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The Other Side
Songs like
The Other Side
by
Lauren Alaina
Based on a tempo of (+/- 10%) and a similar genre
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Jimmie Allen
Why Things Happen
75 bpm • B Maj • 03:16 • -4.86db
38% Popularity • 53% Danceability • 60% Energy • 15% Liveness
0% Instrumentalness • 50% Positiveness
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Lauren Alaina
The Other Side
75 bpm • C# Maj • 03:26 • -4.76db
42% Popularity • 50% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
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Cam
Till There's Nothing Left
76 bpm • D Maj • 03:15 • -7db
55% Popularity • 58% Danceability • 63% Energy • 21% Liveness
0% Instrumentalness • 34% Positiveness
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Lindsay Ell
make you
75 bpm • G Maj • 04:18 • -5.74db
20% Popularity • 53% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 7% Positiveness
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Josh Turner
Soulmate
76 bpm • F# Maj • 03:48 • -10db
44% Popularity • 56% Danceability • 37% Energy • 14% Liveness
1% Instrumentalness • 32% Positiveness
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Chris Tomlin
Together
76 bpm • G# Maj • 02:58 • -4.79db
39% Popularity • 44% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
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Thompson Square
Glass
76 bpm • C# Maj • 03:51 • -4.96db
38% Popularity • 58% Danceability • 52% Energy • 13% Liveness
0% Instrumentalness • 26% Positiveness
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Chris Young
Town Ain't Big Enough
76 bpm • F# Maj • 02:51 • -4db
40% Popularity • 43% Danceability • 82% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
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Thomas Rhett
To The Guys That Date My Girls
76 bpm • E Maj • 03:01 • -9.31db
42% Popularity • 59% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
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Restless Road
It Ain't Easy
76 bpm • F# Maj • 03:34 • -5db
32% Popularity • 47% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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Chase Bryant
Change Your Name
76 bpm • C# Maj • 03:54 • -5.73db
37% Popularity • 53% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
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Old Dominion
Dancing Forever
76 bpm • C Maj • 03:31 • -4.44db
34% Popularity • 57% Danceability • 65% Energy • 8% Liveness
0% Instrumentalness • 43% Positiveness
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Sam Hunt
Kinfolks
76 bpm • C Maj • 03:01 • -5db
65% Popularity • 57% Danceability • 81% Energy • 16% Liveness
0% Instrumentalness • 88% Positiveness
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Maddie & Tae
Die From A Broken Heart
76 bpm • A Maj • 03:08 • -6.63db
72% Popularity • 60% Danceability • 52% Energy • 29% Liveness
0% Instrumentalness • 44% Positiveness
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Brett Eldredge
Sunday Drive
74 bpm • D# Maj • 04:53 • -10.38db
48% Popularity • 33% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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Michael Ray
Real Men Love Jesus
76 bpm • D Maj • 03:11 • -4.54db
41% Popularity • 45% Danceability • 72% Energy • 13% Liveness
0% Instrumentalness • 39% Positiveness
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Kellie Pickler
If It Wasn't for a Woman
73 bpm • D# Maj • 04:16 • -8.68db
22% Popularity • 45% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Cassadee Pope
Rise and Shine
77 bpm • D Maj • 03:40 • -9.93db
26% Popularity • 51% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
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Brantley Gilbert
Hard Days
72 bpm • G# Maj • 02:58 • -6.95db
41% Popularity • 31% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
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Love and Theft
Love Wins
77 bpm • D Maj • 03:48 • -7.07db
11% Popularity • 56% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 47% Positiveness
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Jimmie Allen
When This Is Over
78 bpm • F Maj • 03:41 • -5.1db
36% Popularity • 51% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
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Chris Janson
Bye Mom
78 bpm • B Maj • 03:59 • -6.6db
33% Popularity • 55% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
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Chris Bandi
Would Have Loved Her
78 bpm • G Maj • 03:16 • -6.09db
47% Popularity • 59% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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LANCO
What I See
78 bpm • D Maj • 03:49 • -6.77db
44% Popularity • 53% Danceability • 64% Energy • 18% Liveness
0% Instrumentalness • 46% Positiveness
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Kane Brown
Worship You
78 bpm • G# Maj • 03:25 • -7.01db
49% Popularity • 63% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
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Garrett Jacobs
The Healing
78 bpm • G# Maj • 03:36 • -7.59db
16% Popularity • 53% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 31% Positiveness
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Ashley McBryde
