast
Market Day
122 bpm • G Maj • 07:04 • -10.79db
15% Popularity • 52% Danceability • 39% Energy • 35% Liveness
0% Instrumentalness • 60% Positiveness
15% Popularity • 52% Danceability • 39% Energy • 35% Liveness
0% Instrumentalness • 60% Positiveness
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Kate Baldwin
In Between
122 bpm • D# Maj • 04:06 • -8.53db
8% Popularity • 41% Danceability • 27% Energy • 19% Liveness
0% Instrumentalness • 30% Positiveness
8% Popularity • 41% Danceability • 27% Energy • 19% Liveness
0% Instrumentalness • 30% Positiveness
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Micaela Diamond
Do It Alone
122 bpm • B min • 02:18 • -9.34db
26% Popularity • 38% Danceability • 29% Energy • 15% Liveness
0% Instrumentalness • 34% Positiveness
26% Popularity • 38% Danceability • 29% Energy • 15% Liveness
0% Instrumentalness • 34% Positiveness
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Will Reynolds
Bright
108 bpm • D Maj • 03:11 • -10.55db
13% Popularity • 65% Danceability • 28% Energy • 14% Liveness
0% Instrumentalness • 58% Positiveness
13% Popularity • 65% Danceability • 28% Energy • 14% Liveness
0% Instrumentalness • 58% Positiveness
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Amelia Fei
Slow Dancing
108 bpm • C Maj • 03:47 • -8.55db
18% Popularity • 65% Danceability • 28% Energy • 6% Liveness
0% Instrumentalness • 47% Positiveness
18% Popularity • 65% Danceability • 28% Energy • 6% Liveness
0% Instrumentalness • 47% Positiveness
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Matt Doyle
Stroke by Stroke
108 bpm • D Maj • 03:41 • -6db
15% Popularity • 52% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
15% Popularity • 52% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Rob McClure
Airport Song - Honeymoon In Vegas Broadw...
108 bpm • A Maj • 02:02 • -6.47db
14% Popularity • 55% Danceability • 65% Energy • 24% Liveness
0% Instrumentalness • 57% Positiveness
14% Popularity • 55% Danceability • 65% Energy • 24% Liveness
0% Instrumentalness • 57% Positiveness
