Songs like The Outback Club - Remastered by Lee Kernaghan
Based on a tempo of (+/- 10%) and a similar genre
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Jim Devine
We're From The Country
154 bpm • E Maj • 03:04 • -7db
11% Popularity • 63% Danceability • 71% Energy • 17% Liveness
0% Instrumentalness • 96% Positiveness
11% Popularity • 63% Danceability • 71% Energy • 17% Liveness
0% Instrumentalness • 96% Positiveness
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Lee Kernaghan
The Outback Club - Remastered 2017
154 bpm • A Maj • 03:23 • -5db
46% Popularity • 57% Danceability • 80% Energy • 11% Liveness
0% Instrumentalness • 78% Positiveness
46% Popularity • 57% Danceability • 80% Energy • 11% Liveness
0% Instrumentalness • 78% Positiveness
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Jayne Denham
Grew Up 'Round Trucks - Scuzztrans Versi...
154 bpm • D Maj • 03:16 • -6.02db
12% Popularity • 52% Danceability • 57% Energy • 22% Liveness
0% Instrumentalness • 55% Positiveness
12% Popularity • 52% Danceability • 57% Energy • 22% Liveness
0% Instrumentalness • 55% Positiveness
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Gina Jeffreys
A Woman Knows
154 bpm • E min • 03:20 • -4.87db
28% Popularity • 39% Danceability • 74% Energy • 31% Liveness
0% Instrumentalness • 47% Positiveness
28% Popularity • 39% Danceability • 74% Energy • 31% Liveness
0% Instrumentalness • 47% Positiveness
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Wolverines
Gonna Ride All Night Long
153 bpm • A Maj • 03:32 • -5.88db
14% Popularity • 63% Danceability • 71% Energy • 17% Liveness
8% Instrumentalness • 87% Positiveness
14% Popularity • 63% Danceability • 71% Energy • 17% Liveness
8% Instrumentalness • 87% Positiveness
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Sara Storer
Beautiful Circle
155 bpm • A Maj • 02:55 • -8.48db
21% Popularity • 56% Danceability • 38% Energy • 27% Liveness
0% Instrumentalness • 38% Positiveness
21% Popularity • 56% Danceability • 38% Energy • 27% Liveness
0% Instrumentalness • 38% Positiveness
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Adam Brand
Dumb Things
155 bpm • C Maj • 02:41 • -5db
35% Popularity • 51% Danceability • 91% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
35% Popularity • 51% Danceability • 91% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
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Matt Scullion
Dead Roo
155 bpm • C Maj • 02:49 • -6.78db
27% Popularity • 69% Danceability • 80% Energy • 37% Liveness
0% Instrumentalness • 94% Positiveness
27% Popularity • 69% Danceability • 80% Energy • 37% Liveness
0% Instrumentalness • 94% Positiveness
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Lee Kernaghan
High Country - Remastered 2017
153 bpm • E Maj • 03:52 • -6db
44% Popularity • 54% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 65% Positiveness
44% Popularity • 54% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 65% Positiveness
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Graeme Connors
The Road Less Travelled
153 bpm • C Maj • 04:30 • -9db
36% Popularity • 64% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 82% Positiveness
36% Popularity • 64% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 82% Positiveness
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The Country Gentlemen
American Honky Tonk Bar Association
152 bpm • G Maj • 03:33 • -6.01db
29% Popularity • 60% Danceability • 74% Energy • 12% Liveness
0% Instrumentalness • 82% Positiveness
29% Popularity • 60% Danceability • 74% Energy • 12% Liveness
0% Instrumentalness • 82% Positiveness
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Baylou
Rattlin' Chains
152 bpm • B Maj • 02:56 • -3.22db
22% Popularity • 45% Danceability • 87% Energy • 36% Liveness
0% Instrumentalness • 38% Positiveness
22% Popularity • 45% Danceability • 87% Energy • 36% Liveness
0% Instrumentalness • 38% Positiveness
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Beccy Cole
Wine Time
152 bpm • B Maj • 03:47 • -6.25db
16% Popularity • 56% Danceability • 78% Energy • 30% Liveness
0% Instrumentalness • 85% Positiveness
16% Popularity • 56% Danceability • 78% Energy • 30% Liveness
0% Instrumentalness • 85% Positiveness
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Gina Jeffreys
Josephine
