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The Optimist
Songs like
The Optimist
by
DD Smash
Based on a tempo of (+/- 10%) and a similar genre
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DD Smash
The Optimist
115 bpm • C Maj • 04:06 • -10.57db
6% Popularity • 59% Danceability • 63% Energy • 21% Liveness
0% Instrumentalness • 85% Positiveness
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Choirboys
Never Gonna Die
115 bpm • E Maj • 04:01 • -7.91db
29% Popularity • 62% Danceability • 74% Energy • 25% Liveness
2% Instrumentalness • 54% Positiveness
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Renee Geyer
Say I Love You
115 bpm • D Maj • 03:33 • -6.52db
41% Popularity • 67% Danceability • 84% Energy • 11% Liveness
0% Instrumentalness • 89% Positiveness
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Toni Childs
Don't Walk Away
115 bpm • B Maj • 04:01 • -11.66db
35% Popularity • 65% Danceability • 79% Energy • 18% Liveness
0% Instrumentalness • 76% Positiveness
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GANGgajang
House Of Cards
115 bpm • A min • 02:44 • -9db
31% Popularity • 62% Danceability • 84% Energy • 22% Liveness
0% Instrumentalness • 63% Positiveness
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Patea Maori Club
Poi E
115 bpm • E Maj • 03:49 • -4.7db
48% Popularity • 67% Danceability • 96% Energy • 85% Liveness
0% Instrumentalness • 66% Positiveness
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Australian Crawl
Daughters Of The Northern Coast - Remast...
115 bpm • D Maj • 04:40 • -6db
42% Popularity • 62% Danceability • 72% Energy • 38% Liveness
0% Instrumentalness • 54% Positiveness
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MATT MOFFITT
Miss This Tonight
116 bpm • F Maj • 04:44 • -17.27db
19% Popularity • 73% Danceability • 43% Energy • 29% Liveness
43% Instrumentalness • 55% Positiveness
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The Black Sorrows
Mystified
116 bpm • C Maj • 04:34 • -14db
21% Popularity • 72% Danceability • 53% Energy • 13% Liveness
0% Instrumentalness • 57% Positiveness
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DD Smash
Open Up
116 bpm • D Maj • 03:23 • -11.09db
4% Popularity • 71% Danceability • 69% Energy • 7% Liveness
0% Instrumentalness • 89% Positiveness
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Supergroove
You Gotta Know
116 bpm • G Maj • 03:35 • -5.53db
34% Popularity • 67% Danceability • 96% Energy • 27% Liveness
0% Instrumentalness • 66% Positiveness
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Boom Crash Opera
Dancing In The Storm
116 bpm • G Maj • 04:12 • -5db
53% Popularity • 49% Danceability • 86% Energy • 44% Liveness
0% Instrumentalness • 50% Positiveness
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The Mutton Birds
The Heater
114 bpm • C Maj • 03:43 • -5.65db
17% Popularity • 43% Danceability • 84% Energy • 38% Liveness
0% Instrumentalness • 34% Positiveness
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Models
I Hear Motion
113 bpm • F Maj • 05:31 • -16.02db
37% Popularity • 73% Danceability • 71% Energy • 22% Liveness
1% Instrumentalness • 74% Positiveness
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The Black Sorrows
Better Times
114 bpm • A# Maj • 04:54 • -8db
21% Popularity • 51% Danceability • 80% Energy • 8% Liveness
0% Instrumentalness • 78% Positiveness
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DD Smash
Whaling
114 bpm • C Maj • 03:45 • -12.62db
41% Popularity • 60% Danceability • 51% Energy • 13% Liveness
0% Instrumentalness • 45% Positiveness
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Australian Crawl
Louie Louie - Remastered
117 bpm • G Maj • 05:47 • -5.21db
40% Popularity • 47% Danceability • 81% Energy • 90% Liveness
0% Instrumentalness • 64% Positiveness
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Supergroove
You Gotta Know Remix
116 bpm • G Maj • 03:36 • -8.76db
22% Popularity • 70% Danceability • 93% Energy • 28% Liveness
0% Instrumentalness • 70% Positiveness
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Warumpi Band
Yolngu Boy
117 bpm • F Maj • 03:39 • -12.54db
17% Popularity • 81% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
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Paul Kelly
Careless
113 bpm • G Maj • 02:56 • -4.39db