One Night Standards
78 bpm • F Maj • 03:10 • -5.02db
60% Popularity • 54% Danceability • 69% Energy • 10% Liveness
1% Instrumentalness • 61% Positiveness
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Maren Morris
To Hell & Back
78 bpm • C Maj • 03:15 • -7db
54% Popularity • 46% Danceability • 71% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
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Cole Swindell
Dad's Old Number
72 bpm • D Maj • 03:29 • -7db
48% Popularity • 53% Danceability • 52% Energy • 21% Liveness
0% Instrumentalness • 33% Positiveness
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Eric Burgett
Blessed Beyond Believin'
72 bpm • D Maj • 03:49 • -7.02db
29% Popularity • 36% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
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Ingrid Andress
More Hearts Than Mine
79 bpm • C Maj • 03:34 • -7.39db
67% Popularity • 38% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Chris Lane
That's What Mamas Are For
79 bpm • C# Maj • 03:27 • -6db
34% Popularity • 28% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
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Blane Howard
Promise to Love Her
79 bpm • B Maj • 03:17 • -7db
55% Popularity • 54% Danceability • 51% Energy • 15% Liveness
0% Instrumentalness • 50% Positiveness
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Carly Pearce
Show Me Around
79 bpm • E Maj • 03:40 • -10db
49% Popularity • 59% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
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Randall King
I'll Fly Away
79 bpm • E Maj • 03:52 • -8.54db
36% Popularity • 50% Danceability • 45% Energy • 11% Liveness
2% Instrumentalness • 20% Positiveness
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Maddie & Tae
Everywhere I'm Goin'
79 bpm • G Maj • 03:28 • -4.66db
41% Popularity • 52% Danceability • 69% Energy • 17% Liveness
0% Instrumentalness • 41% Positiveness
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Ingrid Andress
The Stranger
79 bpm • F# min • 03:11 • -6.99db
47% Popularity • 27% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
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Smithfield
Sunday Best
79 bpm • C Maj • 02:47 • -5db
34% Popularity • 39% Danceability • 62% Energy • 13% Liveness
0% Instrumentalness • 38% Positiveness
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Thomas Rhett
Heaven Right Now
80 bpm • C Maj • 03:48 • -9.3db
40% Popularity • 47% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Miranda Lambert
Tin Man
79 bpm • C Maj • 04:19 • -10.92db
58% Popularity • 42% Danceability • 37% Energy • 7% Liveness
1% Instrumentalness • 29% Positiveness
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Maren Morris
Dear Hate
80 bpm • A Maj • 03:40 • -9db
37% Popularity • 53% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
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Mallary Hope
Home To The Water
80 bpm • G# Maj • 03:54 • -6.55db
6% Popularity • 36% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 11% Positiveness
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Gary LeVox
While I Wait
70 bpm • B Maj • 03:19 • -5.89db
33% Popularity • 32% Danceability • 61% Energy • 13% Liveness
0% Instrumentalness • 66% Positiveness
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Keith Urban
We Were
80 bpm • F Maj • 03:08 • -5.95db
38% Popularity • 43% Danceability • 81% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
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Drew Baldridge
Gentle Man
80 bpm • B Maj • 03:20 • -7.44db
35% Popularity • 70% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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Jon Pardi
Don't Blame It On Whiskey
80 bpm • C# Maj • 03:42 • -7.49db
49% Popularity • 59% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
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Gone West
Talkin' Bout You
80 bpm • C Maj • 02:57 • -6.27db
21% Popularity • 58% Danceability • 69% Energy • 8% Liveness
0% Instrumentalness • 69% Positiveness
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Lauren Alaina
The Locket
80 bpm • G Maj • 05:10 • -5db
22% Popularity • 43% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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David Nail
Send My Love (To Your New Lover)
81 bpm • A min • 03:30 • -8db
35% Popularity • 59% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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Josh Turner
I Serve A Savior
81 bpm • G Maj • 04:07 • -7.06db
44% Popularity • 50% Danceability • 47% Energy • 31% Liveness
0% Instrumentalness • 35% Positiveness
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Miranda Lambert
The House That Built Me
81 bpm • F Maj • 03:56 • -8.01db
68% Popularity • 52% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
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Levi Hummon
Cowboy Take Me Away
81 bpm • F Maj • 03:15 • -9.44db
20% Popularity • 56% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
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Chris Young
Drowning
69 bpm • F Maj • 03:11 • -5.23db
52% Popularity • 26% Danceability • 67% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
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Lauren Alaina
What Do You Think Of?
