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The One
Songs like
The One
by
Kolton Moore & the Clever Few
Based on a tempo of (+/- 10%) and a similar genre
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Flatland Cavalry
Mornings With You
114 bpm • E Maj • 03:43 • -9.95db
54% Popularity • 63% Danceability • 30% Energy • 28% Liveness
0% Instrumentalness • 25% Positiveness
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Jarrod Morris
Truth Like a Lie
114 bpm • C Maj • 04:12 • -10db
28% Popularity • 59% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
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Pecos & the Rooftops
Last Night's Lashes
114 bpm • G# Maj • 03:25 • -6.57db
53% Popularity • 60% Danceability • 84% Energy • 20% Liveness
0% Instrumentalness • 74% Positiveness
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Kolton Moore & the Clever Few
Kyle's Song
114 bpm • G# Maj • 04:51 • -13.28db
24% Popularity • 54% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
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Eddie Flint
You Can Find Me
114 bpm • E Maj • 01:38 • -11.58db
39% Popularity • 81% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
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Wade Bowen
Who I Am
114 bpm • A Maj • 04:35 • -7.18db
38% Popularity • 55% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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Wyatt Flores
Burning Bridges
113 bpm • A min • 04:01 • -16db
50% Popularity • 52% Danceability • 14% Energy • 20% Liveness
0% Instrumentalness • 37% Positiveness
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Morgan Wade
Left Me Behind (OurVinyl Sessions)
113 bpm • F# Maj • 04:05 • -11.15db
42% Popularity • 65% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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Pecos & the Rooftops
Conociste
113 bpm • G# min • 04:43 • -13db
43% Popularity • 56% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 41% Positiveness
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Kolton Moore & the Clever Few
Everything Has Changed
114 bpm • B min • 03:44 • -14db
28% Popularity • 62% Danceability • 22% Energy • 31% Liveness
0% Instrumentalness • 19% Positiveness
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Koe Wetzel
Too High to Cry
115 bpm • E Maj • 06:29 • -8.24db
54% Popularity • 44% Danceability • 43% Energy • 7% Liveness
0% Instrumentalness • 11% Positiveness
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Muscadine Bloodline
Good to Drive
115 bpm • G# Maj • 02:54 • -7db
56% Popularity • 60% Danceability • 41% Energy • 15% Liveness
0% Instrumentalness • 37% Positiveness
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Vincent Mason
A Little Too Good
113 bpm • D# Maj • 04:12 • -5.97db
51% Popularity • 45% Danceability • 54% Energy • 22% Liveness
0% Instrumentalness • 35% Positiveness
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Jarrod Morris
Western Tears
113 bpm • D Maj • 04:08 • -15db
34% Popularity • 64% Danceability • 46% Energy • 42% Liveness
0% Instrumentalness • 37% Positiveness
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Ryan Wilcox & The Sunday Shakes
Game Of Fools
113 bpm • D Maj • 03:39 • -8db
29% Popularity • 60% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
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Kolton Moore & the Clever Few
The One
114 bpm • G Maj • 02:52 • -11db
52% Popularity • 70% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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Josh Abbott Band
The Highway Kind
112 bpm • G Maj • 03:59 • -4.33db
48% Popularity • 58% Danceability • 77% Energy • 24% Liveness
0% Instrumentalness • 59% Positiveness
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Cameron Sacky Band
Nothin' on You
116 bpm • A Maj • 03:54 • -5db
48% Popularity • 74% Danceability • 71% Energy • 23% Liveness
0% Instrumentalness • 80% Positiveness
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Muscadine Bloodline
No, Pedal Steel
112 bpm • G Maj • 03:48 • -10db
46% Popularity • 62% Danceability • 23% Energy • 14% Liveness
0% Instrumentalness • 26% Positiveness
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Bishop Gunn
Devil Is a Woman
112 bpm • G Maj • 04:28 • -10db
46% Popularity • 45% Danceability • 33% Energy • 17% Liveness
0% Instrumentalness • 28% Positiveness
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Ryan Wilcox & The Sunday Shakes
Midnight Angel
112 bpm • G# Maj • 03:07 • -4.94db
34% Popularity • 64% Danceability • 78% Energy • 12% Liveness
0% Instrumentalness • 81% Positiveness
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Treaty Oak Revival
Ode To Bourbon
112 bpm • G Maj • 04:01 • -3db
68% Popularity • 37% Danceability • 74% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
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Kolton Moore & the Clever Few
Maybe I'll Just Let You Down
113 bpm • C Maj • 05:58 • -6db
30% Popularity • 50% Danceability • 50% Energy • 13% Liveness
0% Instrumentalness • 10% Positiveness