37% Popularity • 65% Danceability • 78% Energy • 13% Liveness
0% Instrumentalness • 73% Positiveness
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the feelers
Weapons of War - York Street Full Mix
117 bpm • A min • 04:13 • -7.04db
19% Popularity • 64% Danceability • 74% Energy • 12% Liveness
8% Instrumentalness • 39% Positiveness
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DD Smash
Solo
116 bpm • D Maj • 04:55 • -13.91db
13% Popularity • 69% Danceability • 34% Energy • 9% Liveness
16% Instrumentalness • 73% Positiveness
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The Mutton Birds
Nature
117 bpm • D Maj • 03:42 • -14.67db
28% Popularity • 57% Danceability • 57% Energy • 10% Liveness
1% Instrumentalness • 58% Positiveness
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Sharon O'Neill
Losing You
113 bpm • C# min • 04:01 • -10.37db
21% Popularity • 59% Danceability • 65% Energy • 7% Liveness
0% Instrumentalness • 65% Positiveness
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Australian Crawl
The Night - Remastered
117 bpm • G Maj • 03:50 • -6.44db
26% Popularity • 62% Danceability • 94% Energy • 11% Liveness
38% Instrumentalness • 75% Positiveness
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Models
Barbados
113 bpm • C Maj • 04:15 • -12.6db
48% Popularity • 69% Danceability • 63% Energy • 8% Liveness
0% Instrumentalness • 94% Positiveness
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The Badloves
Memphis
113 bpm • A Maj • 05:09 • -18db
26% Popularity • 35% Danceability • 33% Energy • 28% Liveness
0% Instrumentalness • 31% Positiveness
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DD Smash
Silence
113 bpm • G Maj • 03:00 • -13.13db
5% Popularity • 53% Danceability • 57% Energy • 13% Liveness
14% Instrumentalness • 89% Positiveness
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Greg Johnson
You Stay Out Of Your Life (And I'll Stay...
118 bpm • G Maj • 04:05 • -11.44db
7% Popularity • 61% Danceability • 62% Energy • 22% Liveness
0% Instrumentalness • 55% Positiveness
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D. Pritzker
(Lover) You Don't Treat Me No Good
112 bpm • B Maj • 04:07 • -12.41db
54% Popularity • 89% Danceability • 31% Energy • 8% Liveness
0% Instrumentalness • 81% Positiveness
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The Exponents
Who Loves Who The Most
112 bpm • D Maj • 04:15 • -5.53db
36% Popularity • 60% Danceability • 80% Energy • 6% Liveness
0% Instrumentalness • 65% Positiveness
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Mi-Sex
Computer Games
118 bpm • F Maj • 03:53 • -9.8db
41% Popularity • 66% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
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The Badloves
Lost
112 bpm • G Maj • 03:32 • -12db
34% Popularity • 50% Danceability • 57% Energy • 18% Liveness
0% Instrumentalness • 52% Positiveness
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Shona Laing
(Glad I'm Not) a Kennedy
112 bpm • C Maj • 03:27 • -12.67db
31% Popularity • 69% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
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Mondo Rock
Come Said The Boy - Digitally Remastered
118 bpm • A min • 05:15 • -6.15db
51% Popularity • 69% Danceability • 64% Energy • 16% Liveness
0% Instrumentalness • 48% Positiveness
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Tim Finn, Bic Runga, Dave Dobbyn
Whaling
112 bpm • C Maj • 05:30 • -4.93db
20% Popularity • 52% Danceability • 78% Energy • 98% Liveness
0% Instrumentalness • 34% Positiveness
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Opshop
Saturated
112 bpm • C min • 03:53 • -5.41db
20% Popularity • 61% Danceability • 89% Energy • 18% Liveness
70% Instrumentalness • 84% Positiveness
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Fast Crew
I Got
112 bpm • G Maj • 03:52 • -3.68db
35% Popularity • 95% Danceability • 71% Energy • 8% Liveness
0% Instrumentalness • 84% Positiveness
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Th' Dudes
Quite Frankly
118 bpm • A Maj • 05:01 • -5.23db
14% Popularity • 54% Danceability • 88% Energy • 54% Liveness
59% Instrumentalness • 68% Positiveness
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Dance Exponents
Victoria
118 bpm • B Maj • 03:47 • -7.57db
27% Popularity • 64% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