81 bpm • G# Maj • 03:38 • -7db
33% Popularity • 60% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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Troy Cartwright
God Is Good
82 bpm • G# Maj • 03:14 • -7.46db
32% Popularity • 49% Danceability • 53% Energy • 14% Liveness
0% Instrumentalness • 28% Positiveness
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Ingrid Andress
Both
81 bpm • B Maj • 03:23 • -6db
41% Popularity • 38% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
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American Young
Say It To Me Sober
82 bpm • F Maj • 03:08 • -5.39db
11% Popularity • 58% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 54% Positiveness
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Emerson Drive
I Can Only Imagine
82 bpm • D# Maj • 04:53 • -7.22db
33% Popularity • 42% Danceability • 44% Energy • 17% Liveness
0% Instrumentalness • 14% Positiveness
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Gary LeVox
Never Forget
82 bpm • B Maj • 03:37 • -6.1db
26% Popularity • 42% Danceability • 60% Energy • 7% Liveness
0% Instrumentalness • 46% Positiveness
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Lauren Alaina
Wings Of An Angel
81 bpm • A Maj • 03:12 • -5.52db
43% Popularity • 61% Danceability • 62% Energy • 23% Liveness
0% Instrumentalness • 56% Positiveness
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Jessie James Decker
Roots And Wings
82 bpm • C# Maj • 02:41 • -5.61db
23% Popularity • 39% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
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Jordan Davis
Slow Dance In A Parking Lot
82 bpm • G Maj • 03:13 • -4.49db
70% Popularity • 52% Danceability • 84% Energy • 17% Liveness
0% Instrumentalness • 52% Positiveness
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Madeline Merlo
Unraveling
82 bpm • E Maj • 03:32 • -5db
25% Popularity • 62% Danceability • 59% Energy • 18% Liveness
0% Instrumentalness • 50% Positiveness
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Jake Owen
Made For You
82 bpm • C# Maj • 03:58 • -6.83db
70% Popularity • 58% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Phil Vassar
This Is God
82 bpm • C Maj • 03:33 • -7.5db
28% Popularity • 55% Danceability • 53% Energy • 22% Liveness
0% Instrumentalness • 40% Positiveness
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MacKenzie Porter
If You Ask Me To
82 bpm • B Maj • 03:06 • -7.92db
32% Popularity • 32% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Ashley McBryde
Girl Goin' Nowhere
82 bpm • B Maj • 03:27 • -12.92db
53% Popularity • 59% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
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Runaway June
Good, Bad & Ugly
82 bpm • A Maj • 03:04 • -5.75db
24% Popularity • 66% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 77% Positiveness
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Thompson Square
Masterpiece
83 bpm • C# Maj • 04:07 • -6db
31% Popularity • 62% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
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Kane Brown
Work
83 bpm • D Maj • 03:05 • -8.7db
42% Popularity • 60% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
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Dierks Bentley
The Heaven I'm Headed To
83 bpm • G Maj • 04:29 • -6db
36% Popularity • 52% Danceability • 75% Energy • 48% Liveness
0% Instrumentalness • 56% Positiveness
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Walker Hayes
Craig
84 bpm • C Maj • 03:10 • -10.56db
39% Popularity • 49% Danceability • 53% Energy • 35% Liveness
0% Instrumentalness • 56% Positiveness
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Lee Ann Womack
There Is A God
84 bpm • D# Maj • 04:14 • -8db
37% Popularity • 36% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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Runaway June
Got Me Where I Want You
83 bpm • A min • 03:14 • -7.59db
22% Popularity • 61% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
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John Michael Montgomery
The Little Girl
84 bpm • C# Maj • 03:52 • -8.53db
48% Popularity • 66% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Mickey Guyton
Woman
84 bpm • G# Maj • 02:36 • -7.74db
10% Popularity • 46% Danceability • 51% Energy • 17% Liveness
1% Instrumentalness • 24% Positiveness
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Thompson Square
Breakers
85 bpm • C Maj • 03:56 • -8.38db
25% Popularity • 52% Danceability • 47% Energy • 7% Liveness
0% Instrumentalness • 15% Positiveness
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Chase Rice