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Logan Halstead
Dark Black Coal
111 bpm • B min • 04:14 • -8.8db
44% Popularity • 50% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
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Koe Wetzel
She Can't Stop Crying
117 bpm • C Maj • 03:01 • -11.7db
40% Popularity • 55% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
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Dylan Wheeler
Broke Ass Kid
111 bpm • F# Maj • 04:02 • -4.17db
59% Popularity • 53% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
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Morgan Wade
Wilder Days - Acoustic
111 bpm • E Maj • 04:11 • -5db
42% Popularity • 75% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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Logan Michael
Another Go
118 bpm • D# Maj • 03:07 • -10db
48% Popularity • 62% Danceability • 40% Energy • 15% Liveness
0% Instrumentalness • 24% Positiveness
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Kolton Moore & the Clever Few
Forever I Do
115 bpm • G Maj • 06:00 • -5.57db
18% Popularity • 60% Danceability • 37% Energy • 13% Liveness
0% Instrumentalness • 11% Positiveness
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Taylor McCall
The Hounds
118 bpm • E min • 04:04 • -8.12db
45% Popularity • 62% Danceability • 83% Energy • 8% Liveness
0% Instrumentalness • 61% Positiveness
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Arlo McKinley
This Damn Town
110 bpm • G Maj • 03:13 • -10db
49% Popularity • 57% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
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Jarrod Morris
The Show
118 bpm • D Maj • 03:28 • -7.5db
42% Popularity • 65% Danceability • 67% Energy • 16% Liveness
0% Instrumentalness • 51% Positiveness
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Muscadine Bloodline
Mind of Its Own
118 bpm • F# Maj • 02:59 • -5.52db
50% Popularity • 70% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
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Pecos & the Rooftops
Kill a Man
110 bpm • F# Maj • 05:19 • -13db
45% Popularity • 36% Danceability • 35% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
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Kolton Moore & the Clever Few
My Way Out
115 bpm • D Maj • 06:25 • -6.99db
13% Popularity • 63% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Taylor McCall
Jericho Rose
110 bpm • A min • 05:15 • -7.61db
41% Popularity • 65% Danceability • 84% Energy • 15% Liveness
1% Instrumentalness • 44% Positiveness
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Cameron Sacky Band
Bittersweet Babe
118 bpm • D# Maj • 02:24 • -20db
53% Popularity • 68% Danceability • 8% Energy • 12% Liveness
1% Instrumentalness • 16% Positiveness
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Jarrod Morris
West of East
118 bpm • C Maj • 03:13 • -11.52db
37% Popularity • 60% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
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Eddie Flint
If You Came Back
119 bpm • B Maj • 02:45 • -10.79db
44% Popularity • 78% Danceability • 20% Energy • 15% Liveness
0% Instrumentalness • 23% Positiveness
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Pecos & the Rooftops
Leave Me Lonely
118 bpm • G# Maj • 04:31 • -11.89db
47% Popularity • 57% Danceability • 56% Energy • 22% Liveness
0% Instrumentalness • 74% Positiveness
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Kenny Feidler
Cowboy Shit
119 bpm • G Maj • 03:32 • -2.87db
48% Popularity • 74% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Kolton Moore & the Clever Few
Stains on the Sheets
111 bpm • A min • 05:03 • -10.7db
24% Popularity • 65% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
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J.R. Carroll
Preacher Man
119 bpm • G# Maj • 03:41 • -8.74db
36% Popularity • 73% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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49 Winchester
So Damn Sweet
119 bpm • A Maj • 04:14 • -6.43db
41% Popularity • 44% Danceability • 44% Energy • 16% Liveness
0% Instrumentalness • 25% Positiveness
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Zach Bryan
Jamie
119 bpm • E min • 03:40 • -8db
67% Popularity • 42% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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Pecos & the Rooftops
Wouldn't Have to Miss You
110 bpm • F min • 04:27 • -12db
54% Popularity • 43% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
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Flatland Cavalry
No Shade of Green
109 bpm • F# Maj • 03:01 • -9.36db
52% Popularity • 61% Danceability • 63% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
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Dylan Gossett
Lone Ole Cowboy
119 bpm • C# Maj • 03:52 • -8.53db
61% Popularity • 53% Danceability • 29% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
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Wyatt Flores
Life Lessons