157 bpm • C Maj • 03:53 • -5.75db
15% Popularity • 47% Danceability • 73% Energy • 7% Liveness
0% Instrumentalness • 51% Positiveness
15% Popularity • 47% Danceability • 73% Energy • 7% Liveness
0% Instrumentalness • 51% Positiveness
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TANIA KERNAGHAN
Goin' Off
157 bpm • A Maj • 03:41 • -6.06db
14% Popularity • 53% Danceability • 82% Energy • 21% Liveness
0% Instrumentalness • 86% Positiveness
14% Popularity • 53% Danceability • 82% Energy • 21% Liveness
0% Instrumentalness • 86% Positiveness
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Steve Forde
The Letter
157 bpm • E Maj • 04:19 • -5.52db
14% Popularity • 42% Danceability • 65% Energy • 6% Liveness
0% Instrumentalness • 18% Positiveness
14% Popularity • 42% Danceability • 65% Energy • 6% Liveness
0% Instrumentalness • 18% Positiveness
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James McKay
Western Dream
158 bpm • E Maj • 03:41 • -6db
26% Popularity • 62% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 71% Positiveness
26% Popularity • 62% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 71% Positiveness
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Jayne Denham
Grew up 'Round Trucks
150 bpm • D Maj • 03:23 • -5.94db
18% Popularity • 50% Danceability • 50% Energy • 34% Liveness
0% Instrumentalness • 54% Positiveness
18% Popularity • 50% Danceability • 50% Energy • 34% Liveness
0% Instrumentalness • 54% Positiveness
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Beccy Cole
Storm in a D Cup
157 bpm • A Maj • 03:50 • -8.82db
10% Popularity • 56% Danceability • 76% Energy • 35% Liveness
0% Instrumentalness • 80% Positiveness
10% Popularity • 56% Danceability • 76% Energy • 35% Liveness
0% Instrumentalness • 80% Positiveness
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Simply Bushed
Saturday Night
158 bpm • D Maj • 04:07 • -4.77db
18% Popularity • 42% Danceability • 83% Energy • 34% Liveness
0% Instrumentalness • 81% Positiveness
18% Popularity • 42% Danceability • 83% Energy • 34% Liveness
0% Instrumentalness • 81% Positiveness
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Tom Curtain
Hitchhiker
150 bpm • G Maj • 03:16 • -4.91db
20% Popularity • 67% Danceability • 74% Energy • 6% Liveness
0% Instrumentalness • 65% Positiveness
20% Popularity • 67% Danceability • 74% Energy • 6% Liveness
0% Instrumentalness • 65% Positiveness
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Steve Forde
Another Man
158 bpm • G Maj • 02:53 • -5.35db
21% Popularity • 49% Danceability • 78% Energy • 33% Liveness
0% Instrumentalness • 58% Positiveness
21% Popularity • 49% Danceability • 78% Energy • 33% Liveness
0% Instrumentalness • 58% Positiveness
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Doug Bruce
Coffey Road
158 bpm • A Maj • 03:34 • -6.02db
8% Popularity • 54% Danceability • 67% Energy • 16% Liveness
0% Instrumentalness • 59% Positiveness
8% Popularity • 54% Danceability • 67% Energy • 16% Liveness
0% Instrumentalness • 59% Positiveness
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Shea Fisher
Cowgirl in My Jeans
150 bpm • D Maj • 03:15 • -5.48db
11% Popularity • 58% Danceability • 81% Energy • 19% Liveness
0% Instrumentalness • 64% Positiveness
11% Popularity • 58% Danceability • 81% Energy • 19% Liveness
0% Instrumentalness • 64% Positiveness
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Kaylens Rain
Lost in the Moonshine
158 bpm • D Maj • 03:09 • -3.7db
27% Popularity • 53% Danceability • 88% Energy • 7% Liveness
0% Instrumentalness • 81% Positiveness
27% Popularity • 53% Danceability • 88% Energy • 7% Liveness
0% Instrumentalness • 81% Positiveness
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Morgan Evans
Love You Home
150 bpm • E Maj • 03:25 • -5db
24% Popularity • 39% Danceability • 67% Energy • 23% Liveness
1% Instrumentalness • 46% Positiveness
24% Popularity • 39% Danceability • 67% Energy • 23% Liveness
1% Instrumentalness • 46% Positiveness
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The McClymonts
Blood Is Thicker Than Water
150 bpm • B Maj • 03:24 • -3.32db
21% Popularity • 56% Danceability • 87% Energy • 24% Liveness
0% Instrumentalness • 64% Positiveness
21% Popularity • 56% Danceability • 87% Energy • 24% Liveness
0% Instrumentalness • 64% Positiveness