Lonely If You Are
85 bpm • G Maj • 02:56 • -5.1db
59% Popularity • 68% Danceability • 73% Energy • 12% Liveness
0% Instrumentalness • 82% Positiveness
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Brett Eldredge
Good Day
85 bpm • A# Maj • 03:25 • -7.27db
54% Popularity • 51% Danceability • 68% Energy • 16% Liveness
0% Instrumentalness • 39% Positiveness
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Runaway June
Trouble With This Town
85 bpm • F# Maj • 02:59 • -5.03db
20% Popularity • 36% Danceability • 83% Energy • 9% Liveness
0% Instrumentalness • 54% Positiveness
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Tenille Townes
Holding Out for the One
85 bpm • F# Maj • 03:14 • -3.48db
30% Popularity • 60% Danceability • 77% Energy • 36% Liveness
0% Instrumentalness • 79% Positiveness
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Gone West
This Time
86 bpm • A Maj • 03:39 • -8.23db
27% Popularity • 51% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Brad Paisley
When I Get Where I'm Going
86 bpm • C Maj • 04:07 • -9.91db
60% Popularity • 52% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Lee Brice
The Best Part Of Me
86 bpm • B Maj • 03:25 • -8.57db
40% Popularity • 48% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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RaeLynn
Made For Me To Love - Demo
86 bpm • C Maj • 03:05 • -7db
46% Popularity • 47% Danceability • 36% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
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Tim McGraw
I Called Mama
86 bpm • D Maj • 03:32 • -7.05db
50% Popularity • 50% Danceability • 62% Energy • 15% Liveness
0% Instrumentalness • 51% Positiveness
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Chris Lane
Ain't Even Met You Yet
86 bpm • E Maj • 03:00 • -6.69db
38% Popularity • 44% Danceability • 69% Energy • 10% Liveness
1% Instrumentalness • 37% Positiveness
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Cole Swindell
Break Up in the End
86 bpm • C# Maj • 03:19 • -8db
62% Popularity • 51% Danceability • 37% Energy • 27% Liveness
0% Instrumentalness • 26% Positiveness
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Brett Eldredge
Haven't Met You
87 bpm • F# Maj • 04:20 • -7.84db
37% Popularity • 58% Danceability • 66% Energy • 20% Liveness
0% Instrumentalness • 52% Positiveness
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Lauren Alaina
Somebody Else's Problem
88 bpm • B Maj • 03:25 • -6.11db
28% Popularity • 68% Danceability • 72% Energy • 27% Liveness
0% Instrumentalness • 90% Positiveness
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Walker Hayes
Don't Let Her
88 bpm • E Maj • 03:13 • -5.22db
51% Popularity • 71% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 71% Positiveness
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Runaway June
I Know The Way
88 bpm • E Maj • 03:08 • -5.58db
21% Popularity • 53% Danceability • 84% Energy • 24% Liveness
0% Instrumentalness • 67% Positiveness
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Chase Rice
Forever To Go
89 bpm • C# Maj • 02:57 • -8.1db
51% Popularity • 50% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
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Florida Georgia Line
Blessings
89 bpm • E Maj • 03:18 • -6db
57% Popularity • 47% Danceability • 67% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
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Brett Eldredge
Where the Heart Is
87 bpm • C Maj • 04:07 • -8.81db
44% Popularity • 52% Danceability • 61% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Morgan Evans
Kiss Somebody
89 bpm • F# Maj • 03:33 • -7db
59% Popularity • 57% Danceability • 68% Energy • 20% Liveness
0% Instrumentalness • 53% Positiveness
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Jennifer Nettles
Stupid Girl
89 bpm • D# Maj • 03:36 • -6db
24% Popularity • 52% Danceability • 67% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
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Russell Dickerson
Southern Symphony
89 bpm • D Maj • 03:22 • -6.68db
37% Popularity • 40% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 49% Positiveness
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Chase Rice
Eyes On You
89 bpm • A Maj • 03:02 • -6.98db
69% Popularity • 34% Danceability • 65% Energy • 20% Liveness
0% Instrumentalness • 46% Positiveness
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Tenille Townes
Girl Who Didn't Care
90 bpm • E Maj • 03:12 • -4.85db
44% Popularity • 60% Danceability • 72% Energy • 6% Liveness
0% Instrumentalness • 63% Positiveness
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The Other Side