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The Pain
Songs like
The Pain
by
The Yellow Bulls
Based on a tempo of (+/- 10%) and a similar genre
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dEUS
Gimme The Heat
140 bpm • G Maj • 07:37 • -11.66db
17% Popularity • 33% Danceability • 40% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
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Flat Tyre Guy
Country Boy at Heart
140 bpm • A Maj • 02:52 • -10.51db
9% Popularity • 67% Danceability • 63% Energy • 9% Liveness
83% Instrumentalness • 76% Positiveness
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The Yellow Bulls
The Pain
140 bpm • D min • 03:41 • -9.28db
0% Popularity • 52% Danceability • 65% Energy • 8% Liveness
0% Instrumentalness • 81% Positiveness
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Overs0ul
Ritmo Pinheiro
140 bpm • D Maj • 05:32 • -14.11db
3% Popularity • 76% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
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The Last Whole Earth Catalog
Have You Ever?
140 bpm • A# Maj • 03:34 • -11.36db
26% Popularity • 49% Danceability • 52% Energy • 12% Liveness
31% Instrumentalness • 78% Positiveness
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Jesse June
Yesterday
140 bpm • C Maj • 02:22 • -15.03db
16% Popularity • 44% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
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The Decemberists
Leslie Anne Levine
140 bpm • E Maj • 04:12 • -6db
35% Popularity • 46% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
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The Wonder Stuff
Can't Shape Up, Again
140 bpm • C min • 03:04 • -13db
10% Popularity • 54% Danceability • 51% Energy • 30% Liveness
11% Instrumentalness • 56% Positiveness
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Giant Sand
Wind Blown Waltz
140 bpm • C Maj • 03:21 • -15db
30% Popularity • 52% Danceability • 30% Energy • 11% Liveness
23% Instrumentalness • 36% Positiveness
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Nick Cave & The Bad Seeds
Nature Boy (Edit)
140 bpm • G Maj • 03:33 • -4.8db
12% Popularity • 44% Danceability • 84% Energy • 15% Liveness
0% Instrumentalness • 83% Positiveness
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Johnny Flynn
Been Listening
141 bpm • C Maj • 05:14 • -8.91db
26% Popularity • 39% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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Blur
Out of Time - Zoe Ball XFM Session
141 bpm • C Maj • 03:36 • -11.61db
18% Popularity • 47% Danceability • 56% Energy • 11% Liveness
13% Instrumentalness • 21% Positiveness
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Ryan Davis & the Roadhouse Band
A Suitable Exit
138 bpm • G Maj • 09:20 • -8.54db
17% Popularity • 67% Danceability • 64% Energy • 10% Liveness
14% Instrumentalness • 50% Positiveness
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Paul Kelly
From St Kilda To Kings Cross
138 bpm • G Maj • 02:55 • -8db
40% Popularity • 61% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
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Babybird
Dead Bird Sings
142 bpm • C Maj • 05:11 • -10.95db
12% Popularity • 46% Danceability • 30% Energy • 10% Liveness
1% Instrumentalness • 14% Positiveness
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Nick Cave & The Bad Seeds
(Are You) the One That I've Been Waiting...