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The Badloves
Green Limousine
112 bpm • G Maj • 03:45 • -13db
41% Popularity • 77% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
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Fur Patrol
Lydia
112 bpm • E Maj • 04:15 • -12.3db
39% Popularity • 65% Danceability • 38% Energy • 14% Liveness
22% Instrumentalness • 44% Positiveness
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Hoodoo Gurus
Death Defying - 2005 Remaster
112 bpm • D Maj • 03:23 • -4db
44% Popularity • 66% Danceability • 77% Energy • 30% Liveness
1% Instrumentalness • 79% Positiveness
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Richard Clapton
The Best Years of Our Lives - Original
119 bpm • A Maj • 05:08 • -11.42db
33% Popularity • 52% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
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DD Smash
The Gambler - Live
112 bpm • A Maj • 06:07 • -8.85db
2% Popularity • 56% Danceability • 89% Energy • 73% Liveness
3% Instrumentalness • 53% Positiveness
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Boom Crash Opera
Get Out Of The House
119 bpm • C Maj • 03:20 • -4.96db
29% Popularity • 57% Danceability • 90% Energy • 38% Liveness
0% Instrumentalness • 61% Positiveness
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The Saints
The Music Goes Round My Head
111 bpm • D Maj • 03:45 • -13.37db
27% Popularity • 59% Danceability • 58% Energy • 66% Liveness
0% Instrumentalness • 65% Positiveness
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Renee Geyer
Do You Know What I Mean?
111 bpm • E Maj • 03:20 • -14db
25% Popularity • 70% Danceability • 66% Energy • 35% Liveness
0% Instrumentalness • 96% Positiveness
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Hoodoo Gurus
My Girl - Remaster 2005
111 bpm • E Maj • 02:39 • -3.9db
45% Popularity • 57% Danceability • 86% Energy • 21% Liveness
0% Instrumentalness • 78% Positiveness
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Th' Dudes
Walking in Light
119 bpm • E Maj • 03:40 • -9.24db
35% Popularity • 61% Danceability • 82% Energy • 61% Liveness
0% Instrumentalness • 69% Positiveness
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Mark Williams
Yesterday Was Just The Beginning Of My L...
111 bpm • C# min • 03:48 • -7.41db
32% Popularity • 48% Danceability • 82% Energy • 27% Liveness
0% Instrumentalness • 74% Positiveness
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the feelers
Supersystem - 2015 Remaster
111 bpm • A min • 05:15 • -4db
18% Popularity • 50% Danceability • 98% Energy • 36% Liveness
0% Instrumentalness • 38% Positiveness
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Jenny Morris
Land of the Long White Cloud/Aotearoa
119 bpm • C Maj • 03:51 • -14.89db
18% Popularity • 66% Danceability • 42% Energy • 36% Liveness
0% Instrumentalness • 10% Positiveness
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Australian Crawl
Waiting - Remastered
111 bpm • D min • 03:53 • -6.26db
28% Popularity • 67% Danceability • 59% Energy • 5% Liveness
0% Instrumentalness • 59% Positiveness
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DD Smash
Repetition
119 bpm • E Maj • 03:21 • -13.33db
12% Popularity • 64% Danceability • 53% Energy • 37% Liveness
0% Instrumentalness • 82% Positiveness
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Divinyls
Sleeping Beauty
111 bpm • C# Maj • 03:41 • -9.68db
36% Popularity • 69% Danceability • 75% Energy • 5% Liveness
0% Instrumentalness • 62% Positiveness
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The Black Sorrows
Chained To The Wheel
120 bpm • D Maj • 03:57 • -12db
52% Popularity • 58% Danceability • 61% Energy • 7% Liveness
0% Instrumentalness • 61% Positiveness
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the feelers
Right Here Right Now
111 bpm • C Maj • 02:54 • -3.83db
22% Popularity • 43% Danceability • 92% Energy • 16% Liveness
0% Instrumentalness • 40% Positiveness
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The Badloves
Barefoot Bride
120 bpm • A min • 04:13 • -9.36db
24% Popularity • 65% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 84% Positiveness
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The Exponents
Erotic
120 bpm • G Maj • 04:59 • -7.77db
19% Popularity • 68% Danceability • 65% Energy • 34% Liveness
0% Instrumentalness • 66% Positiveness