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Travis Sinclair
Still Riding That Line
158 bpm • A# Maj • 03:45 • -10.13db
22% Popularity • 35% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 71% Positiveness
22% Popularity • 35% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 71% Positiveness
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Lee Kernaghan
Electric Rodeo - Remastered 2017
150 bpm • G Maj • 04:20 • -6.47db
27% Popularity • 38% Danceability • 49% Energy • 8% Liveness
0% Instrumentalness • 42% Positiveness
27% Popularity • 38% Danceability • 49% Energy • 8% Liveness
0% Instrumentalness • 42% Positiveness
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TANIA KERNAGHAN
Boys in Boots
150 bpm • E Maj • 02:59 • -7.69db
23% Popularity • 60% Danceability • 65% Energy • 24% Liveness
0% Instrumentalness • 82% Positiveness
23% Popularity • 60% Danceability • 65% Energy • 24% Liveness
0% Instrumentalness • 82% Positiveness
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Christie Lamb
Wish You Were a Cowboy
149 bpm • A# Maj • 02:59 • -4.83db
12% Popularity • 39% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
12% Popularity • 39% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
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Keith Urban
Where The Blacktop Ends
159 bpm • D Maj • 03:06 • -3.33db
47% Popularity • 50% Danceability • 94% Energy • 25% Liveness
0% Instrumentalness • 95% Positiveness
47% Popularity • 50% Danceability • 94% Energy • 25% Liveness
0% Instrumentalness • 95% Positiveness
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The McClymonts
Shotgun
150 bpm • A# Maj • 03:42 • -6.9db
24% Popularity • 54% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
24% Popularity • 54% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
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The Country Gentlemen
Beer Run
159 bpm • G Maj • 03:06 • -5db
25% Popularity • 53% Danceability • 88% Energy • 31% Liveness
0% Instrumentalness • 93% Positiveness
25% Popularity • 53% Danceability • 88% Energy • 31% Liveness
0% Instrumentalness • 93% Positiveness
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Morgan Evans
There's No Time
149 bpm • G# Maj • 03:49 • -8.47db
24% Popularity • 48% Danceability • 72% Energy • 26% Liveness
0% Instrumentalness • 54% Positiveness
24% Popularity • 48% Danceability • 72% Energy • 26% Liveness
0% Instrumentalness • 54% Positiveness
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Catherine Britt
I'm Gone
149 bpm • D Maj • 03:01 • -4.36db
17% Popularity • 63% Danceability • 87% Energy • 27% Liveness
0% Instrumentalness • 72% Positiveness
17% Popularity • 63% Danceability • 87% Energy • 27% Liveness
0% Instrumentalness • 72% Positiveness
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Brooke McClymont & Adam Eckersley
Train Wreck
160 bpm • C# Maj • 03:43 • -3.83db
25% Popularity • 38% Danceability • 81% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
25% Popularity • 38% Danceability • 81% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
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The Viper Creek Band
Just Press Play
160 bpm • G Maj • 03:22 • -7db
23% Popularity • 56% Danceability • 68% Energy • 19% Liveness
0% Instrumentalness • 67% Positiveness
23% Popularity • 56% Danceability • 68% Energy • 19% Liveness
0% Instrumentalness • 67% Positiveness
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Steve Forde
Life's Getting in the Way of Living
148 bpm • A Maj • 03:30 • -5.56db
13% Popularity • 56% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
13% Popularity • 56% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
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Beccy Cole
This Heart
160 bpm • F# Maj • 03:51 • -8.79db
17% Popularity • 56% Danceability • 66% Energy • 13% Liveness
0% Instrumentalness • 54% Positiveness
17% Popularity • 56% Danceability • 66% Energy • 13% Liveness
0% Instrumentalness • 54% Positiveness
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Lee Kernaghan
The Burning Heart - Remastered 2017
148 bpm • C Maj • 04:03 • -5.52db
21% Popularity • 61% Danceability • 82% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
21% Popularity • 61% Danceability • 82% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