140 bpm • G# Maj • 04:05 • -17.31db
48% Popularity • 45% Danceability • 18% Energy • 11% Liveness
3% Instrumentalness • 15% Positiveness
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Charly GarcÃa
And your bird can sing
143 bpm • A Maj • 02:03 • -10.38db
13% Popularity • 55% Danceability • 44% Energy • 8% Liveness
0% Instrumentalness • 45% Positiveness
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Robyn Hitchcock
Raymond and the Wires
137 bpm • D Maj • 02:20 • -10db
11% Popularity • 43% Danceability • 44% Energy • 13% Liveness
1% Instrumentalness • 37% Positiveness
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Monster Magnet
Your Lies Become You
137 bpm • G# min • 04:18 • -13.82db
18% Popularity • 71% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 87% Positiveness
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Mojave 3
To Whom Should I Write
143 bpm • E Maj • 03:24 • -14.49db
21% Popularity • 34% Danceability • 36% Energy • 7% Liveness
18% Instrumentalness • 22% Positiveness
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Kid Bowery
Brother Honey Passes Before Us
136 bpm • A# Maj • 03:12 • -7.2db
19% Popularity • 74% Danceability • 75% Energy • 37% Liveness
1% Instrumentalness • 65% Positiveness
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Nick Cave & The Bad Seeds
Everything Must Converge
141 bpm • F Maj • 03:18 • -9.76db
15% Popularity • 57% Danceability • 38% Energy • 33% Liveness
0% Instrumentalness • 44% Positiveness
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Tindersticks
Sweet Memory
135 bpm • F Maj • 04:29 • -15.34db
24% Popularity • 41% Danceability • 17% Energy • 15% Liveness
5% Instrumentalness • 14% Positiveness
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Lullaby For The Working Class
Honey, Drop the Knife
135 bpm • D Maj • 03:16 • -8db
9% Popularity • 51% Danceability • 57% Energy • 8% Liveness
6% Instrumentalness • 38% Positiveness
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Midlake
Branches
135 bpm • D Maj • 05:02 • -12.73db
27% Popularity • 35% Danceability • 31% Energy • 8% Liveness
0% Instrumentalness • 22% Positiveness
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The Chameleons
Tears
135 bpm • G# Maj • 05:04 • -12.63db
27% Popularity • 42% Danceability • 46% Energy • 10% Liveness
1% Instrumentalness • 52% Positiveness
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Impala Ray
Wild Winds
145 bpm • A Maj • 03:02 • -7.15db
13% Popularity • 50% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
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Joseph Arthur
Enough to Get Away
135 bpm • C Maj • 02:47 • -5.25db
10% Popularity • 52% Danceability • 75% Energy • 12% Liveness
33% Instrumentalness • 81% Positiveness
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Phillip Boa And The Voodooclub
Punch & Judy Club
135 bpm • A min • 03:55 • -8.06db
13% Popularity • 50% Danceability • 86% Energy • 30% Liveness
21% Instrumentalness • 50% Positiveness
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Silver Jews
Strange Victory, Strange Defeat
135 bpm • D Maj • 02:43 • -11.19db
31% Popularity • 55% Danceability • 54% Energy • 26% Liveness
3% Instrumentalness • 63% Positiveness
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Spiritual Front
Bastard Angel
135 bpm • G min • 05:03 • -7.77db
17% Popularity • 55% Danceability • 58% Energy • 4% Liveness
1% Instrumentalness • 52% Positiveness
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The Duffle Coat Kids
Time Will Tell
135 bpm • D Maj • 04:48 • -7.37db
12% Popularity • 60% Danceability • 58% Energy • 9% Liveness
13% Instrumentalness • 40% Positiveness
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The Auteurs
Underground Movies
135 bpm • G# Maj • 03:32 • -11.99db
12% Popularity • 65% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
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AURA
IT'S AN ORDINARY DAY
135 bpm • G Maj • 03:02 • -8.4db
12% Popularity • 50% Danceability • 88% Energy • 80% Liveness
0% Instrumentalness • 32% Positiveness
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Birds Are Indie
Black (Or the Art of Letting Go)
135 bpm • C# min • 03:26 • -8.26db
9% Popularity • 64% Danceability • 73% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
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Kula Shaker
Light Of The Day
145 bpm • C Maj • 02:32 • -16.44db
21% Popularity • 30% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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The House of Love
Audience With The Mind
135 bpm • E min • 03:34 • -12.38db
9% Popularity • 28% Danceability • 39% Energy • 24% Liveness
0% Instrumentalness • 38% Positiveness
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Raining Pleasure
Orpheus
146 bpm • A min • 02:55 • -7.39db
13% Popularity • 17% Danceability • 55% Energy • 8% Liveness
54% Instrumentalness • 4% Positiveness
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Matt Berry
Look in My Book
134 bpm • A Maj • 02:25 • -7.23db
19% Popularity • 54% Danceability • 61% Energy • 28% Liveness
2% Instrumentalness • 35% Positiveness
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The Coral
Rebecca You
146 bpm • B min • 03:50 • -7.05db
17% Popularity • 43% Danceability • 65% Energy • 11% Liveness
1% Instrumentalness • 57% Positiveness
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Tapir!