109 bpm • A# Maj • 03:15 • -6.67db
57% Popularity • 67% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
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Mike Ryan
Sad Song
120 bpm • D Maj • 03:16 • -8db
29% Popularity • 67% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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Koe Wetzel
The Worst Part
120 bpm • C Maj • 04:34 • -7.6db
43% Popularity • 45% Danceability • 44% Energy • 18% Liveness
0% Instrumentalness • 14% Positiveness
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Landon Smith
If You Want Me Tonight
109 bpm • C# min • 03:59 • -6db
56% Popularity • 41% Danceability • 49% Energy • 24% Liveness
0% Instrumentalness • 32% Positiveness
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Taylor McCall
So Damn Lucky
120 bpm • A# Maj • 04:03 • -9.57db
39% Popularity • 58% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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Colten Jesse
Dryin' Up
108 bpm • F# Maj • 03:25 • -12db
41% Popularity • 61% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
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Pecos & the Rooftops
Lonely With You
120 bpm • F min • 04:07 • -13db
42% Popularity • 59% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
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Muscadine Bloodline
Enemy
120 bpm • C# Maj • 03:26 • -8.3db
50% Popularity • 67% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
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Koe Wetzel
YellaBush Road
120 bpm • D Maj • 05:06 • -7db
54% Popularity • 53% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 29% Positiveness
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David Pugh
With You Gone
120 bpm • G Maj • 04:06 • -14.3db
34% Popularity • 45% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
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Wade Forster
Cigarettes
120 bpm • E min • 02:40 • -6.12db
49% Popularity • 66% Danceability • 54% Energy • 14% Liveness
0% Instrumentalness • 20% Positiveness
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Kolton Moore & the Clever Few
Mine All Mine (Revisited)
108 bpm • A# Maj • 03:27 • -14.58db
33% Popularity • 74% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
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Pecos & the Rooftops
Yesteryear
120 bpm • F# Maj • 04:18 • -11.18db
40% Popularity • 58% Danceability • 59% Energy • 31% Liveness
0% Instrumentalness • 73% Positiveness
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Phil Hamilton
Brazos Wind
108 bpm • D Maj • 04:37 • -12.56db
37% Popularity • 65% Danceability • 34% Energy • 14% Liveness
0% Instrumentalness • 25% Positiveness
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Kaitlin Butts
White River
108 bpm • G Maj • 03:33 • -7.64db
48% Popularity • 52% Danceability • 80% Energy • 23% Liveness
0% Instrumentalness • 37% Positiveness
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The Wilder Blue
Palomino Gold
108 bpm • C# Maj • 04:33 • -9.68db
52% Popularity • 60% Danceability • 54% Energy • 12% Liveness
1% Instrumentalness • 36% Positiveness
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Logan Michael
Leave Me Alone
108 bpm • C Maj • 03:10 • -13.77db
55% Popularity • 59% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
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Red Shahan
Culberson County
121 bpm • B Maj • 03:59 • -8.43db
33% Popularity • 53% Danceability • 40% Energy • 22% Liveness
0% Instrumentalness • 24% Positiveness
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Sundy Best
Hindman
108 bpm • D Maj • 04:36 • -7.03db
44% Popularity • 52% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 16% Positiveness
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Colin Stough
Dancing On My Own (Acoustic)
107 bpm • B Maj • 03:34 • -11.51db
42% Popularity • 51% Danceability • 13% Energy • 13% Liveness
0% Instrumentalness • 22% Positiveness
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Ole 60
insane
121 bpm • B min • 04:14 • -13.89db
63% Popularity • 58% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Luke Grimes
No Horse To Ride
121 bpm • D Maj • 02:14 • -7.73db
53% Popularity • 67% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Wade Bowen
My California
121 bpm • C# min • 04:45 • -8.12db
29% Popularity • 48% Danceability • 52% Energy • 14% Liveness
0% Instrumentalness • 26% Positiveness
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Gavin Adcock
Love To The Grave
107 bpm • G Maj • 03:20 • -5.49db
45% Popularity • 65% Danceability • 65% Energy • 31% Liveness
0% Instrumentalness • 49% Positiveness
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Eddie Flint
Clueless
107 bpm • G# Maj • 04:10 • -19.51db
35% Popularity • 66% Danceability • 1% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Red Shahan
Never Turn Around
122 bpm • F# Maj • 02:51 • -6.12db
46% Popularity • 54% Danceability • 67% Energy • 14% Liveness
0% Instrumentalness • 27% Positiveness
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Nolan Taylor