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DD Smash
Bury That Gun
120 bpm • F# min • 04:05 • -14.33db
8% Popularity • 80% Danceability • 29% Energy • 11% Liveness
15% Instrumentalness • 89% Positiveness
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Tiki Taane
Always On My Mind
120 bpm • F# min • 02:56 • -10.88db
54% Popularity • 93% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
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stellar*
Every Girl
120 bpm • F Maj • 03:30 • -6.35db
14% Popularity • 61% Danceability • 79% Energy • 13% Liveness
0% Instrumentalness • 44% Positiveness
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Daddy Cool
Come Back Again
120 bpm • D Maj • 03:31 • -10.64db
31% Popularity • 77% Danceability • 60% Energy • 3% Liveness
0% Instrumentalness • 61% Positiveness
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Company Of Strangers
Motor City (I Get Lost)
120 bpm • C# Maj • 04:40 • -4db
24% Popularity • 60% Danceability • 94% Energy • 13% Liveness
1% Instrumentalness • 36% Positiveness
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Peter Blakeley
Crying In The Chapel
120 bpm • G# Maj • 03:42 • -14db
38% Popularity • 76% Danceability • 67% Energy • 6% Liveness
0% Instrumentalness • 95% Positiveness
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Powderfinger
Lost And Running
120 bpm • F Maj • 03:42 • -7.05db
49% Popularity • 54% Danceability • 82% Energy • 57% Liveness
0% Instrumentalness • 60% Positiveness
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Eurogliders
Can't Wait To See You
120 bpm • G# Maj • 04:14 • -16.4db
33% Popularity • 72% Danceability • 56% Energy • 7% Liveness
0% Instrumentalness • 82% Positiveness
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the feelers
Venus - 2015 Remaster
110 bpm • G Maj • 04:50 • -6.67db
39% Popularity • 70% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
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DD Smash
She Loves Me Back
120 bpm • G Maj • 04:10 • -11.89db
20% Popularity • 63% Danceability • 71% Energy • 5% Liveness
0% Instrumentalness • 92% Positiveness
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Daryl Braithwaite
Higher Than Hope
110 bpm • C# Maj • 04:59 • -12db
27% Popularity • 70% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
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Hunters & Collectors
Where Do You Go?
121 bpm • G Maj • 03:58 • -3.52db
40% Popularity • 66% Danceability • 88% Energy • 9% Liveness
4% Instrumentalness • 68% Positiveness
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Sharon O'Neill
Maxine
110 bpm • C min • 04:37 • -12db
38% Popularity • 68% Danceability • 59% Energy • 6% Liveness
0% Instrumentalness • 68% Positiveness
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Graham Bonnet
It's All Over Now, Baby Blue
121 bpm • F Maj • 04:16 • -6.81db
17% Popularity • 64% Danceability • 76% Energy • 6% Liveness
0% Instrumentalness • 70% Positiveness
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the feelers
Communicate
120 bpm • C Maj • 02:59 • -2.9db
22% Popularity • 53% Danceability • 93% Energy • 5% Liveness
0% Instrumentalness • 48% Positiveness
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Jenny Morris
Street of Love
110 bpm • D Maj • 03:12 • -9db
29% Popularity • 72% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
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Russell Morris
Hush
109 bpm • G Maj • 03:01 • -7.58db
22% Popularity • 51% Danceability • 78% Energy • 7% Liveness
0% Instrumentalness • 72% Positiveness
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Australian Crawl
Indisposed - Remastered
109 bpm • D Maj • 04:04 • -8db
40% Popularity • 73% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 89% Positiveness
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Mi-Sex
Falling in and Out
121 bpm • G Maj • 03:19 • -12db
26% Popularity • 70% Danceability • 72% Energy • 6% Liveness
0% Instrumentalness • 94% Positiveness
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Daddy Cool
Come Back Again - 2011 Remaster
121 bpm • D Maj • 04:53 • -6db
39% Popularity • 74% Danceability • 76% Energy • 4% Liveness
1% Instrumentalness • 64% Positiveness
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Goanna
Stand Yr' Ground - Remastered Version