Untitled
146 bpm • C Maj • 03:33 • -9.01db
36% Popularity • 61% Danceability • 43% Energy • 10% Liveness
4% Instrumentalness • 48% Positiveness
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Madness
Elysium (2010 Remaster)
134 bpm • D min • 03:56 • -4.73db
13% Popularity • 56% Danceability • 88% Energy • 21% Liveness
1% Instrumentalness • 60% Positiveness
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Adam Green
What's Her Face
134 bpm • A Maj • 03:04 • -10.67db
15% Popularity • 65% Danceability • 46% Energy • 7% Liveness
0% Instrumentalness • 61% Positiveness
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Leon Alvarado
Brain Damage
134 bpm • D Maj • 04:27 • -9.58db
19% Popularity • 34% Danceability • 47% Energy • 34% Liveness
77% Instrumentalness • 37% Positiveness
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Clem Snide
There Is Nothing
147 bpm • F Maj • 02:46 • -13.36db
16% Popularity • 58% Danceability • 36% Energy • 11% Liveness
1% Instrumentalness • 40% Positiveness
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Ghost On The Second Floor
The Operator - Version 2024
147 bpm • G Maj • 03:20 • -9.96db
14% Popularity • 55% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 87% Positiveness
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Girma Bèyènè
Fetsum Fetsum - Tirulegn Tolo
147 bpm • F Maj • 02:50 • -11.48db
14% Popularity • 59% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
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Aleka's Attic
Alone U Elope
133 bpm • B min • 03:34 • -10.24db
18% Popularity • 30% Danceability • 43% Energy • 69% Liveness
0% Instrumentalness • 13% Positiveness
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The Auteurs
Bailed Out
133 bpm • F# min • 03:44 • -8.92db
17% Popularity • 61% Danceability • 52% Energy • 34% Liveness
0% Instrumentalness • 43% Positiveness
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The Cleaners From Venus
Lo-Fi London
133 bpm • F Maj • 03:47 • -8.37db
16% Popularity • 64% Danceability • 79% Energy • 86% Liveness
0% Instrumentalness • 52% Positiveness
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Robert Walker
Boys Will Be Boys
148 bpm • E Maj • 02:57 • -9.92db
10% Popularity • 33% Danceability • 52% Energy • 36% Liveness
6% Instrumentalness • 59% Positiveness
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F.T.G.
Wish You Were Here
133 bpm • G Maj • 05:30 • -4.29db
9% Popularity • 53% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
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Claw Boys Claw
600 Monkeys
148 bpm • C Maj • 03:38 • -7.73db
23% Popularity • 70% Danceability • 70% Energy • 12% Liveness
5% Instrumentalness • 85% Positiveness
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The Saw Doctors
Don't Let Me Down
149 bpm • A Maj • 03:17 • -6.97db
20% Popularity • 48% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
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Aurelio Voltaire
Wall of Pride
150 bpm • G Maj • 03:54 • -4.95db
13% Popularity • 46% Danceability • 86% Energy • 9% Liveness
0% Instrumentalness • 59% Positiveness
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James
Waltzing Along
130 bpm • D min • 03:52 • -9.59db
26% Popularity • 52% Danceability • 55% Energy • 62% Liveness
3% Instrumentalness • 40% Positiveness
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John Holburn
The Timekeeper
150 bpm • C Maj • 02:46 • -12.22db
8% Popularity • 50% Danceability • 28% Energy • 11% Liveness
7% Instrumentalness • 39% Positiveness
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Nick Brien
Boys in Bands
130 bpm • F# Maj • 03:54 • -6.75db
9% Popularity • 63% Danceability • 59% Energy • 48% Liveness
0% Instrumentalness • 49% Positiveness
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Tindersticks
The Flicker of a Little Girl
130 bpm • G Maj • 03:28 • -6.96db
11% Popularity • 52% Danceability • 64% Energy • 14% Liveness
0% Instrumentalness • 65% Positiveness
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JOHAN
Undone
130 bpm • D Maj • 03:51 • -8.64db
26% Popularity • 59% Danceability • 57% Energy • 12% Liveness
1% Instrumentalness • 51% Positiveness
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FADED
Different
130 bpm • F Maj • 02:54 • -9.77db
11% Popularity • 65% Danceability • 71% Energy • 52% Liveness
57% Instrumentalness • 55% Positiveness
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Aaron Hunter Dennis
Little Leather Boots
130 bpm • D Maj • 02:33 • -6.9db
7% Popularity • 51% Danceability • 66% Energy • 11% Liveness
6% Instrumentalness • 96% Positiveness
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Eight Arms
The Poet Laureate Sings
130 bpm • G Maj • 02:32 • -13.72db
13% Popularity • 62% Danceability • 42% Energy • 21% Liveness
1% Instrumentalness • 46% Positiveness
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Lush
I've Been Here Before
130 bpm • D# Maj • 04:36 • -7.23db
24% Popularity • 59% Danceability • 76% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
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Bright Eyes
You Will. You? Will. You? Will. You? Wil...