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Catherine Britt
Fav'Rit Song
160 bpm • C Maj • 03:33 • -5db
23% Popularity • 45% Danceability • 73% Energy • 29% Liveness
0% Instrumentalness • 57% Positiveness
23% Popularity • 45% Danceability • 73% Energy • 29% Liveness
0% Instrumentalness • 57% Positiveness
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TANIA KERNAGHAN
Back of the Barn
147 bpm • D Maj • 02:47 • -7.39db
22% Popularity • 69% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 93% Positiveness
22% Popularity • 69% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 93% Positiveness
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McAlister Kemp
100 Years the Anzac
147 bpm • E Maj • 04:39 • -5.11db
20% Popularity • 53% Danceability • 79% Energy • 22% Liveness
0% Instrumentalness • 47% Positiveness
20% Popularity • 53% Danceability • 79% Energy • 22% Liveness
0% Instrumentalness • 47% Positiveness
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Morgan Evans
The Cape
147 bpm • C Maj • 03:11 • -7db
24% Popularity • 50% Danceability • 56% Energy • 11% Liveness
4% Instrumentalness • 57% Positiveness
24% Popularity • 50% Danceability • 56% Energy • 11% Liveness
4% Instrumentalness • 57% Positiveness
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Slim Dusty
Ringer From The Top End
162 bpm • C# Maj • 02:33 • -9db
42% Popularity • 46% Danceability • 69% Energy • 5% Liveness
0% Instrumentalness • 90% Positiveness
42% Popularity • 46% Danceability • 69% Energy • 5% Liveness
0% Instrumentalness • 90% Positiveness
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Lee Kernaghan
Walkin' out West - Remastered 2017
162 bpm • E Maj • 03:07 • -6.16db
19% Popularity • 59% Danceability • 76% Energy • 24% Liveness
0% Instrumentalness • 63% Positiveness
19% Popularity • 59% Danceability • 76% Energy • 24% Liveness
0% Instrumentalness • 63% Positiveness
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Hurricane Fall
Hell Of A Ride
162 bpm • D Maj • 03:24 • -3.69db
20% Popularity • 45% Danceability • 89% Energy • 3% Liveness
0% Instrumentalness • 64% Positiveness
20% Popularity • 45% Danceability • 89% Energy • 3% Liveness
0% Instrumentalness • 64% Positiveness
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Tom Curtain
Campdrafting
162 bpm • F Maj • 03:35 • -7db
22% Popularity • 65% Danceability • 81% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
22% Popularity • 65% Danceability • 81% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
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Travis Sinclair
Midnight Run
162 bpm • C# Maj • 03:32 • -7db
32% Popularity • 54% Danceability • 79% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
32% Popularity • 54% Danceability • 79% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
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Graeme Connors
Prodigal Son
146 bpm • G Maj • 04:21 • -10.1db
30% Popularity • 65% Danceability • 59% Energy • 12% Liveness
0% Instrumentalness • 75% Positiveness
30% Popularity • 65% Danceability • 59% Energy • 12% Liveness
0% Instrumentalness • 75% Positiveness
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Beccy Cole
How Wrong It Is
162 bpm • D Maj • 03:13 • -7.95db
11% Popularity • 63% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
11% Popularity • 63% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
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Lee Kernaghan
Goondiwindi Moon - Remastered 2017
145 bpm • F Maj • 03:55 • -6db
28% Popularity • 38% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
28% Popularity • 38% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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Matt Scullion
Shout The Land A Drink
145 bpm • A# Maj • 03:32 • -5.71db
25% Popularity • 53% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 59% Positiveness
25% Popularity • 53% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 59% Positiveness
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Catherine Britt
What I Did Last Night
145 bpm • C Maj • 03:56 • -5.49db
15% Popularity • 53% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
15% Popularity • 53% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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Jayne Denham
Rockin' with Ned (The Legendary Western ...