121 bpm • A Maj • 03:55 • -6.09db
29% Popularity • 71% Danceability • 64% Energy • 15% Liveness
0% Instrumentalness • 50% Positiveness
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Th' Dudes
Be Mine Tonight
121 bpm • E Maj • 06:07 • -10.7db
44% Popularity • 55% Danceability • 70% Energy • 10% Liveness
10% Instrumentalness • 72% Positiveness
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Matt Taylor
I Remember When I Was Young
121 bpm • G Maj • 03:58 • -7.94db
31% Popularity • 69% Danceability • 57% Energy • 18% Liveness
0% Instrumentalness • 69% Positiveness
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Mark Williams
Show No Mercy - Remastered
122 bpm • C min • 04:25 • -9db
33% Popularity • 69% Danceability • 71% Energy • 12% Liveness
0% Instrumentalness • 65% Positiveness
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The Mockers
My Girl Thinks She's Cleopatra
109 bpm • C Maj • 03:40 • -4.54db
15% Popularity • 58% Danceability • 86% Energy • 26% Liveness
0% Instrumentalness • 62% Positiveness
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Jenny Morris
She Has to Be Loved
109 bpm • G Maj • 04:07 • -8.27db
45% Popularity • 71% Danceability • 64% Energy • 17% Liveness
0% Instrumentalness • 66% Positiveness
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The Exponents
I'll Say Goodbye (Even Though I'm Blue)
122 bpm • C# min • 02:50 • -7.67db
38% Popularity • 70% Danceability • 58% Energy • 60% Liveness
0% Instrumentalness • 57% Positiveness
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Ian Moss
Telephone Booth
108 bpm • F# Maj • 03:04 • -11db
41% Popularity • 68% Danceability • 53% Energy • 26% Liveness
0% Instrumentalness • 85% Positiveness
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Australian Crawl
Lakeside - Remastered
122 bpm • C Maj • 04:48 • -8db
37% Popularity • 78% Danceability • 58% Energy • 7% Liveness
0% Instrumentalness • 72% Positiveness
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Hello Sailor
Lying In The Sand
122 bpm • C Maj • 02:26 • -16.1db
19% Popularity • 66% Danceability • 45% Energy • 13% Liveness
62% Instrumentalness • 64% Positiveness
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Company Of Strangers
Daddy's Gonna Make You a Star
122 bpm • F Maj • 04:40 • -3.85db
25% Popularity • 60% Danceability • 87% Energy • 14% Liveness
0% Instrumentalness • 53% Positiveness
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Models
Out Of Mind Out Of Sight
122 bpm • F# min • 03:37 • -14db
45% Popularity • 63% Danceability • 77% Energy • 20% Liveness
0% Instrumentalness • 79% Positiveness
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Dave Dobbyn
Slice of Heaven
122 bpm • G Maj • 04:37 • -9.55db
59% Popularity • 82% Danceability • 65% Energy • 62% Liveness
0% Instrumentalness • 97% Positiveness
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PEKING MAN
Room That Echoes
122 bpm • G min • 03:53 • -10.68db
25% Popularity • 82% Danceability • 57% Energy • 41% Liveness
0% Instrumentalness • 85% Positiveness
► Preview
Hoodoo Gurus
Bittersweet - 2005 Remaster
122 bpm • G Maj • 03:50 • -4.59db
51% Popularity • 49% Danceability • 86% Energy • 8% Liveness
0% Instrumentalness • 61% Positiveness
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Hello Sailor
Lyin' in the Sand
122 bpm • C Maj • 02:26 • -14.41db
25% Popularity • 65% Danceability • 56% Energy • 33% Liveness
2% Instrumentalness • 62% Positiveness
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Goldenhorse
Northern Lights
122 bpm • F Maj • 04:08 • -6.41db
28% Popularity • 69% Danceability • 86% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
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Supergroove
Can't Get Enough
108 bpm • A# min • 03:19 • -8.25db
29% Popularity • 72% Danceability • 88% Energy • 38% Liveness
0% Instrumentalness • 81% Positiveness
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Billy Thorpe & The Aztecs
Most People I Know
122 bpm • D Maj • 04:17 • -16db
50% Popularity • 42% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 81% Positiveness
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Chocolate Starfish
You're so Vain
108 bpm • C Maj • 04:09 • -7db
36% Popularity • 67% Danceability • 84% Energy • 8% Liveness
1% Instrumentalness • 60% Positiveness
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The Optimist