130 bpm • E Maj • 03:51 • -7.71db
14% Popularity • 66% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
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Giant Sand
Fields of Green
152 bpm • F Maj • 03:32 • -12.13db
10% Popularity • 66% Danceability • 50% Energy • 6% Liveness
1% Instrumentalness • 77% Positiveness
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Gorky's Zygotic Mynci
Dark Night
152 bpm • G Maj • 04:47 • -11.86db
9% Popularity • 34% Danceability • 41% Energy • 12% Liveness
4% Instrumentalness • 18% Positiveness
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Camera Obscura
Knee Deep At The National Pop League
129 bpm • G Maj • 05:10 • -11.22db
20% Popularity • 51% Danceability • 50% Energy • 10% Liveness
13% Instrumentalness • 26% Positiveness
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Kate Gibson
Dance Me to the End of Love
129 bpm • E min • 04:27 • -16.78db
14% Popularity • 29% Danceability • 28% Energy • 13% Liveness
0% Instrumentalness • 27% Positiveness
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Billy Bragg
The Fourteenth of February
128 bpm • D Maj • 03:26 • -9.39db
10% Popularity • 47% Danceability • 42% Energy • 8% Liveness
1% Instrumentalness • 32% Positiveness
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Tindersticks
Tiny Tears
153 bpm • E min • 05:45 • -16.63db
43% Popularity • 25% Danceability • 24% Energy • 18% Liveness
36% Instrumentalness • 10% Positiveness
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Grand Drive
Last Train To Heaven
128 bpm • F# min • 03:44 • -9.27db
9% Popularity • 48% Danceability • 53% Energy • 7% Liveness
7% Instrumentalness • 46% Positiveness
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My Glass World
Everybody Here They Come
128 bpm • G Maj • 05:41 • -8.78db
8% Popularity • 51% Danceability • 48% Energy • 9% Liveness
10% Instrumentalness • 30% Positiveness
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Scott Yoder
Love Theme From "How's It Gonna End?"
128 bpm • A Maj • 00:57 • -16.21db
10% Popularity • 53% Danceability • 18% Energy • 35% Liveness
0% Instrumentalness • 37% Positiveness
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Roger Waters
Part of Me Died
128 bpm • G Maj • 03:14 • -12.99db
33% Popularity • 48% Danceability • 25% Energy • 13% Liveness
71% Instrumentalness • 10% Positiveness
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Bright Eyes
Clairaudients (Kill or Be Killed)
128 bpm • A Maj • 06:04 • -10.49db
26% Popularity • 31% Danceability • 66% Energy • 48% Liveness
2% Instrumentalness • 21% Positiveness
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The Beatles
While My Guitar Gently Weeps - Acoustic ...