145 bpm • D Maj • 03:30 • -5db
22% Popularity • 65% Danceability • 85% Energy • 39% Liveness
0% Instrumentalness • 77% Positiveness
22% Popularity • 65% Danceability • 85% Energy • 39% Liveness
0% Instrumentalness • 77% Positiveness
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Josh Arnold
The Woolshed
145 bpm • C Maj • 02:58 • -4db
27% Popularity • 55% Danceability • 92% Energy • 12% Liveness
0% Instrumentalness • 79% Positiveness
27% Popularity • 55% Danceability • 92% Energy • 12% Liveness
0% Instrumentalness • 79% Positiveness
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Beccy Cole
Life Goes On
146 bpm • C Maj • 04:24 • -7.4db
7% Popularity • 59% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
7% Popularity • 59% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
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Lee Kernaghan
Changi Banjo - Remastered 2017
145 bpm • F Maj • 04:14 • -6.78db
17% Popularity • 55% Danceability • 51% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
17% Popularity • 55% Danceability • 51% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
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Buddy Goode
Jimmy Likes Dick
164 bpm • E Maj • 02:25 • -7db
24% Popularity • 69% Danceability • 64% Energy • 21% Liveness
0% Instrumentalness • 79% Positiveness
24% Popularity • 69% Danceability • 64% Energy • 21% Liveness
0% Instrumentalness • 79% Positiveness
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TANIA KERNAGHAN
True Country
164 bpm • A Maj • 02:57 • -5.93db
20% Popularity • 51% Danceability • 74% Energy • 15% Liveness
0% Instrumentalness • 70% Positiveness
20% Popularity • 51% Danceability • 74% Energy • 15% Liveness
0% Instrumentalness • 70% Positiveness
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Jayne Denham
Feral Kev and General Leroy
164 bpm • C Maj • 03:51 • -5db
18% Popularity • 52% Danceability • 67% Energy • 27% Liveness
0% Instrumentalness • 47% Positiveness
18% Popularity • 52% Danceability • 67% Energy • 27% Liveness
0% Instrumentalness • 47% Positiveness
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The Sunny Cowgirls
Rev It Up
164 bpm • G Maj • 03:52 • -5.09db
30% Popularity • 67% Danceability • 90% Energy • 28% Liveness
0% Instrumentalness • 81% Positiveness
30% Popularity • 67% Danceability • 90% Energy • 28% Liveness
0% Instrumentalness • 81% Positiveness
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Blake O'Connor
Travelin' Man
164 bpm • C# Maj • 04:22 • -8db
12% Popularity • 42% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
12% Popularity • 42% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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Lee Kernaghan
Round Here
164 bpm • G Maj • 02:50 • -5.56db
22% Popularity • 51% Danceability • 64% Energy • 6% Liveness
0% Instrumentalness • 62% Positiveness
22% Popularity • 51% Danceability • 64% Energy • 6% Liveness
0% Instrumentalness • 62% Positiveness
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Travis Sinclair
Eating up Bitumen
144 bpm • E Maj • 03:03 • -11db
28% Popularity • 60% Danceability • 77% Energy • 16% Liveness
0% Instrumentalness • 87% Positiveness
28% Popularity • 60% Danceability • 77% Energy • 16% Liveness
0% Instrumentalness • 87% Positiveness
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Graham Rodger
The Old Landcruiser
165 bpm • A Maj • 03:35 • -6.26db
24% Popularity • 58% Danceability • 77% Energy • 5% Liveness
0% Instrumentalness • 72% Positiveness
24% Popularity • 58% Danceability • 77% Energy • 5% Liveness
0% Instrumentalness • 72% Positiveness
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Buddy Goode
Cougarville
144 bpm • A min • 02:48 • -6.76db
25% Popularity • 67% Danceability • 52% Energy • 26% Liveness
0% Instrumentalness • 61% Positiveness
25% Popularity • 67% Danceability • 52% Energy • 26% Liveness
0% Instrumentalness • 61% Positiveness
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Colin Buchanan
Missin' Slim
143 bpm • D# Maj • 03:53 • -9db
30% Popularity • 62% Danceability • 49% Energy • 21% Liveness
0% Instrumentalness • 51% Positiveness
30% Popularity • 62% Danceability • 49% Energy • 21% Liveness
0% Instrumentalness • 51% Positiveness
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TANIA KERNAGHAN
That's a Tradie
143 bpm • G# Maj • 03:48 • -4.98db
22% Popularity • 71% Danceability • 86% Energy • 22% Liveness
0% Instrumentalness • 83% Positiveness
22% Popularity • 71% Danceability • 86% Energy • 22% Liveness
0% Instrumentalness • 83% Positiveness
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Lee Kernaghan
Keep on Truckin'
164 bpm • C# Maj • 02:49 • -6.16db
31% Popularity • 60% Danceability • 77% Energy • 10% Liveness
0% Instrumentalness • 94% Positiveness
31% Popularity • 60% Danceability • 77% Energy • 10% Liveness
0% Instrumentalness • 94% Positiveness
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Drew McAlister
Black Sky
166 bpm • G Maj • 03:11 • -3db
12% Popularity • 49% Danceability • 92% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
12% Popularity • 49% Danceability • 92% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Graham Rodger
You've Gotta Be Mad to Be a Truckie Like...