Fighting Chance
122 bpm • E min • 04:03 • -18.12db
30% Popularity • 65% Danceability • 6% Energy • 41% Liveness
0% Instrumentalness • 19% Positiveness
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Cole Chaney
Coalshooter
122 bpm • C min • 05:49 • -11.18db
45% Popularity • 56% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
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Logan Halstead
Kentucky Sky
106 bpm • G Maj • 03:49 • -8.52db
43% Popularity • 41% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
► Preview
The Lowdown Drifters
Back To You
106 bpm • B min • 02:46 • -5.31db
40% Popularity • 60% Danceability • 76% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
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Dylan Gossett
Flip a Coin
123 bpm • E Maj • 03:38 • -9.41db
59% Popularity • 48% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
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Ian Munsick
Weakness
123 bpm • C Maj • 03:34 • -8.55db
43% Popularity • 72% Danceability • 33% Energy • 14% Liveness
0% Instrumentalness • 39% Positiveness
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Kameron Marlowe
Fool Me Again
123 bpm • G Maj • 03:32 • -6.67db
44% Popularity • 55% Danceability • 49% Energy • 28% Liveness
0% Instrumentalness • 40% Positiveness
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Carson Jeffrey
Walk Away
123 bpm • F Maj • 03:25 • -7.33db
38% Popularity • 71% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
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Jarrod Morris
Red Bandana
123 bpm • C# Maj • 03:39 • -6.62db
41% Popularity • 59% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 64% Positiveness
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Slade Coulter
Hey Mary
123 bpm • G# Maj • 03:46 • -9.34db
32% Popularity • 51% Danceability • 74% Energy • 17% Liveness
0% Instrumentalness • 54% Positiveness
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Cole Barnhill
Don't Even Say Bye
123 bpm • G# Maj • 03:57 • -4.37db
47% Popularity • 56% Danceability • 92% Energy • 7% Liveness
0% Instrumentalness • 68% Positiveness
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Kolton Moore & the Clever Few
Lone Wolf
123 bpm • F Maj • 04:04 • -12.67db
27% Popularity • 62% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
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Luke Grimes
Ain't Dead Yet
123 bpm • D min • 03:02 • -6.22db
44% Popularity • 65% Danceability • 79% Energy • 10% Liveness
0% Instrumentalness • 73% Positiveness
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Eddie Flint
Broken People
105 bpm • D Maj • 01:50 • -11.13db
60% Popularity • 74% Danceability • 22% Energy • 39% Liveness
0% Instrumentalness • 47% Positiveness
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Muscadine Bloodline
Pieces
124 bpm • F# Maj • 03:16 • -11.5db
72% Popularity • 49% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
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Ian Munsick
White Buffalo
124 bpm • C# Maj • 03:53 • -7.2db
52% Popularity • 63% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
► Preview
Arlo McKinley
I've Got Her
105 bpm • F# min • 03:56 • -10.7db
39% Popularity • 52% Danceability • 27% Energy • 33% Liveness
0% Instrumentalness • 9% Positiveness
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Kolton Moore & the Clever Few
Your Alpine
124 bpm • C# Maj • 04:39 • -6.99db
21% Popularity • 58% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
► Preview
Luke Grimes
Burn
124 bpm • D min • 03:20 • -9.49db
48% Popularity • 68% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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Sam Williams
Weatherman
124 bpm • A Maj • 03:34 • -5.24db
49% Popularity • 52% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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Muscadine Bloodline
Put Me in My Place
105 bpm • G# Maj • 03:09 • -11.34db
64% Popularity • 67% Danceability • 43% Energy • 14% Liveness
0% Instrumentalness • 41% Positiveness
► Preview
Tyler Halverson
'94 Camaro
124 bpm • G Maj • 02:46 • -7.84db
50% Popularity • 71% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 89% Positiveness
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Gavin Adcock
I Know A Good Time
124 bpm • G# Maj • 03:04 • -4.51db
52% Popularity • 61% Danceability • 80% Energy • 14% Liveness
0% Instrumentalness • 30% Positiveness
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Kolton Moore & the Clever Few
Give It Up
124 bpm • D Maj • 03:04 • -4.95db
33% Popularity • 56% Danceability • 75% Energy • 4% Liveness
0% Instrumentalness • 53% Positiveness
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Thieving Birds
My Sweet Baby
124 bpm • G Maj • 03:06 • -12.61db
41% Popularity • 62% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
► Preview
Matt Schuster
From The Start - Acoustic
125 bpm • G min • 04:10 • -6db
51% Popularity • 69% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
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The One