128 bpm • D min • 03:02 • -14.77db
30% Popularity • 38% Danceability • 16% Energy • 19% Liveness
41% Instrumentalness • 34% Positiveness
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Paul Weller
Cobweb / Connections
154 bpm • D Maj • 02:56 • -7.27db
21% Popularity • 49% Danceability • 50% Energy • 24% Liveness
0% Instrumentalness • 60% Positiveness
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Kaminski
Lemonade
127 bpm • E min • 01:06 • -9.29db
13% Popularity • 56% Danceability • 66% Energy • 41% Liveness
18% Instrumentalness • 83% Positiveness
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The Magnetic Fields
I Have the Moon
127 bpm • A Maj • 02:36 • -11db
21% Popularity • 56% Danceability • 71% Energy • 31% Liveness
4% Instrumentalness • 74% Positiveness
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TR3 featuring Tim Reynolds
So Am I
126 bpm • C Maj • 03:17 • -13.33db
33% Popularity • 76% Danceability • 46% Energy • 8% Liveness
68% Instrumentalness • 38% Positiveness
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Relik
Sorry
126 bpm • G Maj • 03:36 • -12.54db
10% Popularity • 59% Danceability • 59% Energy • 43% Liveness
0% Instrumentalness • 41% Positiveness
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The David Tattersall Group
Ronnie
126 bpm • G Maj • 03:28 • -6.8db
8% Popularity • 56% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
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Supergrass
Mama and Papa
126 bpm • G Maj • 02:30 • -14.16db
19% Popularity • 57% Danceability • 24% Energy • 9% Liveness
2% Instrumentalness • 50% Positiveness
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World Party
God On My Side
156 bpm • E Maj • 04:15 • -8.7db
27% Popularity • 24% Danceability • 43% Energy • 27% Liveness
0% Instrumentalness • 23% Positiveness
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Hans Gredeby
Saviour Satellite
126 bpm • D Maj • 04:12 • -13.04db
11% Popularity • 55% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 15% Positiveness
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Ron Sexsmith
One Grey Morning
125 bpm • A# min • 03:54 • -6.2db
9% Popularity • 46% Danceability • 81% Energy • 31% Liveness
0% Instrumentalness • 55% Positiveness
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Jack Campbell
Want
126 bpm • F# min • 02:17 • -10.04db
19% Popularity • 61% Danceability • 48% Energy • 10% Liveness
1% Instrumentalness • 56% Positiveness
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The Catchmen
You Don't Cry Enough
125 bpm • D Maj • 03:13 • -5.98db
14% Popularity • 67% Danceability • 74% Energy • 39% Liveness
0% Instrumentalness • 59% Positiveness
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The Divine Comedy
Diva Lady
125 bpm • E min • 04:16 • -11.96db
23% Popularity • 68% Danceability • 75% Energy • 16% Liveness
0% Instrumentalness • 91% Positiveness
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The Dolly Rocker Movement
Our Brave New World
125 bpm • D Maj • 02:47 • -7.47db
33% Popularity • 50% Danceability • 75% Energy • 11% Liveness
1% Instrumentalness • 43% Positiveness
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Vernon Papers
Three Blind Mice
125 bpm • C Maj • 01:38 • -10.06db
19% Popularity • 47% Danceability • 21% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
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AURA
SEPARATE
125 bpm • G Maj • 02:52 • -7db
10% Popularity • 56% Danceability • 73% Energy • 39% Liveness
60% Instrumentalness • 42% Positiveness
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Ghost On The Second Floor
Classy Old Lady
125 bpm • G Maj • 03:41 • -7.31db
7% Popularity • 61% Danceability • 78% Energy • 12% Liveness
0% Instrumentalness • 80% Positiveness
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Pulp
Whiskey In The Jar
125 bpm • E min • 04:47 • -7.72db
28% Popularity • 40% Danceability • 75% Energy • 68% Liveness
0% Instrumentalness • 44% Positiveness
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Midlake
In the Ground
157 bpm • F# min • 04:11 • -11.1db
20% Popularity • 25% Danceability • 37% Energy • 18% Liveness
50% Instrumentalness • 22% Positiveness
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Belle and Sebastian
Ease Your Feet in the Sea
157 bpm • A# Maj • 03:35 • -12.41db
44% Popularity • 51% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 68% Positiveness
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The Mountain Goats
New Zion
124 bpm • A Maj • 02:56 • -11.71db
14% Popularity • 66% Danceability • 32% Energy • 10% Liveness
66% Instrumentalness • 81% Positiveness
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Herman Düne
Giant
124 bpm • A# Maj • 04:25 • -8.65db
9% Popularity • 70% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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The Lovetones
Everything Changed
124 bpm • G Maj • 02:47 • -4.26db
11% Popularity • 49% Danceability • 81% Energy • 9% Liveness
0% Instrumentalness • 77% Positiveness
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The Pain