165 bpm • A Maj • 03:36 • -5.02db
17% Popularity • 52% Danceability • 80% Energy • 4% Liveness
1% Instrumentalness • 77% Positiveness
17% Popularity • 52% Danceability • 80% Energy • 4% Liveness
1% Instrumentalness • 77% Positiveness
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The Viper Creek Band
Missin' Me
143 bpm • A min • 03:46 • -3.53db
19% Popularity • 51% Danceability • 82% Energy • 35% Liveness
0% Instrumentalness • 64% Positiveness
19% Popularity • 51% Danceability • 82% Energy • 35% Liveness
0% Instrumentalness • 64% Positiveness
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Morgan Evans
Big Skies
143 bpm • C# Maj • 03:55 • -8db
24% Popularity • 54% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
24% Popularity • 54% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
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TANIA KERNAGHAN
Nine Mile Run
166 bpm • A Maj • 02:45 • -6.95db
29% Popularity • 57% Danceability • 72% Energy • 3% Liveness
0% Instrumentalness • 81% Positiveness
29% Popularity • 57% Danceability • 72% Energy • 3% Liveness
0% Instrumentalness • 81% Positiveness
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Lee Kernaghan
Yaraka Dust
143 bpm • C Maj • 03:03 • -5.47db
16% Popularity • 32% Danceability • 52% Energy • 16% Liveness
0% Instrumentalness • 20% Positiveness
16% Popularity • 32% Danceability • 52% Energy • 16% Liveness
0% Instrumentalness • 20% Positiveness
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Kirsty Lee Akers
Ain't That Kinda Girl
167 bpm • C# Maj • 04:02 • -4.35db
18% Popularity • 46% Danceability • 87% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
18% Popularity • 46% Danceability • 87% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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Davisson Brothers Band
PO' Boyz
167 bpm • G# Maj • 03:27 • -5.06db
24% Popularity • 57% Danceability • 63% Energy • 20% Liveness
0% Instrumentalness • 20% Positiveness
24% Popularity • 57% Danceability • 63% Energy • 20% Liveness
0% Instrumentalness • 20% Positiveness
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Josh Arnold
The Aussie Shearer
142 bpm • G# Maj • 03:09 • -5db
19% Popularity • 45% Danceability • 84% Energy • 31% Liveness
0% Instrumentalness • 41% Positiveness
19% Popularity • 45% Danceability • 84% Energy • 31% Liveness
0% Instrumentalness • 41% Positiveness
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Morgan Evans
Best I Never Had
166 bpm • A Maj • 03:25 • -3db
23% Popularity • 32% Danceability • 96% Energy • 26% Liveness
0% Instrumentalness • 48% Positiveness
23% Popularity • 32% Danceability • 96% Energy • 26% Liveness
0% Instrumentalness • 48% Positiveness
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Wolverines
Don't Look Now
142 bpm • D Maj • 02:20 • -7db
18% Popularity • 87% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 96% Positiveness
18% Popularity • 87% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 96% Positiveness
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Lee Kernaghan
Texas Qld 4385 - Remastered 2017
167 bpm • D Maj • 04:08 • -4.52db
33% Popularity • 40% Danceability • 90% Energy • 35% Liveness
0% Instrumentalness • 48% Positiveness
33% Popularity • 40% Danceability • 90% Energy • 35% Liveness
0% Instrumentalness • 48% Positiveness
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Brad Butcher
Well Dressed Man
142 bpm • D Maj • 04:04 • -10db
14% Popularity • 55% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
14% Popularity • 55% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
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The McClymonts
Don't Wish It All Away
142 bpm • G Maj • 03:56 • -4db
23% Popularity • 48% Danceability • 60% Energy • 19% Liveness
0% Instrumentalness • 46% Positiveness
23% Popularity • 48% Danceability • 60% Energy • 19% Liveness
0% Instrumentalness • 46% Positiveness
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Sara Storer
Katherine
141 bpm • B Maj • 04:04 • -9.35db
15% Popularity • 61% Danceability • 47% Energy • 13% Liveness
0% Instrumentalness • 33% Positiveness
15% Popularity • 61% Danceability • 47% Energy • 13% Liveness
0% Instrumentalness • 33% Positiveness
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Ali S
Girls, Beer, Utes & Rodeo
168 bpm • E Maj • 03:07 • -4.8db
24% Popularity • 57% Danceability • 82% Energy • 10% Liveness
0% Instrumentalness • 91% Positiveness
24% Popularity • 57% Danceability • 82% Energy • 10% Liveness
0% Instrumentalness • 91% Positiveness
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Andrew Swift
Fire & Ice
141 bpm • F# min • 03:43 • -6db
16% Popularity • 58% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
16% Popularity • 58% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
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Lee Kernaghan
That Old Caravan - Remastered 2017
142 bpm • D# Maj • 03:25 • -6.83db
12% Popularity • 54% Danceability • 62% Energy • 22% Liveness
0% Instrumentalness • 54% Positiveness
12% Popularity • 54% Danceability • 62% Energy • 22% Liveness
0% Instrumentalness • 54% Positiveness
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TANIA KERNAGHAN
Dunroamin' Station
168 bpm • D Maj • 03:23 • -6.05db
18% Popularity • 54% Danceability • 75% Energy • 14% Liveness
0% Instrumentalness • 82% Positiveness
18% Popularity • 54% Danceability • 75% Energy • 14% Liveness
0% Instrumentalness • 82% Positiveness
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Kasey Chambers
On A Bad Day
141 bpm • A# Maj • 02:51 • -6.56db
31% Popularity • 62% Danceability • 40% Energy • 15% Liveness
0% Instrumentalness • 52% Positiveness
31% Popularity • 62% Danceability • 40% Energy • 15% Liveness
0% Instrumentalness • 52% Positiveness
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Melinda Schneider
Queen Of Hearts
169 bpm • C Maj • 03:20 • -5.99db
26% Popularity • 64% Danceability • 80% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
26% Popularity • 64% Danceability • 80% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
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The McClymonts
Favourite Boyfriend Of The Year
169 bpm • D Maj • 03:17 • -3.97db
23% Popularity • 54% Danceability • 95% Energy • 36% Liveness
0% Instrumentalness • 96% Positiveness
23% Popularity • 54% Danceability • 95% Energy • 36% Liveness
0% Instrumentalness • 96% Positiveness
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Graeme Connors
The Great Australian Dream
140 bpm • D Maj • 05:04 • -9.18db
29% Popularity • 67% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 76% Positiveness
29% Popularity • 67% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 76% Positiveness
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Lee Kernaghan
'Cause I'm Country - Remastered 2017
141 bpm • A Maj • 04:14 • -4.75db
28% Popularity • 54% Danceability • 82% Energy • 8% Liveness
0% Instrumentalness • 81% Positiveness
28% Popularity • 54% Danceability • 82% Energy • 8% Liveness
0% Instrumentalness • 81% Positiveness
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The Viper Creek Band
Tonight Tonight
140 bpm • C Maj • 03:36 • -3.91db
18% Popularity • 57% Danceability • 93% Energy • 36% Liveness
0% Instrumentalness • 60% Positiveness
18% Popularity • 57% Danceability • 93% Energy • 36% Liveness
0% Instrumentalness • 60% Positiveness
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Jasmine Rae
One Guy One Girl
140 bpm • E min • 03:09 • -4.22db
9% Popularity • 60% Danceability • 84% Energy • 28% Liveness
0% Instrumentalness • 65% Positiveness
9% Popularity • 60% Danceability • 84% Energy • 28% Liveness
0% Instrumentalness • 65% Positiveness
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Troy Cassar-Daley
Lights on the Hill
140 bpm • D Maj • 03:14 • -7.04db
34% Popularity • 58% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 84% Positiveness
34% Popularity • 58% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 84% Positiveness
